Bones Collection (#10)

Interior of the new museum, Royal College of Surgeons, located at Lincoln's Inn Fields in London. Date: 1854

The Invisible Man, book cover
The Invisible Man. Cover illustration to an early French edition

A collection of Waldeck's original artwork of Mesoamerica, Box 10 of 22, 1831 (print)
3672825 A collection of Waldeck's original artwork of Mesoamerica, Box 10 of 22, 1831 (print) by Waldeck, Johann Friedrich Maximilian von (1766-1875); Newberry Library, Chicago, Illinois

St. Korbinians Shrine, Cathedral St. Maria and St. Korbinian, Freising, Bavaria, Germany
1900s, 19th-century, 5 people, art print, art prints, arts, arts and crafts, bavarian, bayern, belief, bible stories, biblical, bones, building, buildings, catedral, cathedrals, center, centers

Urns, digitally restored reproduction of a 19th century original, exact original date unknown
1900s, 19th-century, accurate, ancient civilizations, archive, black, black-and-white, black-white, bone urn, bones, bronze, bronze urn, burial ground, burial site, burial sites, cittanova

Two Crowned Martyrs, c. 1200-10 (enamel, copper & glass)
7390070 Two Crowned Martyrs, c.1200-10 (enamel, copper & glass) by French School, (13th century); Fitzwilliam Museum, University of Cambridge

The victorious Samson, 1617-1619 circa, (oil on canvas)
7128808 The victorious Samson, 1617-1619 circa, (oil on canvas) by Reni, Guido (1575-1642); 230x223 cm; Pinacoteca Nazionale, Bologna, Italy; (add.info.: The victorious Samson, 1617-1619 circa)

Catrina and the sacred dog
Ignacio Arcas

The skeletons of Charles Byrne, 1761-1783, "The Irish Giant" right and on the left Caroline Crachami, c
745810 The skeletons of Charles Byrne, 1761-1783, "The Irish Giant" right and on the left Caroline Crachami, c.1815--1824, "The Sicilian Dwarf"

The Crucifixion (tempera & oil on canvas)
490114 The Crucifixion (tempera & oil on canvas) by Master of the Straus Madonna, (fl.1385-1415); 142.3x78.3 cm; Groeningemuseum, Bruges, Belgium; © Art in Flanders

Detail of a couch and footstool with bone carvings and glass inlays, 1st-2nd century AD (wood, bone & glass)
7316740 Detail of a couch and footstool with bone carvings and glass inlays, 1st-2nd century AD (wood, bone & glass) by Roman, (1st-2nd Century AD); Metropolitan Museum of Art, New York

Detail of a couch and footstool with bone carvings and glass inlays, 1st-2nd century AD (wood, bone & glass)
7316741 Detail of a couch and footstool with bone carvings and glass inlays, 1st-2nd century AD (wood, bone & glass) by Roman, (1st-2nd Century AD); Metropolitan Museum of Art, New York

Detail of a couch and footstool with bone carvings and glass inlays, 1st-2nd century AD (wood, bone & glass)
7316739 Detail of a couch and footstool with bone carvings and glass inlays, 1st-2nd century AD (wood, bone & glass) by Roman, (1st-2nd Century AD); Metropolitan Museum of Art, New York

Couch and footstool with bone carvings and glass inlays, 1st-2nd century AD (wood, bone & glass)
7316738 Couch and footstool with bone carvings and glass inlays, 1st-2nd century AD (wood, bone & glass) by Roman, (1st-2nd Century AD); Metropolitan Museum of Art, New York

Mexican Catrina
Ignacio Arcas

Exoskeleton
Fernando Silveira

Mercenary love, c. 1511 (woodcut)
2653554 Mercenary love, c.1511 (woodcut) by Graf, Urs (The Elder) (1485-1528); Private Collection; (add.info.: Satirical attack against women receiving payment for sexual favours; an old man gropes a)

Napoleon and Death sitting together on the battlefield at Leipzig (colour litho) (see also 266072)
XPH335450 Napoleon and Death sitting together on the battlefield at Leipzig (colour litho) (see also 266072) by Rowlandson, Thomas (1756-1827); Bibliotheque Nationale, Paris

The Reward of Cruelty, from The Four Stages of Cruelty, illustration from Hogarth Restored
STC451184 The Reward of Cruelty, from The Four Stages of Cruelty, illustration from Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook, pub

The Reward of Cruelty, from The Four Stages of Cruelty, engraved by Thomas Cook (1744-1818) 1799 (coloured engraving)
CHT235018 The Reward of Cruelty, from The Four Stages of Cruelty, engraved by Thomas Cook (1744-1818) 1799 (coloured engraving) by Hogarth

The Vault of Mummies, or Skeletons from St. Michaels Tower, Bordeaux, 1885 (charcoal on paper)
XIR71702 The Vault of Mummies, or Skeletons from St. Michaels Tower, Bordeaux, 1885 (charcoal on paper) by Lhermitte, Leon Augustin (1844-1925); 46x60 cm; Private Collection; (add.info.: Michel; )

British Officers tiger shooting in India, 1860s (colour litho)
PNP310574 British Officers tiger shooting in India, 1860s (colour litho) by English School, (19th century); Private Collection; Peter Newark Military Pictures

Skeleton or bones of a horse. 1792 (engraving)
7235907 Skeleton or bones of a horse. 1792 (engraving) by Dodd, Daniel (fl.1760-90) (after); (add.info.: Skeleton or bones of a horse. Handcoloured copperplate engraving by J)

A crane puts its head into a wolfs mouth. 1811 (etching)
7235851 A crane puts its head into a wolfs mouth. 1811 (etching) by Howitt, Samuel (1756-1822); (add.info.: A crane puts its head into a wolfs mouth to remove a bone stuck in its throat)

DDE-90034581
Portugal, Evora. The Capela dos Ossos (Chapel of Bones) next to the Igreja de Sao Francisco was built by a 16th Century Franciscan monk to clear out the overcrowded cemeteries. Date: 14/12/2007

THE BONE OF CONTENTION OR THE ENGLISH BULLDOG AND THE CORSICAN MONKEY, 1803 (engraving)
7262217 THE BONE OF CONTENTION OR THE ENGLISH BULLDOG AND THE CORSICAN MONKEY, 1803 (engraving) by Williams, C. (19th century); Bromley Museum, Orpington

Fossil bat. Fossil Bute National Monument, Wyoming. USA
color image, photography, nature, nobody, vertical image, one animal, animal, wildlife, fauna, one, alone, individual, fossil, old, skeleton, bones, remains, ancient, imprint, bat

Comparing the bones in the hands of nine different mammals, 1898 (colour litho)
1065622 Comparing the bones in the hands of nine different mammals, 1898 (colour litho) by Haeckel, Ernst (1834-1919); Private Collection; (add.info.: 1.Man, 2.Gorilla, 3. Orangutang, 4. dog, 5)

The Bones of the Hand (litho)
7188988 The Bones of the Hand (litho) by Gotch, Rosamund Brunel Horsley (1864-1949); Private Collection; (add.info.: The Bones of the Hand)

Page 11. The Skull of a Babirousa;Untitled: antlers;the Skull of a Sea Lyon;a Lizard, 1810-17 (w / c & manuscript text)
5669981 Page 11. The Skull of a Babirousa; Untitled: antlers; the Skull of a Sea Lyon; a Lizard, 1810-17 (w/c & manuscript text) by Digby, Kenelm Henry (1800-80); 39.6x25.2x5.4 cm; Mitchell Library

Page 10. Moose Deer and Other Horns five drawings, 1810-17 (w / c & manuscript text)
5669980 Page 10. Moose Deer and Other Horns five drawings, 1810-17 (w/c & manuscript text) by Digby, Kenelm Henry (1800-80); 39.6x25.2x5.4 cm; Mitchell Library

Sarawak headhunters skulls (bone and straw)
LIT372712 Sarawak headhunters skulls (bone and straw) by Malaysian School; Sarawak, Malaysia; (add.info.: trophy skulls from headhunting; ); Photo © Luca Tettoni; Malaysian, out of copyright

Page 228. Head of the Horn Bird;skull of a South Sea Porpesse;tooth of a Sea Horse, 1810-17 (w / c & manuscript text)
5670102 Page 228. Head of the Horn Bird; skull of a South Sea Porpesse; tooth of a Sea Horse, 1810-17 (w/c & manuscript text) by Digby, Kenelm Henry (1800-80); 39.6x25.2x5.4 cm; Mitchell Library

Page 171. The under jaw of a wild boar;antient brass snuffers, 1810-17 (w / c & manuscript text)
5670069 Page 171. The under jaw of a wild boar; antient brass snuffers, 1810-17 (w/c & manuscript text) by Digby, Kenelm Henry (1800-80); 39.6x25.2x5.4 cm; Mitchell Library

Man trying to cut a piece of meat (colour litho)
7150959 Man trying to cut a piece of meat (colour litho) by English School, (20th century); Private Collection; (add.info.: Comic postcard on a food related theme. Early 20th century)

Ossuaire (engraving)
7158193 Ossuaire (engraving) by French School, (19th century); Private Collection; (add.info.: Ossuaire du Faouet, Finistere)

A Sawrian (engraving)
7177721 A Sawrian (engraving) by English School, (19th century); Private Collection; (add.info.: A Sawrian. Illustration for The Comic Annual by Thomas Hood, 1836 (A H Baily).); © Look and Learn

A Dog and his Bone (colour litho)
7181944 A Dog and his Bone (colour litho) by English School, (19th century); Private Collection; (add.info.: A Dog and his Bone)

Tribal dance (colour litho)
LAL319828 Tribal dance (colour litho) by Wood, Stanley L. (1866-1928); Private Collection; (add.info.: Illustration originally from Boys Own Paper; ); © Look and Learn

St. George and the Dragon, c. 1432 / 1435 (oil on panel)
1219539 St. George and the Dragon, c.1432/1435 (oil on panel) by Weyden, Rogier van der (1399-1464); 14.3x10.5 cm; National Gallery of Art, Washington DC, USA

Bone stylus and fragment of a writing tablet, late 1st century BC
7196237 Bone stylus and fragment of a writing tablet, late 1st century BC by Roman, (1st century BC); Musee Narbo Via, Narbonne

Resurrection of a dead man after his body touched the bones of Elisha (engraving)
7172382 Resurrection of a dead man after his body touched the bones of Elisha (engraving) by European School, (17th century); Private Collection; (add.info)

The Stone-Sharpener outside his Cave (colour litho)
7159485 The Stone-Sharpener outside his Cave (colour litho) by English School, (20th century); Private Collection; (add.info.: The Stone-Sharpener outside his Cave)

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"Bones: Unveiling the Hidden Structures of Life" Delving into the depths of human anatomy, Leonardo da Vinci's "Skull Anatomy" showcases the intricate beauty and complexity of bones. A graceful greyhound's skeleton reveals the elegance and agility that lies beneath its sleek exterior. Behind-the-scenes in Bristol, Christopher Ryan transforms into Mike from "The Young Ones, " a character whose humor is as sharp as his bone structure. Captured on an X-ray, a broken wrist bone serves as a reminder of our vulnerability and resilience in the face of injury. The majestic skull of a horse stands as a testament to their strength and power, reminding us of their historical significance alongside humans. Even skeletons enjoy some rough play. Witnessing a rugby-playing skeleton brings forth both amusement and admiration for these resilient structures. Knapped Flint Tools take us back in time, showcasing how early humans utilized bones to shape tools for survival and progress. Peering through panoramic dental X-rays unravels secrets hidden within our mouths – teeth anchored by strong bones supporting our smiles. Our bodies are marvels intertwined with arteries that nourish every cell while sturdy bones provide support - truly works of art designed by nature itself. In an act of kindness, Chef Andrew Schillar shares his culinary delight with man's best friend - offering them not just food but also joyous moments gnawing on a bone outside his kitchen sanctuary. Illustrated through wood engraving in 1851, "Death as Assassin" reminds us that even though life may be fleeting, it is ultimately connected to the skeletal framework we all share. Modern technology unveils our innermost secrets with full-body scans like MRI scans – exposing not only flesh but also revealing the silent symphony orchestrated by our interconnected bones.