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Column Collection (page 100)

"Captivating Columns: From Trinity College to Pompeii, Exploring Architectural Marvels and Historical Significance" The Long Room in the library of Trinity College

Background imageColumn Collection: Sir Henry Bridgeman (1725-1800) (pastel) (see 239432 for pair)

Sir Henry Bridgeman (1725-1800) (pastel) (see 239432 for pair)
WES239433 Sir Henry Bridgeman (1725-1800) (pastel) (see 239432 for pair) by Gardner, Daniel (1750-1805); 50.8x40.8 cm; The Trustees of the Weston Park Foundation

Background imageColumn Collection: Double portrait of Dudley North and his sister, Anne, 1714 (oil on canvas)

Double portrait of Dudley North and his sister, Anne, 1714 (oil on canvas)
HFA332394 Double portrait of Dudley North and his sister, Anne, 1714 (oil on canvas) by Byng or Bing, Robert (1666-1720); 167.7x114.3 cm; Private Collection; (add.info)

Background imageColumn Collection: View of the facade, c. 1566-67 (b / w photo)

View of the facade, c. 1566-67 (b / w photo)
ALI252742 View of the facade, c.1566-67 (b/w photo) by Palladio, Andrea (1508-80) & Scamozzi, Vincenzo (1552-1616); Villa Rotonda, Vicenza

Background imageColumn Collection: US Buffalo Soldiers marching in the desert, from a drawing of 1888 (engraving)

US Buffalo Soldiers marching in the desert, from a drawing of 1888 (engraving)
PNP245881 US Buffalo Soldiers marching in the desert, from a drawing of 1888 (engraving) by Remington, Frederic (1861-1909) (after); Private Collection; (add.info)

Background imageColumn Collection: View of the portico of the Palace, c. 1500 BC (photo)

View of the portico of the Palace, c. 1500 BC (photo)
XIR245733 View of the portico of the Palace, c.1500 BC (photo) by Minoan; Knossos, Crete; out of copyright

Background imageColumn Collection: The Court of Lions (photo)

The Court of Lions (photo)
JFS249986 The Court of Lions (photo) by Islamic School, (14th century); Palace of the Alhambra, Granada, Spain; (add.info.: Patio de los Liones; ); eJohn Ferro Sims; out of copyright

Background imageColumn Collection: The Court of Lions (photo)

The Court of Lions (photo)
JFS249985 The Court of Lions (photo) by Islamic School, (14th century); Palace of the Alhambra, Granada, Spain; (add.info.: Patio de los Liones; ); eJohn Ferro Sims; out of copyright

Background imageColumn Collection: Rosslyn Chapel, Scotland (w / c on paper)

Rosslyn Chapel, Scotland (w / c on paper)
CW251591 Rosslyn Chapel, Scotland (w/c on paper) by Fraser, Alexander Jnr. (1828-99); 34.5x24.5 cm; Private Collection; eChristopher Wood Gallery, London, UK; Scottish, out of copyright

Background imageColumn Collection: An arcade capital with sculpture of a horse (photo)

An arcade capital with sculpture of a horse (photo)
JFS249917 An arcade capital with sculpture of a horse (photo) by Spanish School, (12th century); Monasterio San Juan de la Pena, Huesca, Aragon, Spain; eJohn Ferro Sims; Spanish, out of copyright

Background imageColumn Collection: View of arcade capitals in the cloister (photo)

View of arcade capitals in the cloister (photo)
JFS249914 View of arcade capitals in the cloister (photo) by Spanish School, (12th century); Monasterio San Juan de la Pena, Huesca, Aragon, Spain; eJohn Ferro Sims; Spanish, out of copyright

Background imageColumn Collection: Ruins of the Temple of Apollo, c. 550 BC (photo)

Ruins of the Temple of Apollo, c. 550 BC (photo)
XIR210222 Ruins of the Temple of Apollo, c.550 BC (photo) by Greek, (6th century BC); Corinth, Greece; Greek, out of copyright

Background imageColumn Collection: Porch of an old Interregnum house in Hanover

Porch of an old Interregnum house in Hanover
South east view of the porch of an old Interregnum house known as General Monks house in Hanover Court, near Grub Street, 1809. Built circa 1650

Background imageColumn Collection: Back of the original altar of St. Bartholomew

Back of the original altar of St. Bartholomew
North-east view of the back of the original altar of St. Bartholomew the Greater, built 1102. Door to charnel house at right

Background imageColumn Collection: East View of Seringapatam on 15th May 1791, illustration from Twelve Views of Mysore

East View of Seringapatam on 15th May 1791, illustration from Twelve Views of Mysore
STC225387 East View of Seringapatam on 15th May 1791, illustration from Twelve Views of Mysore, the Country of Tippoo Sultan engraved and coloured by J.W

Background imageColumn Collection: Martyrdom of St. Lucy (oil on panel)

Martyrdom of St. Lucy (oil on panel)
ALI213989 Martyrdom of St. Lucy (oil on panel) by Vivarini, Antonio (c.1415-1476/84); Galleria dell Accademia Carrara, Bergamo

Background imageColumn Collection: Internal courtyard, (photo)

Internal courtyard, (photo)
BEN209437 Internal courtyard, (photo) by Buontalenti, Bernardo (1536-1608); Villa Medicea della Petraia, Florence, Tuscany, Italy; Photo eRaffaello Bencini; Italian, out of copyright

Background imageColumn Collection: The Castle of Alamond and its Enchantments, from The Travels of Marco Polo

The Castle of Alamond and its Enchantments, from The Travels of Marco Polo
STC209251 The Castle of Alamond and its Enchantments, from The Travels of Marco Polo, copied by Albert Coinchon (d.1871) from the original manuscript (litho) (later colouration) by French School

Background imageColumn Collection: Cross section of the dome of St. Pauls Cathedral, as built

Cross section of the dome of St. Pauls Cathedral, as built
SPC209109 Cross section of the dome of St. Pauls Cathedral, as built, giving measurements (pen & ink on paper) by French School, (17th century); St. Pauls Cathedral Library, London, UK; eSt

Background imageColumn Collection: Roman war bireme and transport boat

Roman war bireme and transport boat
Roman war bireme with two decks of oars from Trajans Column 1, and a transport boat for military supplies from the same column 2

Background imageColumn Collection: Parthian and Dacian weapons and armour

Parthian and Dacian weapons and armour
Parthian helmet, ensign and weapons from the Column of Marcus Aurelius 1, Dacian breastplate armour 2, Dacian quiver 3 and Dacian shield 4 (all from Trajans Column)

Background imageColumn Collection: Exterior of the Small Theatre or Odeon, Pompeii VIII. 7. 19

Exterior of the Small Theatre or Odeon, Pompeii VIII. 7. 19
Exterior of the Small Theatre or Odeon, Pompeii VIII.7.19. Columns in the street, and plinth for a statue. Chromolithograph and illustration by S

Background imageColumn Collection: View of the Basilica, near the west corner

View of the Basilica, near the west corner of the Forum, Pompeii. Chromolithograph and illustration by S. De Stefano from Antonio Niccolinis Pompeii: Views and Restorations (Pompeii)

Background imageColumn Collection: House of Ariadne or the House of the Coloured

House of Ariadne or the House of the Coloured Capitals, VII.4.31/51, Pompeii. Chromolithograph after an illustration by S

Background imageColumn Collection: Columns and cornices from Pompeii

Columns and cornices from Pompeii
Column (left) from Casa di Caccia Antica or House of the Ancient Hunt, VII.IV.48, Column (right) from Domus M. Asellini or House of Adonis, VI.VII.18, head of Oceanus from Domus M

Background imageColumn Collection: View of interior (photo)

View of interior (photo)
XIR162677 View of interior (photo) by French School, (10th century); Abbey of Saint-Philibert, Tournus, France; (add.info.: not sure if it is crypt; ); French, out of copyright

Background imageColumn Collection: View of the entrance, Cave 1 (photo)

View of the entrance, Cave 1 (photo)
EAM162635 View of the entrance, Cave 1 (photo) by Indian School, (5th century); Ajanta, Maharashtra, India; Indian, out of copyright

Background imageColumn Collection: Bridge of Aelius and Hadrians Mausoleum (Castel Sant Angelo), Rome

Bridge of Aelius and Hadrians Mausoleum (Castel Sant Angelo), Rome
STC132748 Bridge of Aelius and Hadrians Mausoleum (Castel Sant Angelo), Rome, from Entwurf einer historischen Architektur, 1721 (engraving) by Fischer von Erlach

Background imageColumn Collection: Scenery Design for the Imperial Palace, from The Martyr of St. Sebastian, c

Scenery Design for the Imperial Palace, from The Martyr of St. Sebastian, c
STC133606 Scenery Design for the Imperial Palace, from The Martyr of St. Sebastian, c.1911-22 (colour litho) by Bakst, Leon (1866-1924); Private Collection; (add.info)

Background imageColumn Collection: Trevi Fountain, built 1732-62 (marble)

Trevi Fountain, built 1732-62 (marble)
BAL130040 Trevi Fountain, built 1732-62 (marble) by Salvi, Nicola (1697-1751); Rome, Italy; Italian, out of copyright

Background imageColumn Collection: The Gate of All Nations (photo)

The Gate of All Nations (photo)
BOO178081 The Gate of All Nations (photo) by Achaemenid, (5th century BC); Persepolis, Iran; (add.info.: the gate bears a trilingual inscription in four mirror images on each side of the main)

Background imageColumn Collection: Ruins at Selinute (oil on canvas)

Ruins at Selinute (oil on canvas)
SJS176536 Ruins at Selinute (oil on canvas) by Mayer, Luigi (fl.1776-92); 43.7x63.1 cm; Courtesy of the Trustees of Sir John Soanes Museum, London; eSir John Soanes Museum; Italian, out of copyright

Background imageColumn Collection: Design for the atrium of the Pompeiian palace of Prince Napoleon III (1808-73

Design for the atrium of the Pompeiian palace of Prince Napoleon III (1808-73
XIR182673 Design for the atrium of the Pompeiian palace of Prince Napoleon III (1808-73) (w/c on paper) by French School, (19th century); Musee de la Ville de Paris, Musee Carnavalet, Paris

Background imageColumn Collection: View of the nave and apse of the abbey church with the effigies of Henry II

View of the nave and apse of the abbey church with the effigies of Henry II
MAE181707 View of the nave and apse of the abbey church with the effigies of Henry II (1133-89 King of England and his wife, Eleanor of Aquitaine (d.1204) (photo) by French School

Background imageColumn Collection: Temple of Agrigento (oil on canvas)

Temple of Agrigento (oil on canvas)
AGN264307 Temple of Agrigento (oil on canvas) by Lear, Edward (1812-88); Private Collection; Photo eAgnew s, London; English, out of copyright

Background imageColumn Collection: Cardo and entry of Cosinius Market, High Imperial Period (27 BC-395 AD)

Cardo and entry of Cosinius Market, High Imperial Period (27 BC-395 AD)
GDG267059 Cardo and entry of Cosinius Market, High Imperial Period (27 BC-395 AD) by Roman Imperial Period (27 BC-476 AD); Djemila

Background imageColumn Collection: Henri II facade in the Cour Carree of the Louvre, c. 1920 (b / w photo)

Henri II facade in the Cour Carree of the Louvre, c. 1920 (b / w photo)
XIR266995 Henri II facade in the Cour Carree of the Louvre, c.1920 (b/w photo) by Giraudon, studio (1912-53); Paris, France; (add.info)

Background imageColumn Collection: Panoramic view of the archaeological site with the theatre at the Temple of Apollo (photo

Panoramic view of the archaeological site with the theatre at the Temple of Apollo (photo
XIR245705 Panoramic view of the archaeological site with the theatre at the Temple of Apollo (photo) by Greek; Delphi, Phokis

Background imageColumn Collection: Carved capital on west side of cloister (photo)

Carved capital on west side of cloister (photo)
JB226885 Carved capital on west side of cloister (photo) by Spanish School; Santo Domingo de Silos, Castilla y Leon, Spain; eJohn Bethell; Spanish, out of copyright

Background imageColumn Collection: The Artists Wife (oil on canvas)

The Artists Wife (oil on canvas)
HTL226380 The Artists Wife (oil on canvas) by Bateman, Robert (1842-1922); Private Collection; By courtesy of Julian Hartnoll; British, out of copyright

Background imageColumn Collection: Temple of Aphaea (b / w photo)

Temple of Aphaea (b / w photo)
XIR217767 Temple of Aphaea (b/w photo) by Greek, (5th century BC); Aegina Island, Saronic Gulf, Greece; (add.info.: Temple d Athena Aphaia a Egine; ); Greek, out of copyright

Background imageColumn Collection: The Second Order of Gothic Architecture, 1741 (litho) (b / w photo)

The Second Order of Gothic Architecture, 1741 (litho) (b / w photo)
XJF275050 The Second Order of Gothic Architecture, 1741 (litho) (b/w photo) by English School, (18th century); Private Collection; English, out of copyright

Background imageColumn Collection: Cantoria, c. 1433-38 (marble and glass mosaic)

Cantoria, c. 1433-38 (marble and glass mosaic)
ALG340290 Cantoria, c.1433-38 (marble and glass mosaic) by Donatello, (c.1386-1466); Museo dell Opera del Duomo, Florence, Tuscany

Background imageColumn Collection: The Road from Arras to Bapaume, from British Artists at the Front

The Road from Arras to Bapaume, from British Artists at the Front
STC255977 The Road from Arras to Bapaume, from British Artists at the Front, Continuation of The Western Front, 1918 (colour litho) by Nevinson

Background imageColumn Collection: West end of the Parthenon, from Select Views of the Remains of Ancient Monuments In

West end of the Parthenon, from Select Views of the Remains of Ancient Monuments In
STC255291 West end of the Parthenon, from Select Views of the Remains of Ancient Monuments In Greece, published by Ackermann, London, 1835 (colour litho) by Cole

Background imageColumn Collection: South-east corner of Lady Chapel, Rosslyn (engraving) (sepia photo)

South-east corner of Lady Chapel, Rosslyn (engraving) (sepia photo)
STC347572 South-east corner of Lady Chapel, Rosslyn (engraving) (sepia photo) by Scottish School; Private Collection; (add.info.: Rosslyn Chapel or Collegiate Church of St)

Background imageColumn Collection: View of the Fountain of the Four Seasons, central part, rue de Grenelle

View of the Fountain of the Four Seasons, central part, rue de Grenelle
XIR346093 View of the Fountain of the Four Seasons, central part, rue de Grenelle, 1739-46 (detail) (see also 346094, 346095, 346096, 346097) (stone) (b/w photo) by Bouchardon

Background imageColumn Collection: Church of Saint-Sulpice, elevation of the facade, Paris, 1782 (engraving) (b / w photo)

Church of Saint-Sulpice, elevation of the facade, Paris, 1782 (engraving) (b / w photo)
XIR346073 Church of Saint-Sulpice, elevation of the facade, Paris, 1782 (engraving) (b/w photo) by French School; Musee de la Ville de Paris, Musee Carnavalet, Paris

Background imageColumn Collection: View of the church of Saint-Sulpice, 1921-22 (see also 346070) (b / w photo)

View of the church of Saint-Sulpice, 1921-22 (see also 346070) (b / w photo)
XIR346071 View of the church of Saint-Sulpice, 1921-22 (see also 346070) (b/w photo) by Servandoni, Giovanni Niccolo (1695-1766); Paris




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"Captivating Columns: From Trinity College to Pompeii, Exploring Architectural Marvels and Historical Significance" The Long Room in the library of Trinity College, Dublin, Republic of Ireland, Europe - A breathtaking sight where towering columns hold the knowledge of centuries within their embrace. Sagrada Familia, UNESCO World Heritage Site, Barcelona, Catalonia, Spain - Gaudi's masterpiece adorned with intricate columns that seem to reach for the heavens themselves. Euston Arch a98_05420 - An iconic structure that once stood proudly in London as a symbol of architectural grandeur and now lives on through memories and photographs. Pompeii's Ancient Ruins atop Mt Vesuvius - Amongst the remnants lies an extraordinary display of Roman architecture including intact columns that transport us back in time. Classical Orders: Doric, Ionic & Corinthian - These timeless column styles have influenced architecture around the world for millennia; each exuding its unique elegance and grace. Fingal's Cave on Isle of Staffa, Scotland - Nature's own masterpiece featuring hexagonal basalt columns formed by volcanic activity; a testament to Earth's artistic prowess. Sixth Column Strategy: A Tactical Approach - Beyond architecture lies military strategy; this concept explores unconventional methods employed during warfare throughout history. George Square in Glasgow: A Tribute to Scottish Heritage - Majestic statues surrounded by stately columns pay homage to notable figures who shaped Scotland's rich cultural tapestry. Chiswick House J880415: Neo-Palladian Splendor Unveiled- This Georgian villa showcases exquisite symmetry with its colonnaded porticoes standing as symbols of refined taste and opulence. Vivian Terrace in Truro Cornwall: Timeless Charm Preserved- Step into early 20th-century elegance where rows of terraced houses boast ornate ironwork balconies supported by sturdy columns.