Buttocks Collection (page 3)

Plate 21. Walking, Both Elbows Bent, 1872-85 (collotype on paper)
3950119 Plate 21. Walking, Both Elbows Bent, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 21.6x36.8 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Pinching of the Nose - Neys Declaration, I Swear It Smells of Violet
996621 Pinching of the Nose - Neys Declaration, I Swear It Smells of Violet, 1815 (engraving) by French School, (19th century); Private Collection; (add.info.: Serrement de Nez - Serment de Ney)

The Hottentot Venus (colour litho)
732290 The Hottentot Venus (colour litho) by English School, (19th century); Private Collection; (add.info.: The Museum? the Comparison)

Fragmentary Aphrodite (marble)
HSC325676 Fragmentary Aphrodite (marble) by Roman, (2nd century AD); height: 9.1 cm; Private Collection; Photo eHeini Schneebeli; out of copyright

The Hottentot Venus, Bushman woman, from L Histoire Naturelle des Mammiferes
CHT163190 The Hottentot Venus, Bushman woman, from L Histoire Naturelle des Mammiferes by Etienne Geoffroy Saint-Hilaire (1772-1844) and Frederic Cuvier (1773-1838), 1824 (colour litho) by Last

A Naiad in The Lament for Icarus (charcoal & chalk on paper)
Ma199066 A Naiad in The Lament for Icarus (charcoal & chalk on paper) by Draper, Herbert James (1864-1920); 54x33 cm; Private Collection; Photo eThe Ms Gallery, London; English, out of copyright

Back view of the Manhattan Cupid, c. 1494-96 (marble)
BEN140568 Back view of the Manhattan Cupid, c.1494-96 (marble) by Buonarroti, Michelangelo (1475-1564) (attr.to); Louvre, Paris, France; Photo eRaffaello Bencini; Italian, out of copyright

Female nude pulling up stockings, rear view, 1918 (crayon & pencil on paper)
1123557 Female nude pulling up stockings, rear view, 1918 (crayon & pencil on paper) by Schiele, Egon (1890-1918); 45.4x30.5 cm; Private Collection; (add.info)

Study after Agasias of Ephesus, Gladiator Borghese, c
5903274 Study after Agasias of Ephesus, Gladiator Borghese, c.1855 (walnut stain on paper) by Degas, Edgar (1834-1917); 19.9x16.8 cm; Private Collection; Photo eChristies Images; French

Plate 79. Ascending Incline, 1872-85 (collotype on paper)
3950140 Plate 79. Ascending Incline, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 21x35.9 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Standing Female Nude by a Stream, 1825 (oil on millboard)
PNH352449 Standing Female Nude by a Stream, 1825 (oil on millboard) by Etty, William (1787-1849); 80x57 cm; Private Collection; Photo ePeter Nahum at The Leicester Galleries, London; English

Rear view of a Naked Youth (marble) (see also 158546)
HSC158546 Rear view of a Naked Youth (marble) (see also 158546) by Roman, (1st century BC); height:46 cm; Private Collection; Photo eHeini Schneebeli; out of copyright

Landscape with Nymphs (oil on panel)
BAL210891 Landscape with Nymphs (oil on panel) by Lisse, Dirck van der (d.1669); 29x40 cm; Private Collection; Courtesy of Thomas Brod and Patrick Pilkington; Dutch, out of copyright

Carved misericord in the stalls of Bristol Cathedral (pencil & w / c on paper)
2831268 Carved misericord in the stalls of Bristol Cathedral (pencil & w/c on paper) by O Neill, Hugh (1784-1824); Bristol Museum and Art Gallery, UK; eBristol Museums

After Luca Signorelli: study of legs, c. 1883-86 (pencil on paper) (recto of 497361)
497362 After Luca Signorelli: study of legs, c.1883-86 (pencil on paper) (recto of 497361) by Cezanne, Paul (1839-1906); 19.5x12 cm; Private Collection; Photo eChristies Images; French

Persons in wedlock should be properly matched (coloured engraving)
602563 Persons in wedlock should be properly matched (coloured engraving) by English School, (19th century); Private Collection; (add.info)

Nude man seen from the rear, late 17th century (red chalk heightened with white on paper)
CTS404494 Nude man seen from the rear, late 17th century (red chalk heightened with white on paper) by Italian School, (17th century); 37.6x24.4 cm; eThe Devonshire Collections

Recumbent Nude (pencil & chalk on paper)
AGN358263 Recumbent Nude (pencil & chalk on paper) by Boucher, Francois (1703-70); Private Collection; (add.info.: probably a study for the celebrated portrait of Marie-Louise O Murphy (1737-1815)

Perseus Rescuing Andromeda (oil on canvas)
PWI89766 Perseus Rescuing Andromeda (oil on canvas) by Coypel, Charles Antoine (1694-1752); 131x196 cm; Louvre, Paris, France; (add.info)

Dans l escalier de la rue des Moulins, 1893 (oil, pastel & peinture a l
5669046 Dans l escalier de la rue des Moulins, 1893 (oil, pastel & peinture A l essence on cardboard) by Toulouse-Lautrec

Standing Man, 1913 (gouache, w / c & pencil on paper) (recto of 996379)
996378 Standing Man, 1913 (gouache, w/c & pencil on paper) (recto of 996379) by Schiele, Egon (1890-1918); 48.1x31.8 cm; Private Collection; Photo eChristies Images; Austrian, out of copyright

Standing male nude, 1913 (pencil on paper) (verso of 993714)
993715 Standing male nude, 1913 (pencil on paper) (verso of 993714) by Schiele, Egon (1890-1918); 48x32.2 cm; Private Collection; (add.info)

A male nude seen from behind (chalk on paper) (recto of 433457)
CH433456 A male nude seen from behind (chalk on paper) (recto of 433457) by Buonarroti, Michelangelo (1475-1564); 21.8x17.7 cm; Private Collection; Photo eChristies Images; Italian, out of copyright

Standing Female Nude (oil on canvas)
THA100408 Standing Female Nude (oil on canvas) by Etty, William (1787-1849); 64.8x44.5 cm; Towneley Hall Art Gallery and Museum, Burnley, Lancashire; eTowneley Hall Art Gallery and Museum; English

Standing Male Nude (oil on canvas)
THA100407 Standing Male Nude (oil on canvas) by Etty, William (1787-1849); 195.6x88.9 cm; Towneley Hall Art Gallery and Museum, Burnley, Lancashire; eTowneley Hall Art Gallery and Museum; English

A new conveyance in the regions of folly, or the ladies balloon dress for the year 1786, 1786 (print)
3869776 A new conveyance in the regions of folly, or the ladies balloon dress for the year 1786, 1786 (print) by Unknown artist, (18th century); (add.info.: Published 17 April 1786 by W.Wellings)

Study of Nude Man, c. 1807-49 (oil on canvas)
1128647 Study of Nude Man, c.1807-49 (oil on canvas) by Etty, William (1787-1849); 53.5x85.5 cm; Bradford Art Galleries and Museums, West Yorkshire, UK; eBradford Museums & Galleries; English

Plate 20. Walking, Right Elbow Bent, 1872-85 (collotype on paper)
3950118 Plate 20. Walking, Right Elbow Bent, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 24.5x31.1 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

A fine view (colour litho)
2815986 A fine view (colour litho) by English School, (20th century); Private Collection; (add.info.: A fine view. Postcard, early 20th century.); © Look and Learn

Nude from Behind (oil on board)
619218 Nude from Behind (oil on board) by Etty, William (1787-1849); 42.5x31.7 cm; Private Collection; Photo eThe Ms Gallery, London; English, out of copyright

The Venus Callipigia (marble)
615869 The Venus Callipigia (marble) by Roman, (1st century BC); Museo Archeologico Nazionale, Naples, Campania, Italy; (add.info.: The Venus Callipyge, also known as the Aphrodite Kallipygos)

Female Nude from behind (oil on board)
PNH352442 Female Nude from behind (oil on board) by Etty, William (1787-1849); 61x43.2 cm; Private Collection; Photo ePeter Nahum at The Leicester Galleries, London; English, out of copyright

Venus, c. 1817-20 (marble) (see also 440367-68)
LMG440368 Venus, c.1817-20 (marble) (see also 440367-68) by Canova, Antonio (1757-1822); 177x52x70 cm; Leeds Museums and Galleries (Leeds Art Gallery) U.K.; eLeeds Museums and Galleries; Italian

Rear view of a Samoan Pe a tattoo, 19th Century (photo)
DGC288155 Rear view of a Samoan Pe a tattoo, 19th Century (photo); Private Collection; (add.info.: The Pe a is the popular name of the traditional male tattoo of Samoa)

Nude Model Reclining, 19th century (oil on millboard)
AMO98709 Nude Model Reclining, 19th century (oil on millboard) by Etty, William (1787-1849); 37x55 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English, out of copyright

Duke Williams Ghost, published by Hannah Humphrey in 1799 (hand-coloured etching)
NCO193123 Duke Williams Ghost, published by Hannah Humphrey in 1799 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Salutat, 1898 (oil on canvas)
3949584 Salutat, 1898 (oil on canvas) by Eakins, Thomas Cowperthwait (1844-1916); 127x101.6 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Misled: The Ambassador of the Rascals Exposes himself from the Window of
4071466 Misled: The Ambassador of the Rascals Exposes himself from the Window of t Bokki Tavern in the Haarlemmerhout, c.1739 (oil on canvas) by Troost, Cornelis (1697-1750); 157x104 cm; Rijksmuseum

Male nude (chalk on paper) (verso of 957183)
957184 Male nude (chalk on paper) (verso of 957183) by Buonarroti, Michelangelo (1475-1564); 21.8x17.7 cm; Private Collection; Photo eChristies Images; Italian, out of copyright

A Male Nude Seen from Behind, c. 1760. Creator: Unknown
A Male Nude Seen from Behind, c.1760

Lychnis and Her Sons, 1923. Creator: George Wesley Bellows
Lychnis and Her Sons, 1923

Cap. Cardoni and Maramao. Creator: Unknown
Cap. Cardoni and Maramao

Salome with the Head of St. John the Baptist, c. 1580. Creator: Unknown
Salome with the Head of St. John the Baptist, c. 1580

Cap. Cardoni and Maramao, c. 1622. Creator: Jacques Callot
Cap. Cardoni and Maramao, c. 1622

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"Captivating Curves: Celebrating the Artistry of Buttocks" Admiring Beauty through Time: The Marble Aphrodite Kallipygos, a Roman copy of a Hellenistic masterpiece, showcases the allure in ancient art. Exploring Satirical Sensuality: Charles Williams' 1801 etching "Luxury, or the Comforts of a Rumford" humorously highlights the fascination with posterior comfort and Sir Benjamin Thompson's innovative fireplace design. A Playful Pose: David Wright's nude artwork captures the essence of masculine allure, emphasizing the sculpted form and captivating curves. Graceful Goddesses: Lady Hamilton as the Goddess of Health embodies elegance and vitality, reminding us that physical well-being is an essential aspect of beauty. Embracing Flexibility: Witnessing a woman stretching reminds us to appreciate both strength and flexibility in our bodies while celebrating their natural contours. Measuring Elegance: The intriguing process of measuring hip girth emphasizes how different cultures have valued this particular body feature throughout history. Nature's Majestic Design: Behold the rear view of a white rhinoceros at Lake Nakuru National Park – an example from nature showcasing unique shapes that captivate our attention. An Artist's Study in Form: Delve into red chalk on brownish paper as we explore a study of a nude man's physique, appreciating every detail that contributes to its aesthetic appeal. Cultural Significance Inked Forever: Glimpse into Samoan heritage through an intricate Pe'a tattoo photo from the 19th century – where art meets tradition on one canvas - human skin. Muscles Unveiled: Discovering human muscle structure through artistic representation reveals not only physical strength but also serves as inspiration for embracing our own bodily uniqueness.