Chalice Collection (#4)

White currants in a chalice Great Britain. Date of Photograph:1867

Ciborium and chalice used during the conclave to elect a new pope State of the Vatican City. Date of Photograph:1939

Female nude: young lady, sitting on a chair, shows a necklace which she keeps on her hands. Europe. Date of Photograph:1920 ca

Study of a goblet; drawing by Paolo Uccello, in the Gabinetto dei Disegni e delle Stampe, Uffizi Gallery, Florence Florence Uffizi Gallery, Gabinetto dei Disegni e delle Stampe Drawing Renaissance

Jesus Christ in the garden of olives, sculpture work from Giambologna's school, collocated in the right portal panel of the Cathedral of Pisa

Detail of the trabeation of the exterior right portal of the Cathedral of Como; the decoration is composed of bas-reliefs with Romanesque acanthus, fantastic animals and male heads

Vase in the form of chalice, mortars and an embossed silver plated censer found in Pompeii and Herculaneum, now preserved in the National Archaeological Museum of Naples

Still life with fruit. Intarsia by Giovanni da Verona in the choir stalls of the Santa Maria in Organo Church in Verona Verona Santa Maria in Organo Church, choir Tarsia, Marquetry Renaissance

Still life with crucifix and liturgical objects. Intarsia by Giovanni da Verona in the choir stalls of the Santa Maria in Organo Church in Verona Verona Santa Maria in Organo Church, choir Tarsia

Still life with liturgical objects. Intarsia by Giovanni da Verona in the choir stalls of the Santa Maria in Organo Church in Verona Verona Santa Maria in Organo Church, choir Tarsia

A few chalices, a holy-water aspergillum, a piece of cloth and two patens, collocated in a cabinet. Inlaid work by Fra Giovanni da Verona, in the choir stalls of the Cathedral of Siena

Marble ciborium, in the Church of St. Jacopo and St. Andrea, in Massarosa. Work attributed to Lorenzo Stagi, Versilia Massarosa Church of St. Jacopo and St

Faith, by Bonuccio Pardini, carved panel on the holy water stoup in the Baptistery of Pietrasanta, Versilia Pietrasanta Baptistery Low Relief, Basrelief Late Gothic, Gothic, Middle Ages, Europe

The Redeemer, processional banner for the Holy Angel, kept in the Museo Nazionale of San Matteo in Pisa Pisa Museum of San Matteo Standard Early Renaissance, Renaissance

Still life with grapes and objects. Intarsia by Giovanni da Verona in the choir stalls of the Santa Maria in Organo Church in Verona Verona Santa Maria in Organo Church, choir Tarsia

Faith: floor of the Duomo in Siena. Work of Antonio Federighi Siena Duomo Tarsia, Marquetry High Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe

Tapestry of the Allegory of Faith, Florentine tapestry weaver. The piece was previously held at the Gallery of Ancient and Modern Art in Florence

Marble antependium of the High Altar in Pavia's Carthusian Monastery. Certosa di Pavia High Relief Late Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe

Bas-relief depicting the Prayer in the Garden on the jamb of the sacristy door, in the Trinity Abbey at Corpo di Cava, near Cava De'Tirreni Cava De Tirreni Corpo di Cava

Faith: Della Robbia frieze on the Loggiato of the Ospedale del Ceppo in Pistoia. Pistoia Ospedale del Ceppo Low Relief, Basrelief High Renaissance, Renaissance

Christ turning into a pilgrim and the dinner with two Apostles, two episodes in the Life of Christ, taken from the cycle of mosaics in the Cathedral of Monreale Monreale Cathedral Mosaic Byzantine

Christ disappearing in front of two Apostles and their annunciation of the miracle. Two episodes from the Life of Christ, taken from the cycle of mosaics in the Cathedral of Monreale Monreale

Two scenes with Abraham and three angels, from the stories of the Old Testament, part of the cycle of mosaics located in the central nave of the Cathedral of Monreale

Adoration of the Magi, fresco by Giotto, Scrovegni Chapel, Padua Padua Scrovegni Chapel Mural Painting Gothic, Middle Ages, Europe, First and Second Millennium A.D.. Date of Photograph:ante 1925

Tapestry with the Sacrifice of Isaac, work of the Ducal Workshops of Florence. The tapestry is located on the counter facade of the Cathedral of Como

Madonna with Child by Giovanni Pisano in the Scrovegni Chapel in Padua, detail of the sculpture of the same name. On the base, an inscription with the author's name and the date are visible

Madonna with Child and two angels by Giovanni Pisano in the Scrovegni Chapel in Padua. In the background, the sepulchral monument of Enrico degli Scrovegni is visible

Pulpit form the church of Santa Croce: detail with the staue of Faith. Florence Statue Early Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe

Statue depicting the Church on the facade of the Cathedral of Notre-Dame, Paris France Paris Statue Gothic, Middle Ages, Europe, First and Second Millennium A.D.. Date of Photograph:1905 ca

Wood inlays depicting a still life with a crucifix and four saints, by Fra Giovanni da Verona, part of the choir stalls in the Church of Santa Maria in Organo

Reliquaries of Santa Chiara in the Oratory of Santa Chiara, the room in whuch she died on the 11th August 1253, convent of San Damiano, Assisi, Perugia Assisi Convent of San Damiano

Cover of the Gospel Books with a representation of the Crucifixion. The edge decoration is in filigree with precious stones, while on the sides are enameled symbols of the Evangelists

A cross, a chalice, and an ostensory box, convent of San Damiano, Assisi, Perugia Assisi Convent of San Damiano. Date of Photograph:1939 ca

Rear part of the ark of St. Peter Martyr, Giovanni Balduccio, Portinari Chapel, Church of S. Eustorgio, Milan. Milan Church of Sant'Eustorgio, Portinari Chapel

Faith, detail of ciborium, work by Mino da Fiesole, originally positioned in the baptistry of Volterra, now in the Cathedral Volterra Baptistry High Relief Early Renaissance, Renaissance

Bas-relief of the Redeemer and Angels in the Accademia Virgiliana in Mantua Mantova Accademia Virgiliana Low Relief, Basrelief Early Renaissance, Renaissance, Renaissance-Baroque styles and periods

Tabernacle for holy oil, Sansepolcro Cathedral Sansepolcro Cathedral Tabernacle High Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D

The doorway of the small building where the former Scuola dei Fabbri was located in Campo San Mois in Venice. The relief depicts an angel holding a cloth with the Eucharistic chalice Venice Campo San

Madonna della Cintola(belt), work by a follower of Andrea della Robbia, preserved in the Collegiate Church of Foiana della Chiana

ACA-F-38549A-0000
Venice. Date of Photograph:1920 - 1930 ca

Chalice of gilded copper of the Museum dell'Opera of the Cathedral of Colle val d'Elsa Colle di Val D'Elsa Cathedral Museum Chalice Early Renaissance, Renaissance

Faith, detail of the pulpit located in the Basilica of Santa Croce in Florence; work by Benedetto da Maiano. Florence Basilica of Santa Croce Statue Early Renaissance, Renaissance

The three theological virtues, funerary monument of the Antipope John XXIII, Baptistry, Florence Florence Baptistry Statue Early Renaissance, Renaissance, Renaissance-Baroque styles and periods

A panel depicting Faith, by Andrea Pisano, on the south door of the Baptistry, Florence Florence Tile Gothic, Middle Ages, Europe, First and Second Millennium A.D.. Date of Photograph:1890 ca

Altar piece in glazed terracotta representing the Crucifixion. Work of the School of Andrea della Robbia preserved in the Church of S. Maria Primerana in Fiesole. Florence Church of S

Central detail of the Crucifixion, bronze bas-relief by Donatello, in the Museo Nazionale del Bargello, Florence Florence Museo Nazionale del Bargello Low Relief, Basrelief Early Renaissance

Sarcophagus depicting the personification of the Church of Rome, dating from the 6th century, displayed in Rome at the Mostra Augustea held in 1937-1938 and currently in Tebessa

Faith, bronze, tile of the South Gate of the Baptistry of Florence, Andrea da Pontedera, detto Andrea Pisano (1295 ca.-1349), Florence Florence Piazza S

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"The Chalice: A Symbol of Divine Quest and Spiritual Enlightenment" The chalice, a vessel steeped in symbolism and mysticism, has captivated the human imagination for centuries. It represents The Attainment; The Vision of the Holy Grail to Sir Galahad, Sir Bors, and Sir Percival – knights whose unwavering faith led them on a quest for spiritual enlightenment. In El Greco's "Portrait of Saint John the Evangelist, " we see the chalice held by this revered figure, embodying his divine connection to Christ. Similarly, in "The Death of Socrates" by Jacques-Louis David, the philosopher's final moments are imbued with profound meaning as he raises a cup resembling a chalice. "The Temptation of Sir Percival" depicted in an oil painting from 1894 showcases how even those on a noble path can be swayed by earthly desires. Here, the chalice serves as both temptation and salvation. A more contemporary representation is found in Cabot workshop's 20th-century creation – a vermeil chalice with a paten. This exquisite piece exemplifies craftsmanship while reminding us of its significance during religious ceremonies such as the 1938 Eucharistic Congress in Budapest or within altars adorned with sacred cloth like that at Sainte-Marie des Batignolles church in Paris. The Catholic mass itself becomes an awe-inspiring spectacle when celebrated in Annecy, Haute Savoie – where priests elevate the chalice filled with consecrated wine amidst prayers and hymns echoing through ancient walls. Artworks like Raphael's "The Mond Crucifixion" transport us back to pivotal moments when Jesus shared his last supper using this very vessel. Meanwhile, Aubrey Beardsley's portrayal of Isolde hints at hidden meanings associated with love potions contained within enchanted cups reminiscent of chalices. Witnessing a priest during Eucharist celebration in Paris or gazing upon the grandeur of St.