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Reynard Put To His Shifts, April 23, 1784. April 23, 1784. Creator: Thomas Rowlandson
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Reynard Put To His Shifts, April 23, 1784. April 23, 1784. Creator: Thomas Rowlandson
Reynard Put To His Shifts, April 23, 1784
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Media ID 19988021
© Heritage Art/Heritage Images
C Fox Cavendish Cavendish Georgiana Charles Fox Charles James Fox Coalition Government Devonshire Devonshire Duchess Of Duchess Of Duchess Of Devonshire Fox Charles James Georgiana Georgiana Cavendish Georgiana Spencer Government Lady Georgiana Spencer Right Honorable Charles James Fox Rowlandson Rowlandson Thomas Spencer Spencer Georgiana Thomas Rowlandson
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Reynard Put To His Shifts, April 23,1784 - A Satirical Glimpse into British Politics
EDITORS COMMENTS
. This black and white etching by Thomas Rowlandson takes us back to the vibrant political landscape of 18th-century Britain. Depicting a scene filled with intrigue and humor, the print showcases the prominent figures of that era. At its center stands Charles James Fox, the Right Honorable politician known for his influential role in shaping British politics. Flanked by Lady Georgiana Spencer and Georgiana Cavendish, Duchess of Devonshire, this coalition government trio exudes power and elegance. Rowlandson's masterful artistry skillfully captures their personalities through intricate details. The expressions on their faces reveal a mix of determination and amusement as they navigate the complexities of political life. The title "Reynard Put To His Shifts" alludes to Reynard the fox from medieval fables who used cunning tactics to outsmart his adversaries. This clever play on words suggests that these politicians are resorting to similar strategies in their pursuit of power. As we delve into this historical snapshot at The Metropolitan Museum of Art's collection, we are transported back in time to witness an era marked by intense rivalries and shifting alliances within British politics. Rowlandson's work serves as a reminder that even centuries ago, politicians faced challenges requiring them to adapt and employ various tactics – just like Reynard himself. Through this print, we gain insight into both
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