Antonio Canaletto Collection (#3)

The House with the Peristyle [right], 1741. Creator: Canaletto
The House with the Peristyle [right], 1741

Imaginary View of S. Giacomo di Rialto [upper right], c. 1735 / 1746. Creator: Canaletto
Imaginary View of S. Giacomo di Rialto [upper right], c. 1735/1746

La Piera del Bando. V. [lower right], c. 1735 / 1746. Creator: Canaletto
La Piera del Bando. V. [lower right], c. 1735/1746

Le Porte Del Dolo, c. 1735 / 1746. Creator: Canaletto
Le Porte Del Dolo, c. 1735/1746

The Equestrian Monument [upper right], c. 1735 / 1746. Creator: Canaletto
The Equestrian Monument [upper right], c. 1735/1746

Mountain Landscape with Five Bridges [lower right], c. 1735 / 1746. Creator: Canaletto
Mountain Landscape with Five Bridges [lower right], c. 1735/1746

View of a Town with a Bishops Tomb, c. 1735 / 1746. Creator: Canaletto
View of a Town with a Bishops Tomb, c. 1735/1746

The Wagon Passing over a Bridge, c. 1735 / 1746. Creator: Canaletto
The Wagon Passing over a Bridge, c. 1735/1746

The Bishops Tomb [center], c. 1735 / 1746. Creator: Canaletto
The Bishops Tomb [center], c. 1735/1746

The Little Monument [left], c. 1735 / 1746. Creator: Canaletto
The Little Monument [left], c. 1735/1746

Le Preson. V. c. 1735 / 1746. Creator: Canaletto
Le Preson. V. c. 1735/1746

Imaginary View of S. Giacomo di Rialto, c. 1735 / 1746. Creator: Canaletto
Imaginary View of S. Giacomo di Rialto, c. 1735/1746

The Equestrian Monument, c. 1735 / 1746. Creator: Canaletto
The Equestrian Monument, c. 1735/1746

Title Plate, c. 1735 / 1746. Creator: Canaletto
Title Plate, c. 1735/1746

The Terrace, c. 1735 / 1746. Creator: Canaletto
The Terrace, c. 1735/1746

Landscape with Ruined Monuments, c. 1735 / 1746. Creator: Canaletto
Landscape with Ruined Monuments, c. 1735/1746

L Vom da morte divide... c. 1760. Creator: Fabio Berardi
L Vom da morte divide... c. 1760

Prospetto della Chiesa del SS. Salvatore, 1742. Creator: Fabio Berardi
Prospetto della Chiesa del SS. Salvatore, 1742

Veduta del Prospetto della Chiesa del SS. Redentore, 1742. Creator: Fabio Berardi
Veduta del Prospetto della Chiesa del SS. Redentore, 1742

Mettendo i panni... c. 1760. Creator: Fabio Berardi
Mettendo i panni... c. 1760

Quanto piubello appare... c. 1760. Creator: Fabio Berardi
Quanto piu bello appare... c. 1760

L etache non devora... c. 1760. Creator: Fabio Berardi
L eta che non devora... c. 1760

Portrait of Antonio Canal, 1647. Creator: Daniel van den Dyck
Portrait of Antonio Canal, 1647

Warwick Castle, East Front from the Outer Court, 1752. Creator: Canaletto
Warwick Castle, East Front from the Outer Court, 1752

The Porta Portello, Padua, c. 1741 / 1742. Creator: Canaletto
The Porta Portello, Padua, c. 1741/1742

English Landscape Capriccio with a Palace, c. 1754. Creator: Canaletto
English Landscape Capriccio with a Palace, c. 1754

English Landscape Capriccio with a Column, c. 1754. Creator: Canaletto
English Landscape Capriccio with a Column, c. 1754

Entrance to the Grand Canal from the Molo, Venice, 1742 / 1744. Creator: Canaletto
Entrance to the Grand Canal from the Molo, Venice, 1742/1744

Warwick Castle, East Front from the Courtyard, 1752. Creator: Canaletto
Warwick Castle, East Front from the Courtyard, 1752

Title plate of Vedute altre prese da i luoghi altre ideate, with title and publication information inscribed into a wall plaque at the edge of a canal, 1735-46

Woman drawing water from a well beneath an arcade at left, with a landscape at right, 1717-68

Le porte del Dolo: the oval basin of the locks at Dolo, with a barge moored to the quay, 1735-46

Pradella Valle: the right half of the square of Pradella Valle in Padua
Pra della Valle: the right half of the square of Pra della Valle in Padua, with the Collegio Universitario at right, 1735-46

Piazza San Marco with the Procuratie Nuove on the left and the church of San Geminiano in the background, 1735-46

The Locks at Dolo, an oval-shaped basin with boats at center, buildings on either side, a fruit vendor and groups of figures in the foreground

Title page with a large wall of a classical ruin, with a figure seated at right pointing to the dedication, from Views (Vedute altre prese da i luoghi altre ideate da Antonio Canal), 1735-46

A three-arched portico with an open lantern hanging at center, a triumphal arch and ruins of a classical temple in the background

Imaginary View of Padua, with a campanile and domed church at left, a column surmounted by a statue of a saint at center, and a cottage and water-mill at right in the foreground

View of Mestre, an inn at left and other various buildings lining the canal, from Views (Vedute altre prese da i luoghi altre ideate da Antonio Canal), 1735-46

Portraits of Canaletto and Visentini, 1735. 1735. Creator: Antonio Visentini
Portraits of Canaletto and Visentini, 1735

Campo Santa Maria Zobenigo, Venice, 1730s. Creator: Canaletto
Campo Santa Maria Zobenigo, Venice, 1730s

Piazza San Marco, late 1720s. Creator: Canaletto
Piazza San Marco, late 1720s

A Lock, a Column, and a Church beside a Lagoon. Creator: Canaletto
A Lock, a Column, and a Church beside a Lagoon

Warwick Castle, 1748. Creator: Canaletto
Warwick Castle, 1748

Campo Sant Angelo, Venice, 1730s. Creator: Canaletto
Campo Sant Angelo, Venice, 1730s

Imaginary View with a Tomb by the Lagoon, early 1740s. Creator: Canaletto
Imaginary View with a Tomb by the Lagoon, early 1740s

Views: Views of Mestre, a Town in the Province of Venice, 1735-1746. Creator: Antonio Canaletto
Views: Views of Mestre, a Town in the Province of Venice, 1735-1746

Views: The Stone of Proclamation at Venice, 1735-1746. Creator: Antonio Canaletto (Italian
Views: The Stone of Proclamation at Venice, 1735-1746

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Antonio Canaletto, a renowned Italian painter of the 18th century, captured the beauty and grandeur of Venice through his stunning artworks. One such masterpiece is "The Grand Canal, Venice, Looking Southeast, with the Campo della Carita to the Right" from the 1730s. In this painting, Canaletto skillfully portrays the iconic Grand Canal as it winds its way through the city's enchanting architecture. Another notable piece inspired by Canaletto's work is "Bridge of Sighs, Ducal Palace and Custom-House, Venice: Canaletti Painting" by JMW Turner in 1833. This artwork pays homage to Canaletto's ability to capture intricate details and atmospheric lighting that bring life to his compositions. Canaletto's expertise in depicting Venetian landmarks shines through in "The Square of Saint Mark s, " created between 1742-1744. The artist showcases his meticulous attention to architectural accuracy while infusing vibrant colors that transport viewers into bustling Venetian streets. "The Grand Canal, Venice, Looking South toward the Rialto Bridge" transports us back to the 1730s when gondolas glided along this famous waterway. Through precise brushstrokes and a keen eye for perspective, Canaletto immerses us in an era where elegance met everyday life on these historic canals. One cannot overlook "Ascension Day Festival at Venice, " painted between 1765-1766. Here we witness Canaletto capturing a lively celebration filled with colorful processions and joyful crowds gathering around St. Mark's Square during this religious holiday. Joseph Wagner pays tribute to Canaletto's influence with his creation titled "Prisco onor pur dura. . " circa 1760. This artwork echoes Canaletto's style as it depicts a serene canal scene bathed in warm sunlight, showcasing the enduring beauty of Venice.