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Contrasting Collection (#3)

"Contrasting Worlds: From the majestic African elephant to the agile African Wild Dog, nature's diversity unfolds before our eyes

Background imageContrasting Collection: View of Medinet El-Fayoum, Oasis in the Sahara Desert, c. 1868, Egypt, Historic

View of Medinet El-Fayoum, Oasis in the Sahara Desert, c. 1868, Egypt, Historic
1 person, 1900s, 19th-century, arid, art work, arts, artwork, artworks, barrenness, black, black-and-white, black-white, contrast, contrasting, copy, countryside, depiction, depictions, desert

Background imageContrasting Collection: Apples and Quince; Pommes et Coings, 1940 (oil on canvas)

Apples and Quince; Pommes et Coings, 1940 (oil on canvas)
652881 Apples and Quince; Pommes et Coings, 1940 (oil on canvas) by Valtat, Louis (1869-1952); 33x41.3 cm; Private Collection; (add.info.: Apples and Quince; Pommes et Coings)

Background imageContrasting Collection: The Tea Party, 1916 (oil on canvas)

The Tea Party, 1916 (oil on canvas)
984927 The Tea Party, 1916 (oil on canvas) by Dunn, Harvey T. (1884-1952); 76.8x97 cm; Private Collection; (add.info.: The Tea Party. Harvey T. Dunn (1884-1952). Oil on canvas. Dated 1916

Background imageContrasting Collection: Yellow Pansies, (pastel on board)

Yellow Pansies, (pastel on board)
823116 Yellow Pansies, (pastel on board) by Hills, Laura Coombs (1859-1952); 27.7x33.9 cm; Private Collection; (add.info.: Yellow Pansies. Laura Coombs Hills (1859-1952). Pastel on board

Background imageContrasting Collection: DDE-90021455

DDE-90021455
Dunes of Sossusvlei, Namib Desert, Namib-Naukluft National Park, Namibia. Date: 22/01/2010

Background imageContrasting Collection: DDE-90021454

DDE-90021454
Sossusvlei, Namib Desert, Namib-Naukluft National Park, Namibia. Date: 22/01/2010

Background imageContrasting Collection: DDE-90021182

DDE-90021182
Mauritius, Chamarel, the colored earths of Chamarel: an undulating landscape of different and contrasting shades of colors, the different shades of blue, green

Background imageContrasting Collection: Grandeur Dechue, (oil on canvas)

Grandeur Dechue, (oil on canvas)
658491 Grandeur Dechue, (oil on canvas) by Leroy, Jules (1833-1865); 46.3x55.9 cm; Private Collection; (add.info.: Grandeur Dechue. Jules Le Roy (1833-1865). Oil on canvas

Background imageContrasting Collection: Chestnut Seller, (etching and aquatint, printed in colours)

Chestnut Seller, (etching and aquatint, printed in colours)
1195020 Chestnut Seller, (etching and aquatint, printed in colours) by Icart, Louis (1888-1950); 47x35 cm; Private Collection; Photo © Christies Images

Background imageContrasting Collection: Summer, (oil on canvas)

Summer, (oil on canvas)
657636 Summer, (oil on canvas) by Nash, Paul (1889-1946); Private Collection; (add.info.: Summer. Paul Nash (1889-1946). Oil on canvas

Background imageContrasting Collection: Costume design for the theatre production Korobotchka, (pencil, w / c, gouache)

Costume design for the theatre production Korobotchka, (pencil, w / c, gouache)
1195755 Costume design for the theatre production Korobotchka, (pencil, w/c, gouache) by Sudeikin, Sergei Yurevich (1882-1946); 30.5x38.1 cm; Private Collection; Photo © Christies Images

Background imageContrasting Collection: The Sofa, c. 1937 (etching and drypoint, mounted and framed)

The Sofa, c. 1937 (etching and drypoint, mounted and framed)
991017 The Sofa, c.1937 (etching and drypoint, mounted and framed) by Icart, Louis (1888-1950); 44.3x66 cm; Private Collection; (add.info.: The Sofa. Louis Icart (1888-1950)

Background imageContrasting Collection: The Visit to the Grandparents; Besoget Hos Bedsteforaeldrene, 1859 (oil on canvas)

The Visit to the Grandparents; Besoget Hos Bedsteforaeldrene, 1859 (oil on canvas)
659687 The Visit to the Grandparents; Besoget Hos Bedsteforaeldrene, 1859 (oil on canvas) by Tidemand, Adolph (1814-76); 95x79 cm; Private Collection; (add.info)

Background imageContrasting Collection: The Favorite Shawl, (oil on panel)

The Favorite Shawl, (oil on panel)
827496 The Favorite Shawl, (oil on panel) by Portielje, Edward (1861-1949); 46.3x37.5 cm; Private Collection; (add.info.: The Favorite Shawl. Edward Antoon Portielje (1861-1949). Oil on panel

Background imageContrasting Collection: Almanac advertising ammonium sulphate, January 1911 (litho) (b / w photo)

Almanac advertising ammonium sulphate, January 1911 (litho) (b / w photo)
CHT230870 Almanac advertising ammonium sulphate, January 1911 (litho) (b/w photo) by Gerbault, Henri (1863-1930); Bibliotheque-Musee Forney, Paris, France; © Archives Charmet

Background imageContrasting Collection: Bewilderment, 1920 (colour etching and drypoint)

Bewilderment, 1920 (colour etching and drypoint)
991055 Bewilderment, 1920 (colour etching and drypoint) by Icart, Louis (1888-1950); 49.5x39 cm; Private Collection; (add.info.: Bewilderment. Louis Icart (1888-1950). Colour etching and drypoint

Background imageContrasting Collection: Loves Blossom, (etching and aquatint, printed in colours)

Loves Blossom, (etching and aquatint, printed in colours)
1195031 Loves Blossom, (etching and aquatint, printed in colours) by Icart, Louis (1888-1950); 41x61 cm; Private Collection; Photo © Christies Images

Background imageContrasting Collection: Leda and the Swan, c. 1934 (etching and drypoint, printed in colours)

Leda and the Swan, c. 1934 (etching and drypoint, printed in colours)
985609 Leda and the Swan, c.1934 (etching and drypoint, printed in colours) by Icart, Louis (1888-1950); 52x79.2 cm; Private Collection; (add.info.: Leda and the Swan. Louis Icart (1888-1950)

Background imageContrasting Collection: Magnolias in a Vase, (oil on canvas)

Magnolias in a Vase, (oil on canvas)
985494 Magnolias in a Vase, (oil on canvas) by Wiles, Irving Ramsay (1861-1948); 76.2x63.5 cm; Private Collection; (add.info.: Magnolias in a Vase. Irving Ramsey Wiles (1861-1948). Oil on canvas

Background imageContrasting Collection: Countryside, Light and Shade; Paysage, Ombre et Lumiere, c. 1920 (oil on canvas)

Countryside, Light and Shade; Paysage, Ombre et Lumiere, c. 1920 (oil on canvas)
652349 Countryside, Light and Shade; Paysage, Ombre et Lumiere, c.1920 (oil on canvas) by Montezin, Pierre Eugene (1874-1946); 60.5x74 cm; Private Collection; (add.info.: Countryside)

Background imageContrasting Collection: Red Roses in a Yellow Pitcher, 1934 (oil on canvas)

Red Roses in a Yellow Pitcher, 1934 (oil on canvas)
650485 Red Roses in a Yellow Pitcher, 1934 (oil on canvas) by Kuhn, Walt (1880-1949); 76x63.5 cm; Private Collection; (add.info.: Red Roses in a Yellow Pitcher. Walt Kuhn (1880-1949). Oil on canvas

Background imageContrasting Collection: On the Way to Harvest, 1919 (oil on canvas)

On the Way to Harvest, 1919 (oil on canvas)
826793 On the Way to Harvest, 1919 (oil on canvas) by Harvey, Harold (1874-1941); 49.5x38.5 cm; Private Collection; (add.info.: On the Way to Harvest. Harold Harvey (1874-1941). Oil on canvas

Background imageContrasting Collection: L Orgie, c. 1894 (litho)

L Orgie, c. 1894 (litho)
2630778 L Orgie, c.1894 (litho) by Beardsley, Aubrey (1872-98); Private Collection; (add.info.: Aubrey Vincent Beardsley (1872 - 1898) was an English illustrator and author

Background imageContrasting Collection: La Nuit, 1894 (litho)

La Nuit, 1894 (litho)
2630770 La Nuit, 1894 (litho) by Beardsley, Aubrey (1872-98); Private Collection; (add.info.: Aubrey Vincent Beardsley (1872 - 1898) was an English illustrator and author

Background imageContrasting Collection: Erotiques de Beardsley, c. 1894 (litho)

Erotiques de Beardsley, c. 1894 (litho)
2630779 Erotiques de Beardsley, c.1894 (litho) by Beardsley, Aubrey (1872-98); Private Collection; (add.info.: Aubrey Vincent Beardsley (1872 - 1898) was an English illustrator and author

Background imageContrasting Collection: Comment Tristan but le Philtre d amour, c. 1894 (litho)

Comment Tristan but le Philtre d amour, c. 1894 (litho)
2630777 Comment Tristan but le Philtre d amour, c.1894 (litho) by Beardsley, Aubrey (1872-98); Private Collection; (add.info)

Background imageContrasting Collection: The Toilette of Salome, c. 1894 (litho)

The Toilette of Salome, c. 1894 (litho)
2630801 The Toilette of Salome, c.1894 (litho) by Beardsley, Aubrey (1872-98); Private Collection; (add.info.: Aubrey Vincent Beardsley (1872 - 1898) was an English illustrator and author

Background imageContrasting Collection: Sainte Rose de Lima, c. 1894 (litho)

Sainte Rose de Lima, c. 1894 (litho)
2630780 Sainte Rose de Lima, c.1894 (litho) by Beardsley, Aubrey (1872-98); Private Collection; (add.info.: Aubrey Vincent Beardsley (1872 - 1898) was an English illustrator and author

Background imageContrasting Collection: L amour, c. 1894 (litho)

L amour, c. 1894 (litho)
2630783 L amour, c.1894 (litho) by Beardsley, Aubrey (1872-98); Private Collection; (add.info.: Aubrey Vincent Beardsley (1872 - 1898) was an English illustrator and author

Background imageContrasting Collection: L homme au Violoncelle, c. 1894 (litho)

L homme au Violoncelle, c. 1894 (litho)
2630782 L homme au Violoncelle, c.1894 (litho) by Beardsley, Aubrey (1872-98); Private Collection; (add.info.: Aubrey Vincent Beardsley (1872 - 1898) was an English illustrator and author

Background imageContrasting Collection: Salome Maitresse d orchestre, ou la femme au dildo, c. 1894 (litho)

Salome Maitresse d orchestre, ou la femme au dildo, c. 1894 (litho)
2630776 Salome Maitresse d orchestre, ou la femme au dildo, c.1894 (litho) by Beardsley, Aubrey (1872-98); Private Collection; (add.info)

Background imageContrasting Collection: Cover design to The Pierrot of the Minute, 1897 (litho)

Cover design to The Pierrot of the Minute, 1897 (litho)
DGC288134 Cover design to The Pierrot of the Minute, 1897 (litho) by Beardsley, Aubrey (1872-98); Private Collection; (add.info)

Background imageContrasting Collection: Black Coffee, 1895 (litho)

Black Coffee, 1895 (litho)
DGC288132 Black Coffee, 1895 (litho) by Beardsley, Aubrey (1872-98); Private Collection; (add.info.: Aubrey Vincent Beardsley (1872 - 1898) was an English illustrator and author

Background imageContrasting Collection: The Eternal Problem of Youth and Pedantry, Front Cover illustration for The Yellow Book

The Eternal Problem of Youth and Pedantry, Front Cover illustration for The Yellow Book, 1894-95 (litho)
DGC288129 The Eternal Problem of Youth and Pedantry, Front Cover illustration for The Yellow Book, 1894-95 (litho) by Beardsley

Background imageContrasting Collection: The Repentance of Mrs... illustration from The Yellow Book, c.1896 (litho)

The Repentance of Mrs... illustration from The Yellow Book, c.1896 (litho)
DGC288128 The Repentance of Mrs... illustration from The Yellow Book, c.1896 (litho) by Beardsley, Aubrey (1872-98); Private Collection; (add.info)

Background imageContrasting Collection: Cul-de-lampe, illustration for Ernest Dowsons The Pierrot of the Minute, 1897 (litho)

Cul-de-lampe, illustration for Ernest Dowsons The Pierrot of the Minute, 1897 (litho)
DGC288117 Cul-de-lampe, illustration for Ernest Dowsons The Pierrot of the Minute, 1897 (litho) by Beardsley, Aubrey (1872-98); Private Collection; (add.info)

Background imageContrasting Collection: A Repetition of Tristan und Isolde, illustration from The Savoy, 1896 (litho)

A Repetition of Tristan und Isolde, illustration from The Savoy, 1896 (litho)
DGC288115 A Repetition of Tristan und Isolde, illustration from The Savoy, 1896 (litho) by Beardsley, Aubrey (1872-98); Private Collection; (add.info)

Background imageContrasting Collection: The Snare of Vintage, 1894 (litho)

The Snare of Vintage, 1894 (litho)
DGC398020 The Snare of Vintage, 1894 (litho) by Beardsley, Aubrey (1872-98); Private Collection; (add.info.: Aubrey Vincent Beardsley (1872 - 1898) was an English illustrator and author

Background imageContrasting Collection: Don Juan, Sganarelle and the Beggar, illustration from Don Juan; by Moliere, 1896 (litho)

Don Juan, Sganarelle and the Beggar, illustration from Don Juan; by Moliere, 1896 (litho)
DGC398012 Don Juan, Sganarelle and the Beggar, illustration from Don Juan; by Moliere, 1896 (litho) by Beardsley, Aubrey (1872-98); Private Collection; (add.info)

Background imageContrasting Collection: Cover Design for Ali Baba, 1897 (litho)

Cover Design for Ali Baba, 1897 (litho)
DGC398007 Cover Design for Ali Baba, 1897 (litho) by Beardsley, Aubrey (1872-98); Private Collection; (add.info.: Aubrey Vincent Beardsley (1872 - 1898) was an English illustrator and author

Background imageContrasting Collection: 2nd page of autograph letter to Frederick Evans, c. 1893 (pen & ink on paper)

2nd page of autograph letter to Frederick Evans, c. 1893 (pen & ink on paper)
DGC398003 2nd page of autograph letter to Frederick Evans, c.1893 (pen & ink on paper) by Beardsley, Aubrey (1872-98); Private Collection; (add.info)

Background imageContrasting Collection: Aubrey Beardsley, at the age of 13 years (photo)

Aubrey Beardsley, at the age of 13 years (photo)
DGC398001 Aubrey Beardsley, at the age of 13 years (photo) by British Photographer, (19th century); Private Collection; (add.info)

Background imageContrasting Collection: Le Mysterieux Jardin de la Rose, c. 1894 (litho)

Le Mysterieux Jardin de la Rose, c. 1894 (litho)
2630773 Le Mysterieux Jardin de la Rose, c.1894 (litho) by Beardsley, Aubrey (1872-98); Private Collection; (add.info.: Aubrey Vincent Beardsley (1872 - 1898) was an English illustrator and author

Background imageContrasting Collection: Merlin, an illustration from Le Morte d Arthur by Sir Thomas Malory, 1893-94 (litho)

Merlin, an illustration from Le Morte d Arthur by Sir Thomas Malory, 1893-94 (litho)
DGC398011 Merlin, an illustration from Le Morte d Arthur by Sir Thomas Malory, 1893-94 (litho) by Beardsley, Aubrey (1872-98); Private Collection; (add.info)

Background imageContrasting Collection: Waiting, 1893 (litho)

Waiting, 1893 (litho)
DGC398005 Waiting, 1893 (litho) by Beardsley, Aubrey (1872-98); 18 x 8.9 cm; Private Collection; (add.info.: Aubrey Vincent Beardsley (1872 - 1898) was an English illustrator and author

Background imageContrasting Collection: The Pope weighs heavily on the Church, c. 1893 (pen & ink)

The Pope weighs heavily on the Church, c. 1893 (pen & ink)
DGC398004 The Pope weighs heavily on the Church, c. 1893 (pen & ink) by Beardsley, Aubrey (1872-98); Private Collection; (add.info)

Background imageContrasting Collection: 1st page of autograph letter to Frederick Evans, c. 1893 (pen & ink on paper)

1st page of autograph letter to Frederick Evans, c. 1893 (pen & ink on paper)
DGC398002 1st page of autograph letter to Frederick Evans, c.1893 (pen & ink on paper) by Beardsley, Aubrey (1872-98); Private Collection; (add.info)




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"Contrasting Worlds: From the majestic African elephant to the agile African Wild Dog, nature's diversity unfolds before our eyes. " "A bird's eye view of Valparaiso, where old-world charm meets modern vibrancy in this colorful Chilean city. " "Unveiling the Victorian era's strict etiquette through 'Rules to be Observed by a Victorian Family' - a glimpse into contrasting social norms. " "The juxtaposition of past and present captured as a canal boat glides beneath Manchester's iconic Beetham Tower. " "A burst of vibrant pink Clematis Montana Rubens against a backdrop of lush greenery - nature showcasing its contrasting beauty. " "In an arid desert landscape, a transparent man walks alone, symbolizing the stark contrast between presence and emptiness. " "Step back in time with an advert for Dolcis shoes from 1941 - five coupons granting access to fashionable shopping amidst wartime austerity. " "Exploring the evolution of communication: bridging gaps between old and new methods that have shaped human connection throughout history. " "A nostalgic Penny Farthing photo reminds us of how far we've come in transportation technology - embracing progress while honoring tradition. " "The mesmerizing sand dunes of Sossusvlei stand tall against Namibia's vast Namib Desert, showcasing contrasting textures and hues. " "Gentians bloom delicately at the foot of Switzerland’s mighty Eiger mountain – nature’s way of harmoniously blending fragility with strength. " "In 'A Puppy for My Lady, ' brushstrokes bring together tenderness and loyalty on canvas – capturing love’s timeless essence.