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Bonnet Collection (#10)

"In Love with the Bonnet: A Journey Through Time and Style" From classic Jaguar car advertisements to the iconic MG MGC Roadster in Britain

Background imageBonnet Collection: Paris fashions for December, 1862. Creator: Unknown

Paris fashions for December, 1862. Creator: Unknown
Paris fashions for December, 1862. Fig. 1. Evening Dress. Robe of stout corded apple-green taffety...with a guipure on a white ground; the sleeves are also trimmed with a similar transparent guipure

Background imageBonnet Collection: 'Christmas Presents' - drawn by George Thomas, 1862. Creator: William Luson Thomas

"Christmas Presents" - drawn by George Thomas, 1862. Creator: William Luson Thomas
"Christmas Presents" - drawn by George Thomas, 1862. From "Illustrated London News", 1862

Background imageBonnet Collection: Paris fashions for November, 1864. Creator: Unknown

Paris fashions for November, 1864. Creator: Unknown
Paris fashions for November, 1864. Fig. 1. Morning Dress. This is altogether an "at home" costume, the colour of the dress being generally light, over a gay-coloured jupe

Background imageBonnet Collection: Paris fashions for August, 1864. Creator: Unknown

Paris fashions for August, 1864. Creator: Unknown
Paris fashions for August, 1864. Fig. 1. Walking Dress. Robe and paletot of grey foulard, with three rows of dark violet silk and passementerie trimming on the skirt; round the edge of the paletot

Background imageBonnet Collection: Paris fashions for February, 1864. Creator: Unknown

Paris fashions for February, 1864. Creator: Unknown
Paris fashions for February, 1864. Fig. 1. Walking Dress. Dark brown silk robe, trimmed round the bottom of the skirt with a wide band of black velvet

Background imageBonnet Collection: Lady in Hat, 1916. Creator: Della-Vos-Kardovskaya, Olga Ludvigovna (1875-1952)

Lady in Hat, 1916. Creator: Della-Vos-Kardovskaya, Olga Ludvigovna (1875-1952)
Lady in Hat, 1916. From a private collection

Background imageBonnet Collection: Burgundy Bonnet

Burgundy Bonnet
Richard Urbanski

Background imageBonnet Collection: Automotive 2004: Automotive 2004

Automotive 2004: Automotive 2004
JANUARY 01: BMW 2000CS, 1965 during the Automotive 2004 on January 01, 2004. (Photo by Rainer Schlegelmilch)

Background imageBonnet Collection: 1970 Automotive 1970

1970 Automotive 1970
JANUARY 01: Ferrari Dino during the Automotive 1970 on January 01, 1970. (Photo by LAT Images)

Background imageBonnet Collection: 1969 Amsterdam Motor Show

1969 Amsterdam Motor Show
FEBRUARY 12: The Suzuki Fronte 360 storage compartment with spare wheel during the Amsterdam Motor Show on February 12, 1969. (Photo by LAT Images)

Background imageBonnet Collection: Better Days

Better Days
Historical woman standing in countryside with suitcase. Ildiko Neer

Background imageBonnet Collection: The Girl with the Bonnet

The Girl with the Bonnet
Jan Slotboom

Background imageBonnet Collection: Old Woman, 1768. Creator: Per Krafft the Elder

Old Woman, 1768. Creator: Per Krafft the Elder
Old Woman, 1768

Background imageBonnet Collection: Portrait of the artist's mother, Mme Anne Ducreux née Béliard, c1760. Creator: Joseph Ducreux

Portrait of the artist's mother, Mme Anne Ducreux née Béliard, c1760. Creator: Joseph Ducreux
Portrait of the artist's mother, Mme Anne Ducreux nee Beliard, c1760

Background imageBonnet Collection: Old French Countrywoman, 1885. Creator: Jenny Nystrom

Old French Countrywoman, 1885. Creator: Jenny Nystrom
Old French Countrywoman, 1885

Background imageBonnet Collection: Portrait of a Young Girl, late 19th century. Creator: Hugo Salmson

Portrait of a Young Girl, late 19th century. Creator: Hugo Salmson
Portrait of a Young Girl, late 19th century

Background imageBonnet Collection: Old Grandmother, 1886. Creator: Eva Fredrika Bonnier

Old Grandmother, 1886. Creator: Eva Fredrika Bonnier
Old Grandmother, 1886

Background imageBonnet Collection: Portraits of the artist's father, wife, son and foster son, 1830s. Creator: Emil Baerentzen

Portraits of the artist's father, wife, son and foster son, 1830s. Creator: Emil Baerentzen
Portraits of the artist's father, wife, son and foster son, 1830s

Background imageBonnet Collection: Baby of Mrs. Theodore Hohn, portrait photograph, 1917 Dec. 2. Creator: Arnold Genthe

Baby of Mrs. Theodore Hohn, portrait photograph, 1917 Dec. 2. Creator: Arnold Genthe
Baby of Mrs. Theodore Hohn, portrait photograph, 1917 Dec. 2

Background imageBonnet Collection: Fashion Plate (Walking Dress), 1822. Creator: Rudolph Ackermann

Fashion Plate (Walking Dress), 1822. Creator: Rudolph Ackermann
Fashion Plate (Walking Dress), 1822

Background imageBonnet Collection: Fashion Plate (Walking Dress), 1820. Creator: Rudolph Ackermann

Fashion Plate (Walking Dress), 1820. Creator: Rudolph Ackermann
Fashion Plate (Walking Dress), 1820

Background imageBonnet Collection: Fashion Plate (Walking Dress), 1814. Creator: Rudolph Ackermann

Fashion Plate (Walking Dress), 1814. Creator: Rudolph Ackermann
Fashion Plate (Walking Dress), 1814

Background imageBonnet Collection: Fashion Plate (Morning Costume), 1812. Creator: Rudolph Ackermann

Fashion Plate (Morning Costume), 1812. Creator: Rudolph Ackermann
Fashion Plate (Morning Costume), 1812

Background imageBonnet Collection: Fashion Plate (Walking Dress), 1817. Creator: Rudolph Ackermann

Fashion Plate (Walking Dress), 1817. Creator: Rudolph Ackermann
Fashion Plate (Walking Dress), 1817

Background imageBonnet Collection: Fashion Plate (Morning Dress), 1813. Creator: Rudolph Ackermann

Fashion Plate (Morning Dress), 1813. Creator: Rudolph Ackermann
Fashion Plate (Morning Dress), 1813

Background imageBonnet Collection: Fashion Plate (Promenade Dress), 1813. Creator: Rudolph Ackermann

Fashion Plate (Promenade Dress), 1813. Creator: Rudolph Ackermann
Fashion Plate (Promenade Dress), 1813

Background imageBonnet Collection: Fashion Plate (Carriage Dress), 1813. Creator: Rudolph Ackermann

Fashion Plate (Carriage Dress), 1813. Creator: Rudolph Ackermann
Fashion Plate (Carriage Dress), 1813

Background imageBonnet Collection: Fashion Plate (Tyrolese Walking Dress), 1809. Creator: Rudolph Ackermann

Fashion Plate (Tyrolese Walking Dress), 1809. Creator: Rudolph Ackermann
Fashion Plate (Tyrolese Walking Dress), 1809

Background imageBonnet Collection: Fashion Plate (Trage de Paseo), 1825. Creator: Rudolph Ackermann

Fashion Plate (Trage de Paseo), 1825. Creator: Rudolph Ackermann
Fashion Plate (Trage de Paseo), 1825

Background imageBonnet Collection: Fashion Plate (Afternoon Dress for May, 1800), 1800. Creator: Unknown

Fashion Plate (Afternoon Dress for May, 1800), 1800. Creator: Unknown
Fashion Plate (Afternoon Dress for May, 1800), 1800

Background imageBonnet Collection: Fashions for October, 1858. Creator: Unknown

Fashions for October, 1858. Creator: Unknown
Fashions for October, 1858. 1. Dress in the new style called a six lis. It has a double skirt - the upper one consisting of six breadths of silk of two different kinds...The corsage is three-quarter

Background imageBonnet Collection: Jutlanders, 1858. Creator: Unknown

Jutlanders, 1858. Creator: Unknown
Jutlanders, 1858....Jutlanders from the other end of Denmark, who have come to visit the northern capital, and are a sample of the costumes we shall see in their country; the Danes, like the Dutch

Background imageBonnet Collection: Fashions for September, 1858. Creator: Unknown

Fashions for September, 1858. Creator: Unknown
Fashions for September, 1858. We may here describe a few dresses worn during the fetes at Cherbourg by ladies of distinguished rank

Background imageBonnet Collection: Portrait of the Latrobe family of Fulneck, c18th century. Creator: Elias Martin

Portrait of the Latrobe family of Fulneck, c18th century. Creator: Elias Martin
Portrait of the Latrobe family of Fulneck, Unknown date

Background imageBonnet Collection: Fashions for July, 1858. Creator: Unknown

Fashions for July, 1858. Creator: Unknown
Fashions for July, 1858. Fig. 1: Dress of green silk, with quilles or sides trimmings of black passementerie...The corsage, which is pointed at the waist

Background imageBonnet Collection: The Queen's Visit to Birmingham - Her Majesty Planting an Oak in the Grounds of Warwick Castle

The Queen's Visit to Birmingham - Her Majesty Planting an Oak in the Grounds of Warwick Castle, 1858. The Queen, taking the Earl of Warwick's arm

Background imageBonnet Collection: Madame Saint-Ange Chevrier, 1807. Creator: Louis Leopold Boilly

Madame Saint-Ange Chevrier, 1807. Creator: Louis Leopold Boilly
Madame Saint-Ange Chevrier, 1807

Background imageBonnet Collection: Mrs Kristina Magdalena Wargentin, 1769. Creator: Lorens Pasch the Younger

Mrs Kristina Magdalena Wargentin, 1769. Creator: Lorens Pasch the Younger
Mrs Kristina Magdalena Wargentin, 1769

Background imageBonnet Collection: 'A Cheap Entertainment' by J. Clark, in the Royal Academy Exhibition, 1876. Creator: Unknown

"A Cheap Entertainment" by J. Clark, in the Royal Academy Exhibition, 1876. Creator: Unknown
"A Cheap Entertainment" by J. Clark, in the Royal Academy Exhibition, 1876. Engraving of a painting. Is there anything in the world more graceful and comical

Background imageBonnet Collection: Miss Ida Wilhelmine Trock, 1835. Creator: Jorgen Pedersen Roed

Miss Ida Wilhelmine Trock, 1835. Creator: Jorgen Pedersen Roed
Miss Ida Wilhelmine Trock, 1835

Background imageBonnet Collection: Woman in bonnet, 1885. Creator: Jenny Nystrom

Woman in bonnet, 1885. Creator: Jenny Nystrom
Woman in bonnet, 1885

Background imageBonnet Collection: My Late Wife, 1884. Creator: Carl Larsson

My Late Wife, 1884. Creator: Carl Larsson
My Late Wife, 1884

Background imageBonnet Collection: The Diligent Mother, mid-late 18th century. Creator: Workshop of Jean-Baptiste-Simeon Chardin

The Diligent Mother, mid-late 18th century. Creator: Workshop of Jean-Baptiste-Simeon Chardin
The Diligent Mother, mid-late 18th century

Background imageBonnet Collection: Saying Grace, mid-late 18th century. Creator: Workshop of Jean-Baptiste-Simeon Chardin

Saying Grace, mid-late 18th century. Creator: Workshop of Jean-Baptiste-Simeon Chardin
Saying Grace, mid-late 18th century

Background imageBonnet Collection: Fashion Plate (Walking Dress), 1817. Creator: Rudolph Ackermann

Fashion Plate (Walking Dress), 1817. Creator: Rudolph Ackermann
Fashion Plate (Walking Dress), 1817

Background imageBonnet Collection: Tu m'embêtes, mon épouse!...v'là une heure... 1843. Creator: Honore Daumier

Tu m'embêtes, mon épouse!...v'là une heure... 1843. Creator: Honore Daumier
Tu m'embetes, mon epouse!...v'la une heure... 1843. Tu m'embetes, mon epouse!...v'la une heure que tu me dis qu'il neige; je le vois fichtre bien

Background imageBonnet Collection: Huit degrés au-dessous de zéro, 1847. Creator: Honore Daumier

Huit degrés au-dessous de zéro, 1847. Creator: Honore Daumier
Huit degres au-dessous de zero, 1847. Eight degrees above zero. From Les Bons bourgeois, no. 63

Background imageBonnet Collection: Princess Caroline Amalie Sketching in Naples. Study, 1820. Creator: Johan Christian Dahl

Princess Caroline Amalie Sketching in Naples. Study, 1820. Creator: Johan Christian Dahl
Princess Caroline Amalie Sketching in Naples. Study, 1820




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"In Love with the Bonnet: A Journey Through Time and Style" From classic Jaguar car advertisements to the iconic MG MGC Roadster in Britain, the bonnet has always been a symbol of elegance and sophistication. Just like Elizabeth Bennet hoped Mr. Bingley would appreciate her bonnet in Pride & Prejudice, this accessory has long been used to make a lasting impression. In an enchanting watercolor by E. Freeman, we see American abolitionist Elizabeth Freeman (Mum Bett) donning a bonnet that speaks volumes about her strength and determination. Similarly, Jane Austen's portrait captures her timeless charm as she wears a delicate bonnet made of watercolor on paper. But it's not just historical figures who have embraced the allure of the bonnet. A playful image shows a girl pretending to be a nurse while wearing an adorable little bonnet, reminding us of childhood innocence and imagination. Moving into more modern times, we witness the roaring twenties with a flapper perched stylishly on top of her fashionable bonnet in 1927. This era was all about breaking free from conventions, and what better way to do so than through an eye-catching headpiece? Grace finds solace in literature as she reads at Howth Bay while wearing her trusty bonnet - proof that even amidst nature's beauty, this accessory remains essential for both style and practicality. Advertisements have also recognized the power of the bonnet throughout history. An old poster promoting Sunlight Soap features women proudly sporting their clean clothes under sunlit skies – their elegant hats completing their immaculate appearance. Emily Stride's Sweet Lavender takes us back to simpler times when ladies strolled through fields adorned with beautiful flowers – each one perfectly complemented by their charmingly decorated headgear. Finally, we witness true strength as a heavy shire horse pulls an old hay rake effortlessly while its driver sports a sturdy workman's bonnet.