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Brier Collection (#2)

"Brier: Unveiling the Mysteries of Nature's Beauty" Oh, what's that in the hollow? A hidden gem waiting to be discovered

Background imageBrier Collection: An ostensorium, detail of the wooden inlaid stall by Fra Giovanni da Verona

An ostensorium, detail of the wooden inlaid stall by Fra Giovanni da Verona, collocated in the choir of the Abbey of Monte Oliveto Maggiore, in the province of Siena

Background imageBrier Collection: Ostensorium with a cross on the top, in a cabinet. Inlaid work by Fra Giovanni da Verona

Ostensorium with a cross on the top, in a cabinet. Inlaid work by Fra Giovanni da Verona, in the choir stall of the Cathedral of Siena

Background imageBrier Collection: A few chalices, a holy-water aspergillum, a piece of cloth and two patens, collocated in a cabinet

A few chalices, a holy-water aspergillum, a piece of cloth and two patens, collocated in a cabinet. Inlaid work by Fra Giovanni da Verona, in the choir stalls of the Cathedral of Siena

Background imageBrier Collection: A cross, two chalices and a holy-water aspergillum, inlaid stall, collocated in a cabinet

A cross, two chalices and a holy-water aspergillum, inlaid stall, collocated in a cabinet. Intail work by Fra Giovanni da Verona, in a choir stall of the Cathedral of Siena

Background imageBrier Collection: A few books, two boxes and a clepsysdra, collocated in a cabinet

A few books, two boxes and a clepsysdra, collocated in a cabinet. Inlaid work by Fra Giovanni da Verona, in a choir stall of the Cathedral of Siena

Background imageBrier Collection: BGA-F-023805-0000

BGA-F-023805-0000
Siena Tarsia, Marquetry High Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:1920-1930 ca.. Date of Artwork:1503-1505

Background imageBrier Collection: BGA-F-023804-0000

BGA-F-023804-0000
Siena Tarsia, Marquetry High Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:1920-1930 ca.. Date of Artwork:1503-1505

Background imageBrier Collection: Central detail of the marble altarpiece carved by Riccomanni

Central detail of the marble altarpiece carved by Riccomanni, on the high altar in the Pieve of San Pantaleone, in Elici, near Pietrasanta, Versilia Pietrasanta Elici

Background imageBrier Collection: A marble floor gravestone in the Church of Sant'Agostino in Pietrasanta, in the province of Lucca

A marble floor gravestone in the Church of Sant'Agostino in Pietrasanta, in the province of Lucca, Versilia Pietrasanta Church of Sant'Agostino Slab, Plate, Sheet Late Renaissance

Background imageBrier Collection: A 16th centruy chest. Piece of furniture found in the Vincigliata Castle, near Fiesole

A 16th centruy chest. Piece of furniture found in the Vincigliata Castle, near Fiesole Fiesole Vincigliata, castle Casket Late Renaissance, Renaissance, Renaissance-Baroque styles and periods

Background imageBrier Collection: 15th century hope chest in the Vincigliata Castle, near Fiesole

15th century hope chest in the Vincigliata Castle, near Fiesole Fiesole Vincigliata, castle Chest Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D

Background imageBrier Collection: The kitchen fireplace in the Vincigliata Castle, near Fiesole

The kitchen fireplace in the Vincigliata Castle, near Fiesole. Fiesole Vincigliata, castle, kitchen Fireplace Late Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe

Background imageBrier Collection: Holy water stoup. Sculpture found in the Vincigliata Castle, near Fiesole

Holy water stoup. Sculpture found in the Vincigliata Castle, near Fiesole. Fiesole Vincigliata, castle Holy Water Font Late Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe

Background imageBrier Collection: Close-up of the shrine with a statue of the Virgin holding the Child in her arms

Close-up of the shrine with a statue of the Virgin holding the Child in her arms. Glazed terracotta by Andrea Della Robbia found in the Vincigliata Castle, near Fiesole

Background imageBrier Collection: Shrine with a statue of the Virgin holding the Child in her arms

Shrine with a statue of the Virgin holding the Child in her arms. Glazed terracotta by Andrea Della Robbia found in the Vincigliata Castle, near Fiesole

Background imageBrier Collection: A city road with houses and galleries of a palace. Trompe-l'oeil work by Fra Giovanni da Verona

A city road with houses and galleries of a palace. Trompe-l'oeil work by Fra Giovanni da Verona, section of the choir stalls of the Cathedral of Siena

Background imageBrier Collection: Trompe-l'oeil with still life with mechanic tools, detail of the inlaid lectern by Fra Giovanni da

Trompe-l'oeil with still life with mechanic tools, detail of the inlaid lectern by Fra Giovanni da Verona. Work collocated in the Abbey of Monte Oliveto Maggiore, in the province of Siena

Background imageBrier Collection: A vessel, a candelabrum and two jugs, one with fleur-de-lis, in a cabinet

A vessel, a candelabrum and two jugs, one with fleur-de-lis, in a cabinet. Inlaid work by Fra Giovanni da Verona, in the choir stalls of the Cathedral of Siena

Background imageBrier Collection: Two-handled vase with a stem of fleur-de-lis, collocated in a cabinet

Two-handled vase with a stem of fleur-de-lis, collocated in a cabinet. Inlaid work by Fra Giovanni da Verona, in a choir stall of the Cathedral of Siena

Background imageBrier Collection: A vase of flowers, a few books and other objects, collocated in a cabinet

A vase of flowers, a few books and other objects, collocated in a cabinet. Inlaid work by Fra Giovanni da Verona, in a choir stall of the Cathedral of Siena

Background imageBrier Collection: Chiselled silver cross, located in the Abbey of San Pietro, in Camaiore, in the province of Lucca

Chiselled silver cross, located in the Abbey of San Pietro, in Camaiore, in the province of Lucca, Tuscany, Versilia Camaiore Abbey of San Pietro Cross Gothic, Middle Ages, Europe

Background imageBrier Collection: 15th century tabernacle in the Church of Saint John and Saint Felicity in Valdicastello Carducci

15th century tabernacle in the Church of Saint John and Saint Felicity in Valdicastello Carducci, near Pietrasanta, Versilia Pietrasanta Valdicastello Carducci

Background imageBrier Collection: A floor gravestone in the Church of Sant'Agostino in Pietrasanta, in the province of Lucca, Versilia

A floor gravestone in the Church of Sant'Agostino in Pietrasanta, in the province of Lucca, Versilia Pietrasanta Church of Sant'Agostino Slab, Plate, Sheet Late Renaissance, Renaissance

Background imageBrier Collection: Persian carpet from the sixteenth century. Poldi Pezzoli Museum, Milan

Persian carpet from the sixteenth century. Poldi Pezzoli Museum, Milan. Milan Poldi Pezzoli Museum Carpet Renaissance, Renaissance-Baroque styles and periods, Europe

Background imageBrier Collection: Pietro di Maestro's gravestone, sculpted by Antonio di Santo Pietro and located in the Camposanto

Pietro di Maestro's gravestone, sculpted by Antonio di Santo Pietro and located in the Camposanto (Cemetery) of Pisa, in Tuscany Pisa Camposanto Low Relief, Basrelief Early Renaissance

Background imageBrier Collection: A wooden casket with metallic fasteners, one of which is engraved

A wooden casket with metallic fasteners, one of which is engraved. Work originally belonging to the Cappella Palatina and preserved to the Royal Palace (or of the Normans)

Background imageBrier Collection: A wooden box with a hunting scene, piece formerly belonging to the Palatina Chapel

A wooden box with a hunting scene, piece formerly belonging to the Palatina Chapel, today located at the Palazzo Reale (or Palazzo dei Normanni), in Palermo Palermo Palazzo Reale Casket Norman style

Background imageBrier Collection: A casket. Goldsmith's work belonged to the Cappella Palatina and preserved to the Royal Palace

A casket. Goldsmith's work belonged to the Cappella Palatina and preserved to the Royal Palace (or of the Normans) in Palermo Palermo Royal Palace Casket Norman style, Middle Ages, Europe

Background imageBrier Collection: Portal of the Chapel of the Blessed Virgin, Malatestiano Temple, Rimini

Portal of the Chapel of the Blessed Virgin, Malatestiano Temple, Rimini. Rimini Malatestiano Temple, interior Door Early Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe

Background imageBrier Collection: Ark of the Ancestors and the Descendants. Work by Agostino di Duccio

Ark of the Ancestors and the Descendants. Work by Agostino di Duccio, preserved in the Chapel of Our Lady of the Chapel. Malatestiano Temple, Rimini

Background imageBrier Collection: Niche and bust portraying Sebastiano Vanzi located in the Malatesta Temple in Rimini

Niche and bust portraying Sebastiano Vanzi located in the Malatesta Temple in Rimini Rimini Malatesta Temple Bust High Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe

Background imageBrier Collection: Bas relief of a pilaster with putti and wreaths at the base and Diana on top of a cart

Bas relief of a pilaster with putti and wreaths at the base and Diana on top of a cart. Chapel of the Sacrament or of the Planets. Work by Matteo de Pasti and Agostino di Duccio

Background imageBrier Collection: Arches with bas-reliefs by Antonello Gagini, under which are a painting representing a Madonna

Arches with bas-reliefs by Antonello Gagini, under which are a painting representing a Madonna with Child and a statue of a saint between candelabra. Palermo Church of S

Background imageBrier Collection: Some panels of the double doors of the portal located beneath the portico of Agrigento's Cathedral

Some panels of the double doors of the portal located beneath the portico of Agrigento's Cathedral. Agrigento Door Gothic, Middle Ages, Europe, First and Second Millennium A.D

Background imageBrier Collection: Detail of one of the double doors of the portal, located beneath the portico of Agrigento's

Detail of one of the double doors of the portal, located beneath the portico of Agrigento's Cathedral. Agrigento Door Gothic, Middle Ages, Europe, First and Second Millennium A.D

Background imageBrier Collection: Marble altarpiece by Giuliano Mancino, in the Cathedral of Erice

Marble altarpiece by Giuliano Mancino, in the Cathedral of Erice Erice Cathedral, presbytery High Relief, Low Relief, Basrelief High Renaissance, Renaissance, Renaissance-Baroque styles and periods

Background imageBrier Collection: Detail of the frieze of the high altar of the Church of Fontegiusta in Siena. Sculpture by Marrina

Detail of the frieze of the high altar of the Church of Fontegiusta in Siena. Sculpture by Marrina. Siena Church of Fontegiusta Frieze High Renaissance, Renaissance

Background imageBrier Collection: Tomb of Archbishop Pietro Bellorado in Messina's Cathedral

Tomb of Archbishop Pietro Bellorado in Messina's Cathedral. Messina Cathedral Monumental Tomb High Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe

Background imageBrier Collection: Saint Chritina's tomb in the Church of Saint Christina in Bolsena

Saint Chritina's tomb in the Church of Saint Christina in Bolsena. The tomb consists of a sarcophagus upon which lies the painted terracotta statue of the Saint

Background imageBrier Collection: Marble pulpit by Antonello Gagini inside the Church of Santa Maria degli Angeli (or della Gancia)

Marble pulpit by Antonello Gagini inside the Church of Santa Maria degli Angeli (or della Gancia), in Palermo. Palermo Church of Gancia o Santa Maria degli Angeli

Background imageBrier Collection: Shrine with the statue of the Enthroned Virgin Mary with Child

Shrine with the statue of the Enthroned Virgin Mary with Child. Sculpture located in the Church of Saint Francis of Assisi in Palermo

Background imageBrier Collection: Annunciation by Antonello Gagini, in the Museo Civico A. Cordici in Erice

Annunciation by Antonello Gagini, in the Museo Civico A. Cordici in Erice, in the province of Trapani Erice Monte San Giuliano, Library Sculptural Group High Renaissance, Renaissance

Background imageBrier Collection: The sarcophagi of William I and William II the Good. Sculptures found in the right aisle of

The sarcophagi of William I and William II the Good. Sculptures found in the right aisle of Monreale's Cathedral. Monreale Cathedral, right aisle Sarcophagus Late Renaissance, Renaissance

Background imageBrier Collection: One of the angels located on the sides of the altar in the Saint Fina Chapel

One of the angels located on the sides of the altar in the Saint Fina Chapel. Sculpture by Benedetto da Maiano, located in the Collegiate Church in San Gimignano San Gimignano Collegiate Church, St

Background imageBrier Collection: Carved walnut door, by Fra Giovanni da Verona, in the Library of the Abbey of Monte Oliveto

Carved walnut door, by Fra Giovanni da Verona, in the Library of the Abbey of Monte Oliveto Maggiore, near Siena Siena Monte Oliveto Maggiore, Abbey, Library Door Early Renaissance, Renaissance

Background imageBrier Collection: Madonna with Child and two angels. Sculpture by Giovanni d'Agostino found at the Saint Bernardino

Madonna with Child and two angels. Sculpture by Giovanni d'Agostino found at the Saint Bernardino Oratory in Siena Siena Saint Bernardino Oratory High Relief Gothic, Middle Ages, Europe

Background imageBrier Collection: A tympanum and an architrave engraved in the marble. Renaissance sculpted work preserved in

A tympanum and an architrave engraved in the marble. Renaissance sculpted work preserved in the Gallery of Fine Arts in Siena

Background imageBrier Collection: Ornamental bas-relief with putti on top of a casket close to the Amadeo style

Ornamental bas-relief with putti on top of a casket close to the Amadeo style. Castello Sforzesco, Milan. Milan Low Relief, Basrelief High Renaissance, Renaissance




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"Brier: Unveiling the Mysteries of Nature's Beauty" Oh, what's that in the hollow? A hidden gem waiting to be discovered. With delicate petals and a sweet fragrance, briers have captivated our hearts for centuries. Intriguingly intertwined with history, these enchanting plants hold tales from different eras. From the rosehip remedies used by ancient healers to the resilience displayed during World War II when Peggy Speeds The Plough. Transported back in time through an exquisite 19th-century illustration of wild roses or illuminated manuscripts like Marco Antonio Binarelli's work on "Bolla della Agregazione auta dalla Venerabile Archiconfraternita di San Rocco di Roma, 1717, " we witness the enduring allure of briers. Even ivory plaques depicting stories of Saint Peter from the Second School of Metz or MarkUS Brier's artistic creations pay homage to their significance. These intricate carvings remind us that they are not just mere plants but symbols deeply embedded in our cultural heritage. As we explore further, we stumble upon a funerary monument dedicated to Pietro Bembo adorned with elegant floral motifs and heads reminiscent of nature's bounty. This tribute reminds us that even in death, briers continue to inspire awe and reverence. Delicate yet resilient, they find their place on initial letters within illuminated codices—a testament to their everlasting presence throughout literary history. And let us not forget Limosina manufacture’s plaque featuring Saint Marziale—an embodiment of grace and beauty entwined within thorny branches—showcasing how they can symbolize both fragility and strength simultaneously. So next time you encounter a humble brier along your path, take a moment to appreciate its rich tapestry woven over centuries. For within its thorns lies a story waiting to be told—a story that connects us all through the timeless beauty of nature.