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Allegorical Collection (#99)

"Unveiling the Depths: Allegorical Representations Across Time and Space" From the "Kiss of the Oceans" at the Panama Canal, where Atlantic meets Pacific

Background imageAllegorical Collection: Allegory of the Court of Isabella d Este (1474-1539) 1504-06 (tempera on panel)

Allegory of the Court of Isabella d Este (1474-1539) 1504-06 (tempera on panel)
XIR227698 Allegory of the Court of Isabella d Este (1474-1539) 1504-06 (tempera on panel) by Costa, Lorenzo (1459/60-1535); 164.5x197.5 cm; Louvre, Paris

Background imageAllegorical Collection: Spring, from a series of the Four Seasons in the Salle du Conseil (oil on canvas)

Spring, from a series of the Four Seasons in the Salle du Conseil (oil on canvas)
XIR227678 Spring, from a series of the Four Seasons in the Salle du Conseil (oil on canvas) by Boucher, Francois (1703-70); Chateau de Fontainebleau, Seine-et-Marne, France; French, out of copyright

Background imageAllegorical Collection: Winter, from a series of the Four Seasons in the Salle du Conseil (oil on canvas)

Winter, from a series of the Four Seasons in the Salle du Conseil (oil on canvas)
XIR227677 Winter, from a series of the Four Seasons in the Salle du Conseil (oil on canvas) by Boucher, Francois (1703-70); Chateau de Fontainebleau, Seine-et-Marne, France; French, out of copyright

Background imageAllegorical Collection: Air, c. 1640-41 (oil on canvas)

Air, c. 1640-41 (oil on canvas)
XIR223696 Air, c.1640-41 (oil on canvas) by Deruet, Claude (1588-1660); 194x258.5 cm; Musee des Beaux-Arts, Orleans, France; (add.info)

Background imageAllegorical Collection: Allegory of the Vices, 1529-30 (tempera on canvas)

Allegory of the Vices, 1529-30 (tempera on canvas)
XIR223217 Allegory of the Vices, 1529-30 (tempera on canvas) by Correggio, (Antonio Allegri) (c.1489-1534); 148x88 cm; Louvre, Paris, France; Italian, out of copyright

Background imageAllegorical Collection: Liberty, Patron of the French, engraved by Ruotte (coloured engraving)

Liberty, Patron of the French, engraved by Ruotte (coloured engraving)
XIR222792 Liberty, Patron of the French, engraved by Ruotte (coloured engraving) by Boizot, Simon Louis (1743-1809) (after); Musee de la Ville de Paris, Musee Carnavalet, Paris

Background imageAllegorical Collection: The Republic, 1880 (marble)

The Republic, 1880 (marble)
XIR222788 The Republic, 1880 (marble) by Gautherin, Jean (1840-90); 110x80x43 cm; Hotel de Ville, Paris, France; French, out of copyright

Background imageAllegorical Collection: Charity (oil on panel)

Charity (oil on panel)
XIR222785 Charity (oil on panel) by Morandini, Francesco (Il Poppi) (1544-97); Musee de la Chartreuse, Douai, France; Italian, out of copyright

Background imageAllegorical Collection: Vanitas, reverse of two panels from a triptych (oil on panel)

Vanitas, reverse of two panels from a triptych (oil on panel)
XIR212553 Vanitas, reverse of two panels from a triptych (oil on panel) by Flemish School, (16th century); 124x38 cm; Louvre, Paris, France; Flemish, out of copyright

Background imageAllegorical Collection: Allegory of France (oil on canvas)

Allegory of France (oil on canvas)
XIR222292 Allegory of France (oil on canvas) by Poilleux-Saint-Ange, Georges Louis (b.c.1855-1913); 237x162 cm; Musee de la Ville de Paris, Musee du Petit-Palais, France; French, out of copyright

Background imageAllegorical Collection: CL 22718E Sobriety Against Gluttony, from Rondeaux des Vertus, created

CL 22718E Sobriety Against Gluttony, from Rondeaux des Vertus, created
XIR222274 CL 22718E Sobriety Against Gluttony, from Rondeaux des Vertus, created for Louise de Savoie (vellum) by French School, (16th century); Musee National de la Renaissance, Ecouen

Background imageAllegorical Collection: CL 22718D Patience Against Wrath, from Rondeaux des Vertus, created for Louis de Savoie

CL 22718D Patience Against Wrath, from Rondeaux des Vertus, created for Louis de Savoie
XIR222273 CL 22718D Patience Against Wrath, from Rondeaux des Vertus, created for Louis de Savoie (vellum) by French School, (16th century); Musee National de la Renaissance, Ecouen

Background imageAllegorical Collection: CL 22718A Humility Against Pride, from Rondeaux des Vertus, created for Louis de Savoie

CL 22718A Humility Against Pride, from Rondeaux des Vertus, created for Louis de Savoie
XIR222272 CL 22718A Humility Against Pride, from Rondeaux des Vertus, created for Louis de Savoie (vellum) by French School, (16th century); Musee National de la Renaissance, Ecouen

Background imageAllegorical Collection: Allegory of the Arts and Patronage or, Emperor Augustus (63-14 BC) Supporting the Arts

Allegory of the Arts and Patronage or, Emperor Augustus (63-14 BC) Supporting the Arts
XIR221490 Allegory of the Arts and Patronage or, Emperor Augustus (63-14 BC) Supporting the Arts, 1660-69 (oil on canvas) by Lairesse, Gerard de (1640-1711); 62.3x48.4 cm; Musee des Beaux-Arts, Caen

Background imageAllegorical Collection: Humility, Indulgence and Truth, from the Sala Capitolare (Hall of Surrender) c

Humility, Indulgence and Truth, from the Sala Capitolare (Hall of Surrender) c
XIR245739 Humility, Indulgence and Truth, from the Sala Capitolare (Hall of Surrender) c.1749 (fresco) by Tiepolo, Giovanni Battista (Giambattista) (1696-1770); Scuola Grande dei Carmini, Venice

Background imageAllegorical Collection: Earth, detail of the right hand side, c. 1640-41 (oil on canvas)

Earth, detail of the right hand side, c. 1640-41 (oil on canvas)
XIR216681 Earth, detail of the right hand side, c.1640-41 (oil on canvas) by Deruet, Claude (1588-1660); Musee des Beaux-Arts, Orleans

Background imageAllegorical Collection: Allegory of the Report Given to Louis XVI (1754-93) by Jacques Necker (1732-1804) in 1781

Allegory of the Report Given to Louis XVI (1754-93) by Jacques Necker (1732-1804) in 1781
XIR213134 Allegory of the Report Given to Louis XVI (1754-93) by Jacques Necker (1732-1804) in 1781 (engraving) (b/w photo) by French School, (18th century); Bibliotheque Nationale, Paris

Background imageAllegorical Collection: Autumn, from a series of the Four Seasons in the Salle du Conseil (oil on canvas)

Autumn, from a series of the Four Seasons in the Salle du Conseil (oil on canvas)
XIR212859 Autumn, from a series of the Four Seasons in the Salle du Conseil (oil on canvas) by Boucher, Francois (1703-70); Chateau de Fontainebleau, Seine-et-Marne, France; French, out of copyright

Background imageAllegorical Collection: Music and Love, 1652 (oil on canvas)

Music and Love, 1652 (oil on canvas)
XJL211847 Music and Love, 1652 (oil on canvas) by Thulden, Theodore van (1606-79); Musees Royaux des Beaux-Arts de Belgique, Brussels, Belgium; Flemish, out of copyright

Background imageAllegorical Collection: Paradise of the Symbolic Fountain (oil on panel)

Paradise of the Symbolic Fountain (oil on panel)
XIR16719 Paradise of the Symbolic Fountain (oil on panel) by Bouts, Dirck (c.1415-75); 1155x69 cm; Musee des Beaux-Arts, Lille

Background imageAllegorical Collection: The Concert in the Egg (oil on panel)

The Concert in the Egg (oil on panel)
XIR16717 The Concert in the Egg (oil on panel) by Bosch, Hieronymus (c.1450-1516) (after); Musee des Beaux-Arts, Lille, France; Netherlandish, out of copyright

Background imageAllegorical Collection: Allegory of the Revolt known as the Papier Timbre of 1675, 1676 (oil on canvas)

Allegory of the Revolt known as the Papier Timbre of 1675, 1676 (oil on canvas)
XIR158187 Allegory of the Revolt known as the Papier Timbre of 1675, 1676 (oil on canvas) by Chalette, Jean Bernard (1631-c.78); Musee des Beaux-Arts, Rennes

Background imageAllegorical Collection: The Three Ages of Man (oil on canvas)

The Three Ages of Man (oil on canvas)
BAL210894 The Three Ages of Man (oil on canvas) by Bijlert or Bylert, Jan van (1603-71); 112x121 cm; Private Collection; Courtesy of Thomas Brod and Patrick Pilkington; Dutch, out of copyright

Background imageAllegorical Collection: The French Republican, engraved by A. Clement (coloured engraving)

The French Republican, engraved by A. Clement (coloured engraving)
XIR207017 The French Republican, engraved by A. Clement (coloured engraving) by Boizot, Simon Louis (1743-1809) (after); Musee de la Ville de Paris, Musee Carnavalet, Paris

Background imageAllegorical Collection: Primavera, detail of Venus, c. 1478 (tempera on panel)

Primavera, detail of Venus, c. 1478 (tempera on panel)
XIR206946 Primavera, detail of Venus, c.1478 (tempera on panel) by Botticelli, Sandro (Alessandro di Mariano di Vanni Filipepi) (1444/5-1510); Galleria degli Uffizi, Florence

Background imageAllegorical Collection: Allegory of Hearing, detail of an organist (oil on canvas)

Allegory of Hearing, detail of an organist (oil on canvas)
XIR206928 Allegory of Hearing, detail of an organist (oil on canvas) by Kessel, Jan van (1626-79) & Balen, Hendrik van (1575-1632); Musee d Art et d Histoire, Saint-Germain-en-Laye, France; Flemish

Background imageAllegorical Collection: CL 22718 B Generosity Against Avarice, from Rondeaux des Vertus created

CL 22718 B Generosity Against Avarice, from Rondeaux des Vertus created
XIR198417 CL 22718 B Generosity Against Avarice, from Rondeaux des Vertus created for Louise de Savoie (vellum) by French School, (16th century); Musee National de la Renaissance, Ecouen

Background imageAllegorical Collection: Triumph of Fame, inspired by Triumphs by Petrarch (1304-74) (oil on panel)

Triumph of Fame, inspired by Triumphs by Petrarch (1304-74) (oil on panel)
XAL194164 Triumph of Fame, inspired by Triumphs by Petrarch (1304-74) (oil on panel) by Scheggia, Giovanni di Ser Giovanni (1406-86); Palazzo Davanzati, Florence

Background imageAllegorical Collection: Triumph of Love, inspired by Triumphs by Petrarch (1304-74) (oil on panel)

Triumph of Love, inspired by Triumphs by Petrarch (1304-74) (oil on panel)
XAL194162 Triumph of Love, inspired by Triumphs by Petrarch (1304-74) (oil on panel) by Scheggia, Giovanni di Ser Giovanni (1406-86); Palazzo Davanzati, Florence

Background imageAllegorical Collection: Triumph of Eternity, inspired by Triumphs by Petrarch (1304-74) (oil on panel)

Triumph of Eternity, inspired by Triumphs by Petrarch (1304-74) (oil on panel)
XAL194161 Triumph of Eternity, inspired by Triumphs by Petrarch (1304-74) (oil on panel) by Sellaio, Jacopo del (1441/42-93); Museo Bandini, Fiesole

Background imageAllegorical Collection: Triumph of Time, inspired by Triumphs by Petrarch (1304-74) (oil on panel)

Triumph of Time, inspired by Triumphs by Petrarch (1304-74) (oil on panel)
XAL194160 Triumph of Time, inspired by Triumphs by Petrarch (1304-74) (oil on panel) by Sellaio, Jacopo del (1441/42-93); Museo Bandini, Fiesole

Background imageAllegorical Collection: Triumph of Love, inspired by Triumphs by Petrarch (1304-74) (oil on panel)

Triumph of Love, inspired by Triumphs by Petrarch (1304-74) (oil on panel)
XAL194156 Triumph of Love, inspired by Triumphs by Petrarch (1304-74) (oil on panel) (see 194157 for detail) by Sellaio, Jacopo del (1441/42-93); Museo Bandini, Fiesole

Background imageAllegorical Collection: The Dominican Order Overcoming Heresy, 1750 (oil on canvas)

The Dominican Order Overcoming Heresy, 1750 (oil on canvas)
XIR193512 The Dominican Order Overcoming Heresy, 1750 (oil on canvas) by Bortoloni, Mattia (1695-1750); 73x50 cm; Musee des Beaux-Arts, Pau, France; Italian, out of copyright

Background imageAllegorical Collection: Fame (oil on canvas)

Fame (oil on canvas)
XAL192417 Fame (oil on canvas) by Sementi, Giovanni Giacomo (1583-1636); Galleria Sabauda, Turin, Italy; Italian, out of copyright

Background imageAllegorical Collection: Allegory with the portrait of Gioseppe Francesco Borri, print maker: Theodor Matham

Allegory with the portrait of Gioseppe Francesco Borri, print maker: Theodor Matham, Jan Zoet falsification of, Seger Tielemans, 1662 - 1666

Background imageAllegorical Collection: CL 22718 C Charity Against Envy, from Rondeaux des Vertus, created for Louis de Savoie

CL 22718 C Charity Against Envy, from Rondeaux des Vertus, created for Louis de Savoie
XIR191473 CL 22718 C Charity Against Envy, from Rondeaux des Vertus, created for Louis de Savoie (vellum) by French School, (16th century); Musee National de la Renaissance, Ecouen, France; French

Background imageAllegorical Collection: Young Woman and Death, 1517 (tempera on panel)

Young Woman and Death, 1517 (tempera on panel)
XIR191425 Young Woman and Death, 1517 (tempera on panel) by Baldung Grien, Hans (1484/5-1545); 30x14.5 cm; Kunstmuseum, Basel, Switzerland; (add.info.: La Jeune Fille et la Mort; ); German

Background imageAllegorical Collection: CL 22718 F Chasity Against Lust, from Rondeaux des Vertus created for Louise de Savoie

CL 22718 F Chasity Against Lust, from Rondeaux des Vertus created for Louise de Savoie
XIR191418 CL 22718 F Chasity Against Lust, from Rondeaux des Vertus created for Louise de Savoie (vellum) by French School, (16th century); Musee National de la Renaissance, Ecouen, France; French

Background imageAllegorical Collection: Allegorical Representation of the Expedition to Chatham in 1667, with a Portrait

Allegorical Representation of the Expedition to Chatham in 1667, with a Portrait of Cornelis de Witt, Cornelis Bisschop, 1668

Background imageAllegorical Collection: The Sense of Sight, c. 1744-47 (oil on canvas)

The Sense of Sight, c. 1744-47 (oil on canvas)
XYC190749 The Sense of Sight, c.1744-47 (oil on canvas) by Mercier, Philippe (1689-1760); 132x153.6 cm; Yale Center for British Art, Paul Mellon Collection, USA; French, out of copyright

Background imageAllegorical Collection: Triumphant Entry of Charles IX (1550-74) (pen & ink on paper)

Triumphant Entry of Charles IX (1550-74) (pen & ink on paper)
XIR188730 Triumphant Entry of Charles IX (1550-74) (pen & ink on paper) by Abate, Nicolo dell (c.1509-71); Louvre, Paris, France; (add.info.: possibly following signing of the Treaty of St)

Background imageAllegorical Collection: Hearing (engraving) (b / w photo)

Hearing (engraving) (b / w photo)
XIR188728 Hearing (engraving) (b/w photo) by Bonnart (Family of Engravers) (1650-1750); Bibliotheque Municipale, Valenciennes, France; French, out of copyright

Background imageAllegorical Collection: The Magistrates of Paris Receiving News of the Peace, 21st June 1763 (oil on canvas)

The Magistrates of Paris Receiving News of the Peace, 21st June 1763 (oil on canvas)
XIR188708 The Magistrates of Paris Receiving News of the Peace, 21st June 1763 (oil on canvas) by Halle, Noel (1711-81); 324x457 cm; ChAteau de Versailles

Background imageAllegorical Collection: Relief depicting an Allegory of Music (lapis lazuli)

Relief depicting an Allegory of Music (lapis lazuli)
XIR184060 Relief depicting an Allegory of Music (lapis lazuli) by French School, (16th century); 12.8x9.5 cm; Louvre, Paris, France; (add.info.: allegorie de la musique composant; ); French

Background imageAllegorical Collection: Monument to Henry Hooft Danielsz. 1794, print maker: Hermanus Fock, 1794

Monument to Henry Hooft Danielsz. 1794, print maker: Hermanus Fock, 1794

Background imageAllegorical Collection: Subscribe to Hasten Peace by Victory, poster for the Third Loan of the National Defence

Subscribe to Hasten Peace by Victory, poster for the Third Loan of the National Defence
XIR182167 Subscribe to Hasten Peace by Victory, poster for the Third Loan of the National Defence, 1917 (coloured engraving) by Besnard

Background imageAllegorical Collection: Portrait of William VI, Landgrave of Hesse-Kassel, in an allegorical frame, Mercury

Portrait of William VI, Landgrave of Hesse-Kassel, in an allegorical frame, Mercury and attributes including winch, caduceus and cornucopia, a second allegorical figure (Jupiter)

Background imageAllegorical Collection: Allegory in honor of Christina of Sweden, Pieter Nolpe, 1650

Allegory in honor of Christina of Sweden, Pieter Nolpe, 1650




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"Unveiling the Depths: Allegorical Representations Across Time and Space" From the "Kiss of the Oceans" at the Panama Canal, where Atlantic meets Pacific, to the "Defenders of the Empire" - British Army, Navy, and Airforce standing tall; allegory has long been a powerful tool in conveying complex ideas. Intriguingly, even socialist ideals found their way into art with "The Workers May-Pole, " a design for a thought-provoking socialist poster. Similarly, alchemy's mystique is captured in the enigmatic "Alchemical Tree. " "Bismarck as Blacksmith" portrays political power through an allegorical lens while William John Wainwright's masterpiece - "Parable Of The Wise And Foolish Virgins" - invites contemplation on wisdom and folly. "WOMENs SUFFRAGE: The Awakening, " by Henry Mayer showcases an allegorical representation striding across western states towards equality. Alice Duer Miller's poignant poem echoes this sentiment below. A trades union membership certificate symbolizes solidarity among workers while Vera Mukhina's sculpture captures unity between laborers in Moscow. Mary L. Macomber delves into darkness with her evocative piece titled "Night and Her Daughter Sleep. " Meanwhile, Hieronymus Bosch takes us on a surreal journey through sin and pleasure with his iconic triptych - "The Garden of Earthly Delights. " Lastly, we find ourselves immersed in satire as Hogarth presents us with "The Bathos, " reminding us that humor can also be employed within allegory to convey profound messages. These diverse examples remind us that allegories have transcended time and culture to provoke thought, challenge norms, and inspire change throughout history.