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Augustine Collection (page 5)

"Augustine: From Vices to Virtues, a Journey of Redemption" In the captivating painting "The Devil Presenting St Augustine with the Book of Vices

Background imageAugustine Collection: The Virgin and Child venerated by eight saints, c. 1631-33 (panel)

The Virgin and Child venerated by eight saints, c. 1631-33 (panel)
NOR74655 The Virgin and Child venerated by eight saints, c.1631-33 (panel) by Rubens, Peter Paul (1577-1640); 35x53 cm; Private Collection; Flemish, out of copyright

Background imageAugustine Collection: Central panel of an altarpiece dedicated to St. Augustine (354-430), Gothic Painting

Central panel of an altarpiece dedicated to St. Augustine (354-430), Gothic Painting (1450-1500) comes possibly from Manresa

Background imageAugustine Collection: Christ in Majesty (Maiestas domini). Second illuminated capital letter in De Civitate

Christ in Majesty (Maiestas domini). Second illuminated capital letter in De Civitate Dei Libri XXII, work of St. Augustine, manuscript on parchment made?

Background imageAugustine Collection: De Civitate Dei Libri XXII (City of God), handwritten copy made probably in Avignon (France)

De Civitate Dei Libri XXII (City of God), handwritten copy made probably in Avignon (France), 13th-14th centuries, in the Cathedral of Vic (Osona) since March 1442

Background imageAugustine Collection: War of the Independence, siege of Zaragoza, Augustine of Aragon firing the cannon

War of the Independence, siege of Zaragoza, Augustine of Aragon firing the cannon at Portillo in 1808, drawing

Background imageAugustine Collection: Augustin Moreto (1618-1669), Spanish writer and an Italian priest, 1870 engraving

Augustin Moreto (1618-1669), Spanish writer and an Italian priest, 1870 engraving

Background imageAugustine Collection: Ejection of a woman questioner from City Temple, London, 12 November 1908. Artist

Ejection of a woman questioner from City Temple, London, 12 November 1908. Artist
Ejection of a woman questioner from City Temple, London, 12 November 1908. The woman was ejected for interrupting a speech given by Augustine Birrell

Background imageAugustine Collection: Augustine preaching before King Ethelbert, 597 (1864). Artist: James William Edmund Doyle

Augustine preaching before King Ethelbert, 597 (1864). Artist: James William Edmund Doyle
Augustine preaching before King Ethelbert, 597 (1864). Augustine (d604), first Archbishop of Canterbury, shown preaching the message of Christianity from Rome before King Ethelbert of Kent

Background imageAugustine Collection: The Great Chamber in the Second pyramid of Ghizeh, discovered by Giovanni Belzoni, 1820-1822

The Great Chamber in the Second pyramid of Ghizeh, discovered by Giovanni Belzoni, 1820-1822. Plate 12 from Plates Illustrative of the Researches in Egypt and Nubia by Giovanni Battista Belzoni

Background imageAugustine Collection: The Interior of the Temple at Ybsombul in Nubia, 1820-1822. Artist: Agostino Aglio

The Interior of the Temple at Ybsombul in Nubia, 1820-1822. Artist: Agostino Aglio
The Interior of the Temple at Ybsombul in Nubia, 1820. Statues inside the Temple of Rameses II at Abu Simbel. The Italian explorer Giovanni Belzoni cleared the temple of sand in 1817

Background imageAugustine Collection: Saints John the Evangelist and Augustine, 1502-1512. Artist: Perugino (ca. 1450-1523)

Saints John the Evangelist and Augustine, 1502-1512. Artist: Perugino (ca. 1450-1523)
Saints John the Evangelist and Augustine, 1502-1512. Found in the collection of Musee des Augustins, Toulouse

Background imageAugustine Collection: Saint Augustine in His Study. Artist: Botticelli, Sandro (1445-1510)

Saint Augustine in His Study. Artist: Botticelli, Sandro (1445-1510)
Saint Augustine in His Study. Found in the collection of Chiesa di Ognissanti, Florence

Background imageAugustine Collection: Saint Augustine Disputing with the Heretics. Artist: Vergos Family (active End of 15th cen. y)

Saint Augustine Disputing with the Heretics. Artist: Vergos Family (active End of 15th cen. y)
Saint Augustine Disputing with the Heretics. Found in the collection of Museu Nacional d Art de Catalunya, Barcelona

Background imageAugustine Collection: The Four Fathers of the Latin Church. Artist: Bloemaert, Abraham (1566-1651)

The Four Fathers of the Latin Church. Artist: Bloemaert, Abraham (1566-1651)
The Four Fathers of the Latin Church. Found in the collection of Museum Catharijneconvent, Utrecht

Background imageAugustine Collection: Saint Augustine Between Christ and the Virgin. Artist: Rubens, Pieter Paul (1577-1640)

Saint Augustine Between Christ and the Virgin. Artist: Rubens, Pieter Paul (1577-1640)
Saint Augustine Between Christ and the Virgin. Found in the collection of Real Academia de Bellas Artes de San Fernando, Madrid

Background imageAugustine Collection: The Reception of Saint Augustine by Ethelbert, 1912

The Reception of Saint Augustine by Ethelbert, 1912. From The Mighty Army, by W. M. Letts, illustrated by Stephen Reid. [Wells Gardner, Darton & Co. Ltd, London, 1912]

Background imageAugustine Collection: Augustine Birrell, 1927. Artist: Sir Leslie Matthew Ward

Augustine Birrell, 1927. Artist: Sir Leslie Matthew Ward
Augustine Birrell, 1927. A caricature of Augustine Birrell (1850-1933), English Liberal Party politician, who was Chief Secretary for Ireland from 1907 to 1916

Background imageAugustine Collection: St Augustine, a Benedictine monk, first preaching to the Saxons in Kent, 597 (1793)

St Augustine, a Benedictine monk, first preaching to the Saxons in Kent, 597 (1793). From Ashburtons History of England, by Charles Alfred Ashburton. [W. & J. Stratford, High Holborn, London, 1793]

Background imageAugustine Collection: Portland Bill to Portsmouth: The pursuit of the Spanish Armada by the English Fleet, c1588

Portland Bill to Portsmouth: The pursuit of the Spanish Armada by the English Fleet, c1588. Artist: Augustine Ryther
Portland Bill to Portsmouth: The pursuit of the Spanish Armada by the English Fleet, c1588. After Robert Adams. From The Connoisseur Volume XCI, edited by F. Gordon Roe

Background imageAugustine Collection: Figure Subject, 1921. Artist: Agostino Aglio

Figure Subject, 1921. Artist: Agostino Aglio
Figure Subject. After an original work by Agostino Aglio (1777-1857). From The Connoisseur Volume LX [Otto Limited, London, 1921]

Background imageAugustine Collection: Antonio Maceo, (1892), c1920s

Antonio Maceo, (1892), c1920s
Maceo in Costa Rica.In 1892, General Antonio Maceo was in Costa Rica and is shown in this portrait with Flor Crombet, Augustine Cebreco, Morua Delgado and others

Background imageAugustine Collection: Madonna and Child with St Fredianus and St Augustine, 1437-1438 (1870). Artist: Franz Kellerhoven

Madonna and Child with St Fredianus and St Augustine, 1437-1438 (1870). Artist: Franz Kellerhoven
Madonna and Child with St Fredianus and St Augustine, 1437-1438 (1870). Found in the collection of the Louvre. A print from Les Chef D oeuvre de la Peinture Italienne by Paul Mantz, Paris, 1870

Background imageAugustine Collection: The Pope and the Saxon Children, c1850

The Pope and the Saxon Children, c1850
The Pope And The Saxon Children, c180. In AD 598, Pope Gregory I sent bishop Augustine to persuade all the Saxons in England to become Christians (pictured)

Background imageAugustine Collection: Augustine Preaching to Ethelbert and Bertha, 1925

Augustine Preaching to Ethelbert and Bertha, 1925. From Highroads of History, book II: Stories from British History, published by Thomas Nelson and Sons (London, Edinburgh, New York, 1925)

Background imageAugustine Collection: Roman Catholic Chapel, Moorfields. Celebration of High Mass on Christmas Day, c1841

Roman Catholic Chapel, Moorfields. Celebration of High Mass on Christmas Day, c1841. Artist: Henry Melville
Roman Catholic Chapel, Moorfields. Celebration of High Mass on Christmas Day, c1841. St. Mary Moorfields, built by John Newman in 1820

Background imageAugustine Collection: La Berceuse (Portrait of Madame Roulin), 1889. Artist: Vincent van Gogh

La Berceuse (Portrait of Madame Roulin), 1889. Artist: Vincent van Gogh
La Berceuse (Portrait of Madame Roulin), 1889. From Van Gogh Paintings, introduction by Graham Reynolds. [Lindsay Drummond, Ltd & Les Editions du Chene, London & Paris, 1947]

Background imageAugustine Collection: The Baptism of Ethelbert King of Kent, by St Augustine, Canterbury in 597, (19th century)

The Baptism of Ethelbert King of Kent, by St Augustine, Canterbury in 597, (19th century). Artist: R Anderson
The Baptism of Ethelbert King of Kent, by St Augustine, Canterbury in 597, (19th century). Ethelbert King of Kent is converted to Christianity

Background imageAugustine Collection: Saint Augustine And The Saxons, (c1850)

Saint Augustine And The Saxons, (c1850). In 596 AD, Augustine was sent by Pope Gregory to preach to the Anglo-Saxons. Colour plate from Pictures of English History, George Routledge & Sons, (London)

Background imageAugustine Collection: Abbot Elfnoth, 1020-1050, (1910)

Abbot Elfnoth, 1020-1050, (1910). A 19th-century depiction after an 11th-century manuscript, showing Abbot Elfnoth (died 980 AD) presenting his book of prayer to St Augustine

Background imageAugustine Collection: The Consecration of Saint Augustine. Artist: Huguet, Jaume (1412-1492)

The Consecration of Saint Augustine. Artist: Huguet, Jaume (1412-1492)
The Consecration of Saint Augustine. Found in the collection of Museu Nacional d Art de Catalunya, Barcelona

Background imageAugustine Collection: Fortress of Faith (Miniature of the Saints Gregory, Augustine, Jerome, and Ambrose fighting demons)

Fortress of Faith (Miniature of the Saints Gregory, Augustine, Jerome, and Ambrose fighting demons), Late 15th cen.. From a private collection

Background imageAugustine Collection: Saint Augustine, 1480s. Artist: Crivelli, Carlo (c. 1435-c. 1495)

Saint Augustine, 1480s. Artist: Crivelli, Carlo (c. 1435-c. 1495)
Saint Augustine, 1480s. Found in the collection of the National Museum of Western Art, Tokyo

Background imageAugustine Collection: The Vision of Saint Augustine, c. 1520. Artist: Garofalo, Benvenuto Tisi da (1481-1559)

The Vision of Saint Augustine, c. 1520. Artist: Garofalo, Benvenuto Tisi da (1481-1559)
The Vision of Saint Augustine, c. 1520. Found in the collection of the National Gallery, London

Background imageAugustine Collection: Saints Augustine and Monica, 1854. Artist: Scheffer, Ary (1795-1858)

Saints Augustine and Monica, 1854. Artist: Scheffer, Ary (1795-1858)
Saints Augustine and Monica, 1854. Found in the collection of the National Gallery, London

Background imageAugustine Collection: Fantastic Ruins with Saint Augustine and the Child, 1623. Artist: Nome

Fantastic Ruins with Saint Augustine and the Child, 1623. Artist: Nome, Francois de (1593-after 1630)
Fantastic Ruins with Saint Augustine and the Child, 1623. Found in the collection of the National Gallery, London

Background imageAugustine Collection: Altarpiece of the Virgin, Saint Augustine and Saint Nicholas of Tolentino, 1462

Altarpiece of the Virgin, Saint Augustine and Saint Nicholas of Tolentino, 1462. Artist: Antoine de Lonhy (1446-1490)
Altarpiece of the Virgin, Saint Augustine and Saint Nicholas of Tolentino, 1462. Found in the collection of the Museu Nacional d Art de Catalunya, Barcelona

Background imageAugustine Collection: Saint Augustine, 1320s. Artist: Simone Martini

Saint Augustine, 1320s. Artist: Simone Martini
Saint Augustine, 1320s. Found in the collection of the State A Pushkin Museum of Fine Arts, Moscow

Background imageAugustine Collection: The Vision of Saint Augustine, between 1452 and 1465. Artist: Filippo Lippi

The Vision of Saint Augustine, between 1452 and 1465. Artist: Filippo Lippi
The Vision of Saint Augustine, between 1452 and 1465. Lippi, Filippo, Fra (1406-1469). Found in the collection of the State Hermitage, St. Petersburg

Background imageAugustine Collection: Colossal head Discovered in the Ruins of Carnak by G Belzoni, 1820. Artist: Agostino Aglio

Colossal head Discovered in the Ruins of Carnak by G Belzoni, 1820. Artist: Agostino Aglio
Colossal head Discovered in the Ruins of Carnak by G Belzoni, 1820. Found in the collection of the British Museum, London

Background imageAugustine Collection: Exterior View of the Two Temples at Ybsambul, Egypt, 1820. Artist: Agostino Aglio

Exterior View of the Two Temples at Ybsambul, Egypt, 1820. Artist: Agostino Aglio
Exterior View of the Two Temples at Ybsambul, Egypt, 1820. The Italian explorer and antiquities collector Giovanni Belzoni explored Egypt and its archaeological sites between 1815 and 1819

Background imageAugustine Collection: Great Chamber in the Second Pyramid of Ghizeh, Egypt, 1820. Artist: Agostino Aglio

Great Chamber in the Second Pyramid of Ghizeh, Egypt, 1820. Artist: Agostino Aglio
Great Chamber in the Second Pyramid of Ghizeh, Egypt, 1820. The Italian explorer and antiquities collector Giovanni Belzoni was the first to enter the second pyramid at Giza, the Pyramid of Khafre

Background imageAugustine Collection: Forced Passage in the Second Pyramid of Ghizeh, Egypt, 1820. Artist: Agostino Aglio

Forced Passage in the Second Pyramid of Ghizeh, Egypt, 1820. Artist: Agostino Aglio
Forced Passage in the Second Pyramid of Ghizeh, Egypt, 1820. The Italian explorer and antiquities collector Giovanni Belzoni was the first to enter the second pyramid at Giza, the Pyramid of Khafre

Background imageAugustine Collection: General View of the Pyramids, Egypt, 1820. Artist: Agostino Aglio

General View of the Pyramids, Egypt, 1820. Artist: Agostino Aglio
General View of the Pyramids, Egypt, 1820

Background imageAugustine Collection: The Interior of the Temple at Ybsombul in Nubia, 1820. Artist: Agostino Aglio

The Interior of the Temple at Ybsombul in Nubia, 1820. Artist: Agostino Aglio
The Interior of the Temple at Ybsombul in Nubia, 1820. Statues inside the Temple of Rameses II at Abu Simbel. The Italian explorer Giovanni Belzoni cleared the temple of sand in 1817

Background imageAugustine Collection: The Adoration of the Shepherds between Saints Augustine and Galgano, 1440-1449

The Adoration of the Shepherds between Saints Augustine and Galgano, 1440-1449. Found in the collection of the Museo Civico Archeologico e d Arte Sacra Palazzo Corboli Asciano

Background imageAugustine Collection: Pope Gregory I, the Great, c1540-1567. Artist: Adriaen Collaert

Pope Gregory I, the Great, c1540-1567. Artist: Adriaen Collaert
Pope Gregory I, the Great, c1540-1567. Pope from 590, St Gregory (c540-604) sent Augustine as a missionary to England in 596

Background imageAugustine Collection: St Augustine of Hippo, 1460. Artist: Joos van Gent

St Augustine of Hippo, 1460. Artist: Joos van Gent
St Augustine of Hippo, 1460. St Augustine of Hippo (354-430) is regarded as one of the great fathers of the early Christian church

Background imageAugustine Collection: St Augustin, Bishop of Hippo in discussion

St Augustin, Bishop of Hippo in discussion. Monks pray in the background. St Augustine of Hippo (354-430) is regarded as one of the great fathers of the early Christian church




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"Augustine: From Vices to Virtues, a Journey of Redemption" In the captivating painting "The Devil Presenting St Augustine with the Book of Vices, " created by Michael Pacher between 1455 and 1498, we witness a pivotal moment in the life of this influential figure. St Augustine, also known as Hippo or Theve, stands before us as he confronts his inner demons. As one of the Four Rc Doctors from the 16th century, Augustine's teachings have left an indelible mark on Christianity. His mother Monica played a significant role in his spiritual development and her influence can be seen throughout his writings. Even renowned author James Joyce found inspiration in Augustine's profound journey towards enlightenment. In his works, Joyce often delves into themes that mirror the struggles faced by this great saint. Beyond art and literature, Augustine's impact extends to various corners of history. Rural school children in San Augustine County, Texas carry on their education under his name while people from Stepney, East London once sought solace during hop picking season in Kent. But it is not only through paintings and locations that we remember him; historical events like "The Founding of St. Augustine" remind us how Pedro Menendez de Aviles established this iconic city in Florida back in 1565. Another masterpiece depicting Saint Augustine's transformation is "The Conversion of Saint Augustine, " painted around 1430-1435 by Fra Giovanni Angelico. This artwork captures the essence of his spiritual awakening and serves as a visual testament to his unwavering faith. Lastly, Prince Demetrius Augustine Gallitzin emerges as another notable figure associated with our protagonist. As a Russian-born Roman Catholic priest and missionary who dedicated himself to spreading God's word across America during the early 19th century, Gallitzin embodied many qualities reminiscent of St. Augustine himself. Through these diverse hints scattered across time and space, we catch glimpses of Augustine's enduring legacy.