Artemis Collection (#3)

Classical Female Figure (Diana or Venus) with Two Infants, ca. 1539-42

Diana and Cupid, 1761. Creator: Pompeo Batoni
Diana and Cupid, 1761

Diana and Her Nymphs in a Landscape, 1644 (oil on canvas)
3077131 Diana and Her Nymphs in a Landscape, 1644 (oil on canvas) by La Hire or La Hyre, Laurent de (1606-56); 100x134.1 cm; J

The Temple of Artemis, Ephesus, Turkey, 1933-1934. From Wonders of the Past, volume II, 1933-1934

Diana and Callisto, 17th century. Artist: Pietro Liberi
Diana and Callisto, 17th century. According to Ovid, Jupiter took the form of Diana in order to force himself on Callisto when she was separated from Diana

Gold Artemis Goddess
Grace Digital Art Co

Goddess Artemis Mythology
Grace Digital Art Co

Pink Artemis with Halo
Grace Digital Art Co

Artemis Mustard and Green
Grace Digital Art Co

Apollo and Diana, 1501-06 (engraving)
7414922 Apollo and Diana, 1501-06 (engraving) by Durer or Duerer, Albrecht (1471-1528); 11.5--7.2 cm; Rijksmuseum, Amsterdam

Diana and Her Nymphs, 1853 (oil on fabric)
XOS5886578 Diana and Her Nymphs, 1853 (oil on fabric) by Marko, Karoly I (1791-1860); 25x35.1 cm; Cleveland Museum of Art, OH, USA; (add.info.: by Karoly Marko)

Artemis, Goddess of the Hunt, 2nd century BC (marble)
PWI94617 Artemis, Goddess of the Hunt, 2nd century BC (marble) by Leochares (c.370-330 BC); height: 200 cm; Louvre, Paris, France; (add.info.: Also known as the Diana of Versailles)

The bath of Diana, 1645 circa, Francesco de Rosa, known as Pacecco (oil on canvas)
7064278 The bath of Diana, 1645 circa, Francesco de Rosa, known as Pacecco (oil on canvas) by Rosa, Francesco de (Pacecco) (c.1600-54); Museo di Capodimonte, Naples, Campania

Statue of Artemis, a copy from the 4th century BC (marble)
5309717 Statue of Artemis, a copy from the 4th century BC (marble) by Greek school, (4th century BC); Istanbul Archaeological Museum, Turkey; Photo © Stefano Baldini

Diana and Actaeon, 1554-64 (marble)
7146198 Diana and Actaeon, 1554-64 (marble) by Mosca, Francesco (1531-1578); Museo Nazionale del Bargello, Florence, Tuscany, Italy; (add.info.: Diana and Actaeon, 1554-64, Francesco Mosca)

Female statue, probably a copy of the statue of Artemis by Kephisodotos from the 4th century BC (marble)
2562016 Female statue, probably a copy of the statue of Artemis by Kephisodotos from the 4th century BC (marble) by Roman; Musei Capitolini, Rome

Ephesian Artemis (marble)
2562010 Ephesian Artemis (marble) by Roman; Musei Capitolini, Rome, Italy; (add.info.: Roman copy from a second century BC original); Photo © Stefano Baldini

Head of a female divinity, Artemis of Ephesus (lunense marble)
3042828 Head of a female divinity, Artemis of Ephesus (lunense marble) by Roman; Museo Nazionale Romano - Palazzo Altemps, Rome, Italy; Photo © Stefano Baldini

Statue of Artemis (marble & bronze)
3362124 Statue of Artemis (marble & bronze) by Roman, (2nd century); Vatican Museums and Galleries, Vatican City; (add.info)

Ceiling mural Galleria Dorata (fresco)
7352736 Ceiling mural Galleria Dorata (fresco) by Ferrari, Lorenzo de (1680-1744); Palazzo Carrega-Cataldi (former Palazzo Tobia Pallavicini), Genoa, Liguria

Statuette of Latona with Artemis and Apollo (pentelic marble)
3359291 Statuette of Latona with Artemis and Apollo (pentelic marble) by Roman; Centrale Montemartini, Rome, Italy; (add.info.: Statuette of Latona with Artemis and Apollo, pentelic marble)

The beautiful Anthia leading her Companions to the Temple of Diana in Ephesus, c. 1820 (oil on canvas)
7332544 The beautiful Anthia leading her Companions to the Temple of Diana in Ephesus, c.1820 (oil on canvas) by Paelinck, Joseph (1781-1839); Museum voor Schone Kunsten, Ghent

Jupiter and Callisto (print)
7315131 Jupiter and Callisto (print) by Teyler, Johannes (1648-1712) (after); Private Collection; (add.info.: Apollo looks down on Jupiter and Callisto)

Landscape with Diana and Actaeon (oil on panel)
471501 Landscape with Diana and Actaeon (oil on panel) by Mellery, Xavier (1845-1921); 32x51 cm; Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium; (add.info.: Diana)

Diana of Gabii (marble)
LRI4633318 Diana of Gabii (marble) by Praxiteles (c.400-c.330 BC); Louvre, Paris, France; (add.info.: The Diana of Gabii is a statue of a woman in drapery which probably represents the goddess)

Diana and the nymphs, 1725 (oil on canvas)
7292665 Diana and the nymphs, 1725 (oil on canvas) by Pittoni, Giovanni Battista (1687-1767); Museo Civico Palazzo Chiericati, Vicenza, Italy; (add.info.: by Giambattista Pittoni); Ghigo Roli

Diana, the goddess of hunting, the moon and nature in Roman mythology after her bath, Historical
7279603 Diana, the goddess of hunting, the moon and nature in Roman mythology after her bath, Historical by Unknown Artist, (19th century); Private Collection; (add.info.: Diana)

Portrait of a Lady as Diana, c. 1670-90 (oil on canvas)
7300628 Portrait of a Lady as Diana, c.1670-90 (oil on canvas) by Maes, Nicolaes (1634-93); 113x91.5 cm; Private Collection; © Lawrence Steigrad Fine Arts, New York

Marie-Adelaide de savoie, Duchess of Bourgogne as Diana, 1710 (marble)
7301156 Marie-Adelaide de savoie, Duchess of Bourgogne as Diana, 1710 (marble) by Coysevox, Antoine (1640-1720); Louvre, Paris, France; (add.info.: Marie-Adelaide de savoie)

White House interior, Old Green Room (1st interior photo?) Presidents study, between 1860 and 1880. Creator: Unknown
White House interior, Old Green Room (1st interior photo?) Presidents study, between 1860 and 1880. [On the table is a copy of the Diana of Gabii sculpture]

Diana and Actaeon, 1580-90 (oil on canvas)
5859868 Diana and Actaeon, 1580-90 (oil on canvas) by Bassano, Jacopo (Jacopo da Ponte) (1510-92); 63.6--68.7 cm; The Art Institute of Chicago, IL, USA; (add.info.: by Jacopo Bassano (1510-92))

Apollo and Diana Kill Niobes Children with their Arrows: She is Turned to Stone, 1730 (engraving)
STC134125 Apollo and Diana Kill Niobes Children with their Arrows: She is Turned to Stone, 1730 (engraving) by Picart, Bernard (1673-1733); Private Collection; The Stapleton Collection

Kylix (Drinking Cup), about 480 BCE. Creator: Douris
Kylix (Drinking Cup), about 480 BCE

Nymphaeum, sculpture
6336789 Nymphaeum, sculpture by Italian School, (16th century); Villa Barbaro, Maser, Veneto, Italy; (add.info.: Villa Barbaro, Maser, Veneto, Italy); © Mark Edward Smith

Statue of Diana of Ephesus or Artemis of Ephesus. 1779 (engraving)
7237398 Statue of Diana of Ephesus or Artemis of Ephesus. 1779 (engraving) by Cannetti, Giovanni Battista (1750-1810); Private Collection; (add.info)

Universal Harmony surrounded by gods: Zeus with an eagle, Mars, Apollo with the lyre, Venus, Mercury with caduceus
2632647 Universal Harmony surrounded by gods: Zeus with an eagle, Mars, Apollo with the lyre, Venus, Mercury with caduceus, Diana with dogs, and Saturn, the central octagon of the Hall of Olympus

Diana and Endymion, 1752 (marble)
449810 Diana and Endymion, 1752 (marble) by Plura, Joseph the Younger (fl.1750-86); The Holburne Museum, Bath, UK; (add.info.: Diana, goddess of the moon)

Diana and Endymion, 1752 (marble)
449807 Diana and Endymion, 1752 (marble) by Plura, Joseph the Younger (fl.1750-86); The Holburne Museum, Bath, UK; (add.info.: Diana, goddess of the moon)

Diana and Endymion, 1752 (marble)
449814 Diana and Endymion, 1752 (marble) by Plura, Joseph the Younger (fl.1750-86); The Holburne Museum, Bath, UK; (add.info.: Diana, goddess of the moon)

Dogs, from the Room of Diana and Actaeon, detail of 2384753, 1524
2384766 Dogs, from the Room of Diana and Actaeon, detail of 2384753, 1524 by Parmigianino (Francesco Mazzola) (1503-40); Rocca Sanvitale, Fontanellato, Parma, Italy; (add.info.: Parma, Fontanellato)

Actaeon, turned into a stag, is eaten by his own dogs, from the Room of Diana and Actaeon, the Northern Wall
2384770 Actaeon, turned into a stag, is eaten by his own dogs, from the Room of Diana and Actaeon, the Northern Wall, detail of 2384753

Room of Diana and Actaeon, detail of 2384753, 1524
2384758 Room of Diana and Actaeon, detail of 2384753, 1524 by Parmigianino (Francesco Mazzola) (1503-40); Rocca Sanvitale, Fontanellato, Parma, Italy; (add.info.: Parma, Fontanellato)

Hall of Latona: the Goddess, Rocca dei Rossi, San Secondo, Parma, Italy, detail of 2384739
2384740 Hall of Latona: the Goddess, Rocca dei Rossi, San Secondo, Parma, Italy, detail of 2384739 by Romano, Giulio (c.1499-1546) (school of) (attr.to); Rocca dei Rossi, San Secondo, Parma

Statue of Diana Venatrix, Roman goddess of the hunt, with bow, arrow and quiver
5323779 Statue of Diana Venatrix, Roman goddess of the hunt, with bow, arrow and quiver by David, Francois-Anne (1741-1824); (add.info.: Statue of Diana Venatrix, Roman goddess of the hunt, with bow)

Stories of Diana, 1731-33 (fresco)
3928857 Stories of Diana, 1731-33 (fresco) by Valeriani, Giuseppe (d.1761) & Valeriani, Domenico (d.1771); The Hunting Residence of Stupinigi, Turin, Piedmont

The Loggia of Diana or of the ruins: myth of Diana and Endymion, 1689 (fresco)
3606328 The Loggia of Diana or of the ruins: myth of Diana and Endymion, 1689 (fresco) by Piola, Paolo Gerolamo (1666-1724) (& workshop); Palazzo Rosso, Genoa, Italy; (add.info.: Genoa)

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Artemis, also known as Diana of the Uplands, is a prominent figure in Greek mythology. This captivating goddess was often depicted in various artworks throughout history. One such artwork is "Diana of the Uplands" by Charles Wellington Furse, created between 1903-1904. In Greek mythology, Artemis was one of the twelve gods residing on Mount Olympus. Her story can be traced back to ancient texts published in 1880 that narrate the tales of these powerful deities. One notable myth involving Artemis showcases her compassion and mercy. In this tale, she sends a deer to spare the sacrifice of Iphigenia at the House of Tragic Poet from Pompeii. This act highlights her benevolence towards mortals and her connection with nature. Often associated with other significant figures like Callisto and Ceres. The Parthenon's East Pediment in Athens portrays her presence during its construction from 438-432 BC, emphasizing her importance within Greek culture. Artists have captured Artemis' essence through their masterpieces over centuries. Abraham Govaerts' painting depicts a serene landscape where Diana offers a hare to a nymph while Silenus and Ceres stand nearby; this scene beautifully captures Artemis' connection with both wildlife and fertility. "Diana the Huntress - with Attendants and Borzois" showcases Artemis surrounded by loyal companions during one of her hunting expeditions—a testament to her strength and independence as an iconic huntress. Louis Desplaces immortalized Artemis in his creation titled "Diana at the Bath. " This artwork portrays her vulnerability as she indulges in moments of self-care amidst nature's embrace—an intimate glimpse into another facet of this multifaceted goddess.