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Bell Collection (page 97)

The resonating sound of the bell echoes through the church as the dedicated bell ringers pull on the ropes, creating a melodious symphony that fills the air

Background imageBell Collection: Linnaeus Tripe, Rangoon: Great Bell of the [Shwe Dagon] Pagoda, British, 1822-1902

Linnaeus Tripe, Rangoon: Great Bell of the [Shwe Dagon] Pagoda, British, 1822-1902, November 1855, salted paper print

Background imageBell Collection: The Portinari Altarpiece, St. Thomas and St. Anthony the Hermit with Tommaso Portinari

The Portinari Altarpiece, St. Thomas and St. Anthony the Hermit with Tommaso Portinari
XAL53972 The Portinari Altarpiece, St. Thomas and St. Anthony the Hermit with Tommaso Portinari and two sons Antonio and Pigello, Left Wing, c.1479 (oil on panel) by Goes

Background imageBell Collection: William Bell (American, American, 1830 - 1910), Rain Sculpture, Salt Creek Canon

William Bell (American, American, 1830 - 1910), Rain Sculpture, Salt Creek Canon, Utah, 1872, albumen print

Background imageBell Collection: Of them that forceth or careth for the bacbytynge of lewde people, illustration

Of them that forceth or careth for the bacbytynge of lewde people, illustration
XJF486430 Of them that forceth or careth for the bacbytynge of lewde people, illustration from Alexander Barclays English translation of The Ship of Fools

Background imageBell Collection: Reverend Calvert Richard Jones, St. Pauls Cathedral, Valetta, Malta, with Bell Tower

Reverend Calvert Richard Jones, St. Pauls Cathedral, Valetta, Malta, with Bell Tower, Welsh, 1802 - 1877, 1846, salted paper print from salted paper negative

Background imageBell Collection: Eve John Bell, in Electro Bronze, by Messrs. Elkington, 1851 Engraving

Eve John Bell, in Electro Bronze, by Messrs. Elkington, 1851 Engraving

Background imageBell Collection: Abelard lecturing among disciples in the deserted Champagne, illustration from Lettres

Abelard lecturing among disciples in the deserted Champagne, illustration from Lettres
XIR346153 Abelard lecturing among disciples in the deserted Champagne, illustration from Lettres d Heloise et D Abelard, volume I, page 49

Background imageBell Collection: ANDROMEDA BY BELL

ANDROMEDA BY BELL
" ANDROMEDA" BY BELL

Background imageBell Collection: DOROTHEA BY JOHN BELL, 1851 engraving

DOROTHEA BY JOHN BELL, 1851 engraving

Background imageBell Collection: Queen Margaret, (By John Bell), Messrs. Messenger and Son, 1851 Engraving

Queen Margaret, (By John Bell), Messrs. Messenger and Son, 1851 Engraving

Background imageBell Collection: Horatio Walpole (engraving)

Horatio Walpole (engraving)
XJF311653 Horatio Walpole (engraving) by Vanloo, Jean Baptiste (1684-1745) (after); Private Collection; (add.info.: Horatio Walpole (1678-1757), First Lord Walpole of Wolterton

Background imageBell Collection: The Cryes of London, 1655 (etching)

The Cryes of London, 1655 (etching)
XJF3058196 The Cryes of London, 1655 (etching) by English School, (17th century); Private Collection; (add.info.: London street traders: musk seller, wood chopper, tankerd (water) carrier

Background imageBell Collection: Newton Meditating on the Law of Gravitation (J. Bell, Sculptor)

Newton Meditating on the Law of Gravitation (J. Bell, Sculptor)

Background imageBell Collection: Shrine of St. Patricks Bell. Front View

Shrine of St. Patricks Bell. Front View

Background imageBell Collection: Three Giants with a group of spectators, 1784 (engraving)

Three Giants with a group of spectators, 1784 (engraving)
XJF2906489 Three Giants with a group of spectators, 1784 (engraving) by Kay, John (1742-1826); Private Collection; (add.info)

Background imageBell Collection: Series Les Divorceuses, plate 1, illustration from Le Charivari

Series Les Divorceuses, plate 1, illustration from Le Charivari
XIR287232 Series Les Divorceuses, plate 1, illustration from Le Charivari, 4th August 1848 (litho) (b/w photo) by Daumier, Honore (1808-79); Bibliotheque Nationale, Paris

Background imageBell Collection: The Veche in the Republic of Novgorod, 1861 (oil on canvas)

The Veche in the Republic of Novgorod, 1861 (oil on canvas)
BAL283524 The Veche in the Republic of Novgorod, 1861 (oil on canvas) by Khudyakov, Vasily Grigorievich (1826-1871); 53x74 cm; Private Collection; (add.info)

Background imageBell Collection: Death Riding, 1505 (charcoal on paper)

Death Riding, 1505 (charcoal on paper)
XJF275520 Death Riding, 1505 (charcoal on paper) by DAOErer or Duerer, Albrecht (1471-1528); Private Collection; German, out of copyright

Background imageBell Collection: 2619163; out of copyright

2619163; out of copyright

Background imageBell Collection: September (oil on panel)

September (oil on panel)
XAL243402 September (oil on panel) by Rustici, Cristoforo (1560-1640); Palazzo Pubblico, Siena, Italy; (add.info.: from a cycle of the six months; ); Italian, out of copyright

Background imageBell Collection: One of a group of bells tuned in scale pien chung, from the tomb of a Marquis

One of a group of bells tuned in scale pien chung, from the tomb of a Marquis
XIR240990 One of a group of bells tuned in scale pien chung, from the tomb of a Marquis of Ts ai. Shou-hsien, Anhui, Period of the Spring and Autumn Annals (bronze) by Chinese School

Background imageBell Collection: The insatiable animal of the National Assembly (engraving) (b / w photo)

The insatiable animal of the National Assembly (engraving) (b / w photo)
XIR215530 The insatiable animal of the National Assembly (engraving) (b/w photo) by German School, (18th century); Musee de la Ville de Paris, Musee Carnavalet, Paris

Background imageBell Collection: Ms Fr. Fv VI #1 fol. 135r Illustration from The Book of Simple Medicines

Ms Fr. Fv VI #1 fol. 135r Illustration from The Book of Simple Medicines
XJL212023 Ms Fr. Fv VI #1 fol.135r Illustration from The Book of Simple Medicines by Mattheaus Platearius (d.c.1161) c.1470 (vellum) by Testard, Robinet (fl.1470-1523); 26x35.5 cm; National Library

Background imageBell Collection: Illustrated lyric sheet for Martin de Cambrai (litho)

Illustrated lyric sheet for Martin de Cambrai (litho)
XIR162144 Illustrated lyric sheet for Martin de Cambrai (litho) by French School, (19th century); Musee Municipal, Cambrai, France; (add.info.: song commemorating the legend of Martin)

Background imageBell Collection: Portrait of Pope Clement IX (1600-69) (oil on canvas)

Portrait of Pope Clement IX (1600-69) (oil on canvas)
BAL196417 Portrait of Pope Clement IX (1600-69) (oil on canvas) by Maratta or Maratti, Carlo (1625-1713); 158x118.5 cm; State Hermitage Museum, St. Petersburg, Russia; Italian, out of copyright

Background imageBell Collection: Cartouche surrounded by scientific instruments, Johannes Petrus van Horstok, 1755 - 1825

Cartouche surrounded by scientific instruments, Johannes Petrus van Horstok, 1755 - 1825

Background imageBell Collection: Buffoonery (engraving) (b / w photo)

Buffoonery (engraving) (b / w photo)
XIR176229 Buffoonery (engraving) (b/w photo) by French School, (16th century); Bibliotheque Nationale, Paris, France; French, out of copyright

Background imageBell Collection: Women on the banks of a river, Johannes Pieter van Wisselingh, 1830 - 1878

Women on the banks of a river, Johannes Pieter van Wisselingh, 1830 - 1878

Background imageBell Collection: The Burning of the Remains of Martin Bucer (1491-1551) and Paul Fagius (1504-49)

The Burning of the Remains of Martin Bucer (1491-1551) and Paul Fagius (1504-49)
XJF105820 The Burning of the Remains of Martin Bucer (1491-1551) and Paul Fagius (1504-49) on Market Hill in Cambridge in 1557

Background imageBell Collection: Casting bells, illustration from the Encyclopedia by Denis Diderot (1713-84) 1751-72

Casting bells, illustration from the Encyclopedia by Denis Diderot (1713-84) 1751-72
XIR165534 Casting bells, illustration from the Encyclopedia by Denis Diderot (1713-84) 1751-72 (engraving) (b/w photo) by French School, (18th century); Private Collection; French, out of copyright

Background imageBell Collection: Sadashiva, Rajasthan (gouache on paper)

Sadashiva, Rajasthan (gouache on paper)
XIR155959 Sadashiva, Rajasthan (gouache on paper) by Indian School, (17th century); Musee Guimet, Paris, France; (add.info.: five faces representing the five cosmic arts - creation, preservation)

Background imageBell Collection: Elephant Hanno and his Mahout (pen & ink on paper)

Elephant Hanno and his Mahout (pen & ink on paper)
XIR154681 Elephant Hanno and his Mahout (pen & ink on paper) by Italian School, (16th century); 20.8x20.7 cm; Musee des Beaux-Arts, Angers

Background imageBell Collection: Piamon Diocles as a hermit, Johann Sadeler I, Raphael Sadeler I, Maerten de Vos

Piamon Diocles as a hermit, Johann Sadeler I, Raphael Sadeler I, Maerten de Vos, 1583 - 1588

Background imageBell Collection: Hunting blackbirds, Philips Galle, 1578

Hunting blackbirds, Philips Galle, 1578

Background imageBell Collection: Refuse Collector, from Costumes of Great Britain, published by William Miller

Refuse Collector, from Costumes of Great Britain, published by William Miller
XZL148138 Refuse Collector, from Costumes of Great Britain, published by William Miller, 1805 (colour litho) by Pyne, William Henry (1769-1843); Private Collection; English, out of copyright

Background imageBell Collection: Hooded Falcon (oil on canvas)

Hooded Falcon (oil on canvas)
BAL223364 Hooded Falcon (oil on canvas) by Landseer, Edwin (1802-73); Private Collection; English, out of copyright

Background imageBell Collection: Venetian Bellmakers Shop (pen & ink and w / c on paper)

Venetian Bellmakers Shop (pen & ink and w / c on paper)
XIR125817 Venetian Bellmakers Shop (pen & ink and w/c on paper) by Grevenbroeck, Jan van (1731-1807); Museo Correr, Venice, Italy; Dutch, out of copyright

Background imageBell Collection: Grazing goat with bell, Diederik Jan Singendonck, Reinhart, 1801 - 1833

Grazing goat with bell, Diederik Jan Singendonck, Reinhart, 1801 - 1833

Background imageBell Collection: Raising of the Tsar-bell in the Moscow Kremlin in 1836, 1839 (w / c on paper)

Raising of the Tsar-bell in the Moscow Kremlin in 1836, 1839 (w / c on paper)
BAL200982 Raising of the Tsar-bell in the Moscow Kremlin in 1836, 1839 (w/c on paper) by Sadovnikov, Vasili Semenovich (1800-79); 49.4x69.6 cm; State Russian Museum, St

Background imageBell Collection: The First Interview of Christopher Columbus with the Natives of America, 1777 (engraving)

The First Interview of Christopher Columbus with the Natives of America, 1777 (engraving)
XJF1072769 The First Interview of Christopher Columbus with the Natives of America, 1777 (engraving) by British School, (18th Century); Private Collection; British, out of copyright

Background imageBell Collection: Frontispiece from The Universal Songster Museum of Mirta Vol I, 1825 (engraving)

Frontispiece from The Universal Songster Museum of Mirta Vol I, 1825 (engraving)
XJF1072753 Frontispiece from The Universal Songster Museum of Mirta Vol I, 1825 (engraving) by Cruickshank, George (1792-1878); Private Collection; (add.info.: Published by John Fairburn; ); British

Background imageBell Collection: The Devil in the Belfry, 1884 (engraving)

The Devil in the Belfry, 1884 (engraving)
XJF1072741 The Devil in the Belfry, 1884 (engraving) by Church, Frederick Stuart (1842-1924); Private Collection; (add.info)

Background imageBell Collection: 1797-1858 1838 Ando Evening Hiroshige Ikegami

1797-1858 1838 Ando Evening Hiroshige Ikegami
Ikegami no banshō, Evening bell at Ikegami. Andō, Hiroshige, 1797-1858, artist, [1838, printed later], 1 print : woodcut, color

Background imageBell Collection: Sawamura Tanosuke no Oshichi, The actor Sawamura Tanosuke in the role of Oshichi

Sawamura Tanosuke no Oshichi, The actor Sawamura Tanosuke in the role of Oshichi. Utagawa, Toyokuni, 1769-1825, artist, [between 1809 and 1813], 1 print : woodcut, color; 36.4 x 24.7 cm

Background imageBell Collection: 1797-1858 1857. 25. 5 37. 3 Ando Hiroshige Mii

1797-1858 1857. 25. 5 37. 3 Ando Hiroshige Mii
Mii no banshō, Temple bell at Mii. Andō, Hiroshige, 1797-1858, artist, 1857. 1 print : woodcut, color ; 37.3 x 25.5 cm. Print shows a bird's-eye view of sea and mountains

Background imageBell Collection: Mii no banshAc, Temple bell at Mii. Katsushika, Hokusai, 1760-1849, artist, [between 1804

Mii no banshAc, Temple bell at Mii. Katsushika, Hokusai, 1760-1849, artist, [between 1804 and 1810], 1 print : woodcut, color; 23.1 x 17.2 cm

Background imageBell Collection: Casting the New Tenor Bell for the Royal Courts of Justice: Running the Metal Into

Casting the New Tenor Bell for the Royal Courts of Justice: Running the Metal Into
Casting the New Tenor Bell for the Royal Courts of Justice: Running the Metal into the Mould, Uk, 1883

Background imageBell Collection: Fort Bell, Thlotse Heights, Basutoland, Attacked by the Basutos on November 8Th, 1880

Fort Bell, Thlotse Heights, Basutoland, Attacked by the Basutos on November 8Th, 1880




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The resonating sound of the bell echoes through the church as the dedicated bell ringers pull on the ropes, creating a melodious symphony that fills the air. Their synchronized movements and skillful technique bring life to this ancient tradition. In "The Underwriter Who Missed The Total Loss, " H. M. Bateman humorously portrays a moment of oversight, where an underwriter fails to recognize a disastrous situation unfolding before his eyes - perhaps he was too engrossed in listening to the enchanting chimes of bells nearby. Charles Chuck Yeager, an American pilot known for breaking barriers and pushing boundaries, soared through the skies with unparalleled bravery and determination. As he flew at incredible speeds, one can only imagine how his heart raced when hearing the distant tolls of bells below. "The Angelus, " painted between 1857-1859, captures a serene scene where people pause their daily activities upon hearing the Angelus bell from a nearby church. They bow their heads in prayer or reflection, acknowledging something greater than themselves. Pembroke College stands tall since its establishment in 1675; its historic walls have witnessed countless generations passing by. The ringing bells mark important moments within this esteemed institution's history - celebrations, graduations, and gatherings that resonate throughout time. Underneath an orange harvest moon's glow lies a picturesque landscape adorned with two cows wearing delicate bells around their necks. In Alpine scenery like this, these musical accessories serve both practical purposes and add charm to nature's harmonious composition. Tsukioka Yoshitoshi's artwork "Teasing the Cat" depicts mischievous playfulness as children swing on a ringing bell rope while teasing an unsuspecting feline companion nearby. Laughter fills the air as they revel in innocent joy amidst such simple pleasures. George Morris is celebrated for his exceptional talent as a bell ringer during 1863 when eight majestic bells resounded under his skilled hands.