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Anthropological Collection (page 3)

"Unveiling the Secrets of our Ancestors: Exploring Anthropological Treasures" Step into the captivating world of anthropology as we embark on a journey through time

Background imageAnthropological Collection: Standing female figure, late 19th to 20th century (polychrome wood with metal

Standing female figure, late 19th to 20th century (polychrome wood with metal
1068326 Standing female figure, late 19th to 20th century (polychrome wood with metal, fibre & beads) by Nigerian; 93.7A--22.9A--24.1 cm; Dallas Museum of Art, Texas

Background imageAnthropological Collection: Men of Kamchatka, far eastern Russia, c. 1820s-30s (coloured engraving)

Men of Kamchatka, far eastern Russia, c. 1820s-30s (coloured engraving)
468750 Men of Kamchatka, far eastern Russia, c.1820s-30s (coloured engraving) by Italian School, (19th century); Private Collection; (add.info.: Illustration from Costumi dei)

Background imageAnthropological Collection: Natives of the Island of Oualan, Caroline Islands archipelago, 1826 (colour litho)

Natives of the Island of Oualan, Caroline Islands archipelago, 1826 (colour litho)
468726 Natives of the Island of Oualan, Caroline Islands archipelago, 1826 (colour litho) by French School, (19th century); Private Collection; (add.info)

Background imageAnthropological Collection: Inhabitants of New Zealand, 1826 (colour litho)

Inhabitants of New Zealand, 1826 (colour litho)
468723 Inhabitants of New Zealand, 1826 (colour litho) by French School, (19th century); Private Collection; (add.info.: Illustration from Louis Isidore Duperreys Voyage autour du monde)

Background imageAnthropological Collection: Saba, or ruler, with nobles and his wife, West Africa, c. 1820s-30s (colour litho)

Saba, or ruler, with nobles and his wife, West Africa, c. 1820s-30s (colour litho)
468722 Saba, or ruler, with nobles and his wife, West Africa, c.1820s-30s (colour litho) by Italian School, (19th century); Private Collection; (add.info.: Illustration from Costumi dei... Vol: Add)

Background imageAnthropological Collection: Tasmanian Aborigine, 1812 (colour litho)

Tasmanian Aborigine, 1812 (colour litho)
468703 Tasmanian Aborigine, 1812 (colour litho) by French School, (19th century); Private Collection; (add.info.: Labelled Terre de Diemen, or Van Diemens Land)

Background imageAnthropological Collection: Australian Aborigine, 1812 (colour litho)

Australian Aborigine, 1812 (colour litho)
468701 Australian Aborigine, 1812 (colour litho) by French School, (19th century); Private Collection; (add.info.: Labelled Nouvelle-Hollande, or New Holland)

Background imageAnthropological Collection: Australian Aborigine, a man called Cour-rou-bari-gal, from New Holland

Australian Aborigine, a man called Cour-rou-bari-gal, from New Holland
468700 Australian Aborigine, a man called Cour-rou-bari-gal, from New Holland, 1812 (colour litho) by French School, (19th century); Private Collection; (add.info.: Labelled Nouvelle-Hollande)

Background imageAnthropological Collection: South East Coast: Cafre nation, 1820s-30s (colour litho)

South East Coast: Cafre nation, 1820s-30s (colour litho)
810380 South East Coast: Cafre nation, 1820s-30s (colour litho) by Italian School, (19th century); Private Collection; (add.info.: Cafre is derived from the Muslim word for idolaters)

Background imageAnthropological Collection: Curios from the Gold Coast, 1876 (albumen print)

Curios from the Gold Coast, 1876 (albumen print)
622844 Curios from the Gold Coast, 1876 (albumen print) by Centennial Photographic Co. (fl.1876); 10.1x8 cm; Private Collection; (add.info.: A stereocard from the 1876 Philadelphia Exhibition)

Background imageAnthropological Collection: Woman, Eritrea, c. 1880-90 (gelatin silver print)

Woman, Eritrea, c. 1880-90 (gelatin silver print)
622760 Woman, Eritrea, c.1880-90 (gelatin silver print) by Naretti, Luigi (fl.1880-90); 15x10.1 cm; Private Collection; eMichael Graham-Stewart; Italian, out of copyright

Background imageAnthropological Collection: Cameroonian chief with his women, Cameroon, c. 1930 (gelatin silver print)

Cameroonian chief with his women, Cameroon, c. 1930 (gelatin silver print)
622657 Cameroonian chief with his women, Cameroon, c.1930 (gelatin silver print) by Freeman, H. S. (fl.1930); 11.1x15.5 cm; Private Collection; (add.info)

Background imageAnthropological Collection: An Ivory-Coast Christian and his son, c. 1935 (gelatin silver print)

An Ivory-Coast Christian and his son, c. 1935 (gelatin silver print)
622586 An Ivory-Coast Christian and his son, c.1935 (gelatin silver print) by Rodet, F. (fl.1935); 16.1x12 cm; Private Collection; (add.info.: Verso inscribed The Kingdom Overseas, Aug)

Background imageAnthropological Collection: Nkisi (wood, iron & glass)

Nkisi (wood, iron & glass)
622543 Nkisi (wood, iron & glass) by Congolese; 49.5 cm; Private Collection; (add.info.: Such objects are associated with the Yombe people)

Background imageAnthropological Collection: The South African Museum (b / w photo)

The South African Museum (b / w photo)
3092405 The South African Museum (b/w photo) by English Photographer, (19th century); Private Collection; (add.info.: The South African Museum)

Background imageAnthropological Collection: Kanon, Gentleman and Three Ladies, 1905 (b / w photo)

Kanon, Gentleman and Three Ladies, 1905 (b / w photo)
NAM310846 Kanon, Gentleman and Three Ladies, 1905 (b/w photo) by English Photographer, (20th century); National Army Museum, London; (add.info.: from an album of photographs taken by Lt. Col)

Background imageAnthropological Collection: A Yakut Man Taking a Solemn Oath, 1811 (coloured engraving)

A Yakut Man Taking a Solemn Oath, 1811 (coloured engraving)
CHT166587 A Yakut Man Taking a Solemn Oath, 1811 (coloured engraving) by French School, (19th century); Bibliotheque des Arts Decoratifs, Paris

Background imageAnthropological Collection: A Siberian Tartar Shaman and Burial Ground, c. 1811 (coloured engraving)

A Siberian Tartar Shaman and Burial Ground, c. 1811 (coloured engraving)
CHT166585 A Siberian Tartar Shaman and Burial Ground, c.1811 (coloured engraving) by French School, (19th century); Bibliotheque des Arts Decoratifs, Paris

Background imageAnthropological Collection: Eskimo Life (colour litho)

Eskimo Life (colour litho)
814281 Eskimo Life (colour litho) by Hardy, Evelyn Stuart (1865-1935); Private Collection; (add.info.: Eskimo Life. Postcard with artwork by Es Hardy, produced by A B Shaw & Co Ltd)

Background imageAnthropological Collection: Prince Lobengula, England, 1899 (gelatin silver print)

Prince Lobengula, England, 1899 (gelatin silver print)
622851 Prince Lobengula, England, 1899 (gelatin silver print) by British Photographer, (19th century); 14.6x10.1 cm; Private Collection; (add.info.: Peter Kushana Lobengula)

Background imageAnthropological Collection: Man and two boys, Tanzania (gelatin silver print)

Man and two boys, Tanzania (gelatin silver print)
622762 Man and two boys, Tanzania (gelatin silver print) by Pereira, R. V. (fl. early 1900s); 20.8x15.3 cm; Private Collection; eMichael Graham-Stewart; it is possible that some works by this artist

Background imageAnthropological Collection: Une famille de Bicharis (albumen print)

Une famille de Bicharis (albumen print)
622758 Une famille de Bicharis (albumen print) by Arnoux, Hippolyte (fl.c.1860s-1880s); 28.7x20.9 cm; Private Collection; (add.info.: Inscribed: A family of the Bicharis)

Background imageAnthropological Collection: Wafang & Bantam (albumen print)

Wafang & Bantam (albumen print)
622750 Wafang & Bantam (albumen print) by Cephas, Kassian (1845-1912); 21.4x24.1 cm; Private Collection; (add.info.: Photograph probably taken in Java during the time of the Yogyakarta Sultanate)

Background imageAnthropological Collection: John Sakeouse, a native of Jacob Sound, Greenland, the first Esquimaux known to have been

John Sakeouse, a native of Jacob Sound, Greenland, the first Esquimaux known to have been
622724 John Sakeouse, a native of Jacob Sound, Greenland, the first Esquimaux known to have been in this country, 1816 (engraving) by Anderson

Background imageAnthropological Collection: John Sakeouse, a native of Jacob Sound, Greenland, the first Esquimaux known to have been

John Sakeouse, a native of Jacob Sound, Greenland, the first Esquimaux known to have been
622723 John Sakeouse, a native of Jacob Sound, Greenland, the first Esquimaux known to have been in this country, 1816 (engraving) by Anderson

Background imageAnthropological Collection: Pipe (wood with glass beads)

Pipe (wood with glass beads)
622697 Pipe (wood with glass beads) by Angolan School, (19th century); 20.3 cm; Private Collection; (add.info.: An artefact associated with the Ovimbundu people)

Background imageAnthropological Collection: Native Chiefs and Harem, Mendi land (gelatin silver print)

Native Chiefs and Harem, Mendi land (gelatin silver print)
622662 Native Chiefs and Harem, Mendi land (gelatin silver print) by Balmer, William Turnbull (1866-1928); 10.8x15.1 cm; Private Collection; (add.info)

Background imageAnthropological Collection: Flywhisk handle, c. 1850 (ivory)

Flywhisk handle, c. 1850 (ivory)
622537 Flywhisk handle, c.1850 (ivory) by Congolese School, (19th century); 13.3 cm; Private Collection; (add.info.: Probably Yombe.); eMichael Graham-Stewart; African, out of copyright

Background imageAnthropological Collection: 17th century Zaporogue Cossack, late 19th century (colour litho)

17th century Zaporogue Cossack, late 19th century (colour litho)
CHT163394 17th century Zaporogue Cossack, late 19th century (colour litho) by Russian School (19th century); Bibliotheque des Arts Decoratifs, Paris, France; eArchives Charmet; Russian

Background imageAnthropological Collection: King of Kayor, Llartifal Saukabe, from Receuil des Estampes

King of Kayor, Llartifal Saukabe, from Receuil des Estampes
810381 King of Kayor, Llartifal Saukabe, from Receuil des Estampes, representant les Rangs et les Dignites, suivant le Costume de toutes les Nations existantes

Background imageAnthropological Collection: Tayadaneega: Chieftain of one of the Pacific Islands, from

Tayadaneega: Chieftain of one of the Pacific Islands, from
810370 Tayadaneega: Chieftain of one of the Pacific Islands, from Ethnological Study of Various Racial Types from Various Continents, by C.I

Background imageAnthropological Collection: South East Coast: Cafre nation, 1820s-30s (colour litho)

South East Coast: Cafre nation, 1820s-30s (colour litho)
810368 South East Coast: Cafre nation, 1820s-30s (colour litho) by Italian School, (19th century); Private Collection; (add.info.: Cafre is derived from the Muslim word for idolaters)

Background imageAnthropological Collection: Natives of the Sandwich Isles, Pacific, from Ethnological Study of Various Racial

Natives of the Sandwich Isles, Pacific, from Ethnological Study of Various Racial
810364 Natives of the Sandwich Isles, Pacific, from Ethnological Study of Various Racial Types from Various Continents, by C.I

Background imageAnthropological Collection: Natives of Van Diemans Land, ie. Tasmania, from

Natives of Van Diemans Land, ie. Tasmania, from
810363 Natives of Van Diemans Land, ie. Tasmania, from Ethnological Study of Various Racial Types from Various Continents, by C.I

Background imageAnthropological Collection: Timor, 1812 (colour litho)

Timor, 1812 (colour litho)
468699 Timor, 1812 (colour litho) by French School, (19th century); Private Collection; (add.info.: Illustration from Francois Perons Voyage de decouvertes aux Terres Australes)

Background imageAnthropological Collection: A Talysh Shaman Dancing Around the Fire, from Il Costume Antico e Moderno

A Talysh Shaman Dancing Around the Fire, from Il Costume Antico e Moderno
CHT166583 A Talysh Shaman Dancing Around the Fire, from Il Costume Antico e Moderno by Giulio Ferrario, 1819 (coloured engraving) by Biasioli, Angelo (1790-1830); Bibliotheque des Arts Decoratifs

Background imageAnthropological Collection: Gootoo and Inyokwana at the Stanley and African Exhibition, London

Gootoo and Inyokwana at the Stanley and African Exhibition, London
622848 Gootoo and Inyokwana at the Stanley and African Exhibition, London, 1890 (gelatin silver print) by British Photographer

Background imageAnthropological Collection: Double portrait, c. 1900 (gelatin silver print)

Double portrait, c. 1900 (gelatin silver print)
622588 Double portrait, c.1900 (gelatin silver print) by Dodds, Reverand Charles (1869-1934); 8.8x13.9 cm; Private Collection; eMichael Graham-Stewart; English, out of copyright

Background imageAnthropological Collection: Nkisi (wood, iron & glass)

Nkisi (wood, iron & glass)
622542 Nkisi (wood, iron & glass) by Congolese; 49.5 cm; Private Collection; (add.info.: Such objects are associated with the Yombe people)

Background imageAnthropological Collection: Power Figure (Nkisi Nkondi), early-mid-19th century (wood, metal, glass, fabric, fibre

Power Figure (Nkisi Nkondi), early-mid-19th century (wood, metal, glass, fabric, fibre
2968782 Power Figure (Nkisi Nkondi), early-mid-19th century (wood, metal, glass, fabric, fibre, cowrie shell, bone, leather, gourd, & feather) by Congolese School

Background imageAnthropological Collection: Headdress (Ere Gelede), late 19th century (wood)

Headdress (Ere Gelede), late 19th century (wood)
1072577 Headdress (Ere Gelede), late 19th century (wood) by Yoruba Culture (19th century); 33x20.3x27.9 cm; Dallas Museum of Art, Texas

Background imageAnthropological Collection: Density of distribution of the natives of Ireland and their proportion to the aggregate

Density of distribution of the natives of Ireland and their proportion to the aggregate
5848264 Density of distribution of the natives of Ireland and their proportion to the aggregate population, 1898 (print) by American School

Background imageAnthropological Collection: Portrait, c. 1930 (gelatin silver print)

Portrait, c. 1930 (gelatin silver print)
622590 Portrait, c.1930 (gelatin silver print) by Freeman, H. S. (fl.1930); 15.4x10.7 cm; Private Collection; (add.info.: Stamped: H.S)

Background imageAnthropological Collection: Knife (steel & wood)

Knife (steel & wood)
622532 Knife (steel & wood) by Zimbabwean; 37 cm; Private Collection; (add.info.: See also images 622531, 622533 and 622541.); eMichael Graham-Stewart; African, out of copyright

Background imageAnthropological Collection: Knife (steel & wood)

Knife (steel & wood)
622531 Knife (steel & wood) by Zimbabwean; 37 cm; Private Collection; (add.info.: See also images 622532, 622533 and 622541.); eMichael Graham-Stewart; African, out of copyright

Background imageAnthropological Collection: Staff (wood)

Staff (wood)
622528 Staff (wood) by Ovimbundu culture; 57.5 cm; Private Collection; (add.info.: The Ovimbundu, also known as the Southern Mbundu, are a central Angolan people)




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"Unveiling the Secrets of our Ancestors: Exploring Anthropological Treasures" Step into the captivating world of anthropology as we embark on a journey through time. From the mesmerizing Lascaux II cave painting replica to the enigmatic Stone-age cave paintings in Chauvet, France, these ancient artworks offer us a glimpse into humanity's past. Delve deeper and encounter the Cave of Hands in Argentina, where handprints left by our ancestors thousands of years ago continue to intrigue and mystify. These imprints serve as a testament to their existence and leave us pondering about their lives. As we shift our focus from art to anatomy, hominid crania take center stage. The Australopithecus afarensis (AL 288-1), fondly known as Lucy, stands tall among her counterparts. Her fossilized remains provide valuable insights into early human evolution and ignite curiosity about our own origins. But it doesn't stop there; prehistoric tools like spear-throwers remind us of our ancestors' resourcefulness and ingenuity. These artifacts shed light on how they survived and thrived in challenging environments. And let's not forget the Laetoli fossil footprints that tell an extraordinary story etched in volcanic ash. Preserved for millions of years, these footprints capture moments frozen in time – evidence of bipedal locomotion long before modern humans roamed the Earth. Returning once again to Chauvet, France, stone-age cave paintings continue to captivate with their intricate details and symbolic representations. Each stroke carries whispers from those who came before us – messages waiting patiently for interpretation. Finally, we encounter the Venus of Brassempouy – an exquisite ivory figurine representing fertility or perhaps even spirituality. This timeless masterpiece reminds us that throughout history, humans have sought meaning beyond survival alone. Anthropology unravels stories hidden within these remarkable artifacts – stories of resilience, creativity, and the unending quest for knowledge.