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Anatomical Collection (#26)

"Unveiling the Anatomical Wonders: Exploring the Intricacies of Life" Step into a world where science meets art, as we delve into the fascinating realm of anatomy

Background imageAnatomical Collection: Two eyes and two heads, 1644-52. Creator: Wenceslaus Hollar

Two eyes and two heads, 1644-52. Creator: Wenceslaus Hollar
Two eyes and two heads, 1644-52

Background imageAnatomical Collection: Study of a Horse, its Near Hind-Leg and its Hind-Quarters, c1480 (1945). Artist: Leonardo da Vinci

Study of a Horse, its Near Hind-Leg and its Hind-Quarters, c1480 (1945). Artist: Leonardo da Vinci
Study of a Horse, its Near Hind-Leg and its Hind-Quarters, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Background imageAnatomical Collection: Trepanation. Miniature. 14th c. Treatise on anatomy by Mondi

Trepanation. Miniature. 14th c. Treatise on anatomy by Mondi
Illustration of trepanation. Miniature. 14th century. Treatise on anatomy by Mondino de Liuzzi (1270-1326). Italian anatomist nad profesor of Bologna

Background imageAnatomical Collection: Drawing from a study of anatomy. Human muscles of the arms

Drawing from a study of anatomy. Human muscles of the arms
History of medicine. Drawing from a study of anatomy. Human muscles of the arms. 18th century

Background imageAnatomical Collection: Cardiovascular system Leonardo da vincis drawing

Cardiovascular system Leonardo da vincis drawing
Cardiovascular systems drawing. In 1513 Leonardo da Vinci to study the heart and the circulatory system through animal dissections. Windsor, Royal Library 19073, 1510-1513

Background imageAnatomical Collection: Aquilegia vulgaris, Columbine

Aquilegia vulgaris, Columbine
Ink drawing by Arthur Harry Church, 1903 Date: 1903

Background imageAnatomical Collection: Grayling Butterflies

Grayling Butterflies Date: 1868

Background imageAnatomical Collection: Anatomical drawing of musculature

Anatomical drawing of musculature
Septima Musculorum Tabula (Anatomical drawing of musculature) Source: Andreae Vesalii Bruxellensis, scholae medicorum Patauinae professoris

Background imageAnatomical Collection: Anatomical drawing of a human skeleton

Anatomical drawing of a human skeleton
Humani Corporis ossium caeteris quae sustinent partibus liberorum suaque sede positorum (Anatomical drawing of a human skeleton side view) Source: Andreae Vesalii Bruxellensis

Background imageAnatomical Collection: Front view of human skeleton waving goodbye

Front view of human skeleton waving goodbye, isolated on white background

Background imageAnatomical Collection: Male human skeleton in dynamic posture, rear view

Male human skeleton in dynamic posture, rear view

Background imageAnatomical Collection: Front view of human skeleton meditating

Front view of human skeleton meditating, isolated on white background

Background imageAnatomical Collection: Human skeleton praying on his knees

Human skeleton praying on his knees, isolated on white background

Background imageAnatomical Collection: ARAB ANATOMICAL DRAWING. Diagram of a pregnant woman from a Persian copy of an 11th century Arabic

ARAB ANATOMICAL DRAWING. Diagram of a pregnant woman from a Persian copy of an 11th century Arabic medical text

Background imageAnatomical Collection: Skeleton of Crouching Lion

Skeleton of Crouching Lion

Background imageAnatomical Collection: Diagram of human skull and vertebral column

Diagram of human skull and vertebral column
A diagram of the human skull and vertebral column, showing the left ribs and a portion of the breastbone, as well as a single vertebra from two angles

Background imageAnatomical Collection: Anatomical Theatre C16

Anatomical Theatre C16
Anatomy in the 16th century as depicted in Bartholinus Eustachius works. It looks as though dogs are enjoying the unwanted organs

Background imageAnatomical Collection: Anatomical Study of Muscles of Foot, 1928. Artist: Leonardo da Vinci

Anatomical Study of Muscles of Foot, 1928. Artist: Leonardo da Vinci
Anatomical Study of Muscles of Foot, 1928. From The Mind of Leonardo Da Vinci, by Edward McCurdy. [Jonathan Cape, London, 1928]

Background imageAnatomical Collection: A lecture on the anatomy of the horse, 1915

A lecture on the anatomy of the horse, 1915. From The Manchester Guardian History of the War Vol. III - 1915.. [John Heywood Ltd, London, 1915]

Background imageAnatomical Collection: Drawings of an Embryo in the Uterus, c1480 (1945). Artist: Leonardo da Vinci

Drawings of an Embryo in the Uterus, c1480 (1945). Artist: Leonardo da Vinci
Drawings of an Embryo in the Uterus, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Background imageAnatomical Collection: Dissection of the Principal Organs of a Woman, c1480 (1945). Artist: Leonardo da Vinci

Dissection of the Principal Organs of a Woman, c1480 (1945). Artist: Leonardo da Vinci
Dissection of the Principal Organs of a Woman, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Background imageAnatomical Collection: Studies of the Muscles of the Face and Arm, c1480 (1945). Artist: Leonardo da Vinci

Studies of the Muscles of the Face and Arm, c1480 (1945). Artist: Leonardo da Vinci
Studies of the Muscles of the Face and Arm, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Background imageAnatomical Collection: Anatomical Drawings of a Mans Neck and Shoulders, c1480 (1945). Artist: Leonardo da Vinci

Anatomical Drawings of a Mans Neck and Shoulders, c1480 (1945). Artist: Leonardo da Vinci
Anatomical Drawings of a Mans Neck and Shoulders, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Background imageAnatomical Collection: Anatomical Studies of a Mans Neck and Shoulders, c1480 (1945). Artist: Leonardo da Vinci

Anatomical Studies of a Mans Neck and Shoulders, c1480 (1945). Artist: Leonardo da Vinci
Anatomical Studies of a Mans Neck and Shoulders, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Background imageAnatomical Collection: Studies of the Head and Shoulders of a Man, c1480 (1945). Artist: Leonardo da Vinci

Studies of the Head and Shoulders of a Man, c1480 (1945). Artist: Leonardo da Vinci
Studies of the Head and Shoulders of a Man, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Background imageAnatomical Collection: Drawings of a Left Leg Showing Bones and Tendons, c1480 (1945). Artist: Leonardo da Vinci

Drawings of a Left Leg Showing Bones and Tendons, c1480 (1945). Artist: Leonardo da Vinci
Drawings of a Left Leg Showing Bones and Tendons, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Background imageAnatomical Collection: Drawing Showing the Position of the Blood Vessels in the Neck and Face, c1480 (1945)

Drawing Showing the Position of the Blood Vessels in the Neck and Face, c1480 (1945). Artist: Leonardo da Vinci
Drawing Showing the Position of the Blood Vessels in the Neck and Face, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Background imageAnatomical Collection: Studies of Nudes and Smaller Sketch of a Battle, c1480 (1945). Artist: Leonardo da Vinci

Studies of Nudes and Smaller Sketch of a Battle, c1480 (1945). Artist: Leonardo da Vinci
Studies of Nudes and Smaller Sketch of a Battle, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Background imageAnatomical Collection: A Nude Man seen from the Back, c1480 (1945). Artist: Leonardo da Vinci

A Nude Man seen from the Back, c1480 (1945). Artist: Leonardo da Vinci
A Nude Man seen from the Back, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Background imageAnatomical Collection: Man Drawn as an Anatomical Figure to Show the Heart, Lungs and Main Arteries, c1480 (1945)

Man Drawn as an Anatomical Figure to Show the Heart, Lungs and Main Arteries, c1480 (1945). Artist: Leonardo da Vinci
Man Drawn as an Anatomical Figure to Show the Heart, Lungs and Main Arteries, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Background imageAnatomical Collection: A Nude Man seen from the Front, c1480 (1945). Artist: Leonardo da Vinci

A Nude Man seen from the Front, c1480 (1945). Artist: Leonardo da Vinci
A Nude Man seen from the Front, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Background imageAnatomical Collection: Sections of a Mans Head Showing the Anatomy of the Eye, Etc. c1480 (1945). Artist: Leonardo da Vinci

Sections of a Mans Head Showing the Anatomy of the Eye, Etc. c1480 (1945). Artist: Leonardo da Vinci
Sections of a Mans Head Showing the Anatomy of the Eye, Etc. c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Background imageAnatomical Collection: Dissection of a Bears Foot to the Left, c1480 (1945). Artist: Leonardo da Vinci

Dissection of a Bears Foot to the Left, c1480 (1945). Artist: Leonardo da Vinci
Dissection of a Bears Foot to the Left, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Background imageAnatomical Collection: Dissection of a Bears Foot to the Right, c1480 (1945). Artist: Leonardo da Vinci

Dissection of a Bears Foot to the Right, c1480 (1945). Artist: Leonardo da Vinci
Dissection of a Bears Foot to the Right, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Background imageAnatomical Collection: Studies of the Proportions of Three Figures, c1480 (1945). Artist: Leonardo da Vinci

Studies of the Proportions of Three Figures, c1480 (1945). Artist: Leonardo da Vinci
Studies of the Proportions of Three Figures, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Background imageAnatomical Collection: Study of a Nude Man with his Left Hand on His Hip, c1480 (1945). Artist: Leonardo da Vinci

Study of a Nude Man with his Left Hand on His Hip, c1480 (1945). Artist: Leonardo da Vinci
Study of a Nude Man with his Left Hand on His Hip, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Background imageAnatomical Collection: Studies of a Nude Man Seen from the Back and from the Side, c1480 (1945). Artist: Leonardo da Vinci

Studies of a Nude Man Seen from the Back and from the Side, c1480 (1945). Artist: Leonardo da Vinci
Studies of a Nude Man Seen from the Back and from the Side, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Background imageAnatomical Collection: Anatomical Drawing of a Skull to the Left, c1480 (1945). Artist: Leonardo da Vinci

Anatomical Drawing of a Skull to the Left, c1480 (1945). Artist: Leonardo da Vinci
Anatomical Drawing of a Skull to the Left, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Background imageAnatomical Collection: Anatomical Drawings of Two Skulls in Profile to the Left, c1480 (1945). Artist: Leonardo da Vinci

Anatomical Drawings of Two Skulls in Profile to the Left, c1480 (1945). Artist: Leonardo da Vinci
Anatomical Drawings of Two Skulls in Profile to the Left, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Background imageAnatomical Collection: Study of a Mans Nude Torso, the Head Squared for Proportion, c1480 (1945). Artist: Leonardo da Vinci

Study of a Mans Nude Torso, the Head Squared for Proportion, c1480 (1945). Artist: Leonardo da Vinci
Study of a Mans Nude Torso, the Head Squared for Proportion, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Background imageAnatomical Collection: Studies of Legs, of the Bones and Tendons of a Leg, of an Arm

Studies of Legs, of the Bones and Tendons of a Leg, of an Arm, and of the Bones and Tendons of an A Artist
Studies of Legs, of the Bones and Tendons of a Leg, of an Arm, and of the Bones and Tendons of an Arm and of Organs like a Valve, c1480 (1945). From The Drawings of Leonardo da Vinci

Background imageAnatomical Collection: The Bust of an Infant, Front and Back Views, c1480 (1945). Artist: Leonardo da Vinci

The Bust of an Infant, Front and Back Views, c1480 (1945). Artist: Leonardo da Vinci
The Bust of an Infant, Front and Back Views, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Background imageAnatomical Collection: Study of Clasped Hands, c1480 (1945). Artist: Leonardo da Vinci

Study of Clasped Hands, c1480 (1945). Artist: Leonardo da Vinci
Study of Clasped Hands, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Background imageAnatomical Collection: Five Studies of Horses and Riders, c1480 (1945). Artist: Leonardo da Vinci

Five Studies of Horses and Riders, c1480 (1945). Artist: Leonardo da Vinci
Five Studies of Horses and Riders, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Background imageAnatomical Collection: Studies of the Hind-Quarters and of the Hind-Legs of a Horse, c1480 (1945)

Studies of the Hind-Quarters and of the Hind-Legs of a Horse, c1480 (1945). Artist: Leonardo da Vinci
Studies of the Hind-Quarters and of the Hind-Legs of a Horse, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Background imageAnatomical Collection: Two Studies of a Horse and one of a Horse and Rider, c1480 (1945). Artist: Leonardo da Vinci

Two Studies of a Horse and one of a Horse and Rider, c1480 (1945). Artist: Leonardo da Vinci
Two Studies of a Horse and one of a Horse and Rider, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Background imageAnatomical Collection: Studies of the Fore-Quarters and of the Hind-Quarters of a Horse, c1480 (1945)

Studies of the Fore-Quarters and of the Hind-Quarters of a Horse, c1480 (1945). Artist: Leonardo da Vinci
Studies of the Fore-Quarters and of the Hind-Quarters of a Horse, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Background imageAnatomical Collection: Study of a Horse and of a Horses Head, c1480 (1945). Artist: Leonardo da Vinci

Study of a Horse and of a Horses Head, c1480 (1945). Artist: Leonardo da Vinci
Study of a Horse and of a Horses Head, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]




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"Unveiling the Anatomical Wonders: Exploring the Intricacies of Life" Step into a world where science meets art, as we delve into the fascinating realm of anatomy. From Leonardo da Vinci's captivating depiction of a bear's head to his meticulous study of a greyhound's skeleton, these timeless masterpieces offer us glimpses into the intricate workings of living beings. As we journey further, we encounter detailed diagrams showcasing the complexity and beauty of our own bodies. The lungs and bronchial tubes reveal their delicate network, ensuring every breath sustains us. The human brain and spinal column stand as guardians of our thoughts and movements, orchestrating an orchestra within. Our exploration takes us deeper still, unveiling the heart's secrets through cross-sections that expose its innermost chambers. French wood engravings from the late 19th century transport us back in time to witness this vital organ in all its glory. But it is not just our internal structures that captivate; our limbs too hold stories waiting to be told. Diagrams meticulously illustrate each bone in hand and arm or right leg and hip – reminding us that beneath our skin lies an intricate framework supporting every step we take. And finally, a modern twist awaits with an MRI-style X-ray revealing a leg adorned with a stiletto shoe – merging technology with artistry while peering beyond appearances. From ancient manuscripts like "De humani corporis fabrica" to contemporary medical imaging techniques, these anatomical wonders remind us that beneath outward appearances lie marvels waiting to be discovered. They invite us to appreciate both the fragility and resilience encapsulated within each living being – truly celebrating life itself through understanding its intricacies.