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Bourgeois Collection (#7)

"Bourgeois: A Tapestry of Art, Society

Background imageBourgeois Collection: 1919 / TSAR, POPE & BOYAR 1919 / TSAR, POPE & BOYAR

1919 / TSAR, POPE & BOYAR 1919 / TSAR, POPE & BOYAR
Workers oppressed by Tsar, Pope and Boyar (the bourgeois) - but now the Bolsheviks will put a stop to oppression... Date: 1919

Background imageBourgeois Collection: 14Th Century Family

14Th Century Family
A well-to-do bourgeois French family Date: 14th century

Background imageBourgeois Collection: MISTINGUETT & DOG MISTINGUETT & DOG

MISTINGUETT & DOG MISTINGUETT & DOG
MISTINGUETT (Jeanne Bourgeois) wearing a white silk wig which, we are assured, is the latest fashion in head adornment from the French capital Date: 1923

Background imageBourgeois Collection: EVENTS / FRANCE / 1648 FROND

EVENTS / FRANCE / 1648 FROND
Caricature of bourgeois soldiers involved in the Fronde (a series of revolts against Louis XIV). Date: 1648

Background imageBourgeois Collection: Groupe dans le parc du chateau de La Faloise, 1856. Creator: Edouard Baldus

Groupe dans le parc du chateau de La Faloise, 1856. Creator: Edouard Baldus
Groupe dans le parc du chateau de La Faloise, 1856

Background imageBourgeois Collection: The Society Man (Monsieur Joseph Prudhomme), 1874. Creator: Henry Bonaventure Monnier

The Society Man (Monsieur Joseph Prudhomme), 1874. Creator: Henry Bonaventure Monnier
The Society Man (Monsieur Joseph Prudhomme), 1874

Background imageBourgeois Collection: Portrait of the dramatist Auguste Anicet-Bourgeois (1806-1870)

Portrait of the dramatist Auguste Anicet-Bourgeois (1806-1870). Private Collection

Background imageBourgeois Collection: Mural painting in a Roman villa, Commugny, Switzerland, (1928). Creator: Unknown

Mural painting in a Roman villa, Commugny, Switzerland, (1928). Creator: Unknown
Mural painting in a Roman villa, Commugny, Switzerland, (1928). 2nd-3rd Century A.D...Fragments of mural painting in a Roman villa at Commugny (near Coppet). After Victor H. Bourgeois

Background imageBourgeois Collection: Decoration in St John the Baptist church, Grandson, Vaud, Switzerland, (1928). Creator: Unknown

Decoration in St John the Baptist church, Grandson, Vaud, Switzerland, (1928). Creator: Unknown
Decoration in St John the Baptist church, Grandson, Vaud, Switzerland, (1928). About 1500...Painting on an arch in Grandson Church. End of 15th or beginning of 16th century

Background imageBourgeois Collection: Decoration in the Church of Saint-Martin, Lutry, Vaud, Switzerland, (1928). Creator: Unknown

Decoration in the Church of Saint-Martin, Lutry, Vaud, Switzerland, (1928). Creator: Unknown
Decoration in the Church of Saint-Martin, Lutry, Vaud, Switzerland, (1928). 1577....Painting on the vaulting surface of the nave of the church at Lutry. Painted by Master Humbert Mareschet. After V

Background imageBourgeois Collection: Murillo, (1617-1682), 1830. Creator: Unknown

Murillo, (1617-1682), 1830. Creator: Unknown
Murillo, (1617-1682), 1830. Bartolome Esteban Murillo (1617-1682) Spanish Baroque painter best known for his religious works, his work evolved into a style suiting bourgeois and aristocratic tastes

Background imageBourgeois Collection: Regatta at Sainte-Adresse, 1867 (oil on canvas)

Regatta at Sainte-Adresse, 1867 (oil on canvas)
3472146 Regatta at Sainte-Adresse, 1867 (oil on canvas) by Monet, Claude (1840-1926); 75.2x101.6 cm; Metropolitan Museum of Art, New York

Background imageBourgeois Collection: The Bath (Le Bain), 1894 (woodcut on cream wove paper)

The Bath (Le Bain), 1894 (woodcut on cream wove paper)
3471201 The Bath (Le Bain), 1894 (woodcut on cream wove paper) by Vallotton, Felix Edouard (1865-1925); 21.6x25.4 cm; Metropolitan Museum of Art, New York, USA; Swiss, out of copyright

Background imageBourgeois Collection: The Demonstration (La Manifestation), 1893 (woodcut on cream wove paper)

The Demonstration (La Manifestation), 1893 (woodcut on cream wove paper)
3471200 The Demonstration (La Manifestation), 1893 (woodcut on cream wove paper) by Vallotton, Felix Edouard (1865-1925); 20.1x31.8 cm; Metropolitan Museum of Art, New York, USA; Swiss

Background imageBourgeois Collection: Street Scene in Paris (Coin de rue a Paris), 1895 (gouache and oil on cardboard)

Street Scene in Paris (Coin de rue a Paris), 1895 (gouache and oil on cardboard)
3471199 Street Scene in Paris (Coin de rue A Paris), 1895 (gouache and oil on cardboard) by Vallotton, Felix Edouard (1865-1925); 35.9x29.5 cm; Metropolitan Museum of Art, New York, USA; Swiss

Background imageBourgeois Collection: Five O Clock, The Worlds Fair IV, 1901 (woodcut on tinted Japan paper)

Five O Clock, The Worlds Fair IV, 1901 (woodcut on tinted Japan paper)
3471198 Five O Clock, The Worlds Fair IV, 1901 (woodcut on tinted Japan paper) by Vallotton, Felix Edouard (1865-1925); 29.5x23.5 cm; Metropolitan Museum of Art, New York

Background imageBourgeois Collection: Garden at Sainte-Adresse, 1867 (oil on canvas)

Garden at Sainte-Adresse, 1867 (oil on canvas)
3469006 Garden at Sainte-Adresse, 1867 (oil on canvas) by Monet, Claude (1840-1926); 98x130 cm; Metropolitan Museum of Art, New York, USA; French, out of copyright

Background imageBourgeois Collection: Portrait of an Elderly Woman, traditionally called Mevrouw Bodolphe, 1643 (oil on canvas)

Portrait of an Elderly Woman, traditionally called Mevrouw Bodolphe, 1643 (oil on canvas)
3366982 Portrait of an Elderly Woman, traditionally called Mevrouw Bodolphe, 1643 (oil on canvas) by Hals, Frans (1582/3-1666); 122.4x97.5 cm; Yale University Art Gallery, New Haven, CT

Background imageBourgeois Collection: The way you hear it, is the way you sing it, c. 1665 (oil on canvas)

The way you hear it, is the way you sing it, c. 1665 (oil on canvas)
3247635 The way you hear it, is the way you sing it, c.1665 (oil on canvas) by Steen, Jan Havicksz. (1625/26-79); 134x163 cm; Mauritshuis, The Hague, The Netherlands; (add.info.: As the old sing)

Background imageBourgeois Collection: Entrance to the Jardin Turc, 1812 (oil on canvas)

Entrance to the Jardin Turc, 1812 (oil on canvas)
3077217 Entrance to the Jardin Turc, 1812 (oil on canvas) by Boilly, Louis Leopold (1761-1845); 73.3x91.4 cm; J. Paul Getty Museum, Los Angeles, USA; (add.info.: Scene in the Marais)

Background imageBourgeois Collection: The Confectioner Steenfatt, 1822 (oil on canvas)

The Confectioner Steenfatt, 1822 (oil on canvas)
XKH179043 The Confectioner Steenfatt, 1822 (oil on canvas) by Meixner, Franz Xaver von (fl.1822); 86x68.5 cm; Hamburger Kunsthalle, Hamburg, Germany; German, out of copyright

Background imageBourgeois Collection: Mademoiselle Mistinguett, 1913. Creator: Anonymous

Mademoiselle Mistinguett, 1913. Creator: Anonymous
Mademoiselle Mistinguett, 1913. Private Collection

Background imageBourgeois Collection: 120-124 Avenue Brugmann, Brussels, Belgium, (1904), c2014-c2017. Artist: Alan John Ainsworth

120-124 Avenue Brugmann, Brussels, Belgium, (1904), c2014-c2017. Artist: Alan John Ainsworth
120-124 Avenue Brugmann, Brussels, c2014-c2017. Designed by Ernest Blerot: 1904 for Mr. Roersch

Background imageBourgeois Collection: 50 Rue Washington, Ixelles, Brussels, Belgium, (1898), c2014-2017. Artist: Alan John Ainsworth

50 Rue Washington, Ixelles, Brussels, Belgium, (1898), c2014-2017. Artist: Alan John Ainsworth
50 Rue Washington, Ixelles, Brussels, Belgium, c2014-2017. Designed by Ernest Blerot: 1898. Facade in white stone with sgraffites floral pattern above front door and on entablature

Background imageBourgeois Collection: 15 Av. Des Rogations, (1906), c2014-2017. Artist: Alan John Ainsworth

15 Av. Des Rogations, (1906), c2014-2017. Artist: Alan John Ainsworth
15 Av. Des Rogations. Camille Damman

Background imageBourgeois Collection: 11 Rue des Rogations, (1906), c2014-2017. Artist: Alan John Ainsworth

11 Rue des Rogations, (1906), c2014-2017. Artist: Alan John Ainsworth
11 rue des Rogations. 1906. Desire van Hemelryck

Background imageBourgeois Collection: 76 Av. Sleeckx, (1910), c2014-2017. Artist: Alan John Ainsworth

76 Av. Sleeckx, (1910), c2014-2017. Artist: Alan John Ainsworth
76 Av. Sleeckx. J. van der Berghe: 1910; sgrafitto- Henri Privat-Livemont

Background imageBourgeois Collection: 22 Rue Vilain XIIII, (1903-1907), c2014-2017. Artist: Alan John Ainsworth

22 Rue Vilain XIIII, (1903-1907), c2014-2017. Artist: Alan John Ainsworth
22 Rue Vilain XIIII. Ernest Delune:1903-07

Background imageBourgeois Collection: 32 Rue de la Vallee, (1903-1907), c2014-2017. Artist: Alan John Ainsworth

32 Rue de la Vallee, (1903-1907), c2014-2017. Artist: Alan John Ainsworth
32 Rue de la Vallee. Ernest Delune:1903-07

Background imageBourgeois Collection: 40 Avenue Eugene Demolder, (1910), c2014-2017. Artist: Alan John Ainsworth

40 Avenue Eugene Demolder, (1910), c2014-2017. Artist: Alan John Ainsworth
40 Avenue Eugene Demolder. Henri Jacobs: 1910

Background imageBourgeois Collection: 43 Av. Louise Bertrand, Brussels, Belgium, (1906), c2014-2017. Artist: Alan John Ainsworth

43 Av. Louise Bertrand, Brussels, Belgium, (1906), c2014-2017. Artist: Alan John Ainsworth
43 Av. Louise Bertrand, Brussels, Belgium, c2014-2017. Gustave Strauven: 1906

Background imageBourgeois Collection: Georges-Jacques Danton (1759-1794), French politician, colored engraving

Georges-Jacques Danton (1759-1794), French politician, colored engraving

Background imageBourgeois Collection: Giant spider eats Saint Pauls Cathedral

Giant spider eats Saint Pauls Cathedral
A strange juxtaposition of modern art and the classical dome of St Pauls Cathedral, London, seen from Jubilee Walk at dawn

Background imageBourgeois Collection: Attack on the Hotel de Ville and Combat on the Pont d?Arcole, July 28, 1830

Attack on the Hotel de Ville and Combat on the Pont d?Arcole, July 28, 1830. Artist: Bourgeois, Amedee (1798-1837)
Attack on the Hotel de Ville and Combat on the Pont d?Arcole, July 28, 1830. Found in the collection of Musee de l Histoire de France, Chateau de Versailles

Background imageBourgeois Collection: Table of the Seven Deadly Sins by Hieronymus Bosch

Table of the Seven Deadly Sins by Hieronymus Bosch
Hieronymus Bosch (c.1450-1516). Dutch painter. Table of the Seven Deadly Sins. Detail of the Envy. Prado Museum. Madrid. Spain

Background imageBourgeois Collection: France. Paris. 19th century. Passage Mires. Engraving

France. Paris. 19th century. Passage Mires. Engraving of L Illustration, 1860. Colored

Background imageBourgeois Collection: Jean Auguste Dominique Ingres (1780-1867). Portrait of Madam

Jean Auguste Dominique Ingres (1780-1867). Portrait of Madam
Jean Auguste Dominique Ingres (1780-1867). French painter. Portrait of Madame Riviere, 1805. Musee d Orsay, Paris. France

Background imageBourgeois Collection: Bourgeoisie. Gentleman with a lady in the living room

Bourgeoisie. Gentleman with a lady in the living room. Colored engraving. 1897

Background imageBourgeois Collection: Gustave Courbet (1819-1877). Realist movement. Young ladies

Gustave Courbet (1819-1877). Realist movement. Young ladies
Gustave Courbet (1819-1877). French painter. Realist movement. Young ladies of the village, 1851-1852. Oil on canvas. Metropolitan Museum. New York. United States

Background imageBourgeois Collection: The Peace Conference - the treaty of Versailles, 1919

The Peace Conference - the treaty of Versailles, 1919
A pleniary session in the Clock Room at the Ministry of Foreign Affairs, in Paris: The Allied leaders in conclave during the preparation of the Peace Treaty, 1919. Date: 1919

Background imageBourgeois Collection: Group Of 13Th Century Bourgeois From Miniature In 13Th Century Manuscript

Group Of 13Th Century Bourgeois From Miniature In 13Th Century Manuscript

Background imageBourgeois Collection: Bourgeoisie. Social gathering. Ladies. Engraving. 19th centu

Bourgeoisie. Social gathering. Ladies. Engraving. 19th century. Colored

Background imageBourgeois Collection: Bourgeois house. Sitting room. 19th century. Engraving by Ga

Bourgeois house. Sitting room. 19th century. Engraving by Gascoine, 1885. Colored

Background imageBourgeois Collection: Dancing in the building of the Lonja of Barcelona, 1826. By

Dancing in the building of the Lonja of Barcelona, 1826. By
Spain. Catalonia. Dancing in the building of the Lonja of Barcelona, 1826. Lithography by Onofre Alsamora (1810-1880). History of the City Museum. Barcelona

Background imageBourgeois Collection: George Jackson and his family, 1737, by Carl Marcus Tuscher

George Jackson and his family, 1737, by Carl Marcus Tuscher
Carl Marcus Tuscher (1705-1751). German painter and architect. George Jackson and his family, 1737. Staten Museum for Kunst. Copenhagen. Denmark

Background imageBourgeois Collection: Edouard Manet (1832-1883). Lady with a fan, 1862

Edouard Manet (1832-1883). Lady with a fan, 1862
Edouard Manet (1832-1883). Impressionist french painter and engraver. Lady with a fan, 1862. Museum of Fine Arts. Budapest. Hungary

Background imageBourgeois Collection: Outdoor banquet by Sebastiaen Vrancx (1573-1647)

Outdoor banquet by Sebastiaen Vrancx (1573-1647)
Sebastiaen Vrancx (1573-1647). Flemish painter. Outdoor banquet. Museum of Fine Arts. Budapest. Hungary

Background imageBourgeois Collection: Jean-Antoine Watteau, The Music Lesson

Jean-Antoine Watteau, The Music Lesson
Jean-Antoine Watteau (1684-1721). French painter. The Music Lesson (1717). Wallace Collection. London. England. United Kingdom. Date: 1717




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"Bourgeois: A Tapestry of Art, Society, and Rebellion" Step into the enchanting world of "bourgeois" as we explore various artistic expressions that capture the essence of this intriguing concept. From a serene Garden Nook at Bellevue in 1880 to the vibrant Flower Market in Nice, France, these masterpieces invite us to immerse ourselves in bourgeois aesthetics. But not all depictions are celebratory; an Anti-Bourgeois Poster challenges societal norms and questions the values associated with this class. Similarly, The output of the Duke of Choiseul reveals both opulence and power held by those within bourgeois circles during St. Peter's era. Moving beyond traditional art forms, Jean Genet's collaboration with Stanimirovitc presents Mistinguett adorned with leopard print—a symbol of rebellion against bourgeois conventions. Meanwhile, a Print from Chateau de Chinon transports us back in time to witness grandeur intertwined with everyday life. In Madrid's Apolo Theater inauguration of 1873 or through Gines Andres de Aguirre's Gate of San Vicente from 1785, we catch glimpses into spaces where bourgeoisie gathered for entertainment or resided—showcasing their influence on architecture and urban landscapes. The Salon Bourgeois becomes a stage for artists like Jane Bourgeois, Jules Bourbon, and Edmund Burke to express their unique perspectives on society through their works. And as we delve deeper into portraiture artistry, Jose Aparicio Inglada captures The family of Gaspar Soliveres—an intimate portrayal reflecting familial ties amidst a bourgeoise backdrop. Through these diverse artworks spanning different periods and mediums emerges a captivating narrative surrounding "bourgeois. " It is an intricate tapestry woven together by wealth, privilege but also resistance against societal expectations—an exploration that invites contemplation about our own place within this complex social fabric.