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Bonnet Collection (page 9)

"In Love with the Bonnet: A Journey Through Time and Style" From classic Jaguar car advertisements to the iconic MG MGC Roadster in Britain

Background imageBonnet Collection: Full-length portrait of two young women at the water's edge of a beach

Full-length portrait of two young women at the water's edge of a beach
3560720 Full-length portrait of two young women at the water's edge of a beach by Unknown photographer, (20th century); (add.info.: Italy 1920 ca)

Background imageBonnet Collection: Two ladies on a sofa in a parlour. She says, You know there's no hurry

Two ladies on a sofa in a parlour. She says, You know there's no hurry
FLO4691300 Two ladies on a sofa in a parlour. She says, You know there's no hurry. She thinks, She won't move! Handcoloured lithograph by the Gihaut brothers after an illustration by Swiss

Background imageBonnet Collection: French women's fashions of 1789: dress en Pierrot, bonnet en pouffe with roses

French women's fashions of 1789: dress en Pierrot, bonnet en pouffe with roses, hair with ringlets a la consultant
FLO4572422 French women's fashions of 1789: dress en Pierrot, bonnet en pouffe with roses, hair with ringlets a la consultant

Background imageBonnet Collection: Woman in revolutionary fancy dress, with large white bonnet, tricolor scarf

Woman in revolutionary fancy dress, with large white bonnet, tricolor scarf, blue redingote and white petticoat
FLO4684522 Woman in revolutionary fancy dress, with large white bonnet, tricolor scarf, blue redingote and white petticoat, in front of the Bastille

Background imageBonnet Collection: Coronation at Westminster of Henry IV (1367-1413), first Lancastrian king of England from 1399 son

Coronation at Westminster of Henry IV (1367-1413), first Lancastrian king of England from 1399 son of John of Gaunt
531369 Coronation at Westminster of Henry IV (1367-1413), first Lancastrian king of England from 1399 son of John of Gaunt, known as Henry Bolingbroke from birthplace in Lincolnshire

Background imageBonnet Collection: English family taking the air on deck crossing the English Channel for France, 1886 (chromo)

English family taking the air on deck crossing the English Channel for France, 1886 (chromo)
533646 English family taking the air on deck crossing the English Channel for France, 1886 (chromo); (add.info.: English family taking the air on deck crossing the English Channel on a steamer)

Background imageBonnet Collection: Mrs Jarley sat in the pay place, chinking silver moneys from noon to night, c.1920 (colour litho)

Mrs Jarley sat in the pay place, chinking silver moneys from noon to night, c.1920 (colour litho)
1122853 Mrs Jarley sat in the pay place, chinking silver moneys from noon to night, c.1920 (colour litho) by Reynolds, Frank (1876-1953); Private Collection; (add.info)

Background imageBonnet Collection: Costume of Rouen

Costume of Rouen
5855674 Costume of Rouen; (add.info.: Woman of Rouen wearing an elegant bavolet with crushed asymmetrical base. Rear view of her crimson dress and shoulder shawl)

Background imageBonnet Collection: Summer dress, French women's fashions, Napoleonic era, 1810. Handcoloured lithograph from Le

Summer dress, French women's fashions, Napoleonic era, 1810. Handcoloured lithograph from Le Bibliophile Jacob aka
FLO4573042 Summer dress, French women's fashions, Napoleonic era, 1810. Handcoloured lithograph from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France

Background imageBonnet Collection: Tradeswoman of Rouen

Tradeswoman of Rouen
5855671 Tradeswoman of Rouen; (add.info.: Tradeswoman of Rouen wearing a bonnet called a bavolet. She wears a dusty pink dress with blue shawl trimmed with flowers)

Background imageBonnet Collection: Introductory Plate to Nikolaus Heideloff's Gallery of Fashion, Vol II, 1795 (print)

Introductory Plate to Nikolaus Heideloff's Gallery of Fashion, Vol II, 1795 (print)
MJC67219 Introductory Plate to Nikolaus Heideloff's Gallery of Fashion, Vol II, 1795 (print); Private Collection

Background imageBonnet Collection: Woman of Rouen

Woman of Rouen
5855673 Woman of Rouen; (add.info.: Woman of Rouen wearing a small, plain bavolet. She wears a simple white dress with striped shawl and blue belt)

Background imageBonnet Collection: Woman in half-redingote and bonnet inspired by Calpigi. Woman in a canary yellow English-style

Woman in half-redingote and bonnet inspired by Calpigi. Woman in a canary yellow English-style taffeta dress
5856338 Woman in half-redingote and bonnet inspired by Calpigi. Woman in a canary yellow English-style taffeta dress and a blue silk cap.; (add.info)

Background imageBonnet Collection: It was a very small place. The men and the boys were playing cricket on the green

It was a very small place. The men and the boys were playing cricket on the green, c.1920 (colour litho)
1122852 It was a very small place. The men and the boys were playing cricket on the green, c.1920 (colour litho) by Reynolds

Background imageBonnet Collection: Regency men and women in flannel bathrobes and bonnets bathing in the King's Bath

Regency men and women in flannel bathrobes and bonnets bathing in the King's Bath
FLO4619272 Regency men and women in flannel bathrobes and bonnets bathing in the King's Bath. Public Bathing at Bath, or Stewing Alive

Background imageBonnet Collection: At the sight of the devils and the smoke, Madame MacMiche shouted with terror

At the sight of the devils and the smoke, Madame MacMiche shouted with terror
CHT173759 At the sight of the devils and the smoke, Madame MacMiche shouted with terror, illustration from Un Bon Petit Diable by Comtesse Sophie de Segur (1799-1874) c.1840 (colour litho)

Background imageBonnet Collection: Michael Faraday (1791-1867) with his Niece Jane and John Tyndall (1820-93) 1858 (b/w photo)

Michael Faraday (1791-1867) with his Niece Jane and John Tyndall (1820-93) 1858 (b/w photo)
TRI141703 Michael Faraday (1791-1867) with his Niece Jane and John Tyndall (1820-93) 1858 (b/w photo); The Royal Institution, London

Background imageBonnet Collection: Paris fashions for October, 1864. Creator: Unknown

Paris fashions for October, 1864. Creator: Unknown
Paris fashions for October, 1864. Fig. 1. Evening Dress. Robe of white alpaca, ornamented with black lace insertion...Muslin chemisette, with collar and cuffs of embroidered muslin

Background imageBonnet Collection: Paris fashions for December, 1862. Creator: Unknown

Paris fashions for December, 1862. Creator: Unknown
Paris fashions for December, 1862. Fig. 1. Evening Dress. Robe of stout corded apple-green taffety...with a guipure on a white ground; the sleeves are also trimmed with a similar transparent guipure

Background imageBonnet Collection: 'Christmas Presents' - drawn by George Thomas, 1862. Creator: William Luson Thomas

"Christmas Presents" - drawn by George Thomas, 1862. Creator: William Luson Thomas
"Christmas Presents" - drawn by George Thomas, 1862. From "Illustrated London News", 1862

Background imageBonnet Collection: Paris fashions for November, 1864. Creator: Unknown

Paris fashions for November, 1864. Creator: Unknown
Paris fashions for November, 1864. Fig. 1. Morning Dress. This is altogether an "at home" costume, the colour of the dress being generally light, over a gay-coloured jupe

Background imageBonnet Collection: Paris fashions for August, 1864. Creator: Unknown

Paris fashions for August, 1864. Creator: Unknown
Paris fashions for August, 1864. Fig. 1. Walking Dress. Robe and paletot of grey foulard, with three rows of dark violet silk and passementerie trimming on the skirt; round the edge of the paletot

Background imageBonnet Collection: Paris fashions for February, 1864. Creator: Unknown

Paris fashions for February, 1864. Creator: Unknown
Paris fashions for February, 1864. Fig. 1. Walking Dress. Dark brown silk robe, trimmed round the bottom of the skirt with a wide band of black velvet

Background imageBonnet Collection: Lady in Hat, 1916. Creator: Della-Vos-Kardovskaya, Olga Ludvigovna (1875-1952)

Lady in Hat, 1916. Creator: Della-Vos-Kardovskaya, Olga Ludvigovna (1875-1952)
Lady in Hat, 1916. From a private collection

Background imageBonnet Collection: Burgundy Bonnet

Burgundy Bonnet
Richard Urbanski

Background imageBonnet Collection: Automotive 2004: Automotive 2004

Automotive 2004: Automotive 2004
JANUARY 01: BMW 2000CS, 1965 during the Automotive 2004 on January 01, 2004. (Photo by Rainer Schlegelmilch)

Background imageBonnet Collection: 1970 Automotive 1970

1970 Automotive 1970
JANUARY 01: Ferrari Dino during the Automotive 1970 on January 01, 1970. (Photo by LAT Images)

Background imageBonnet Collection: 1969 Amsterdam Motor Show

1969 Amsterdam Motor Show
FEBRUARY 12: The Suzuki Fronte 360 storage compartment with spare wheel during the Amsterdam Motor Show on February 12, 1969. (Photo by LAT Images)

Background imageBonnet Collection: Better Days

Better Days
Historical woman standing in countryside with suitcase. Ildiko Neer

Background imageBonnet Collection: The Girl with the Bonnet

The Girl with the Bonnet
Jan Slotboom

Background imageBonnet Collection: Old Woman, 1768. Creator: Per Krafft the Elder

Old Woman, 1768. Creator: Per Krafft the Elder
Old Woman, 1768

Background imageBonnet Collection: Portrait of the artist's mother, Mme Anne Ducreux née Béliard, c1760. Creator: Joseph Ducreux

Portrait of the artist's mother, Mme Anne Ducreux née Béliard, c1760. Creator: Joseph Ducreux
Portrait of the artist's mother, Mme Anne Ducreux nee Beliard, c1760

Background imageBonnet Collection: Old French Countrywoman, 1885. Creator: Jenny Nystrom

Old French Countrywoman, 1885. Creator: Jenny Nystrom
Old French Countrywoman, 1885

Background imageBonnet Collection: Portrait of a Young Girl, late 19th century. Creator: Hugo Salmson

Portrait of a Young Girl, late 19th century. Creator: Hugo Salmson
Portrait of a Young Girl, late 19th century

Background imageBonnet Collection: Old Grandmother, 1886. Creator: Eva Fredrika Bonnier

Old Grandmother, 1886. Creator: Eva Fredrika Bonnier
Old Grandmother, 1886

Background imageBonnet Collection: Portraits of the artist's father, wife, son and foster son, 1830s. Creator: Emil Baerentzen

Portraits of the artist's father, wife, son and foster son, 1830s. Creator: Emil Baerentzen
Portraits of the artist's father, wife, son and foster son, 1830s

Background imageBonnet Collection: Baby of Mrs. Theodore Hohn, portrait photograph, 1917 Dec. 2. Creator: Arnold Genthe

Baby of Mrs. Theodore Hohn, portrait photograph, 1917 Dec. 2. Creator: Arnold Genthe
Baby of Mrs. Theodore Hohn, portrait photograph, 1917 Dec. 2

Background imageBonnet Collection: Fashion Plate (Walking Dress), 1822. Creator: Rudolph Ackermann

Fashion Plate (Walking Dress), 1822. Creator: Rudolph Ackermann
Fashion Plate (Walking Dress), 1822

Background imageBonnet Collection: Fashion Plate (Walking Dress), 1820. Creator: Rudolph Ackermann

Fashion Plate (Walking Dress), 1820. Creator: Rudolph Ackermann
Fashion Plate (Walking Dress), 1820

Background imageBonnet Collection: Fashion Plate (Walking Dress), 1814. Creator: Rudolph Ackermann

Fashion Plate (Walking Dress), 1814. Creator: Rudolph Ackermann
Fashion Plate (Walking Dress), 1814

Background imageBonnet Collection: Fashion Plate (Morning Costume), 1812. Creator: Rudolph Ackermann

Fashion Plate (Morning Costume), 1812. Creator: Rudolph Ackermann
Fashion Plate (Morning Costume), 1812

Background imageBonnet Collection: Fashion Plate (Walking Dress), 1817. Creator: Rudolph Ackermann

Fashion Plate (Walking Dress), 1817. Creator: Rudolph Ackermann
Fashion Plate (Walking Dress), 1817

Background imageBonnet Collection: Fashion Plate (Morning Dress), 1813. Creator: Rudolph Ackermann

Fashion Plate (Morning Dress), 1813. Creator: Rudolph Ackermann
Fashion Plate (Morning Dress), 1813

Background imageBonnet Collection: Fashion Plate (Promenade Dress), 1813. Creator: Rudolph Ackermann

Fashion Plate (Promenade Dress), 1813. Creator: Rudolph Ackermann
Fashion Plate (Promenade Dress), 1813

Background imageBonnet Collection: Fashion Plate (Carriage Dress), 1813. Creator: Rudolph Ackermann

Fashion Plate (Carriage Dress), 1813. Creator: Rudolph Ackermann
Fashion Plate (Carriage Dress), 1813

Background imageBonnet Collection: Fashion Plate (Tyrolese Walking Dress), 1809. Creator: Rudolph Ackermann

Fashion Plate (Tyrolese Walking Dress), 1809. Creator: Rudolph Ackermann
Fashion Plate (Tyrolese Walking Dress), 1809

Background imageBonnet Collection: Fashion Plate (Trage de Paseo), 1825. Creator: Rudolph Ackermann

Fashion Plate (Trage de Paseo), 1825. Creator: Rudolph Ackermann
Fashion Plate (Trage de Paseo), 1825

Background imageBonnet Collection: Fashion Plate (Afternoon Dress for May, 1800), 1800. Creator: Unknown

Fashion Plate (Afternoon Dress for May, 1800), 1800. Creator: Unknown
Fashion Plate (Afternoon Dress for May, 1800), 1800




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"In Love with the Bonnet: A Journey Through Time and Style" From classic Jaguar car advertisements to the iconic MG MGC Roadster in Britain, the bonnet has always been a symbol of elegance and sophistication. Just like Elizabeth Bennet hoped Mr. Bingley would appreciate her bonnet in Pride & Prejudice, this accessory has long been used to make a lasting impression. In an enchanting watercolor by E. Freeman, we see American abolitionist Elizabeth Freeman (Mum Bett) donning a bonnet that speaks volumes about her strength and determination. Similarly, Jane Austen's portrait captures her timeless charm as she wears a delicate bonnet made of watercolor on paper. But it's not just historical figures who have embraced the allure of the bonnet. A playful image shows a girl pretending to be a nurse while wearing an adorable little bonnet, reminding us of childhood innocence and imagination. Moving into more modern times, we witness the roaring twenties with a flapper perched stylishly on top of her fashionable bonnet in 1927. This era was all about breaking free from conventions, and what better way to do so than through an eye-catching headpiece? Grace finds solace in literature as she reads at Howth Bay while wearing her trusty bonnet - proof that even amidst nature's beauty, this accessory remains essential for both style and practicality. Advertisements have also recognized the power of the bonnet throughout history. An old poster promoting Sunlight Soap features women proudly sporting their clean clothes under sunlit skies – their elegant hats completing their immaculate appearance. Emily Stride's Sweet Lavender takes us back to simpler times when ladies strolled through fields adorned with beautiful flowers – each one perfectly complemented by their charmingly decorated headgear. Finally, we witness true strength as a heavy shire horse pulls an old hay rake effortlessly while its driver sports a sturdy workman's bonnet.