Buonarroti Collection (page 6)

Prisonnier par Michel-Ange Buonarroti Prisoner
Prisonnier par Michel-Ange Buonarroti, The Prisoner by Michelangelo; Edouard Baldus (French, born Germany, 1813 - 1889); 1854 - 1856; Salted paper print; 40.2 x 20 cm (15 13, 16 x 7 7, 8 in.)

Moses, C. 1513A

Michelangelo Di Lodovico Buonarroti Simoni, 1475

Michelangelo Buonarroti, 1475-1564. Italian High Renaissance / Mannerist Painter, Sculptor, Architect And Poet
Michelangelo Buonarroti, 1475-1564. Italian High Renaissance/Mannerist Painter, Sculptor, Architect And Poet. Engraved By J.W.Cook

Michelangelo Buonarroti (1475-1564). Bust. Vatican
Michelangelo (Michelangelo Buonarroti) (1475-1564). Italian artist. Bust. Vatican

Michelangelo explaining anatomy to his disciples. Engraving
Michelangelo (Michelangelo Buonarroti) (1475-1564). Italian artist. Engraving depicting Michelangelo explaining anatomy to his disciples. From the composition of H. Georg Urlaub. Colored

Tomb of Pope Julius II (1443-1513). 1505-1545. By Michelange
Tomb of Pope Julius II (1443-1513). 1505-1545. Built by Michelangelo (Michelangelo Buonarroti) (1475-1564) and his assistants. Detail. San Pietro in Vincoli Church. Rome. Italy

Prophet Ezekiel
Ezekiel (622-570 BC). Hebrew prophet. Portrait. Fresco by Michelangelo. Sistine Chapel ceiling. 1508-1512. Apostolic Palace. Vatican City

Moses of Michelangelo
Moses. Marble sculpture by Michelangelo Buonarroti (1513-1515). Tomb of Pope Julius II. Church of Saint Pietro in Vincoli. Rome. Italy

CONVERSION OF SAINT PAUL. Fresco by Michelangelo in the Pauline Chapel in the Vatican, 1542-45

MICHELANGELO: JUDGMENT. Fresco of the Last Judgment from the Sistine Chapel altar wall, 1536-41

MICHELANGELO: EVE. Creation of Eve. Sistine Chapel ceiling, fresco, 1509-12

Michelangelo Buonarroti (1475-1564). The Cristo della Minerva, also known as Christ the Redeemer or Christ Carrying the Cross. Marble sculpture, 1521. Located to the left of the main altar

The Last Judgement by Michelangelo. 16th century. Vatican Ci
Michelangelo (Michelangelo Buonarroti) (1475-1564). Italian artist. The Last Judgement. Fresco. 1536-1541. Detail. Central part. Sistine Chapel. Vatican Museums. Vatican City

Vatican City State. Basilical of Saint Peter
Vatican City State. Viev of the Papal Basilica of Saint Peter (St. Peters Basilica). Holy See

MICHELANGELO (1475-1564). Italian sculptor, painter, architect and poet. Painting of the artist with Vittoria Colonna by Hermann Schneider

Michelangelo Buonarroti Simoni (6 March 1475 - 18 February 1564), Italian Renaissance painter, sculptor, architect, poet, and engineer

MICHELANGELO (1475-1564). Italian sculpter, painter, architect and poet. Line engraving

MICHELANGELO (1475-1564). Italian sculptor, painter, architect and poet. Line engraving, English, 1822

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Buonarroti: A Masterpiece of Artistic Genius Michelangelo Buonarroti, renowned as one of the greatest artists in history, left an indelible mark on the world with his extraordinary creations. From the iconic frescoes adorning the Sistine Chapel to his magnificent sculptures, every stroke and chisel mark bears witness to his unparalleled talent. In "The Creation of Adam, " Michelangelo's brush breathes life into this biblical scene. The outstretched hands of God and Adam epitomize divine connection and human potential, forever capturing our imagination. Similarly, in "The Expulsion from Paradise, " he portrays humanity's fall from grace with striking emotion and raw vulnerability. Moses stands tall as a testament to Michelangelo's mastery over marble. The intricate details carved into every muscle fiber exude strength and determination while revealing the artist's deep understanding of human anatomy. And in "Adam & Eve: The Temptation and Expulsion, " we witness their fateful encounter with temptation depicted through Michelangelo's skillful use of color and composition. Perhaps no other sculpture is as iconic as David—a symbol of beauty, courage, and resilience. This masterpiece showcases Michelangelo's ability to transform stone into living flesh, capturing David’s intense gaze before facing Goliath head-on. "The Dying Slave" evokes a sense of melancholy as we observe a figure trapped within its marble confines—forever frozen between life and death. It serves as a poignant reminder that even great works can be born out of struggle. Stepping into Michelangelo’s studio feels like entering another realm where creativity knows no bounds. Pope Julius II himself visited this sacred space—an honor bestowed upon few artists throughout history. Among his many frescoes lies "Prophet Jeremiah. " With each brushstroke conveying profound wisdom etched onto Jeremiah’s face, it becomes evident that art was not merely an expression for Michelangelo but a conduit for the human spirit.