Charles Fox Collection

The Loves of the Fox and The Badger, or The Coalition Wedding. January 7, 1784

Statue of Charles James Fox, in St. Stephen's Hall. Baily, sculptor, 1857. Creator: Unknown
Statue of Charles James Fox, in St. Stephen's Hall, [Houses of Parliament, London]. Baily, sculptor, 1857. The bulky proportions of this celebrated statesman seem not to harmonise with the rest

John Bull Humbugg'd Alias both Ear'd, published May 12, 1794. Creator: Isaac Cruikshank
John Bull Humbugg'd Alias both Ear'd, published May 12, 1794

The Rival Pigs, published June 15, 1795. Creator: Isaac Cruikshank
The Rival Pigs, published June 15, 1795

Charles James Fox on the Hustings at Covent Garden, n.d. Creator: David Wilkie
Charles James Fox on the Hustings at Covent Garden, n.d

William Pitt, the Younger, Addressing the Commons, 1793, (1947). Creator: Anton Hickel
William Pitt, the Younger, Addressing the Commons, 1793, (1947). Session of parliament in the Palace of Westminster, London. Prime Minister William Pitt is on his feet

Cicero in Catilinam, March 17, 1785. Creator: James Sayers
Cicero in Catilinam, March 17, 1785

The General Toast: Honor and Honesty, Love and Loyalty, Fitz and Good Company, ... October 20, 1786. Creator: Anon
The General Toast: Honor and Honesty, Love and Loyalty, Fitz and Good Company, October 20, 1786

John Bulls First Visit to his Old Friend the New Secretary, published March 3, 1806

The Brazen Image Erected on a Pedestal Wrought by Himself, published May 29, 1802

Fishing for Flats, published July 25, 1806. Creator: Charles Williams
Fishing for Flats, published July 25, 1806

The Honeymoon, 1806. Creator: Charles Williams
The Honeymoon, 1806

A Charm for a Democracy, Reviewed, Analysed, & Destroyed Jan 1 1799 to the Confusion of its Affiliated Friends, January 1, 1799

The Moment of Reflection or a Tale for Future Times, pub. 1796 (hand coloured etching)
2490443 The Moment of Reflection or a Tale for Future Times, pub. 1796 (hand coloured etching) by Cruikshank, Isaac (1756-1811); Private Collection; (add.info)

Exhibitors and visitors in the Crystal Palace, Hyde Park, London, venue of the Great Exhibition of 1851 (engraving)
5238903 Exhibitors and visitors in the Crystal Palace, Hyde Park, London, venue of the Great Exhibition of 1851 (engraving) by Gilbert

Arrival of goods to be exhibited at the Great Exhibition of 1851, Crystal Palace, Hyde Park, London (engraving)
5238899 Arrival of goods to be exhibited at the Great Exhibition of 1851, Crystal Palace, Hyde Park, London (engraving) by Gilbert

The first consul explaining his views to Charles Fox (engraving)
973304 The first consul explaining his views to Charles Fox (engraving) by English School, (19th century); Private Collection; (add.info.: The First Consul explaining his views to Charles Fox)

Queen Victoria and her children visiting the Great Exhibition of 1851, Crystal Palace, Hyde Park, London (engraving)
5238913 Queen Victoria and her children visiting the Great Exhibition of 1851, Crystal Palace, Hyde Park, London (engraving) by Gilbert

Workmen on the site of the Crystal Palace, Hyde Park, London, venue of the Great Exhibition of 1851 (engraving)
5238891 Workmen on the site of the Crystal Palace, Hyde Park, London, venue of the Great Exhibition of 1851 (engraving) by Gilbert

A Convention of the Not-Ables, pub. 1787 (hand coloured engraving)
2655369 A Convention of the Not-Ables, pub. 1787 (hand coloured engraving) by English School, (18th century); Private Collection; (add.info.: Print shows Lord North, Edmund Burke, Charles Fox)

A Block for the Wigs or The New State Whirligig, pub. 1783 (hand coloured etching)
2636939 A Block for the Wigs or The New State Whirligig, pub. 1783 (hand coloured etching) by Gillray, James (1757-1815); Private Collection; (add.info.: Charles Fox, (1749-1806)

Prince Albert and the Royal Commissioners at the Great Exhibition of 1851, Crystal Palace, Hyde Park
5238919 Prince Albert and the Royal Commissioners at the Great Exhibition of 1851, Crystal Palace, Hyde Park, London (engraving) by Gilbert

Ships and trains bringing visitors to the Great Exhibition of 1851, Crystal Palace, Hyde Park, London (engraving)
5238900 Ships and trains bringing visitors to the Great Exhibition of 1851, Crystal Palace, Hyde Park, London (engraving) by Gilbert

Sappers and miners working on the site of the Crystal Palace, Hyde Park, London
5238895 Sappers and miners working on the site of the Crystal Palace, Hyde Park, London, venue of the Great Exhibition of 1851 (engraving) by Gilbert

The Crystal Palace in Hyde Park, London, venue for the Great Exhibition of 1851
5238894 The Crystal Palace in Hyde Park, London, venue for the Great Exhibition of 1851, designed by Joseph Paxton and Charles Fox (engraving) by Gilbert

The Mask, May 21, 1783. Creator: James Sayers
The Mask, May 21, 1783

The Magnanimous Minister, Chastising Prussian Perfidy. -vide-Morning Chronicle April
The Magnanimous Minister, Chastising Prussian Perfidy.-vide-Morning Chronicle April 28th, May 2, 1806

Uncorking Old Sherry, March 10, 1805. Creator: James Gillray
Uncorking Old Sherry, March 10, 1805

A New Speaker and The Wedding Night, February 7, 1789. February 7, 1789
A New Speaker and The Wedding Night, February 7, 1789

The Word-Eater, December 30, 1786. December 30, 1786. Creator: Thomas Rowlandson
The Word-Eater, December 30, 1786

Suitable Restrictions, January 28, 1789. January 28, 1789. Creator: Thomas Rowlandson
Suitable Restrictions, January 28, 1789

A Sweating for Opposition by Dr. W-llis Dominisweaty and Co. March 6, 1789

The Political Hydra, April 16, 1806. April 16, 1806. Creator: Thomas Rowlandson
The Political Hydra, April 16, 1806

The Fall of Achilles, January 7, 1785. January 7, 1785. Creator: Thomas Rowlandson
The Fall of Achilles, January 7, 1785

Sir Cecil Wray in the Pillory, May 7, 1784. May 7, 1784. Creator: Thomas Rowlandson
Sir Cecil Wray in the Pillory, May 7, 1784

Public Characters, April 1, 1801. April 1, 1801. Creator: Thomas Rowlandson
Public Characters, April 1, 1801

Two New Slides for the State Magic Lantern, December 29, 1783. December 29, 1783
Two New Slides for the State Magic Lantern, December 29, 1783

A Touch on the Times, December 29, 1788. December 29, 1788. Creator: Thomas Rowlandson
A Touch on the Times, December 29, 1788

Great Cry and Little Wool, December 22, 1783. December 22, 1783
Great Cry and Little Wool, December 22, 1783

Reynard Put To His Shifts, April 23, 1784. April 23, 1784. Creator: Thomas Rowlandson
Reynard Put To His Shifts, April 23, 1784

The Westminster Deserter Drum d Out of The Regiment, May 18, 1784. May 18, 1784
The Westminster Deserter Drum d Out of The Regiment, May 18, 1784

Procession to The Hustings After A Successful Canvass, April 30, 1784. April 30, 1784
Procession to The Hustings After A Successful Canvass, April 30, 1784

The State Auction, March 26, 1784. March 26, 1784. Creator: Thomas Rowlandson
The State Auction, March 26, 1784

The Drum Major of Sedition, March 29, 1784. March 29, 1784. Creator: Thomas Rowlandson
The Drum Major of Sedition, March 29, 1784

The Times - Or A View Of The Old House In Little Brittain - With Nobody Going To Hannover, January 23, 1784

Every Man Has His Hobby Horse, May 1, 1784. May 1, 1784. Creator: Thomas Rowlandson
Every Man Has His Hobby Horse, May 1, 1784

Sir Cecils Budget For Paying The National Debt, March 30, 1784. March 30, 1784
Sir Cecils Budget For Paying The National Debt, March 30, 1784

Wits Last Stake, or the Cobbling Voters and Abject Canvassers, April 22, 1784

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Charles Fox was a prominent figure in British politics during the late 18th and early 19th centuries. Known for his wit, charm, and controversial views, he left an indelible mark on the political landscape of his time. One of Fox's notable works was "The Loves of the Fox and The Badger, or The Coalition Wedding, " a satirical play that mocked the political alliance between him and Lord North in January 1784. This production showcased his sharp sense of humor and ability to entertain audiences with biting social commentary. In another significant moment, we see William Pitt, the Younger addressing the Commons in 1793. Painted by Anton Hickel, this portrait captures Fox's rival delivering a powerful speech that would shape their ongoing political rivalry. "The General Toast: Honor and Honesty, Love and Loyalty" depicts an event from October 1786 where Fox raises a glass alongside friends. It showcases his affinity for good company and celebration while highlighting his commitment to principles such as honor and loyalty. However, not all depictions were flattering towards Charles Fox. In "John Bulls First Visit to his Old Friend the New Secretary, " published in March 1806, we witness satire aimed at him as he takes up a new position within government. Such caricatures were common during this period as artists used their craft to comment on politicians' actions. Despite these criticisms, Charles Williams portrays another side of Fox through works like "Fishing for Flats" (1806) or "The Honeymoon" (1806). These pieces reveal a more lighthearted aspect of his character – enjoying leisurely activities or celebrating personal milestones – reminding us that even politicians have moments away from public scrutiny. Fox's influence extended beyond politics; he also engaged with intellectual debates of his time.