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Buttocks Collection (page 2)

"Captivating Curves: Celebrating the Artistry of Buttocks" Admiring Beauty through Time: The Marble Aphrodite Kallipygos, a Roman copy of a Hellenistic masterpiece

Background imageButtocks Collection: The hermaphrodite, Roman copy of a Greek original, at the Uffizi Gallery in Florence

The hermaphrodite, Roman copy of a Greek original, at the Uffizi Gallery in Florence. Florence The Uffizi Gallery Statue First Imperial Period, Imperial Period, Roman Art, Europe

Background imageButtocks Collection: Back view of the head of the statue of Apollo from Antium preserved in the National Museum of Rome

Back view of the head of the statue of Apollo from Antium preserved in the National Museum of Rome, Palazzo Massimo alle Terme, Rome Rome National Museum of Rome

Background imageButtocks Collection: Back view of the statue of Apollo from Antium, an Early Imperial Roman copy of a 4th century B.C

Back view of the statue of Apollo from Antium, an Early Imperial Roman copy of a 4th century B.C. original by Praxiteles. It is preserved in the National Museum of Rome at Palazzo Massimo alle Terme

Background imageButtocks Collection: Study of the foreshortened legs of a woman, drawing by Correggio, in the British Museum in London

Study of the foreshortened legs of a woman, drawing by Correggio, in the British Museum in London Great Britain London, British Museum Drawing Renaissance, Renaissance-Baroque styles and periods

Background imageButtocks Collection: Statue of a young Apollo with its back to the camera. Work preserved in the National Museum of

Statue of a young Apollo with its back to the camera. Work preserved in the National Museum of Athens. Greece Athens, National Museum Statue Greek Art, Greece, Europe, Ancient Civilization

Background imageButtocks Collection: Study of a Nude. Drawing by Agostino Carracci, Count Ellesmere Collection

Study of a Nude. Drawing by Agostino Carracci, Count Ellesmere Collection Great Britain Scotland, Elesmere Collection Drawing Classicism of XVII century, Renaissance-Baroque styles and periods

Background imageButtocks Collection: Statue of a young Apollo. Work preserved in the National Museum of Athens

Statue of a young Apollo. Work preserved in the National Museum of Athens Greece Athens, National Museum Statue Greek Art, Greece, Europe, Ancient Civilization. Date of Photograph:1920-1930ca

Background imageButtocks Collection: The Sala dell'Ermafrodito with the Hermaphrodite statue in the center, Galleria degli Uffizi

The Sala dell'Ermafrodito with the Hermaphrodite statue in the center, Galleria degli Uffizi, Florence Florence Galleria degli Uffizi, Sala dell'Ermafrodito Statue First Imperial Period

Background imageButtocks Collection: Female nude (oil on canvas)

Female nude (oil on canvas)
1108957 Female nude (oil on canvas) by Subleyras, Pierre (1699-1749); Palazzo Corsini, Gallerie Nazionali Barberini Corsini, Rome, Italy; (add.info.: by Pierre Subleyras); Photo © Stefano Baldini

Background imageButtocks Collection: Westminster School or Dr Busby settling accounts with Master Billy and his Playmates, pub

Westminster School or Dr Busby settling accounts with Master Billy and his Playmates, pub
2962526 Westminster School or Dr Busby settling accounts with Master Billy and his Playmates, pub. 1785 (hand coloured engraving) by Gillray

Background imageButtocks Collection: French satirical cartoon - Les Poires

French satirical cartoon - Les Poires
Vintage engraving of a French satirical cartoon, Les Poires. An old man pinches the bottom of the maid as she talks to his wife. 19th Century, C Leandre

Background imageButtocks Collection: Le Pot de Chambre, 1908. Artist: Konstantin Somov

Le Pot de Chambre, 1908. Artist: Konstantin Somov
Le Pot de Chambre, 1908. Illustration from the Livre de la Marquise. Found in the collection of the Russian State Library, Moscow

Background imageButtocks Collection: Greek vase showing Memnon fighting Achilles

Greek vase showing Memnon fighting Achilles
Greek vase painting showing Memnon, the son of the goddess Eos and Tithonius, fighting Achilles

Background imageButtocks Collection: Africa, Botswana, Okavango delta. the rear side of an elephant

Africa, Botswana, Okavango delta. the rear side of an elephant

Background imageButtocks Collection: Ox Body Parts

Ox Body Parts
Illustration of a Ox Body Parts

Background imageButtocks Collection: Anatomy of the gluteal muscles in the human buttocks

Anatomy of the gluteal muscles in the human buttocks

Background imageButtocks Collection: Rhino buttocks

Rhino buttocks
Jimmy Hoffman

Background imageButtocks Collection: Shakespeare: Bottom and the Fairy Queen, A Midsummer Night's Dream, Act IV, Scene I (colour litho)

Shakespeare: Bottom and the Fairy Queen, A Midsummer Night's Dream, Act IV, Scene I (colour litho)
7155652 Shakespeare: Bottom and the Fairy Queen, A Midsummer Night's Dream, Act IV, Scene I (colour litho) by Jackson

Background imageButtocks Collection: Cathedral (Cathedrale Notre-Dame). Interior. Chapel of Joan of Arc (La Chapelle de Jeanne d'Arc)

Cathedral (Cathedrale Notre-Dame). Interior. Chapel of Joan of Arc (La Chapelle de Jeanne d'Arc). Sculpture group
6271079 Cathedral (Cathedrale Notre-Dame). Interior. Chapel of Joan of Arc (La Chapelle de Jeanne d'Arc). Sculpture group

Background imageButtocks Collection: There is a divinity which shapes our ends (colour litho)

There is a divinity which shapes our ends (colour litho)
3642791 There is a divinity which shapes our ends (colour litho) by English School, (20th century); Private Collection; (add.info.: There is a divinity which shapes our ends)

Background imageButtocks Collection: A standing male nude, 1914 (pencil & w / c and bodycolour on paper)

A standing male nude, 1914 (pencil & w / c and bodycolour on paper)
3427884 A standing male nude, 1914 (pencil & w/c and bodycolour on paper) by Tuke, Henry Scott (1858-1929); 36.2x20.3 cm; Private Collection; Photo © Christies Images

Background imageButtocks Collection: Nymphs with a Sea Monster (oil on paper)

Nymphs with a Sea Monster (oil on paper)
Ma199079 Nymphs with a Sea Monster (oil on paper) by Etty, William (1787-1849); Private Collection; Photo © The Ms Gallery, London

Background imageButtocks Collection: Page of the album Pensees, Sujets, Fragments, 1833 (pen & ink on paper) (b / w photo)

Page of the album Pensees, Sujets, Fragments, 1833 (pen & ink on paper) (b / w photo)
BLT252739 Page of the album Pensees, Sujets, Fragments, 1833 (pen & ink on paper) (b/w photo) by Balzac, Honore de (1799-1850); Bibliotheque de l Institut de France, Paris

Background imageButtocks Collection: Callisthenie (engraving)

Callisthenie (engraving)
1094531 Callisthenie (engraving) by French School, (19th century); Private Collection; (add.info.: Callisthenie. Illustration for La Vie Parisienne, 24 October 1891.); © Look and Learn

Background imageButtocks Collection: Cruel Chinese punishment with bound bamboo sticks, illustration from Atlas Chinensis by Arnoldus

Cruel Chinese punishment with bound bamboo sticks, illustration from Atlas Chinensis by Arnoldus Montanus
489307 Cruel Chinese punishment with bound bamboo sticks, illustration from Atlas Chinensis by Arnoldus Montanus, 1669 (engraving) by Dutch School

Background imageButtocks Collection: The Bombardment of All the Thrones of Europe and the Fall of the Tyrants for the Happi... ca

The Bombardment of All the Thrones of Europe and the Fall of the Tyrants for the Happi... ca. 1792. Creator: Anon
The Bombardment of All the Thrones of Europe and the Fall of the Tyrants for the Happiness of the Universe (Bombardement de Tous les Trones de l Europe et la Chute des Tyrans pour la Bonheur de l)

Background imageButtocks Collection: Hercules wrestling with Antaeus (black & red chalks on white paper)

Hercules wrestling with Antaeus (black & red chalks on white paper)
CTS404480 Hercules wrestling with Antaeus (black & red chalks on white paper) by Cesari, Giuseppe (Cavalier d Arpino) (1568-1640); 41.8x28 cm; The Devonshire Collections

Background imageButtocks Collection: The Nude, 1936 (pencil on paper)

The Nude, 1936 (pencil on paper)
CEC128138 The Nude, 1936 (pencil on paper) by Gill, Eric (1882-1940); 30.1x22.4 cm; The Higgins Art Gallery & Museum, Bedford, UK; © The Higgins Art Gallery & Museum; English, out of copyright

Background imageButtocks Collection: Naked Woman with a Bird in the Green, 1881 (oil on canvas)

Naked Woman with a Bird in the Green, 1881 (oil on canvas)
741795 Naked Woman with a Bird in the Green, 1881 (oil on canvas) by Isaachsen, Olaf (1835-93); 40x32 cm; Private Collection; (add.info.: Naken dame med fugl i det gronne); Photo © O. Vaering

Background imageButtocks Collection: The bather, 1912 (oil on canvas)

The bather, 1912 (oil on canvas)
3427886 The bather, 1912 (oil on canvas) by Tuke, Henry Scott (1858-1929); 52.5x32 cm; Private Collection; Photo © Christies Images

Background imageButtocks Collection: The Sumo Wrestlers Uzugafuchi Kandayu and Takasaki Ichijuro, Japan, 1783-84

The Sumo Wrestlers Uzugafuchi Kandayu and Takasaki Ichijuro, Japan, 1783-84

Background imageButtocks Collection: The actors Ichikawa Omezo I (R) as Tomita Hyotaro and Otani Oniji III (L) as Kawashima... 1794

The actors Ichikawa Omezo I (R) as Tomita Hyotaro and Otani Oniji III (L) as Kawashima... 1794
The actors Ichikawa Omezo I (R) as Tomita Hyotaro and Otani Oniji III (L) as Kawashima Jibugoro, 1794

Background imageButtocks Collection: Reclining Tahitian (fragment), 1894. Creator: Paul Gauguin

Reclining Tahitian (fragment), 1894. Creator: Paul Gauguin
Reclining Tahitian (fragment), 1894

Background imageButtocks Collection: Friar Pedro Shoots El Maragato as His Horse Runs Off, c. 1806. Creator: Francisco Goya

Friar Pedro Shoots El Maragato as His Horse Runs Off, c. 1806. Creator: Francisco Goya
Friar Pedro Shoots El Maragato as His Horse Runs Off, c. 1806

Background imageButtocks Collection: A male nude seen from behind (chalk on paper) (verso of 433456)

A male nude seen from behind (chalk on paper) (verso of 433456)
CH433457 A male nude seen from behind (chalk on paper) (verso of 433456) by Buonarroti, Michelangelo (1475-1564); 17.7x21.8 cm; Private Collection; Photo eChristies Images; Italian, out of copyright

Background imageButtocks Collection: Plate 21. Walking, Both Elbows Bent, 1872-85 (collotype on paper)

Plate 21. Walking, Both Elbows Bent, 1872-85 (collotype on paper)
3950119 Plate 21. Walking, Both Elbows Bent, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 21.6x36.8 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Background imageButtocks Collection: Pinching of the Nose - Neys Declaration, I Swear It Smells of Violet

Pinching of the Nose - Neys Declaration, I Swear It Smells of Violet
996621 Pinching of the Nose - Neys Declaration, I Swear It Smells of Violet, 1815 (engraving) by French School, (19th century); Private Collection; (add.info.: Serrement de Nez - Serment de Ney)

Background imageButtocks Collection: The Hottentot Venus (colour litho)

The Hottentot Venus (colour litho)
732290 The Hottentot Venus (colour litho) by English School, (19th century); Private Collection; (add.info.: The Museum? the Comparison)

Background imageButtocks Collection: Fragmentary Aphrodite (marble)

Fragmentary Aphrodite (marble)
HSC325676 Fragmentary Aphrodite (marble) by Roman, (2nd century AD); height: 9.1 cm; Private Collection; Photo eHeini Schneebeli; out of copyright

Background imageButtocks Collection: The Hottentot Venus, Bushman woman, from L Histoire Naturelle des Mammiferes

The Hottentot Venus, Bushman woman, from L Histoire Naturelle des Mammiferes
CHT163190 The Hottentot Venus, Bushman woman, from L Histoire Naturelle des Mammiferes by Etienne Geoffroy Saint-Hilaire (1772-1844) and Frederic Cuvier (1773-1838), 1824 (colour litho) by Last

Background imageButtocks Collection: A Naiad in The Lament for Icarus (charcoal & chalk on paper)

A Naiad in The Lament for Icarus (charcoal & chalk on paper)
Ma199066 A Naiad in The Lament for Icarus (charcoal & chalk on paper) by Draper, Herbert James (1864-1920); 54x33 cm; Private Collection; Photo eThe Ms Gallery, London; English, out of copyright

Background imageButtocks Collection: Back view of the Manhattan Cupid, c. 1494-96 (marble)

Back view of the Manhattan Cupid, c. 1494-96 (marble)
BEN140568 Back view of the Manhattan Cupid, c.1494-96 (marble) by Buonarroti, Michelangelo (1475-1564) (attr.to); Louvre, Paris, France; Photo eRaffaello Bencini; Italian, out of copyright

Background imageButtocks Collection: Female nude pulling up stockings, rear view, 1918 (crayon & pencil on paper)

Female nude pulling up stockings, rear view, 1918 (crayon & pencil on paper)
1123557 Female nude pulling up stockings, rear view, 1918 (crayon & pencil on paper) by Schiele, Egon (1890-1918); 45.4x30.5 cm; Private Collection; (add.info)

Background imageButtocks Collection: Study after Agasias of Ephesus, Gladiator Borghese, c

Study after Agasias of Ephesus, Gladiator Borghese, c
5903274 Study after Agasias of Ephesus, Gladiator Borghese, c.1855 (walnut stain on paper) by Degas, Edgar (1834-1917); 19.9x16.8 cm; Private Collection; Photo eChristies Images; French

Background imageButtocks Collection: Plate 79. Ascending Incline, 1872-85 (collotype on paper)

Plate 79. Ascending Incline, 1872-85 (collotype on paper)
3950140 Plate 79. Ascending Incline, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 21x35.9 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Background imageButtocks Collection: Standing Female Nude by a Stream, 1825 (oil on millboard)

Standing Female Nude by a Stream, 1825 (oil on millboard)
PNH352449 Standing Female Nude by a Stream, 1825 (oil on millboard) by Etty, William (1787-1849); 80x57 cm; Private Collection; Photo ePeter Nahum at The Leicester Galleries, London; English

Background imageButtocks Collection: Rear view of a Naked Youth (marble) (see also 158546)

Rear view of a Naked Youth (marble) (see also 158546)
HSC158546 Rear view of a Naked Youth (marble) (see also 158546) by Roman, (1st century BC); height:46 cm; Private Collection; Photo eHeini Schneebeli; out of copyright

Background imageButtocks Collection: Landscape with Nymphs (oil on panel)

Landscape with Nymphs (oil on panel)
BAL210891 Landscape with Nymphs (oil on panel) by Lisse, Dirck van der (d.1669); 29x40 cm; Private Collection; Courtesy of Thomas Brod and Patrick Pilkington; Dutch, out of copyright




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"Captivating Curves: Celebrating the Artistry of Buttocks" Admiring Beauty through Time: The Marble Aphrodite Kallipygos, a Roman copy of a Hellenistic masterpiece, showcases the allure in ancient art. Exploring Satirical Sensuality: Charles Williams' 1801 etching "Luxury, or the Comforts of a Rumford" humorously highlights the fascination with posterior comfort and Sir Benjamin Thompson's innovative fireplace design. A Playful Pose: David Wright's nude artwork captures the essence of masculine allure, emphasizing the sculpted form and captivating curves. Graceful Goddesses: Lady Hamilton as the Goddess of Health embodies elegance and vitality, reminding us that physical well-being is an essential aspect of beauty. Embracing Flexibility: Witnessing a woman stretching reminds us to appreciate both strength and flexibility in our bodies while celebrating their natural contours. Measuring Elegance: The intriguing process of measuring hip girth emphasizes how different cultures have valued this particular body feature throughout history. Nature's Majestic Design: Behold the rear view of a white rhinoceros at Lake Nakuru National Park – an example from nature showcasing unique shapes that captivate our attention. An Artist's Study in Form: Delve into red chalk on brownish paper as we explore a study of a nude man's physique, appreciating every detail that contributes to its aesthetic appeal. Cultural Significance Inked Forever: Glimpse into Samoan heritage through an intricate Pe'a tattoo photo from the 19th century – where art meets tradition on one canvas - human skin. Muscles Unveiled: Discovering human muscle structure through artistic representation reveals not only physical strength but also serves as inspiration for embracing our own bodily uniqueness.