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Bull Collection (page 6)

"Bulls: From Ancient Art to Modern Symbolism" From the iconic Lascaux II cave painting replica to the intricate Roman fresco of Mithras Killing the Bull

Background imageBull Collection: Elephant Portrait, Okavango Delta, Botswana

Elephant Portrait, Okavango Delta, Botswana

Background imageBull Collection: African buffalo or Cape buffalo (Syncerus caffer) in Lake Nakuru National Park

African buffalo or Cape buffalo (Syncerus caffer) in Lake Nakuru National Park

Background imageBull Collection: Man spins a traditional bull figure surrounded by fireworks, known as El Torito

Man spins a traditional bull figure surrounded by fireworks, known as El Torito
A man spins a traditional bull figure surrounded by fireworks, known as " El Torito", during the annual San Juan de Dios celebrations in Tultepec

Background imageBull Collection: Hard Yakka

Hard Yakka
Frank Ma

Background imageBull Collection: Steer Wrestling

Steer Wrestling
Frank Ma

Background imageBull Collection: Bull Riding

Bull Riding
Steven Zhou

Background imageBull Collection: Highland Cow 2

Highland Cow 2
Bilge Paksoylu

Background imageBull Collection: Roundup

Roundup
Joseph Opal

Background imageBull Collection: The Farm Yard (colour litho)

The Farm Yard (colour litho)
8633257 The Farm Yard (colour litho) by English School, (19th century); Private Collection; (add.info.: The Farm Yard. Illustration for The Children's Object Book (Frederick Warne)

Background imageBull Collection: Bullock carts, c.1910 (photo)

Bullock carts, c.1910 (photo)
7293061 Bullock carts, c.1910 (photo); (add.info.: Agriculture. Bullocks cart in Sri Lanka. Photo, Sri Lanka, ca 1910.); Photo: © Archives Charmet

Background imageBull Collection: Attic black-figure pottery cup depicting a mythological scene, 490 BC - 460 BC (pottery)

Attic black-figure pottery cup depicting a mythological scene, 490 BC - 460 BC (pottery)
7309993 Attic black-figure pottery cup depicting a mythological scene, 490 BC - 460 BC (pottery, with painted and incised decoration); 15 cm; Ashmolean Museum, University of Oxford

Background imageBull Collection: 8725416

8725416

Background imageBull Collection: Bullfight, Seville, Spain (engraving)

Bullfight, Seville, Spain (engraving)
8676903 Bullfight, Seville, Spain (engraving) by English School, (19th century); Private Collection; (add.info.: Bullfight, Seville, Spain)

Background imageBull Collection: Persian limestone bull's head

Persian limestone bull's head
5305180 Persian limestone bull's head.; (add.info.: Persian limestone bull's head from the Achaemenian Period. Dated 5th Century BC.); Universal History Archive/UIG

Background imageBull Collection: Sacrificing a bull in Ancient Greece

Sacrificing a bull in Ancient Greece
7243344 Sacrificing a bull in Ancient Greece.; Private Collection; (add.info.: Sacrificing a bull in Ancient Greece. Late 19th century work from an unidentified artist.); Photo © Ken Welsh

Background imageBull Collection: A Lama, Lamma or Lamassu, a Sumerian or Assyrian deity which had a human head

A Lama, Lamma or Lamassu, a Sumerian or Assyrian deity which had a human head, the body of a bull or a lion
6867218 A Lama, Lamma or Lamassu, a Sumerian or Assyrian deity which had a human head, the body of a bull or a lion, and bird wings

Background imageBull Collection: Musk ox or muskox, Ovibos moschatus. From a specimen in the Edinburgh Royal University Museum

Musk ox or muskox, Ovibos moschatus. From a specimen in the Edinburgh Royal University Museum
FLO4989040 Musk ox or muskox, Ovibos moschatus. From a specimen in the Edinburgh Royal University Museum. Handcoloured steel engraving by Lizars after an illustration by James Stewart from William

Background imageBull Collection: Two Cows and a Young Bull beside a Fence in a Meadow, 1647 (oil on panel)

Two Cows and a Young Bull beside a Fence in a Meadow, 1647 (oil on panel)
5861791 Two Cows and a Young Bull beside a Fence in a Meadow, 1647 (oil on panel) by Potter, Paulus (1625-54); The Art Institute of Chicago, IL, USA; (add.info.: by Paulus Potter)

Background imageBull Collection: Hannibal Swearing Eternal Enmity toward Rome, c. 1808 (pen & ink with wash over graphite)

Hannibal Swearing Eternal Enmity toward Rome, c. 1808 (pen & ink with wash over graphite)
XOS5883959 Hannibal Swearing Eternal Enmity toward Rome, c. 1808 (pen & ink with wash over graphite) by French School, (19th century); 34.4x42.9 cm; Cleveland Museum of Art, OH

Background imageBull Collection: Boot, Bore, Bowl, Brig, Bull, Bung, Buoy, Burn, Bush, Bust, Butt, Butt (engraving)

Boot, Bore, Bowl, Brig, Bull, Bung, Buoy, Burn, Bush, Bust, Butt, Butt (engraving)
8649985 Boot, Bore, Bowl, Brig, Bull, Bung, Buoy, Burn, Bush, Bust, Butt, Butt (engraving) by German School, (19th century) (after); Private Collection; (add.info.: Boot, Bore, Bowl, Brig, Bull)

Background imageBull Collection: Sacred bull of the Celtic druids (litho)

Sacred bull of the Celtic druids (litho)
8663821 Sacred bull of the Celtic druids (litho) by German School, (20th century); Private Collection; (add.info.: Tarvos Trigaranus, divine bull of the Celtic druids, with three cranes)

Background imageBull Collection: British shorthorn breed of cattle, Bos taurus. Handcoloured steel engraving by Lizars after an

British shorthorn breed of cattle, Bos taurus. Handcoloured steel engraving by Lizars after an illustration by James
FLO4989065 British shorthorn breed of cattle, Bos taurus. Handcoloured steel engraving by Lizars after an illustration by James Stewart from William Jardine's Naturalist's Library, Edinburgh

Background imageBull Collection: A Matador avoiding the attack of a bull. Chromolithography from the end of the 19th century

A Matador avoiding the attack of a bull. Chromolithography from the end of the 19th century
JAB5037144 A Matador avoiding the attack of a bull. Chromolithography from the end of the 19th century.; (add.info.: A Matador avoiding the attack of a bull)

Background imageBull Collection: Romanesque art: fresco of the choir of the church of Notre Dame de Charly

Romanesque art: fresco of the choir of the church of Notre Dame de Charly. Charly, Cher, Centre, France
JEB4923290 Romanesque art: fresco of the choir of the church of Notre Dame de Charly. Charly, Cher, Centre, France. Down Luke symbolizes by a bull and up John by an eagle Photography; (add.info)

Background imageBull Collection: Fortune (1520-1525), tapestry of the series of Honours of the Royal Palace of the Granja de San

Fortune (1520-1525), tapestry of the series of Honours of the Royal Palace of the Granja de San Ildefonso - AELST III
CUL4938362 Fortune (1520-1525), tapestry of the series of Honours of the Royal Palace of the Granja de San Ildefonso - AELST III, Pieter van (c.1495-1555). Fortune. 16th v. Spain. CASTILE AND LEON

Background imageBull Collection: The bull is killed by Hercules, 17th century (engraving)

The bull is killed by Hercules, 17th century (engraving)
3480576 The bull is killed by Hercules, 17th century (engraving); (add.info.: The bull is killed by Hercules. Engraving from Tableaux du temple des muses (1655) by Michel de Marolles (1600 - 1681)

Background imageBull Collection: Abecedary illustration : Letter T, 1875 (print)

Abecedary illustration : Letter T, 1875 (print)
DUV4209888 Abecedary illustration : Letter T, 1875 (print); Private Collection; (add.info.: Lettre T: Tulipe, Taureau, Toreador, Tortue, ); Photo © Duvallon

Background imageBull Collection: Illustration for 'Alphabet Buffon', 1911 (engraving)

Illustration for "Alphabet Buffon", 1911 (engraving)
DUV4210804 Illustration for "Alphabet Buffon", 1911 (engraving); 29.5x21.5 cm; Private Collection; (add.info.: Bull. Engraving in " Alphabet Buffon")

Background imageBull Collection: The bull carcass is dragged out of the bullring by a team of mules decorated with flags

The bull carcass is dragged out of the bullring by a team of mules decorated with flags. Chromolithograph by E
FLO4598165 The bull carcass is dragged out of the bullring by a team of mules decorated with flags. Chromolithograph by E

Background imageBull Collection: Matador dedicating the killed bull's tail to the president. Chromolithograph by E

Matador dedicating the killed bull's tail to the president. Chromolithograph by E
FLO4598136 Matador dedicating the killed bull's tail to the president. Chromolithograph by E. Calle after an illustration by Daniel Perea from Bullfight, Corrida del Toros, Madrid

Background imageBull Collection: Matador with cloak distracting a bull after it has charged and injured a picador

Matador with cloak distracting a bull after it has charged and injured a picador and his horse in the bullring
FLO4598105 Matador with cloak distracting a bull after it has charged and injured a picador and his horse in the bullring. Chromolithograph by J

Background imageBull Collection: Matador running the bull to prepare him for the picador. Chromolithograph by E

Matador running the bull to prepare him for the picador. Chromolithograph by E
FLO4598092 Matador running the bull to prepare him for the picador. Chromolithograph by E. Casanova after an illustration by Daniel Perea from Bullfight, Corrida del Toros, Madrid, Boronat & Satorre

Background imageBull Collection: Poor John Bull - The Free Born Englishman - Deprived of his Seven Senses By the Six New Acts

Poor John Bull - The Free Born Englishman - Deprived of his Seven Senses By the Six New Acts
527780 Poor John Bull - The Free Born Englishman - Deprived of his Seven Senses By the Six New Acts? Castlereagh, the Prime Minister sits on top of the six acts pressing on John Bull's head.;

Background imageBull Collection: Bullfighting in Portugal, 1896 (engraving)

Bullfighting in Portugal, 1896 (engraving)
2450158 Bullfighting in Portugal, 1896 (engraving) by Jouas, Charles (1866-1942); (add.info.: Sport. A bullfighting in Portugal)

Background imageBull Collection: Martin Luther (1483-1546) German Protestant reformer. Title page of Leo X's Papal Bull

Martin Luther (1483-1546) German Protestant reformer. Title page of Leo X's Papal Bull excommunicating him. 1520
529964 Martin Luther (1483-1546) German Protestant reformer. Title page of Leo X's Papal Bull excommunicating him. 1520. ; Universal History Archive/UIG

Background imageBull Collection: Attic black-figure pottery cup depicting a mythological scene, 490 BC - 460 BC (pottery)

Attic black-figure pottery cup depicting a mythological scene, 490 BC - 460 BC (pottery)
7309982 Attic black-figure pottery cup depicting a mythological scene, 490 BC - 460 BC (pottery, with painted and incised decoration); 15 cm; Ashmolean Museum, University of Oxford

Background imageBull Collection: Two Wild Buffalo, c.1589 (watercolor, ink, gold on paper)

Two Wild Buffalo, c.1589 (watercolor, ink, gold on paper)
8901165 Two Wild Buffalo, c.1589 (watercolor, ink, gold on paper) by Mansur (Ustad Mansur) (fl.c.1590-1630); 25.3 x 15.1 cm; National Museum of Asian Art, Smithsonian Institution

Background imageBull Collection: Statue of the bull Apis, Brancaccio collection, black diorite, National Roman Museum

Statue of the bull Apis, Brancaccio collection, black diorite, National Roman Museum, Palazzo Altemps, Rome, Italy
6384466 Statue of the bull Apis, Brancaccio collection, black diorite, National Roman Museum, Palazzo Altemps, Rome, Italy; Museo Nazionale Romano, Palazzo Altemps, Rome

Background imageBull Collection: The cachetero matador finishes off the bull with a small dagger (puntilla). Chromolithograph by E

The cachetero matador finishes off the bull with a small dagger (puntilla). Chromolithograph by E
FLO4598160 The cachetero matador finishes off the bull with a small dagger (puntilla). Chromolithograph by E. Casanova after an illustration by Daniel Perea from Bullfight, Corrida del Toros, Madrid

Background imageBull Collection: Bull, cow and calf, Bos taurus. Handcoloured engraving on steel by Bruneliere after a drawing by

Bull, cow and calf, Bos taurus. Handcoloured engraving on steel by Bruneliere after a drawing by Edouard Travies
FLO4597845 Bull, cow and calf, Bos taurus. Handcoloured engraving on steel by Bruneliere after a drawing by Edouard Travies from Richard's " New Edition of the Complete Works of Buffon

Background imageBull Collection: Engraving of the book of Ambroise Pare: ' Book of the Unicorn' (1580)

Engraving of the book of Ambroise Pare: " Book of the Unicorn" (1580) - Figure of the Florida bull (bison)
PCT4260959 Engraving of the book of Ambroise Pare: " Book of the Unicorn" (1580) - Figure of the Florida bull (bison).; (add.info.: Engraving of the book of Ambroise Pare)

Background imageBull Collection: Illustration of July 16, 1905 of 'Le petit journal': 'The car of the Marquis de San Gines pursued by

Illustration of July 16, 1905 of "Le petit journal": "The car of the Marquis de San Gines pursued by
PCT4255856 Illustration of July 16, 1905 of "Le petit journal": "The car of the Marquis de San Gines pursued by the bulls". (print); © Patrice Cartier

Background imageBull Collection: Farnese Bull Group Dirce, wife of Lycos, is attached by Amphion

Farnese Bull Group Dirce, wife of Lycos, is attached by Amphion and Zethos to a bull in order to take revenge for
BEN5480476 Farnese Bull Group Dirce, wife of Lycos, is attached by Amphion and Zethos to a bull in order to take revenge for the outrage suffered by their mother Antiope

Background imageBull Collection: Farnese Bull Group Dirce, wife of Lycos, is attached by Amphion

Farnese Bull Group Dirce, wife of Lycos, is attached by Amphion and Zethos to a bull in order to take revenge for
BEN5480465 Farnese Bull Group Dirce, wife of Lycos, is attached by Amphion and Zethos to a bull in order to take revenge for the outrage suffered by their mother Antiope

Background imageBull Collection: La Baionnette, Satirical en Colours, 1916_3_2: War of 14 -18, Belligerants and symbols, Canons

La Baionnette, Satirical en Colours, 1916_3_2: War of 14 -18, Belligerants and symbols, Canons
ICA4844580 La Baionnette, Satirical en Colours, 1916_3_2: War of 14 -18, Belligerants and symbols, Canons, shells - Minotaur - Illustration by Pierre E

Background imageBull Collection: Southern elephant seal, male, Mirounga leonina (Elephant seal, Phoca proboscidea)

Southern elephant seal, male, Mirounga leonina (Elephant seal, Phoca proboscidea). Handcoloured steel engraving by W.H
FLO4989132 Southern elephant seal, male, Mirounga leonina (Elephant seal, Phoca proboscidea). Handcoloured steel engraving by W.H

Background imageBull Collection: Sport. Bullfighting. Salute of the Matador. Photo, Spain, c.1910

Sport. Bullfighting. Salute of the Matador. Photo, Spain, c.1910
2636370 Sport. Bullfighting. Salute of the Matador. Photo, Spain, c.1910.; Private Collection; (add.info.: Sport. Corrida. Coll. Part.); Photo © CCI

Background imageBull Collection: Sport. Bullfighting. Entry of the bull in the arena. Photo, Spain, c.1910

Sport. Bullfighting. Entry of the bull in the arena. Photo, Spain, c.1910
2636367 Sport. Bullfighting. Entry of the bull in the arena. Photo, Spain, c.1910.; Private Collection; (add.info.: Sport. Corrida. Coll. Part.); Photo © CCI




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"Bulls: From Ancient Art to Modern Symbolism" From the iconic Lascaux II cave painting replica to the intricate Roman fresco of Mithras Killing the Bull, bulls have captivated human imagination for centuries. These majestic creatures have been depicted in various forms of art, representing power, strength, and even financial markets. In William H. Beard's allegorical painting "Wall Street: Bears & Bulls, " we witness the eternal struggle between these two market forces. The poster for England's Glory Matches showcases a fiery bull as a symbol of explosive energy and determination. But they are not limited to paintings alone; they also make appearances in popular culture. Lara Croft's Land Rover Defender is an epitome of adventure and resilience, just like these magnificent animals themselves. Meanwhile, Highland cows with their impressive horns embody the rugged beauty of Scotland's landscapes. The Hereford Bull & Cow from 1912 remind us of our agricultural roots and the importance of livestock in sustaining communities. And let's not forget about humor - Gillray's Anglo-French caricature adds a touch of satire to our perception of these powerful beasts. Whether it be ancient cave paintings or modern-day posters, bulls continue to inspire awe and fascination across different cultures throughout history. Their presence reminds us that there is something inherently captivating about their raw power and unwavering spirit that transcends time itself.