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Chalice Collection (#5)

"The Chalice: A Symbol of Divine Quest and Spiritual Enlightenment" The chalice, a vessel steeped in symbolism and mysticism

Background imageChalice Collection: Fountain of the Great Cup, also called 'of the Lilly', work by Gian Lorenzo Bernini

Fountain of the Great Cup, also called "of the Lilly", work by Gian Lorenzo Bernini, Villa d'Este garden in Tivoli Tivoli Villa d'Este, garden Monumental Fountain Late Renaissance

Background imageChalice Collection: Faith; high-relief by Agostino di Duccio in a pillar of the Chapel of St.Sigismondo in

Faith; high-relief by Agostino di Duccio in a pillar of the Chapel of St.Sigismondo in the Malatestian Temple, Rimini Rimini Malatestian Temple, Chapel of San Sigismondo High Relief High Renaissance

Background imageChalice Collection: Tabernacle containing holy oil, by Donatello, in the Church of San Martino alla Palma, near Florence

Tabernacle containing holy oil, by Donatello, in the Church of San Martino alla Palma, near Florence Florence San Martino alla Palma, Church Tabernacle Early Renaissance, Renaissance

Background imageChalice Collection: Louis XIV style vase, chalice and ciborium in the Hall of Treasure, Cathedral of Notre Dame, Paris

Louis XIV style vase, chalice and ciborium in the Hall of Treasure, Cathedral of Notre Dame, Paris France Paris, Cathedral of Notre Dame, Hall of Treasure Vase. Date of Photograph:1920-1930 ca

Background imageChalice Collection: Christ in the olive garden; work by the French School preserved in the Louvre Museum, Paris

Christ in the olive garden; work by the French School preserved in the Louvre Museum, Paris France Paris, Louvre Museum Low Relief, Basrelief Renaissance, Renaissance-Baroque styles and periods

Background imageChalice Collection: A side of a Byzantine urn of an unknown, located in the Basilica of Sant'Apollinare in Classe

A side of a Byzantine urn of an unknown, located in the Basilica of Sant'Apollinare in Classe, environs of Ravenna. Ravenna St

Background imageChalice Collection: Detail of the door of the Small Cloister of the Certosa of Pavia, by Giovanni Antonio Amadeo

Detail of the door of the Small Cloister of the Certosa of Pavia, by Giovanni Antonio Amadeo Certosa di Pavia Small Cloister Relief High Renaissance, Renaissance

Background imageChalice Collection: Christ resurrected: detail of the baptismal font. Work by Matteo Civitali preserved in the Church

Christ resurrected: detail of the baptismal font. Work by Matteo Civitali preserved in the Church of San Jacopo a Lammari, in the province of Lucca Lucca Lammari, Church of San Jacopo

Background imageChalice Collection: Baptismal font with the figure of Christ. Work by Matteo Civitali preserved in the Church of San

Baptismal font with the figure of Christ. Work by Matteo Civitali preserved in the Church of San Jacopo a Lammari, in the province of Lucca Lucca Lammari

Background imageChalice Collection: Tabernacle for the holy oils. Work by Della Robbia in the Cathedral of San Cristofano di Barga

Tabernacle for the holy oils. Work by Della Robbia in the Cathedral of San Cristofano di Barga, near Lucca Barga San Cristofano Cathedral Tabernacle Renaissance

Background imageChalice Collection: Faith, marble relief by Matteo Civitali, in the Museo Nazionale del Bargello, Florence

Faith, marble relief by Matteo Civitali, in the Museo Nazionale del Bargello, Florence Florence Museo Nazionale del Bargello Low Relief, Basrelief Early Renaissance, Renaissance

Background imageChalice Collection: Procession of King Rene I of Anjou (1409-1480) to Aix en Provence, 1877 (lithograph)

Procession of King Rene I of Anjou (1409-1480) to Aix en Provence, 1877 (lithograph)
JAB4120781 Procession of King Rene I of Anjou (1409-1480) to Aix en Provence, 1877 (lithograph) by French School, (19th century); (add.info)

Background imageChalice Collection: Ewer, 1520 (silver-gilt, with enamel additions)

Ewer, 1520 (silver-gilt, with enamel additions)
1217968 Ewer, 1520 (silver-gilt, with enamel additions) by Unknown Artist, (16th century); Ashmolean Museum, University of Oxford, UK; (add.info.: height: max 43.5 cm Lisbon)

Background imageChalice Collection: Renaissance : Christ donnant son sang - Christ donating his blood par Lotto

Renaissance : Christ donnant son sang - Christ donating his blood par Lotto
FIA5406373 Renaissance : Christ donnant son sang - Christ donating his blood par Lotto, Lorenzo (1480-1556), 1543. Oil on wood, 50x32

Background imageChalice Collection: The Lady and the Unicorn: Taste (tapestry)

The Lady and the Unicorn: Taste (tapestry)
XIR11821 The Lady and the Unicorn: Taste (tapestry) by French School, (15th century); 375x460 cm; Musee National du Moyen Age et des Thermes de Cluny, Paris; (add.info.: The Lady has the Unicorn)

Background imageChalice Collection: A Black Mass, 1911 (litho)

A Black Mass, 1911 (litho)
CHT276337 A Black Mass, 1911 (litho) by Maele, Martin van (1863-1926); Bibliotheque Nationale, Paris, France; (add.info.: Illustration from a book on witches La Sorciere by Jules Michelet (1798-1874)

Background imageChalice Collection: Manuscript Leaf with the Crucifixion, from a Missal, ca. 1270-80. Creator: Unknown

Manuscript Leaf with the Crucifixion, from a Missal, ca. 1270-80. Creator: Unknown
Manuscript Leaf with the Crucifixion, from a Missal, ca. 1270-80. Jesus hangs on the cross, with the Virgin Mary and Saint John, Adam rises from a sarcophagus collecting sacrificial blood in a chalice

Background imageChalice Collection: La Sagrada Cena, (he Last Supper), 1562, (c1934). Artist: Juan De Juanes

La Sagrada Cena, (he Last Supper), 1562, (c1934). Artist: Juan De Juanes
La Sagrada Cena, (The Last Supper), 1562, (c1934). commissioned for the high altar of the church of San Esteban of Valencia

Background imageChalice Collection: La Gloria et l'Honore di Ponti Tagliati, E Ponti in Aere, page 16 (verso), 1556

La Gloria et l'Honore di Ponti Tagliati, E Ponti in Aere, page 16 (verso), 1556. Creator: Matteo Pagano
La Gloria et l'Honore di Ponti Tagliati, E Ponti in Aere, page 16 (verso), 1556

Background imageChalice Collection: Apostles James and John. Attributed to Master of Ventosilla

Apostles James and John. Attributed to Master of Ventosilla. Early 16th century. Oil on board. Museum of Pilgrimage and Santiago. Santiago de Compostela, Galicia, Spain. Date: 2019

Background imageChalice Collection: 3 15th Century 1485 Animal Art Augsburg Berlin

3 15th Century 1485 Animal Art Augsburg Berlin
3, 15th, century, 1485, animal, Art, Augsburg, Berlin, calvary, chalice, Christ, Cleopas, Cross, crucified, crucifixion, Crucifixion, with, Mary, death, Deutsches, Historisches, Museum, frame

Background imageChalice Collection: The Adoration of the Lamb, 1498 (engraving)

The Adoration of the Lamb, 1498 (engraving)
7415643 The Adoration of the Lamb, 1498 (engraving) by Durer or Duerer, Albrecht (1471-1528); Bibliotheque Nationale, Paris

Background imageChalice Collection: The Magdalen Cup, 1573-74 (silver gilt)

The Magdalen Cup, 1573-74 (silver gilt)
3073019 The Magdalen Cup, 1573-74 (silver gilt) by Roussel, Nicaise (d.c.1623) (attr. to); height: 19.3 cm; Manchester Art Gallery

Background imageChalice Collection: Sweetmeat Glass (lead crystal or soda glass with amber traces)

Sweetmeat Glass (lead crystal or soda glass with amber traces)
MAN448114 Sweetmeat Glass (lead crystal or soda glass with amber traces) by Spanish School, (18th century); Manchester Art Gallery, UK; © Manchester Art Gallery

Background imageChalice Collection: The communion, Luther gives to the elector Johann Friedrich (Jean Frederic I de Saxe)

The communion, Luther gives to the elector Johann Friedrich (Jean Frederic I de Saxe, 1503-1554) the communion-cup
UTD4915528 The communion, Luther gives to the elector Johann Friedrich (Jean Frederic I de Saxe, 1503-1554) the communion-cup, in that time Bugenhagen breakes the bread, 1850s (engraving) by Konig

Background imageChalice Collection: Luther with pest sick persons in Wittenberg, 1850s (engraving)

Luther with pest sick persons in Wittenberg, 1850s (engraving)
UTD4915776 Luther with pest sick persons in Wittenberg, 1850s (engraving) by Konig, Gustav Ferdinand Leopold (1808-69); (add.info.: Illustration from : "Dr)

Background imageChalice Collection: Allegory of the Faith, c. 1672-74 (oil on canvas)

Allegory of the Faith, c. 1672-74 (oil on canvas)
702810 Allegory of the Faith, c.1672-74 (oil on canvas) by Vermeer, Jan (Johannes) (1632-75); 114.3x88.9 cm; Metropolitan Museum of Art, New York

Background imageChalice Collection: Faith, 1470 circa, (tempera grassa on wood)

Faith, 1470 circa, (tempera grassa on wood)
7146301 Faith, 1470 circa, (tempera grassa on wood) by Pollaiolo, Piero del (1443-96); Galleria degli Uffizi, Florence, Tuscany, Italy; (add.info.: Faith, 1470 circa, Piero del Pollaiolo)

Background imageChalice Collection: Chalice. Gilt silverwork. 15th century

Chalice. Gilt silverwork. 15th century
6267413 Chalice. Gilt silverwork. 15th century. by Unknown Artist, (15th century); Museo Parroquial de Tapices de Pastrana, Guadalajara, Spain; (add.info.: Creator: Anonymous Museo Parroquial)

Background imageChalice Collection: Chalice. Gilt silver. Inscription (Santa Teresa de Jesus). Castile. Before 1569

Chalice. Gilt silver. Inscription (Santa Teresa de Jesus). Castile. Before 1569
6267435 Chalice. Gilt silver. Inscription (Santa Teresa de Jesus). Castile. Before 1569. by Unknown Artist, (16th century); Museo Parroquial de Tapices de Pastrana, Guadalajara

Background imageChalice Collection: Medici altar: the Saviour and God the Father, 1541-42 circa (bronze, gilded bronze and wood)

Medici altar: the Saviour and God the Father, 1541-42 circa (bronze, gilded bronze and wood)
7146176 Medici altar: the Saviour and God the Father, 1541-42 circa (bronze, gilded bronze and wood) by Sansovino, Jacopo (Jacopo Tatti) (1486-1570); Museo Nazionale del Bargello, Florence, Tuscany

Background imageChalice Collection: Christ in the Garden of Gethsemane, 1746 (oil on canvas)

Christ in the Garden of Gethsemane, 1746 (oil on canvas)
868091 Christ in the Garden of Gethsemane, 1746 (oil on canvas) by Conca, Sebastiano (1680-1764); Vatican Museums and Galleries

Background imageChalice Collection: The agony in the garden, 1492 circa, (oil on wood)

The agony in the garden, 1492 circa, (oil on wood)
7146539 The agony in the garden, 1492 circa, (oil on wood) by Perugino, Pietro (c.1445-1523); 166x171 cm; Galleria degli Uffizi, Florence, Tuscany, Italy; (add.info.: The agony in the garden)

Background imageChalice Collection: Portrait of Vittoria della Rovere as faith, 17th century (oil on canvas)

Portrait of Vittoria della Rovere as faith, 17th century (oil on canvas)
7129525 Portrait of Vittoria della Rovere as faith, 17th century (oil on canvas) by Sustermans, Justus (1597-1681); Palazzo Corsini, Gallerie Nazionali Barberini Corsini, Rome

Background imageChalice Collection: Christ in the Garden of Olives Painting on wood by the Master of the Upper Rhine (15th century)

Christ in the Garden of Olives Painting on wood by the Master of the Upper Rhine (15th century) 1460 Lyon
JLJ4681334 Christ in the Garden of Olives Painting on wood by the Master of the Upper Rhine (15th century) 1460 Lyon, Musee des Beaux Arts by Master of the Rhine

Background imageChalice Collection: Madonna and Child Enthroned, the Medici Chapel altarpiece (tin glazed earthenware)

Madonna and Child Enthroned, the Medici Chapel altarpiece (tin glazed earthenware)
VLS76955 Madonna and Child Enthroned, the Medici Chapel altarpiece (tin glazed earthenware) by Della Robbia, Andrea (1435-1525/28); Santa Croce, Florence

Background imageChalice Collection: Ciborium. Goldsmithing, vermeil. 1644. deposit of (fabrique d'Eglise de Bois-de-Lessines)

Ciborium. Goldsmithing, vermeil. 1644. deposit of (fabrique d'Eglise de Bois-de-Lessines)
6262072 Ciborium. Goldsmithing, vermeil. 1644. deposit of (fabrique d'Eglise de Bois-de-Lessines). by Unknown Artist, (17th century); Hopital Notre Dame a la Rose, Lessines, Hainaut

Background imageChalice Collection: Chalice of Archbishop (Fray Pedro Gonzalez de Mendoza). Gilt Silversmithing. Valladolid. Before 1600

Chalice of Archbishop (Fray Pedro Gonzalez de Mendoza). Gilt Silversmithing. Valladolid. Before 1600
6267406 Chalice of Archbishop (Fray Pedro Gonzalez de Mendoza). Gilt Silversmithing. Valladolid. Before 1600. by Unknown Artist, (17th century); Museo Parroquial de Tapices de Pastrana, Guadalajara

Background imageChalice Collection: Chalice. Gilt silverwork. Detail. The foot. A saint. 15th century

Chalice. Gilt silverwork. Detail. The foot. A saint. 15th century
6267415 Chalice. Gilt silverwork. Detail. The foot. A saint. 15th century. by Unknown Artist, (15th century); Museo Parroquial de Tapices de Pastrana, Guadalajara

Background imageChalice Collection: Ciborium. goldsmithing, vermeil. 1644. deposit of (fabrique d'Eglise de Bois-de-Lessines)

Ciborium. goldsmithing, vermeil. 1644. deposit of (fabrique d'Eglise de Bois-de-Lessines)
6262073 Ciborium. goldsmithing, vermeil. 1644. deposit of (fabrique d'Eglise de Bois-de-Lessines). by Unknown Artist, (17th century); Hopital Notre Dame a la Rose, Lessines, Hainaut

Background imageChalice Collection: MS. McClean. 80. f69r Adoration of the Magi, French Horae, 15th century (vellum)

MS. McClean. 80. f69r Adoration of the Magi, French Horae, 15th century (vellum)
FIT111733 MS.McClean.80.f69r Adoration of the Magi, French Horae, 15th century (vellum) by French School, (15th century); 20.3x14 cm; Fitzwilliam Museum, University of Cambridge

Background imageChalice Collection: The coronation of Jean Galeas Visconti (Gian Galeazzo Visconti, 1351-1402) Duke of Milan (Italy)

The coronation of Jean Galeas Visconti (Gian Galeazzo Visconti, 1351-1402) Duke of Milan (Italy)
FLO4676941 The coronation of Jean Galeas Visconti (Gian Galeazzo Visconti, 1351-1402) Duke of Milan (Italy), 14th century - Coronation of Gian Galeazzo Visconti, Duke of Milan

Background imageChalice Collection: Christian liturgical ritual: celebration of mass, the officiant consecrates the host for

Christian liturgical ritual: celebration of mass, the officiant consecrates the host for the Eucharist
FLO4676702 Christian liturgical ritual: celebration of mass, the officiant consecrates the host for the Eucharist, 14th century - Celebrating a mass, 14th century - A priest, altar boy

Background imageChalice Collection: Metalsmithing. Chalice. Gift of canon A. Le Vaillant de la Bassarderie

Metalsmithing. Chalice. Gift of canon A. Le Vaillant de la Bassarderie, dean of the cathedral chapter 1726 to 1758
6261884 Metalsmithing. Chalice. Gift of canon A. Le Vaillant de la Bassarderie, dean of the cathedral chapter 1726 to 1758. 18th century. Detail bottom

Background imageChalice Collection: Christ holding the chalice. 1362-75 (tempera on wood)

Christ holding the chalice. 1362-75 (tempera on wood)
AIS5332811 Christ holding the chalice. 1362-75 (tempera on wood) by Serra, Jaume (fl.1358-95); (add.info.: Altarpiece of the Virgin)

Background imageChalice Collection: The Holy Supper. 1620 - 1628 (oil on canvas)

The Holy Supper. 1620 - 1628 (oil on canvas)
AIS5332826 The Holy Supper. 1620 - 1628 (oil on canvas) by Ribalta, Juan (1597-1628); 116x86 cm; (add.info.: RIBALTA, Juan (1596-1628) Valencia




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"The Chalice: A Symbol of Divine Quest and Spiritual Enlightenment" The chalice, a vessel steeped in symbolism and mysticism, has captivated the human imagination for centuries. It represents The Attainment; The Vision of the Holy Grail to Sir Galahad, Sir Bors, and Sir Percival – knights whose unwavering faith led them on a quest for spiritual enlightenment. In El Greco's "Portrait of Saint John the Evangelist, " we see the chalice held by this revered figure, embodying his divine connection to Christ. Similarly, in "The Death of Socrates" by Jacques-Louis David, the philosopher's final moments are imbued with profound meaning as he raises a cup resembling a chalice. "The Temptation of Sir Percival" depicted in an oil painting from 1894 showcases how even those on a noble path can be swayed by earthly desires. Here, the chalice serves as both temptation and salvation. A more contemporary representation is found in Cabot workshop's 20th-century creation – a vermeil chalice with a paten. This exquisite piece exemplifies craftsmanship while reminding us of its significance during religious ceremonies such as the 1938 Eucharistic Congress in Budapest or within altars adorned with sacred cloth like that at Sainte-Marie des Batignolles church in Paris. The Catholic mass itself becomes an awe-inspiring spectacle when celebrated in Annecy, Haute Savoie – where priests elevate the chalice filled with consecrated wine amidst prayers and hymns echoing through ancient walls. Artworks like Raphael's "The Mond Crucifixion" transport us back to pivotal moments when Jesus shared his last supper using this very vessel. Meanwhile, Aubrey Beardsley's portrayal of Isolde hints at hidden meanings associated with love potions contained within enchanted cups reminiscent of chalices. Witnessing a priest during Eucharist celebration in Paris or gazing upon the grandeur of St.