Antonio Da Collection

The Rialto, Venice, 1890. Creator: Unknown
The Rialto, Venice, 1890. Rialto pedestrian bridge over the Grand Canal in Venice, originally built in 1181 by Nicolo Barattieri, rebuilt in 1591 by Antonio da Ponte

Saint Andrew standing in profile holding a large cross from a series of Twelve Apostles, ca. 1540-50. Attributed to Antonio da Trento or Niccolo Vicentino. After Parmigianino

Saint John the Baptist in the desert, a lamb by his side, ca. 1527-30. After Parmigianino

Speculum Romanae Magnificentiae: Plan of St. Peter s, 1549. Creator: Unknown
Speculum Romanae Magnificentiae: Plan of St. Peter s, 1549. After Antonio da Labacco. After Antonio da Labacco. Antonio da Sangallo, the Younger

Man seated viewed from behind (Narcissus), ca. 1527-30. Creator: Antonio da Trento
Man seated viewed from behind (Narcissus), ca. 1527-30

Antonio da Sangallos project for St Peter s, plan of the faç
Antonio da Sangallos project for St Peter s, plan of the facade extended to the left with a tower, 1540-49

Left Third of a Martyrdom of Saint Peter and Saint Paul. 1508-ca. 1550. Creator: Unknown
Left Third of a Martyrdom of Saint Peter and Saint Paul. 1508-ca. 1550. After Antonio da Trento. After Parmigianino

Saint Peter Martyr Healing the Leg of a Young Man, ca. 1450. Creator: Antonio Vivarini
Saint Peter Martyr Healing the Leg of a Young Man, ca. 1450

The Rialto and the Grand Canal (N. E. ), Venice, Italy, c1909. Creator: Unknown
The Rialto and the Grand Canal (N.E.), Venice, Italy, c1909. The present Rialto Bridge on the Grand Canal in Venice was designed by Antonio da Ponte and completed in 1591

Interior of Milan Cathedral, 1890. Creator: Unknown
Interior of Milan Cathedral, 1890. Construction began in 1386 under Archbishop Antonio da Saluzzo by Italian architect Simone da Orsenigo. Interior decoration continued well into the 16th century

centering vaulting nave St. Peter Basilica Wolfgang Engelbert
The centering for vaulting the nave of St. Peters Basilica, Wolfgang Engelbert Graf von Auersperg collection of architectural prints, Sangallo, Antonio da, 1484-1546, Architectural print, 1561

Initial R Resurrection Antonio da Monza Italian
Initial R: The Resurrection; Antonio da Monza (Italian, active about 1480 - 1505); Rome, Lazio, Italy; late 15th or early 16th century; Tempera colors, gold leaf

Decorated Initial P Antonio da Monza Italian
Decorated Initial P; Antonio da Monza (Italian, active about 1480 - 1505); Rome, Lazio, Italy; late 15th or early 16th century; Tempera colors, gold leaf

Decorated Initial U Antonio da Monza Italian
Decorated Initial U; Antonio da Monza (Italian, active about 1480 - 1505); Rome, Lazio, Italy; late 15th or early 16th century; Tempera colors, gold leaf

Rialto Bridge, Venice, Italy, 1927. Artist: Eugen Poppel
Rialto Bridge, Venice, Italy, 1927. The Rialto Bridge, which spans the Grand Canal, was designed by Antonio da Ponte and Antonio Contino and built between 1588 and 1591

Rialto Bridge, Venice, Italy, 19th century(?). Artist: Kirchmayn
Rialto Bridge, Venice, Italy, 19th century(?). The Rialto Bridge, which spans the Grand Canal, was designed by Antonio da Ponte and Antonio Contino and built between 1588 and 1591

Rialto Bridge, Venice. The Rialto Bridge, which spans the Grand Canal, was designed by Antonio da Ponte and Antonio Contino and built between 1588 and 1591

Lovers 1527-1530 Etching second state two 5 7 / 8 x 4 1 / 8
Artokoloro

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Antonio da, a renowned artist from Venice in the late 19th century, left an indelible mark on the art world with his exceptional creations. Born in Trento, Italy, Antonio's talent blossomed under the influence of his surroundings. One of his notable works was "Saint Andrew standing in profile holding a large cross, " part of a series depicting Twelve Apostles. This masterpiece showcased Antonio's meticulous attention to detail and ability to capture emotion through brushstrokes. Another remarkable piece by Antonio was "Saint John the Baptist in the desert, " where he portrayed this biblical figure with a lamb by his side. The painting exuded tranquility and spirituality, reflecting Antonio's deep understanding of religious themes. In addition to paintings, Antonio also contributed to architectural designs. His involvement in projects such as St Peter's plan demonstrated his innovative thinking and commitment to creating grandeur structures that would stand the test of time. Antonio da Trento further displayed his versatility as an artist through sculptures like "Man seated viewed from behind (Narcissus). " This sculpture depicted Narcissus lost in self-reflection, showcasing Antonio's ability to capture human form and emotions effortlessly. Throughout history, artists have found inspiration from iconic landmarks like Milan Cathedral or The Rialto Bridge. Similarly, Antonio drew inspiration from these architectural marvels when creating captivating artworks such as "The Rialto and the Grand Canal" or "Interior of Milan Cathedral. " These pieces allowed viewers to experience the beauty and grandeur captured within these historic sites. Although some works attributed to him remain unknown creators' masterpieces like "Left Third of a Martyrdom of Saint Peter and Saint Paul" exemplify how Antonio influenced other artists even after his own time had passed. Antonio Vivarini collaborated with him on "Saint Peter Martyr Healing the Leg of a Young Man, " demonstrating their shared passion for storytelling through artistry. Together they created an emotionally charged piece that captured the miraculous healing power of Saint Peter Martyr.