Antonio Canaletto Collection (#6)

Views House Surrounded Six Columns 1735-1746
Views: A House Surrounded by Six Columns, 1735-1746. Antonio Canaletto (Italian, 1697-1768). Etching

Views Fragments Sculpture 1735-1746 Antonio Canaletto
Views: Fragments of Sculpture, 1735-1746. Antonio Canaletto (Italian, 1697-1768). Etching

Views Three Columns Statue Sea Coast 1735-1746
Views: Three Columns and a Statue on the Sea Coast, 1735-1746. Antonio Canaletto (Italian, 1697-1768). Etching

Views Procurators Palace Church St. Geminien
Views: The Procurators Palace and the Church of St. Geminien, Venice, 1735-1746. Antonio Canaletto (Italian, 1697-1768). Etching

Views La Maison l inscription 1735-1746 Antonio Canaletto
Views: La Maison a l inscription, 1735-1746. Antonio Canaletto (Italian, 1697-1768). Etching

Views: The Little Monument under a Tree, 1735-1746. Creator: Antonio Canaletto (Italian
Views: The Little Monument under a Tree, 1735-1746

Views: A Wagon Passing over a Bridge, 1735-1746. Creator: Antonio Canaletto (Italian, 1697-1768)
Views: A Wagon Passing over a Bridge, 1735-1746

Views Little Monument under Tree 1735-1746 Antonio Canaletto
Views: The Little Monument under a Tree, 1735-1746. Antonio Canaletto (Italian, 1697-1768). Etching

Views Wagon Passing Bridge 1735-1746 Antonio Canaletto
Views: A Wagon Passing over a Bridge, 1735-1746. Antonio Canaletto (Italian, 1697-1768). Etching

Venice, 18th century. Artist: Canaletto
Venice. Canaletto (1697-1768). Found in the collection of the State M. Ciurlionis Art Museum, Kaunas

View of Venice, 18th century. Artist: Canaletto
View of Venice. Canaletto (1697-1768). Italy, Venetian School. Found in the collection of the State A. Pushkin Museum of Fine Arts, Moscow

View of Murano from the Island San Pietro di Castello, 18th century. Artist: Canaletto
View of Murano from the Island San Pietro di Castello. Canaletto (1697-1768). Italy, Venetian School. Found in the collection of the State A. Pushkin Museum of Fine Arts, Moscow

Buccentoros Return to the Pier at the Doges palace, 1730s. Artist: Canaletto
Buccentoros Return to the Pier at the Doges palace, 1730s. Canaletto (1697-1768). Italy, Venetian School. Found in the collection of the State A. Pushkin Museum of Fine Arts, Moscow

Arrival of the French Ambassador in Venice, 1725-1726. Artist: Canaletto
Arrival of the French Ambassador in Venice, 1725-1726. Canaletto (1697-1768). Italy, Venetian School. Found in the collection of the State Hermitage, St. Petersburg

Piazza San Marco and the Colonnade, 1756. Artist: Canaletto
Piazza San Marco and the Colonnade, 1756. St Marks Basilica and the campanile seen from beneath the colonnade of the Procuratie Nuove on the south side of the piazza

View of the Salute from the Entrance of the Grand Canal, Venice, c1727-1728. Artist: Canaletto
View of the Salute from the Entrance of the Grand Canal, Venice, c1727-1728. From the Collection Kaufman

View of the Grand Walk etc in Vauxhall Gardens taken from the Entrance, London, c1760. Artist: Edward Rooker
View of the Grand Walk etc in Vauxhall Gardens taken from the Entrance, London, c1760. Vauxhall Gardens was one of the great pleasure grounds of London and this image shows a formal avenue of trees

Reception of the French Ambassador in Venice, 1726-1727. Artist: Canaletto
Reception of the French Ambassador in Venice, 1726-1727. Detail. Found in the collection of The Hermitage, St Petersburg

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Antonio Canaletto, a renowned Italian painter of the 18th century, captured the beauty and grandeur of Venice through his stunning artworks. One such masterpiece is "The Grand Canal, Venice, Looking Southeast, with the Campo della Carita to the Right" from the 1730s. In this painting, Canaletto skillfully portrays the iconic Grand Canal as it winds its way through the city's enchanting architecture. Another notable piece inspired by Canaletto's work is "Bridge of Sighs, Ducal Palace and Custom-House, Venice: Canaletti Painting" by JMW Turner in 1833. This artwork pays homage to Canaletto's ability to capture intricate details and atmospheric lighting that bring life to his compositions. Canaletto's expertise in depicting Venetian landmarks shines through in "The Square of Saint Mark s, " created between 1742-1744. The artist showcases his meticulous attention to architectural accuracy while infusing vibrant colors that transport viewers into bustling Venetian streets. "The Grand Canal, Venice, Looking South toward the Rialto Bridge" transports us back to the 1730s when gondolas glided along this famous waterway. Through precise brushstrokes and a keen eye for perspective, Canaletto immerses us in an era where elegance met everyday life on these historic canals. One cannot overlook "Ascension Day Festival at Venice, " painted between 1765-1766. Here we witness Canaletto capturing a lively celebration filled with colorful processions and joyful crowds gathering around St. Mark's Square during this religious holiday. Joseph Wagner pays tribute to Canaletto's influence with his creation titled "Prisco onor pur dura. . " circa 1760. This artwork echoes Canaletto's style as it depicts a serene canal scene bathed in warm sunlight, showcasing the enduring beauty of Venice.