Ambrosius Holbein Collection

Woodcut from 1518 third edition of Utopia by Sir Thomas More (1478-1535
5615729 Woodcut from 1518 third edition of Utopia by Sir Thomas More (1478-1535) published in Basel showing the author conversing with the protagonist Raphael Hythloday about the ideal society he

Utopiensium Alphabetum (Utopian Alphabet) from the 1518 third edition of
5615730 Utopiensium Alphabetum (Utopian Alphabet) from the 1518 third edition of Utopia by Sir Thomas More (1478-1535) first published in 1516

The island of Utopia (engraving)
3647922 The island of Utopia (engraving) by Holbein, Ambrosius (c.1493-c.1519); Private Collection; (add.info.: The island of Utopia. Illustration for a German edition of Sir Thomas Mores Utopia)

Map of the New Island of Utopia from a 1518 edition of Utopia
5615727 Map of the New Island of Utopia from a 1518 edition of Utopia by Sir Thomas More (1478-1535), first published in 1516. Woodcut by Ambrosius Holbein (c. 1494-c)

Portrait Hans Herbst Herbster 1516 mixed media
Portrait of Hans Herbst (Herbster), 1516, mixed media on paper, mounted on lime wood, 39.5 x 26.5 cm, dated at the top left of the tablet in the arch gusset: ÔÇó 1 ÔÇó 5 ÔÇó 16 ÔÇó [the 5 retouched]

Ambrosius and Hans, the artists sons, 1511, (1943). Creator: Hans Holbein the Elder
Ambrosius and Hans, the artists sons, 1511, (1943). Portait of Ambrosius Holbein (c1494-c1520) and his younger brother Hans Holbein the Younger (1497-1543)

Ideal portrait Vergil oil fir wood 63. 5 x 67. 5 cm
Ideal portrait of the Vergil, oil on fir wood, 63.5 x 67.5 cm, unsigned. On the inscription: NON.MICHI.CERTABIT.VATOM.QVICUMQ [UE].FATETVR.CARMINE.CO, NCINVI.DASTVA.RVRA.DUCES, Ambrosius Holbein

Ideal portrait Ptolemy oil fir wood 64 x 69 cm
Ideal portrait of Ptolemy, oil on fir wood, 64 x 69 cm, unmarked. On the inscription: TERRARVM.DOCV.SITVS. ET.SIDERA./ CAELI.ET.MARIS.MIMENSI.MVRNVT, RA.DTOLOMEVS, Ambrosius Holbein

Ideal portrait Emperor Justinian oil fir wood
Ideal portrait of Emperor Justinian, oil on fir wood, 69.5 x 68 cm (panel) |, 68 x 67.5 cm (image size), Not specified. On the inscription: SACRAS.CONDIDERAM.LEGES.EGO

Portrait JAorg Schweiger front Parchment sheet stuck
Portrait of Jorg Schweiger (front), Parchment sheet stuck with his full emblem (back), c. 1518, mixed technique on basswood, 29.5 x 21.5 cm, unsigned, Ambrosius Holbein

Portrait boy brown hair c. 1516 mixed technique
Portrait of a boy with brown hair, c. 1516, mixed technique on fir wood, 33.5 x 28 cm, unsigned, Ambrosius Holbein, Augsburg um 1494 - um 1519 Basel (?)

Christ interposing God Father c. 1515 mixed technique
Christ interposing with God the Father, c. 1515, mixed technique on basswood, 36.5 x 30.5 cm, unsigned, Ambrosius Holbein, Augsburg um 1494 - um 1519 Basel (?)

Portrait boy blond hair c. 1516 mixed technique
Portrait of a boy with blond hair, c. 1516, mixed technique on fir wood, 33.5 x 27 cm, unsigned, Ambrosius Holbein, Augsburg um 1494 - um 1519 Basel (?)

Signboard schoolmaster childrens page 1516 mixed technique
Signboard of a schoolmaster (childrens page), 1516, mixed technique on spruce, 55.3 x 65.5 cm, Not marked, but dated in the text box: Whoever likes to learn the world [...] dubiously write and read

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Ambrosius Holbein, a renowned artist of the Renaissance era, left an indelible mark on the world of art with his exceptional woodcuts and portraits. Born in 1494 as the son of Hans Holbein the Elder, Ambrosius displayed immense talent from a young age. One of his notable works includes a woodcut featured in Sir Thomas More's Utopia, which was published in 1518. In this woodcut, Ambrosius skillfully captures the essence of More's utopian vision. The intricate details and precision showcased in his work are truly remarkable. His mastery over the medium is evident through every stroke and line that brings life to this imaginary island. Ambrosius also collaborated with his brother Hans on various projects, including their joint creation - Utopiensium Alphabetum - an alphabet designed for Utopia's third edition. Their artistic synergy resulted in a visually captivating representation that added depth to More's literary masterpiece. Apart from these collaborative endeavors, Ambrosius ventured into portraiture as well. His idealized portraits such as those of Vergil and Ptolemy demonstrate his ability to capture not only physical likeness but also inner essence through oil paintings on fir wood canvases. One striking example is Emperor Justinian's portrait where Ambrosius immortalizes the ruler's power and authority through meticulous brushwork. Additionally, he created thought-provoking pieces like "Christ interposing God Father, " showcasing his versatility by employing mixed techniques to convey profound religious symbolism. Amongst all these masterpieces lies another intriguing artwork – a portrait titled "Portrait JAorg Schweiger front. " This particular piece stands out due to its unique composition; it features parchment sheet stuck onto its surface rather than traditional canvas or wood paneling. Furthermore, one cannot overlook Ambrosius' talent for capturing human subjects with incredible detail and nuance. A prime example is seen in his portrayal of a young boy with brown hair, executed in mixed media.