Bourgeois Collection (#3)

Costumes of the French bourgeoisie, 16th Century (chromolitho)
972403 Costumes of the French bourgeoisie, 16th Century (chromolitho) by Spanish School, (19th century); Private Collection; (add.info.: Costumes of the French bourgeoisie, 16th Century)

Friday at the French Artists Salon (detail), 1911 (oil on canvas)
902702 Friday at the French Artists Salon (detail), 1911 (oil on canvas) by Gruen or Grun, Jules Alexandre (1868-1934); Musee des Beaux-Arts, Rouen

Portrait of Hugo von Hofmannsthal (b / w photo)
OVH405704 Portrait of Hugo von Hofmannsthal (b/w photo) by Austrian Photographer (20th century); Private Collection; (add.info.: Hugo von Hofmannsthal (1874-1929) Austrian poet

Luxembourg Gardens, 1906 (oil on canvas)
466496 Luxembourg Gardens, 1906 (oil on canvas) by Glackens, William James (1870-1938); 60.6 x 81.6 cm; Corcoran Collection, National Gallery of Art, Washington D.C. USA; Museum Purchase, William A

Children on rocking horse, c. 1890 (b / w photo)
FMB409193 Children on rocking horse, c.1890 (b/w photo) by Thomas, B. (fl.c.1890); Fashion Museum Bath; eFashion Museum Bath; British, out of copyright

The purge, illustration from Le Rire, 6th March 1897 (engraving)
REV382361 The purge, illustration from Le Rire, 6th March 1897 (engraving) by Cadel, Eugene (1865-1940); Private Collection; (add.info.: ca commence-t-il a te gargouiller un peu, mon tresor)

A formally dressed man and woman and what appears to be a domestic servant in a room with
MNY380898 A formally dressed man and woman and what appears to be a domestic servant in a room with a piano, 1905 (silver gelatin print) by Byron Company (fl.1890-1942)

Sitting room in town (colour litho)
3096753 Sitting room in town (colour litho) by German School, (19th century); Private Collection; (add.info.: Sitting room in town)

Bourgeois life in the Middle Ages (woodcut)
3101252 Bourgeois life in the Middle Ages (woodcut) by German School, (17th century) (after); Private Collection; (add.info.: Bourgeois life in the Middle Ages. From a 17th Century manuscript)

English lady receiving surprise visitors in breakfast room, 19th century. Mrs Lucy Somerville curtsies to Mrs Watkins, Mr Willie Watkins, and Miss Watkins. A maid in torn apron opens the door

Rear view of three-piece breastplate armour, 15th century
Rear view of three-piece breastplate armour or Harnische-Schmiede Plattner, late 15ht century, with engraved and jointed arm armour. From an original suit of armour in Vienna Arsenal

German bourgeois fashion, 15th century
German costume of the 15th century. A rich German bourgeois and his wife depicted in prayer. He wears a doublet with open sleeve, a dagger, and an illuminated prayer book

German soldiers, hunter and young men of the 15th century
German mens costumes of the 15th century. Young pikeman or Lansknecht with sword and halberd A, soldier with felt hat C, hunter with falcon and glove D, and young men in house clothes B, E, F

L Armoire, 1867 (oil on canvas)
PNH367131 L Armoire, 1867 (oil on canvas) by Tissot, James Jacques Joseph (1836-1902); 114.9x64.8 cm; Private Collection; Photo ePeter Nahum at The Leicester Galleries, London; French

Caricature of the Romantic Dramas at the time of Hernani
CHT163315 Caricature of the Romantic Dramas at the time of Hernani by Victor Hugo 1802-85) (1829) (litho) (b/w photo) by French School, (19th century); Musee de la Ville de Paris, Musee Carnavalet

La Bonne et le Patron Galant, c. 1830 (colour litho)
CHT252556 La Bonne et le Patron Galant, c.1830 (colour litho) by Villain, Henri (fl.1820-30); Musee de la Ville de Paris, Musee Carnavalet, Paris

School girls after the prize-giving ceremony, fashion plate advertising the
CHT177250 School girls after the prize-giving ceremony, fashion plate advertising the Magasin des Demoiselles, 1869 (coloured engraving) by French School

A matinee in the Jardin des Tuileries, from Twenty-four Subjects
STC174279 A matinee in the Jardin des Tuileries, from Twenty-four Subjects, Exhibiting the Costume of Paris, engraved by Charles Joseph Hullmandel (1789-1850)

Interior, Woman at the Window, 1880 (oil on canvas)
BRM176295 Interior, Woman at the Window, 1880 (oil on canvas) by Caillebotte, Gustave (1848-94); 116x89 cm; Private Collection; (add.info.: Interieur)

The Governess (oil on canvas)
1126852 The Governess (oil on canvas) by Solomon, Rebecca (1832-86); 66x86.4 cm; Private Collection; Photo eChristies Images; English, out of copyright

German military and bourgeois costumes, early 17th Century (coloured engraving)
5230020 German military and bourgeois costumes, early 17th Century (coloured engraving) by German School, (19th century); Private Collection; (add.info.: German military and bourgeois costumes)

Swiss costumes, mid 17th Century (coloured engraving)
5229986 Swiss costumes, mid 17th Century (coloured engraving) by German School, (19th century); Private Collection; (add.info.: Swiss costumes, mid 17th Century)

Costumes of the Swiss canton of Zurich, early 18th Century (coloured engraving)
5229972 Costumes of the Swiss canton of Zurich, early 18th Century (coloured engraving) by German School, (19th century); Private Collection; (add.info.: Costumes of the Swiss canton of Zurich)

Bourgeois interior with ladies drinking tea, a man reading by the fireplace
CH440570 Bourgeois interior with ladies drinking tea, a man reading by the fireplace (oil on canvas) by Horemans, Jan Josef the Elder (1682-1752)

Marchands (coloured engraving)
6016051 Marchands (coloured engraving) by European School, (19th century); Private Collection; (add.info.: Marchands. Illustration for Costume du Moyen Age, D Apres les Manuscrits, les Peintures)

Madame Jean-Baptiste Nicolet, c. 1790 (oil on wood)
5667211 Madame Jean-Baptiste Nicolet, c.1790 (oil on wood) by Greuze, Jean Baptiste (1725-1805); 64.1 x 53.3 cm; Metropolitan Museum of Art, New York

Under the Horse Chestnut Tree, 1896-97 (drypoint and aquatint)
5672863 Under the Horse Chestnut Tree, 1896-97 (drypoint and aquatint) by Cassatt, Mary Stevenson (1844-1926); 40.5 x 28.5 cm; Cleveland Museum of Art, OH, USA; American, out of copyright

Adriaen van Ostade, 1646-48 (oil on canvas)
4073423 Adriaen van Ostade, 1646-48 (oil on canvas) by Hals, Frans (1582/3-1666); 94 x 75 cm; National Gallery of Art, Washington DC

The Little Flower Girl, 1886 (oil on panel)
NUL384723 The Little Flower Girl, 1886 (oil on panel) by Garrido, Eduardo-Leon (1856-1906); 55x45 cm; Private Collection; Spanish, out of copyright

Man in top hat, c. 1890 (pen & ink on paper)
PNH367150 Man in top hat, c.1890 (pen & ink on paper) by Toulouse-Lautrec, Henri de (1864-1901); 16.5x11 cm; Private Collection; Photo ePeter Nahum at The Leicester Galleries, London; French

The Alarmists and the Alarmed, 1848 (colour litho)
884590 The Alarmists and the Alarmed, 1848 (colour litho) by Daumier, Honore (1808-79); Bibliotheque Nationale, Paris, France; (add.info.: Where can that band of armed men be going!)

Victorian Donkey Cart, c. 1890 (b / w photo)
498449 Victorian Donkey Cart, c.1890 (b/w photo) by English Photographer, (19th century); Private Collection; English, out of copyright

Victorian Summer Outing Group, c. 1890 (b / w photo)
498440 Victorian Summer Outing Group, c.1890 (b/w photo) by English Photographer, (19th century); Private Collection; English, out of copyright

Nicolo, Rendez-vous Bourgeois (chromolitho)
667118 Nicolo, Rendez-vous Bourgeois (chromolitho) by French School, (19th century); Private Collection; (add.info.: Nicolo, Rendez-vous Bourgeois. Card published by Guerin-Boutron, c 1900)

These gentlemen are so greedy... caricature from
CHT177454 These gentlemen are so greedy... caricature from Les Metamorphoses du Jour series, reprinted in 1854 (coloured engraving) by Grandville (Jean Ignace Isidore Gerard) (1803-47)

Emma and Charles Bovary, illustration from Madame Bovary
CHT287796 Emma and Charles Bovary, illustration from Madame Bovary by Gustave Flaubert (1821-80) engraved by Carlo Chessa (1855-1925) 1905 (engraving) (b/w photo) by Richemont

Le Maitre et la Bonne, c. 1830-40 (colour litho)
CHT252557 Le Maitre et la Bonne, c.1830-40 (colour litho) by Vallou de Villeneuve, Julien (1795-1866); Bibliotheque des Arts Decoratifs, Paris

Two mothers in a parlor with their sons, 19th century. She says, My little Charles isn t in the best of health. She thinks, Nor so common and clumsy

The Family Concert, c. 1840 (colour litho)
CHT171883 The Family Concert, c.1840 (colour litho) by Deveria, Achille (1800-57) (after); Private Collection; eArchives Charmet; French, out of copyright

Marionettes, caricature of the Bourgeoisie, 1839 (colour litho)
CHT189394 Marionettes, caricature of the Bourgeoisie, 1839 (colour litho) by French School, (19th century); Bibliotheque Nationale, Paris, France; eArchives Charmet; French, out of copyright

Les Passants or Street Scene, 1895 (distemper on cardboard)
CHT182706 Les Passants or Street Scene, 1895 (distemper on cardboard) by Vallotton, Felix Edouard (1865-1925); 33x46 cm; Private Collection; (add.info)

Noblewoman from Naples and bourgeois woman of Rome, late 16th century. From miniature paintings in the Stammbuch (Friendship Book) of Andreas Heidenreich von Pidenegg

Mlle. Roussel as Martial in La Corde de Pendu, 1844
Mlle. Roussel as Martial in La Corde de Pendu by Laloue and Bourgeois, Theatre du Cirque Olympique, 1844. Actress crossdressing as a trumpeter for the Musketeers

Madame Marie Laurent as Antoinette in La Corde de Pendu by Ferdinand Laloue and Anicet Bourgeois, Theatre du Cirque Olympique, 1844

For sale as Licensed Images

Choose your image, Select your licence and Download the media

"Bourgeois: A Tapestry of Art, Society, and Rebellion" Step into the enchanting world of "bourgeois" as we explore various artistic expressions that capture the essence of this intriguing concept. From a serene Garden Nook at Bellevue in 1880 to the vibrant Flower Market in Nice, France, these masterpieces invite us to immerse ourselves in bourgeois aesthetics. But not all depictions are celebratory; an Anti-Bourgeois Poster challenges societal norms and questions the values associated with this class. Similarly, The output of the Duke of Choiseul reveals both opulence and power held by those within bourgeois circles during St. Peter's era. Moving beyond traditional art forms, Jean Genet's collaboration with Stanimirovitc presents Mistinguett adorned with leopard print—a symbol of rebellion against bourgeois conventions. Meanwhile, a Print from Chateau de Chinon transports us back in time to witness grandeur intertwined with everyday life. In Madrid's Apolo Theater inauguration of 1873 or through Gines Andres de Aguirre's Gate of San Vicente from 1785, we catch glimpses into spaces where bourgeoisie gathered for entertainment or resided—showcasing their influence on architecture and urban landscapes. The Salon Bourgeois becomes a stage for artists like Jane Bourgeois, Jules Bourbon, and Edmund Burke to express their unique perspectives on society through their works. And as we delve deeper into portraiture artistry, Jose Aparicio Inglada captures The family of Gaspar Soliveres—an intimate portrayal reflecting familial ties amidst a bourgeoise backdrop. Through these diverse artworks spanning different periods and mediums emerges a captivating narrative surrounding "bourgeois. " It is an intricate tapestry woven together by wealth, privilege but also resistance against societal expectations—an exploration that invites contemplation about our own place within this complex social fabric.