Buonarroti Collection (page 4)

Ideal Head, 1520-1525, (1943). Creator: Michelangelo Buonarroti
Ideal Head, 1520-1525, (1943). Head of a woman or androgynous youth. Drawing in the Ashmolean Museum, Oxford. From " Europaische Handzeichnungen", (Five Hundred Years of European Drawings)

The Resurrection, c1532, (1943). Creator: Michelangelo Buonarroti
The Resurrection, c1532, (1943). Christ rising from the dead after his crucifixion. Drawing in the Royal Collection, Windsor Castle

Male nude, 1503-1504, (1943). Creator: Michelangelo Buonarroti
Male nude, 1503-1504, (1943). Drawing in the British Museum in London. From " Europaische Handzeichnungen", (Five Hundred Years of European Drawings), by Bernhard Degenhart

Christ on the Cross between the Virgin and St John, c1560-1564, (1943). Creator
Christ on the Cross between the Virgin and St John, c1560-1564, (1943). Crucifixion scene. Drawing in the Royal Collection, Windsor Castle

Crouching Boy, Between 1530 and 1534. Creator: Buonarroti, Michelangelo (1475-1564)
Crouching Boy, Between 1530 and 1534. Found in the Collection of State Hermitage, St. Petersburg

Portrait of Michael Angelo Buonarotti, 1881. Creator: Unknown
Portrait of Michael Angelo Buonarotti, 1881. Michelangelo di Lodovico Buonarroti Simoni or more commonly known by his first name Michelangelo (1475 - 1564) was an Italian sculptor, painter

St. Peters - north flank elevation, 1889. Creator: George Aikman
St. Peters - north flank elevation, 1889. St Peters Basilica in Rome was begun in 1506 during the papacy of Julius II and was completed under Paul V in 1615

St Peters - east front elevation, 1889. Creator: W & AK Johnston
St Peters - east front elevation, 1889. St Peters Basilica in Rome was begun in 1506 during the papacy of Julius II and was completed under Paul V in 1615

Michelangelo Buonarrotti, (1933). Creator: Unknown
Michelangelo Buonarrotti, (1933). Portrait of Italian painter and sculptor Michelangelo Buonarroti (1475 -1564), one of the most important artists of the Renaissance period

The Holy Family (The Doni Tondo). Found in the Collection of Galleria degli Uffizi, Florence

Portrait of Andrea Quaratesi, 1532. Creator: Buonarroti, Michelangelo (1475-1564)
Portrait of Andrea Quaratesi, 1532. Found in the Collection of British Museum

Madonna with Child and St. Giovannino, 1504, by Michelangelo

Statue of David, Accademia Gallery, Florence, Italy. One of Michelangelos greatest masterpieces, his sculpture of David was unveiled in 1504

Saint Bartholomew displaying his flayed skin, 1537-1541
Saint Bartholomew displaying his flayed skin. Detail of the fresco The Last Judgement on the wall in Sistine chapel, 1537-1541. Found in the Collection of The Sistine Chapel, Vatican

The Drunkenness of Noah, 1509. Found in the Collection of Apostolic Palace, Vatican

The Conversion of Saul, Between 1542 and 1545. Found in the Collection of Apostolic Palace, Vatican

Study for the fortifications of Porta al Prato di Ognissanti in Florence, ca 1529. Found in the Collection of Casa Buonarroti, Florence

Portrait of Michelangelo Buonarroti. Found in the Collection of Art History Museum, Vienne

Study for Porta Pia in Rome, ca 1561. Artist: Buonarroti, Michelangelo (1475-1564)
Study for Porta Pia in Rome, ca 1561. Found in the collection of Casa Buonarroti, Florence

Project for the Facade of San Lorenzo in Florence, 1516. Artist: Buonarroti, Michelangelo (1475-1564)
Project for the Facade of San Lorenzo in Florence, 1516. Found in the collection of Casa Buonarroti, Florence

Madonna and Child, c. 1525. Artist: Buonarroti, Michelangelo (1475-1564)
Madonna and Child, c. 1525. Found in the collection of Casa Buonarroti, Florence

Nude from behind, c. 1504. Artist: Buonarroti, Michelangelo (1475-1564)
Nude from behind, c. 1504. Found in the collection of Casa Buonarroti, Florence

Studies of legs, 1524-1525. Artist: Buonarroti, Michelangelo (1475-1564)
Studies of legs, 1524-1525. Found in the collection of Casa Buonarroti, Florence

Head Study to the Sistine Chapel ceiling, ca 1509-1510. Artist: Buonarroti, Michelangelo (1475-1564)
Head Study to the Sistine Chapel ceiling, ca 1509-1510. Found in the collection of Casa Buonarroti, Florence

Study to the head of Leda, ca 1530. Artist: Buonarroti, Michelangelo (1475-1564)
Study to the head of Leda, ca 1530. Found in the collection of Casa Buonarroti, Florence

Cleopatra, c. 1535. Artist: Buonarroti, Michelangelo (1475-1564)
Cleopatra, c.1535. Found in the collection of Casa Buonarroti, Florence

The Torment of Saint Anthony. Artist: Buonarroti, Michelangelo (1475-1564)
The Torment of Saint Anthony. Found in the collection of Kimbell Art Museum

Michelangelo 1475-1564. - Gemalde von Delacroix, 1934
Michelangelo 1475-1564. 1934. Portrait of Michelangelo (1475-1564), Italian Renaissance sculptor, painter, architect and poet. From Die Groszen der Weltgelchichte. [Ecktein-Halpaus, Dresden, 1934]

Michelangelo Buonarroti, Italian artist and architect, c16th century (1894)
Michelangelo Buonarroti (1475-1564), Italian artist and architect, c16th century (1894). From A Collection of Engraved Portraits (Further Selection) Exhibited by the Late James Anderson Rose

Roma - The Capitol: in the centre Palace of the Senators now City Hall, 1910. On the right Museum of the Conservatori; to the Capitoline Museum; from the plans of Michelangelo

Roma - Vatican Palace - The Sistine Chapel, fonded by Sixtus IV in 1483, 1910. The fame of the Sistine Chapel lies mainly in the frescos that decorate the interior

Roma - Church of St. Peter in Vinculis - Moses, by MIchelangelo, 1910. Artist: Michelangelo Buonarroti
Roma - Church of St. Peter in Vinculis - Moses, by MIchelangelo, 1910. From Cento Vedute Classiche di Roma. [Enrico Verdesi, Rome, 1910]

Roma - Basilica of St. Peter. Pieta by Michelangelo, 1910. Artist: Michelangelo Buonarroti
Roma - Basilica of St. Peter. Pieta by Michelangelo, 1910. From Cento Vedute Classiche di Roma. [Enrico Verdesi, Rome, 1910]

Roma - Interior of the Basilica of S. Peter, 1910. Begun by Michelangelo in 1506 and completed by Maderno in 1612. From Cento Vedute Classiche di Roma. [Enrico Verdesi, Rome, 1910]

Roma - St. Peters Square. Fountain and facade by Carlo Maderno. Cupola by Michelangelo, 1910. From Cento Vedute Classiche di Roma. [Enrico Verdesi, Rome, 1910]

Agrippa Instructing His Pupils Mathematically, 1553, (1936). The frontespiece of the Treatise on the Science of Arms with Philosophical Dialogue by Camillo Agrippa, published in 1553

Gardens of the Vatican and dome of St Peters Basilica, Rome, Italy, 1927. Artist: Eugen Poppel
Gardens of the Vatican and dome of St Peters Basilica, Rome, Italy, 1927. From Italien in Bildern, by Eugen Poppel [August Scherl, Berlin, 1927]

Moses, sculpture by Michelangelo in the Church of San Pietro in Vincoli, Rome, Italy, c1926 (1927). The sculpture was commissioned in 1505 by Pope Julius II (1443-1513) for his tomb

The Entombment, c1500, (1911). Artist: Michelangelo Buonarroti
The Entombment, 1911. Painting held in The National Gallery, London. From A History of Painting Vol. 1 by Haldane MacFall [T.C. and E.C. Jack, London & Edinburgh, 1911.]

Christian Rome, Italy, c1865. View showing St Peters Basilica in the left background

The Prophet Jeremiah, 1844. Artist: WJ Linton
The Prophet Jeremiah, 1844. Among the prophecies of Jeremiah was the fall of Jerusalem to Nebuchadrezzar (Nebuchadnezzar) and the exile of the Jews in Babylon

Study for a figure of Christ, c1555 (1958). A print from The Fitzwilliam Museum an Illustrated Survey, Trianon Press, 1958

The Delphic Sibyl, 1509 (1870). Artist: Trichon Monvoisin
The Delphic Sibyl, 1509 (1870). After the painting by Michelangelo on the ceiling of the Sistine Chapel, the Vatican, Rome

The Holy Family with the infant St John the Baptist (the Doni Tondo), c1506 (1870). Artist: L Dumont
The Holy Family with the infant St John the Baptist (the Doni Tondo), c1506 (1870). After the painting by Michelangelo in the collection of the Galleria degli Uffizi, Florence

The Manchester Madonna, c1497 (1870). Artist: Franz Kellerhoven
The Manchester Madonna, c1497 (1870). The painting, which is also known by the title The Madonna and Child with St John and Angels is unfinished

St Peters Square from the dome of St Peters Basilica, Rome, Italy. St Peters Square was designed by Gian Lorenzo Bernini and built between 1656 and 1667

St Peters Square and Basilica and the Vatican, Rome, Italy. Artist: Underwood & Underwood
St Peters Square and Basilica and the Vatican, Rome, Italy. St Peters Square was designed by Gian Lorenzo Bernini and built between 1656 and 1667

The Creation of Eve, 1899. Artist: Pennemaeker
The Creation of Eve, 1899. After Michelangelos painting on the ceiling of the Sistine Chapel in Rome. A print from The Magazine of Art, Cassell and Company, Limited, 1899

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Buonarroti: A Masterpiece of Artistic Genius Michelangelo Buonarroti, renowned as one of the greatest artists in history, left an indelible mark on the world with his extraordinary creations. From the iconic frescoes adorning the Sistine Chapel to his magnificent sculptures, every stroke and chisel mark bears witness to his unparalleled talent. In "The Creation of Adam, " Michelangelo's brush breathes life into this biblical scene. The outstretched hands of God and Adam epitomize divine connection and human potential, forever capturing our imagination. Similarly, in "The Expulsion from Paradise, " he portrays humanity's fall from grace with striking emotion and raw vulnerability. Moses stands tall as a testament to Michelangelo's mastery over marble. The intricate details carved into every muscle fiber exude strength and determination while revealing the artist's deep understanding of human anatomy. And in "Adam & Eve: The Temptation and Expulsion, " we witness their fateful encounter with temptation depicted through Michelangelo's skillful use of color and composition. Perhaps no other sculpture is as iconic as David—a symbol of beauty, courage, and resilience. This masterpiece showcases Michelangelo's ability to transform stone into living flesh, capturing David’s intense gaze before facing Goliath head-on. "The Dying Slave" evokes a sense of melancholy as we observe a figure trapped within its marble confines—forever frozen between life and death. It serves as a poignant reminder that even great works can be born out of struggle. Stepping into Michelangelo’s studio feels like entering another realm where creativity knows no bounds. Pope Julius II himself visited this sacred space—an honor bestowed upon few artists throughout history. Among his many frescoes lies "Prophet Jeremiah. " With each brushstroke conveying profound wisdom etched onto Jeremiah’s face, it becomes evident that art was not merely an expression for Michelangelo but a conduit for the human spirit.