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Allegorical Collection (#97)

"Unveiling the Depths: Allegorical Representations Across Time and Space" From the "Kiss of the Oceans" at the Panama Canal, where Atlantic meets Pacific

Background imageAllegorical Collection: The Triumph of the Church over Fury, Hatred and Discord, before 1628 (oil on canvas)

The Triumph of the Church over Fury, Hatred and Discord, before 1628 (oil on canvas)
XIR36862 The Triumph of the Church over Fury, Hatred and Discord, before 1628 (oil on canvas) by Rubens, Peter Paul (1577-1640); Prado, Madrid

Background imageAllegorical Collection: Allegory of a design studio, engraved by Nicolas Dorigny (engraving) (b / w photo)

Allegory of a design studio, engraved by Nicolas Dorigny (engraving) (b / w photo)
XJF366901 Allegory of a design studio, engraved by Nicolas Dorigny (engraving) (b/w photo) by Maratti, Carlo (1625-1713) (after); Private Collection; (add.info)

Background imageAllegorical Collection: Jealousy (oil on canvas)

Jealousy (oil on canvas)
XOT366564 Jealousy (oil on canvas) by Schiavoni, Natale (1777-1858); Museo Civico Revoltella, Trieste, Italy; Italian, out of copyright

Background imageAllegorical Collection: The Dance of Death: Death by the open tomb, 1490 (fresco)

The Dance of Death: Death by the open tomb, 1490 (fresco)
XOT366538 The Dance of Death: Death by the open tomb, 1490 (fresco) by Kastav, Janez (fl.c.1490); Church of the Holy Trinity, Hrastovlje

Background imageAllegorical Collection: The Dance of Death: Death and the child, 1490 (fresco)

The Dance of Death: Death and the child, 1490 (fresco)
XOT366537 The Dance of Death: Death and the child, 1490 (fresco) by Kastav, Janez (fl.c.1490); Church of the Holy Trinity, Hrastovlje

Background imageAllegorical Collection: Ecclesia Surrounded by Symbols of Vanity (on copper)

Ecclesia Surrounded by Symbols of Vanity (on copper)
BAL35668 Ecclesia Surrounded by Symbols of Vanity (on copper) by Kessel, Jan van, the Elder (1626-79); 48.2x36.8 cm; Johnny van Haeften Gallery, London, UK; Flemish, out of copyright

Background imageAllegorical Collection: The Nine Ages of Man (woodcut) (b / w photo)

The Nine Ages of Man (woodcut) (b / w photo)
XJF354288 The Nine Ages of Man (woodcut) (b/w photo) by Breu, Jorg II (c.1510-47); Private Collection; German, out of copyright

Background imageAllegorical Collection: Pictorial representation of Saint Pauls Epistle to the Ephesians 2

Pictorial representation of Saint Pauls Epistle to the Ephesians 2
XJF349785 Pictorial representation of Saint Pauls Epistle to the Ephesians 2. 19-22 (engraving) by German School, (18th century); Private Collection; (add.info)

Background imageAllegorical Collection: The adoration of the Magi / a [monogram of Andrea Andreani] MDCV

The adoration of the Magi / a [monogram of Andrea Andreani] MDCV. Vicentino, Giuseppe Niccolo, approximately 1510-, artist, Parmigianino, 1503-1540. Andreani, Andrea, approximately 1560-1623

Background imageAllegorical Collection: Monument to Leon Gambetta, Truth, cour Napoleon, Louvre, 1888 (detail) (marble & stone)

Monument to Leon Gambetta, Truth, cour Napoleon, Louvre, 1888 (detail) (marble & stone)
XIR346103 Monument to Leon Gambetta, Truth, cour Napoleon, Louvre, 1888 (detail) (marble & stone) (see also 346101, 346102, 346503) (b/w photo) by Aube, Jean Paul (1837-1916); Paris

Background imageAllegorical Collection: Monument to Leon Gambetta, Force, cour Napoleon, Louvre, 1888 (detail) (see also 346101 to 346103)

Monument to Leon Gambetta, Force, cour Napoleon, Louvre, 1888 (detail) (see also 346101 to 346103)
XIR346104 Monument to Leon Gambetta, Force, cour Napoleon, Louvre, 1888 (detail) (see also 346101 to 346103) (bronze & stone) (b/w photo) by Aube, Jean Paul (1837-1916); Paris

Background imageAllegorical Collection: Monument to Leon Gambetta, central group, cour Napoleon, Louvre, 1888 (detail) (stone)

Monument to Leon Gambetta, central group, cour Napoleon, Louvre, 1888 (detail) (stone)
XIR346102 Monument to Leon Gambetta, central group, cour Napoleon, Louvre, 1888 (detail) (stone) (see also 346101, 346103, 346104, 346503) (b/w photo) by Aube, Jean Paul (1837-1916); Paris

Background imageAllegorical Collection: The Cure of Folly (oil on panel)

The Cure of Folly (oil on panel)
BAL3422 The Cure of Folly (oil on panel) by Bosch, Hieronymus (c.1450-1516); 48x35 cm; Prado, Madrid, Spain; (add.info.: L excision de la pierre de folie; l extraction; medecin; chirurgie;)

Background imageAllegorical Collection: Primavera, detail of Flora and Zephyr, c. 1478, (tempera on panel) (detail of 558)

Primavera, detail of Flora and Zephyr, c. 1478, (tempera on panel) (detail of 558)
XAL341296 Primavera, detail of Flora and Zephyr, c.1478, (tempera on panel) (detail of 558) by Botticelli, Sandro (1444/5-1510); Galleria degli Uffizi, Florence, Italy; Italian, out of copyright

Background imageAllegorical Collection: BridgemanArt Full Collection

BridgemanArt Full Collection
OneVisionArt BridgemanArt Full Collection

Background imageAllegorical Collection: The Battle of Love and Chastity, after 1503 (oil on canvas)

The Battle of Love and Chastity, after 1503 (oil on canvas)
XIR33026 The Battle of Love and Chastity, after 1503 (oil on canvas) by Perugino, Pietro (c.1445-1523); 160x191 cm; Louvre, Paris

Background imageAllegorical Collection: The Gathering of the Nations; Allegorical Design by Johannot, Made for the Great

The Gathering of the Nations; Allegorical Design by Johannot, Made for the Great Exhibition, Hyde Park, London, Uk, 1851 Engraving

Background imageAllegorical Collection: An Allegory of Autumn

An Allegory of Autumn
BAL31868 An Allegory of Autumn by Vrancx, Sebastian (1573-1647); Johnny van Haeften Gallery, London, UK; Flemish, out of copyright

Background imageAllegorical Collection: Silhouette of an Angel (pen and ink on paper)

Silhouette of an Angel (pen and ink on paper)
XJF311690 Silhouette of an Angel (pen and ink on paper) by Vinci, Leonardo da (1452-1519); British Museum, London, UK; Italian, out of copyright

Background imageAllegorical Collection: The Hour of Death, an allegoric miniature, from a 15th century manuscript (litho)

The Hour of Death, an allegoric miniature, from a 15th century manuscript (litho)
XJF308724 The Hour of Death, an allegoric miniature, from a 15th century manuscript (litho) by French School, (15th century); Private Collection; French, out of copyright

Background imageAllegorical Collection: Nemesis, 1837 (oil on canvas)

Nemesis, 1837 (oil on canvas)
BAL308353 Nemesis, 1837 (oil on canvas) by Rethel, Alfred (1816-59); 95x48 cm; State Hermitage Museum, St. Petersburg, Russia; German, out of copyright

Background imageAllegorical Collection: Adam and Eve after the Fall, illustration from John Miltons Paradise Lost

Adam and Eve after the Fall, illustration from John Miltons Paradise Lost
XJF396639 Adam and Eve after the Fall, illustration from John Miltons Paradise Lost, engraved by Michael Burghers, sixth edition 1695 (engraving) by Medina

Background imageAllegorical Collection: Apotheosis of Peter the Great (engraving)

Apotheosis of Peter the Great (engraving)
XJF396623 Apotheosis of Peter the Great (engraving) by Russian School, (18th century); Private Collection; (add.info.: Peter I the Great (1672-1725)

Background imageAllegorical Collection: Apotheosis of King Louis XIV of France (oil on canvas)

Apotheosis of King Louis XIV of France (oil on canvas)
XIR77981 Apotheosis of King Louis XIV of France (oil on canvas) by Le Brun, Charles (1619-90); Musee Ingres, Montauban, France; French, out of copyright

Background imageAllegorical Collection: Philosophy and a Habsburg Emperor, from Quatuor Libri Amorum written by

Philosophy and a Habsburg Emperor, from Quatuor Libri Amorum written by
XAM77595 Philosophy and a Habsburg Emperor, from Quatuor Libri Amorum written by Konrad Celtis of Nuremberg, 1502 (woodcut) by Durer or Duerer, Albrecht (1471-1528) (attr)

Background imageAllegorical Collection: The Voyage of Life: Youth, 1842 (oil on canvas)

The Voyage of Life: Youth, 1842 (oil on canvas)
XOS744782 The Voyage of Life: Youth, 1842 (oil on canvas) by Cole, Thomas (1801-48); 134.3 x 194.9 cm; National Gallery of Art, Washington DC, USA; American, out of copyright

Background imageAllegorical Collection: Allegory of Virtue and Vice, 1505 (oil on panel)

Allegory of Virtue and Vice, 1505 (oil on panel)
XOS741908 Allegory of Virtue and Vice, 1505 (oil on panel) by Lotto, Lorenzo (c.1480-1556); 56.5 x 42.2 cm; National Gallery of Art, Washington DC

Background imageAllegorical Collection: France, allegorical figure painting by M. A. Marc. 1855. Engraving

France, allegorical figure painting by M. A. Marc. 1855. Engraving
France, allegorical figure painting by M.A. Marc. 1855. Engraving

Background imageAllegorical Collection: Jupiter, c. 1464 (engraving)

Jupiter, c. 1464 (engraving)
XJF618969 Jupiter, c.1464 (engraving) by Baldini, Baccio (c.1436-87); Private Collection; (add.info.: Jupiter rides a chariot drawn by two eagles across the sky)

Background imageAllegorical Collection: Saturn, c. 1464 (engraving)

Saturn, c. 1464 (engraving)
XJF618971 Saturn, c.1464 (engraving) by Baldini, Baccio (c.1436-87); Private Collection; (add.info.: Saturn rides a chariot across the sky drawn by a two-headed dragon)

Background imageAllegorical Collection: Justice, after a tarot card from the Gringonneur pack (engraving)

Justice, after a tarot card from the Gringonneur pack (engraving)
XJF618911 Justice, after a tarot card from the Gringonneur pack (engraving) by Italian School, (15th century) (after); Private Collection; Italian, out of copyright

Background imageAllegorical Collection: America, detail from The Glory of Spain II, from the Ceiling of the Throne Room, 1764

America, detail from The Glory of Spain II, from the Ceiling of the Throne Room, 1764
XIR61758 America, detail from The Glory of Spain II, from the Ceiling of the Throne Room, 1764 (fresco) (see also 61757, 62096, 62340) by Tiepolo

Background imageAllegorical Collection: Allegory of Death: In Ictu Oculi (oil on canvas)

Allegory of Death: In Ictu Oculi (oil on canvas)
XIR61741 Allegory of Death: In Ictu Oculi (oil on canvas) by Valdes Leal, Juan de (1622-90); Hospital de la Santa Caridad, Seville, Spain; Spanish, out of copyright

Background imageAllegorical Collection: Sight and Smell (oil on canvas)

Sight and Smell (oil on canvas)
XIR61051 Sight and Smell (oil on canvas) by Brueghel, Jan the Elder (1568-1625); 175x263 cm; Prado, Madrid, Spain; Flemish, out of copyright

Background imageAllegorical Collection: Spring, (oil on canvas)

Spring, (oil on canvas)
XIR61056 Spring, (oil on canvas) by Arcimboldo, Giuseppe (1527-93); 66x50 cm; Real Academia de Bellas Artes de San Fernando, Madrid, Spain; Italian, out of copyright

Background imageAllegorical Collection: Taste, Hearing and Touch, 1618 (oil on panel)

Taste, Hearing and Touch, 1618 (oil on panel)
XIR61052 Taste, Hearing and Touch, 1618 (oil on panel) by Brueghel, Jan the Elder (1568-1625); 176x264 cm; Prado, Madrid, Spain; (add.info.: Le Gout, l Ouie et le Toucher; ); Flemish, out of copyright

Background imageAllegorical Collection: The tooth puller, the bagpipe player and the wood collectors, detail of the central

The tooth puller, the bagpipe player and the wood collectors, detail of the central
XIR468195 The tooth puller, the bagpipe player and the wood collectors, detail of the central panel of The Haywain Triptych, c.1515 (oil on panel) (detail of 3429) by Bosch

Background imageAllegorical Collection: France delivered to crows of all kinds, from La Caricature, 31 October 1831

France delivered to crows of all kinds, from La Caricature, 31 October 1831
XIR468141 France delivered to crows of all kinds, from La Caricature, 31 October 1831 (colour litho) by Grandville (Jean Ignace Isidore Gerard) (1803-47); Musee de la Ville de Paris

Background imageAllegorical Collection: Present times demand that everyone bears the Great Burden (coloured engraving)

Present times demand that everyone bears the Great Burden (coloured engraving)
XIR468110 Present times demand that everyone bears the Great Burden (coloured engraving) by French School, (18th century); Musee de la Ville de Paris, Musee Carnavalet, Paris

Background imageAllegorical Collection: The Triumph of Venus and of Love (oil on panel)

The Triumph of Venus and of Love (oil on panel)
XIR391173 The Triumph of Venus and of Love (oil on panel) by Flemish School, (16th century); Bibliotheque Municipale, Saint-Germain-en-Laye

Background imageAllegorical Collection: The Seven Liberal Arts, c. 1435 (oil on panel)

The Seven Liberal Arts, c. 1435 (oil on panel)
XIR38857 The Seven Liberal Arts, c.1435 (oil on panel) by Ponte, Giovanni dal (c.1385-1437/42); 56x155 cm; Prado, Madrid, Spain; Italian, out of copyright

Background imageAllegorical Collection: Poster depicting The Alliance between the city and the countryside, 1925

Poster depicting The Alliance between the city and the countryside, 1925
BAL347492 Poster depicting The Alliance between the city and the countryside, 1925 (colour litho) by Kustodiev, Boris Mikhailovich (1878-1927); Russian State Library, Moscow, Russia; Russian

Background imageAllegorical Collection: Belief, Hope and Love, 1819 (oil on wood)

Belief, Hope and Love, 1819 (oil on wood)
BAL347489 Belief, Hope and Love, 1819 (oil on wood) by Hess, Heinrich Maria von (1798-1863); State Hermitage Museum, St. Petersburg, Russia; German, out of copyright

Background imageAllegorical Collection: Venus and Cupid, Allegory of the Truth (oil on wood)

Venus and Cupid, Allegory of the Truth (oil on wood)
BAL347474 Venus and Cupid, Allegory of the Truth (oil on wood) by Backer, Jacques de (b.c.1545-fl.1595); eLviv State Picture Gallery, Ukraine; Netherlandish, out of copyright

Background imageAllegorical Collection: England, engraved by Thomas Phillibrown, from The Works of William Hogarth

England, engraved by Thomas Phillibrown, from The Works of William Hogarth
KW281806 England, engraved by Thomas Phillibrown, from The Works of William Hogarth, published 1833 (litho) by Hogarth, William (1697-1764) (after); Private Collection; Ken Welsh; English

Background imageAllegorical Collection: France, engraved by C. Armstrong, from The Works of Hogarth, published 1833

France, engraved by C. Armstrong, from The Works of Hogarth, published 1833
KW281801 France, engraved by C. Armstrong, from The Works of Hogarth, published 1833 (litho) by Hogarth, William (1697-1764) (after); Private Collection; Ken Welsh; English, out of copyright

Background imageAllegorical Collection: An Allegory with Venus and Time, c. 1754-58 (fresco)

An Allegory with Venus and Time, c. 1754-58 (fresco)
XCF280538 An Allegory with Venus and Time, c.1754-58 (fresco) by Tiepolo, Giovanni Battista (Giambattista) (1696-1770); National Gallery, London, UK; Italian, out of copyright




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"Unveiling the Depths: Allegorical Representations Across Time and Space" From the "Kiss of the Oceans" at the Panama Canal, where Atlantic meets Pacific, to the "Defenders of the Empire" - British Army, Navy, and Airforce standing tall; allegory has long been a powerful tool in conveying complex ideas. Intriguingly, even socialist ideals found their way into art with "The Workers May-Pole, " a design for a thought-provoking socialist poster. Similarly, alchemy's mystique is captured in the enigmatic "Alchemical Tree. " "Bismarck as Blacksmith" portrays political power through an allegorical lens while William John Wainwright's masterpiece - "Parable Of The Wise And Foolish Virgins" - invites contemplation on wisdom and folly. "WOMENs SUFFRAGE: The Awakening, " by Henry Mayer showcases an allegorical representation striding across western states towards equality. Alice Duer Miller's poignant poem echoes this sentiment below. A trades union membership certificate symbolizes solidarity among workers while Vera Mukhina's sculpture captures unity between laborers in Moscow. Mary L. Macomber delves into darkness with her evocative piece titled "Night and Her Daughter Sleep. " Meanwhile, Hieronymus Bosch takes us on a surreal journey through sin and pleasure with his iconic triptych - "The Garden of Earthly Delights. " Lastly, we find ourselves immersed in satire as Hogarth presents us with "The Bathos, " reminding us that humor can also be employed within allegory to convey profound messages. These diverse examples remind us that allegories have transcended time and culture to provoke thought, challenge norms, and inspire change throughout history.