Artemis Collection (#8)

Tantalus at left speaking to Diana at right, set within an elaborate frame, from the Loves, Rages and Jealousies of Juno, 1531-76

The Vase of the Medici, 1656. Creator: Stefano della Bella
The Vase of the Medici, 1656

Diana and Endymion, c. 1675 / 1680. Creator: Luca Giordano
Diana and Endymion, c. 1675/1680

Dianas Return from the Hunt, 1745. Creator: Boucher, Francois (1703-1770)
Dianas Return from the Hunt, 1745. Found in the collection of Musee Cognacq-Jay, Paris

Latona and her sleeping twins, Apollo and Diana, within a landscape, 1705

Diana and Endymion, c. 1753 / 1756. Creator: Jean-Honore Fragonard
Diana and Endymion, c. 1753/1756

Powder Flask, Bohemian, first half of the 19th century. Creator: Unknown
Powder Flask, Bohemian, first half of the 19th century

Diana at the Bath After Returning from the Hunt, ca. 1730-60. [Posito visam velamine narres]

Diana, 1867. Creator: Pierre-Auguste Renoir
Diana, 1867

Seated figure of Diana the huntress, 1625-77. Creator: Paulus Potter
Seated figure of Diana the huntress, 1625-77

Sleeping Huntress, 1625-77. Creator: Paulus Potter
Sleeping Huntress, 1625-77

Diana the Huntress in a Landscape, ca. 1530-42. Creator: Vincenzo Caccianemici
Diana the Huntress in a Landscape, ca. 1530-42

Second Scene, in Dianas forest, from The marriage of the gods (Le nozze degli Dei), 1637

The Wedding of the Gods: Second Scene, Diana, 1637. Creator: Stefano della Bella
The Wedding of the Gods: Second Scene, Diana, 1637

Niobe, from Game of Mythology (Jeu de la Mythologie), 1644

Latona, from Game of Mythology (Jeu de la Mythologie), 1644

Jupiter and Callisto, from Game of Mythology (Jeu de la Mythologie), 1644

Acteon, from Game of Mythology (Jeu de la Mythologie), 1644

Diana, from Game of Mythology (Jeu de la Mythologie), 1644

Diana and Acteon. Creator: Pierre Francois Tardieu
Diana and Acteon

The Judgment of Paris, 1515-27. Creator: Marco Dente
The Judgment of Paris, 1515-27

Judgment of Paris: Paris extends his hand toward Venus, who stands between Juno and Minerva, surrounded by reclining and seated figures; above are a winged figure carrying a laurel wreath

Mythological Scene, possibly Diana Seducing Callisto, ca. 1764. After Pietro Liberi

Diana and Orion. Creator: Jacques Bellange
Diana and Orion

Allegory of the Hunt; a hunter holding a large spear carrying a woman (Diana?) on his shoulders; five hunting dogs in the foreground and a retinue of male and female hunters in the background, 1556

The festival of Diana, interrupted by satyrs (Feste de Diane, troublee par des Satyres): nymphs gathered around the bust of Diana in a stone niche at center

Feast of Diana. n. d. Creator: Claude Gillot
Feast of Diana.n.d

Diana Resting with Nymphs. Creator: Battista Franco Veneziano
Diana Resting with Nymphs

Plate 105: Diana aiming her bow toward Chione, who is accompanied by two children, in another scene at left Mercury approaches the sleeping Chione

Plate 12: Atalanta led by Diana (Atalata condoti da Diana), accompanied by warriors bearing shields and spears, from the series The magnificent pageant on the river Arno in Florence for the marriage

Apollo and Diana, ca. 1503. Creator: Albrecht Durer
Apollo and Diana, ca. 1503

The Sacrifice of Iphigenia, ca. 1640-42. Creator: Pietro Testa
The Sacrifice of Iphigenia, ca. 1640-42

Statue of Niobe and her Worshippers, with Apollo and Diana and other Figures, 1543-47

Diana returning from the chase, accompanied by dogs and her nymphs at left, two satyrs at right, ca. 1808

Jupiter and Callisto, 1537-40. Creator: Pierre Milan
Jupiter and Callisto, 1537-40

Diane et Acteon changeen Cerf, ca. 1742. Creator: Etienne Fessard
Diane et Acteon change en Cerf, ca. 1742. [Diana and Actaeon transformed into a stag]

Diana Discovering Callistos Pregnancy, 1566. Creator: Cornelis Cort
Diana Discovering Callistos Pregnancy, 1566

The sacrifice of Iphigenia, 1650-1700. Creator: Attributed to Arnold van Westerhout
The sacrifice of Iphigenia, 1650-1700

Diana at the Bath, 1744. Creator: Charles Michel-Ange Challe
Diana at the Bath, 1744

Diana and Actaeon, late 18th-early 19th century. Creator: Joseph Bergler
Diana and Actaeon, late 18th-early 19th century

Diana with Attributes of the Hunt, 16th century. Creator: Antoine Caron
Diana with Attributes of the Hunt, 16th century

Diana, Goddess of the Hunt, Folio from the Davis Album, early 17th century

Sculpture Gallery, Boston Athenaeum, ca. 1855. Creators: Josiah Johnson Hawes
Sculpture Gallery, Boston Athenaeum, ca. 1855

ARTEMIS: GODDESS / MYTH
Artemis bathing. Date: Classical

ARTEMIS / DIANA STATUE
Diana of the Ephesians - her statue at Ephesus depicted her traditionally as the many- breasted

ARTEMIS / DIANA
statue of Diana from her temple at Ephesus

Demetrius starts a riot in Ephesus
Demetrius, a silversmith who makes shrines to Artemis (Diana), starts a riot in Ephesus against St Paul, crying Great is Artemis of the Ephesians, as described in the Acts of the Apostles

Arcadian Landscape with several Figures and a Statue of Diana, 18th century

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Artemis, also known as Diana of the Uplands, is a prominent figure in Greek mythology. This captivating goddess was often depicted in various artworks throughout history. One such artwork is "Diana of the Uplands" by Charles Wellington Furse, created between 1903-1904. In Greek mythology, Artemis was one of the twelve gods residing on Mount Olympus. Her story can be traced back to ancient texts published in 1880 that narrate the tales of these powerful deities. One notable myth involving Artemis showcases her compassion and mercy. In this tale, she sends a deer to spare the sacrifice of Iphigenia at the House of Tragic Poet from Pompeii. This act highlights her benevolence towards mortals and her connection with nature. Often associated with other significant figures like Callisto and Ceres. The Parthenon's East Pediment in Athens portrays her presence during its construction from 438-432 BC, emphasizing her importance within Greek culture. Artists have captured Artemis' essence through their masterpieces over centuries. Abraham Govaerts' painting depicts a serene landscape where Diana offers a hare to a nymph while Silenus and Ceres stand nearby; this scene beautifully captures Artemis' connection with both wildlife and fertility. "Diana the Huntress - with Attendants and Borzois" showcases Artemis surrounded by loyal companions during one of her hunting expeditions—a testament to her strength and independence as an iconic huntress. Louis Desplaces immortalized Artemis in his creation titled "Diana at the Bath. " This artwork portrays her vulnerability as she indulges in moments of self-care amidst nature's embrace—an intimate glimpse into another facet of this multifaceted goddess.