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Contrasting Collection (#4)

"Contrasting Worlds: From the majestic African elephant to the agile African Wild Dog, nature's diversity unfolds before our eyes

Background imageContrasting Collection: Le Mysterieux Jardin de la Rose, c. 1894 (litho)

Le Mysterieux Jardin de la Rose, c. 1894 (litho)
2630773 Le Mysterieux Jardin de la Rose, c.1894 (litho) by Beardsley, Aubrey (1872-98); Private Collection; (add.info.: Aubrey Vincent Beardsley (1872 - 1898) was an English illustrator and author

Background imageContrasting Collection: Merlin, an illustration from Le Morte d Arthur by Sir Thomas Malory, 1893-94 (litho)

Merlin, an illustration from Le Morte d Arthur by Sir Thomas Malory, 1893-94 (litho)
DGC398011 Merlin, an illustration from Le Morte d Arthur by Sir Thomas Malory, 1893-94 (litho) by Beardsley, Aubrey (1872-98); Private Collection; (add.info)

Background imageContrasting Collection: Waiting, 1893 (litho)

Waiting, 1893 (litho)
DGC398005 Waiting, 1893 (litho) by Beardsley, Aubrey (1872-98); 18 x 8.9 cm; Private Collection; (add.info.: Aubrey Vincent Beardsley (1872 - 1898) was an English illustrator and author

Background imageContrasting Collection: The Pope weighs heavily on the Church, c. 1893 (pen & ink)

The Pope weighs heavily on the Church, c. 1893 (pen & ink)
DGC398004 The Pope weighs heavily on the Church, c. 1893 (pen & ink) by Beardsley, Aubrey (1872-98); Private Collection; (add.info)

Background imageContrasting Collection: 1st page of autograph letter to Frederick Evans, c. 1893 (pen & ink on paper)

1st page of autograph letter to Frederick Evans, c. 1893 (pen & ink on paper)
DGC398002 1st page of autograph letter to Frederick Evans, c.1893 (pen & ink on paper) by Beardsley, Aubrey (1872-98); Private Collection; (add.info)

Background imageContrasting Collection: Ali Baba in the Woods, 1897 (litho)

Ali Baba in the Woods, 1897 (litho)
DGC288140 Ali Baba in the Woods, 1897 (litho) by Beardsley, Aubrey (1872-98); Private Collection; (add.info.: Aubrey Vincent Beardsley (1872 - 1898) was an English illustrator and author

Background imageContrasting Collection: D Albert in search of his ideals, 1897 (litho)

D Albert in search of his ideals, 1897 (litho)
DGC288138 D Albert in search of his ideals, 1897 (litho) by Beardsley, Aubrey (1872-98); Private Collection; (add.info.: Aubrey Vincent Beardsley (1872 - 1898) was an English illustrator and author

Background imageContrasting Collection: Isolde Drinking the Poison (litho)

Isolde Drinking the Poison (litho)
DGC288133 Isolde Drinking the Poison (litho) by Beardsley, Aubrey (1872-98); Private Collection; (add.info.: Aubrey Vincent Beardsley (1872 - 1898) was an English illustrator and author

Background imageContrasting Collection: Initial Letter M for Volpone, 1898 (litho)

Initial Letter M for Volpone, 1898 (litho)
DGC288120 Initial Letter M for Volpone, 1898 (litho) by Beardsley, Aubrey (1872-98); Private Collection; (add.info.: Aubrey Vincent Beardsley (1872 - 1898) was an English illustrator and author

Background imageContrasting Collection: Illustration of the comedy-ballet Marionettes III, from The Yellow Book, Vol. 1, 1894 (litho)

Illustration of the comedy-ballet Marionettes III, from The Yellow Book, Vol. 1, 1894 (litho)
DGC288113 Illustration of the comedy-ballet Marionettes III, from The Yellow Book, Vol. 1, 1894 (litho) by Beardsley, Aubrey (1872-98); Private Collection; (add.info)

Background imageContrasting Collection: Front Cover illustration for The Savoy, 1896 (litho)

Front Cover illustration for The Savoy, 1896 (litho)
DGC288112 Front Cover illustration for The Savoy, 1896 (litho) by Beardsley, Aubrey (1872-98); Private Collection; (add.info)

Background imageContrasting Collection: Title Page for A Book of Fifty Drawings, 1897 (litho)

Title Page for A Book of Fifty Drawings, 1897 (litho)
DGC288108 Title Page for A Book of Fifty Drawings, 1897 (litho) by Beardsley, Aubrey (1872-98); Private Collection; (add.info)

Background imageContrasting Collection: Front Cover of The House of Sin, 1897 (litho)

Front Cover of The House of Sin, 1897 (litho)
DGC288107 Front Cover of The House of Sin, 1897 (litho) by Beardsley, Aubrey (1872-98); Private Collection; (add.info.: Aubrey Vincent Beardsley (1872 - 1898) was an English illustrator and author

Background imageContrasting Collection: Initial Letter V to Volpone, 1898 (litho)

Initial Letter V to Volpone, 1898 (litho)
DGC288103 Initial Letter V to Volpone, 1898 (litho) by Beardsley, Aubrey (1872-98); Private Collection; (add.info.: Aubrey Vincent Beardsley (1872 - 1898) was an English illustrator and author

Background imageContrasting Collection: Mrs Winifred Emery, illustration from The Yellow Book, Vol. IV, 1894 (litho)

Mrs Winifred Emery, illustration from The Yellow Book, Vol. IV, 1894 (litho)
DGC288118 Mrs Winifred Emery, illustration from The Yellow Book, Vol. IV, 1894 (litho) by Beardsley, Aubrey (1872-98); Private Collection; (add.info)

Background imageContrasting Collection: The Platonic Lament, illustration from Salome by Oscar Wilde, 1894 (litho)

The Platonic Lament, illustration from Salome by Oscar Wilde, 1894 (litho)
DGC288114 The Platonic Lament, illustration from Salome by Oscar Wilde, 1894 (litho) by Beardsley, Aubrey (1872-98); Private Collection; (add.info)

Background imageContrasting Collection: Titlepage from The Story of Venus and Tannhauser, 1895 (litho)

Titlepage from The Story of Venus and Tannhauser, 1895 (litho)
DGC288100 Titlepage from The Story of Venus and Tannhauser, 1895 (litho) by Beardsley, Aubrey (1872-98); Private Collection; (add.info)

Background imageContrasting Collection: Emile Zola, 1893 (litho) 88@Zola (1840-1902) French writer and novelist; illustration from

Emile Zola, 1893 (litho) 88@Zola (1840-1902) French writer and novelist; illustration from the Pall Mall Budget
DGC398018 Emile Zola, 1893 (litho) 88@Zola (1840-1902) French writer and novelist; illustration from the Pall Mall Budget magazine; by Beardsley

Background imageContrasting Collection: How Queen Guenever made her a nun, illustration from Le Morte d Arthur by Sir Thomas Malory

How Queen Guenever made her a nun, illustration from Le Morte d Arthur by Sir Thomas Malory, 1893-94 (litho)
DGC398010 How Queen Guenever made her a nun, illustration from Le Morte d Arthur by Sir Thomas Malory, 1893-94 (litho) by Beardsley

Background imageContrasting Collection: King John smiles as he signs Magna Charta, c. 1887 (pen & ink)

King John smiles as he signs Magna Charta, c. 1887 (pen & ink)
DGC398009 King John smiles as he signs Magna Charta, c. 1887 (pen & ink) by Beardsley, Aubrey (1872-98); Private Collection; (add.info)

Background imageContrasting Collection: Henry Irving as Becket at the Lyceum Theatre, London, in the poetic drama Becket by Tennyson

Henry Irving as Becket at the Lyceum Theatre, London, in the poetic drama Becket by Tennyson, 1893 (litho)
DGC398017 Henry Irving as Becket at the Lyceum Theatre, London, in the poetic drama Becket by Tennyson, 1893 (litho) by Beardsley

Background imageContrasting Collection: Flosshilde, illustration for Das Rheingold, published in The Savoy magazine, 1896 (litho)

Flosshilde, illustration for Das Rheingold, published in The Savoy magazine, 1896 (litho)
DGC398015 Flosshilde, illustration for Das Rheingold, published in The Savoy magazine, 1896 (litho) by Beardsley, Aubrey (1872-98); Private Collection; (add.info)

Background imageContrasting Collection: Apollo pursuing Daphne (pen & ink)

Apollo pursuing Daphne (pen & ink)
DGC398019 Apollo pursuing Daphne (pen & ink) by Beardsley, Aubrey (1872-98); Private Collection; (add.info.: Aubrey Vincent Beardsley (1872 - 1898) was an English illustrator and author

Background imageContrasting Collection: Dreams, 1894 (litho)

Dreams, 1894 (litho)
DGC398016 Dreams, 1894 (litho) by Beardsley, Aubrey (1872-98); Private Collection; (add.info.: Aubrey Vincent Beardsley (1872 - 1898) was an English illustrator and author

Background imageContrasting Collection: Headpiece, an illustration from Le Morte d Arthur by Sir Thomas Malory, 1893-94 (litho)

Headpiece, an illustration from Le Morte d Arthur by Sir Thomas Malory, 1893-94 (litho)
DGC398014 Headpiece, an illustration from Le Morte d Arthur by Sir Thomas Malory, 1893-94 (litho) by Beardsley, Aubrey (1872-98); Private Collection; (add.info)

Background imageContrasting Collection: Border Design for Le Morte d Arthur by Sir Thomas Malory, 1893-4 (pen & black ink)

Border Design for Le Morte d Arthur by Sir Thomas Malory, 1893-4 (pen & black ink)
DGC398008 Border Design for Le Morte d Arthur by Sir Thomas Malory, 1893-4 (pen & black ink) by Beardsley, Aubrey (1872-98); Private Collection; (add.info)

Background imageContrasting Collection: Frontispiece to Volpone, 1898 (litho)

Frontispiece to Volpone, 1898 (litho)
DGC288141 Frontispiece to Volpone, 1898 (litho) by Beardsley, Aubrey (1872-98); Private Collection; (add.info.: Aubrey Vincent Beardsley (1872 - 1898) was an English illustrator and author

Background imageContrasting Collection: Count Valmont, frontispiece for Les Liaisons Dangereuses by Pierre Cholderlos de Laclos

Count Valmont, frontispiece for Les Liaisons Dangereuses by Pierre Cholderlos de Laclos, 1896 (litho)
DGC288139 Count Valmont, frontispiece for Les Liaisons Dangereuses by Pierre Cholderlos de Laclos, 1896 (litho) by Beardsley

Background imageContrasting Collection: La Dame aux Camelias, illustration from The Yellow Book, 1894 (litho)

La Dame aux Camelias, illustration from The Yellow Book, 1894 (litho)
DGC288137 La Dame aux Camelias, illustration from The Yellow Book, 1894 (litho) by Beardsley, Aubrey (1872-98); Private Collection; (add.info)

Background imageContrasting Collection: Les Passades, illustration from The Winter Number of Today, 1894 (litho)

Les Passades, illustration from The Winter Number of Today, 1894 (litho)
DGC288136 Les Passades, illustration from The Winter Number of Today, 1894 (litho) by Beardsley, Aubrey (1872-98); Private Collection; (add.info)

Background imageContrasting Collection: Et in Arcadio Ego, illustration from The Savoy, 1896 (litho)

Et in Arcadio Ego, illustration from The Savoy, 1896 (litho)
DGC288135 Et in Arcadio Ego, illustration from The Savoy, 1896 (litho) by Beardsley, Aubrey (1872-98); Private Collection; (add.info)

Background imageContrasting Collection: Front Cover Design for The Savoy, 1896 (litho)

Front Cover Design for The Savoy, 1896 (litho)
DGC288131 Front Cover Design for The Savoy, 1896 (litho) by Beardsley, Aubrey (1872-98); Private Collection; (add.info.: Aubrey Vincent Beardsley (1872 - 1898) was an English illustrator and author

Background imageContrasting Collection: Madame Rejane, illustration from The Yellow Book, 1893-94 (litho)

Madame Rejane, illustration from The Yellow Book, 1893-94 (litho)
DGC288130 Madame Rejane, illustration from The Yellow Book, 1893-94 (litho) by Beardsley, Aubrey (1872-98); Private Collection; (add.info)

Background imageContrasting Collection: The Kiss of Judas, 1893 (litho)

The Kiss of Judas, 1893 (litho)
DGC288110 The Kiss of Judas, 1893 (litho) by Beardsley, Aubrey (1872-98); Private Collection; (add.info.: Aubrey Vincent Beardsley (1872 - 1898) was an English illustrator and author

Background imageContrasting Collection: Portrait of himself in bed, from The Yellow Book Vol. III, October 1894 (litho)

Portrait of himself in bed, from The Yellow Book Vol. III, October 1894 (litho)
DGC288101 Portrait of himself in bed, from The Yellow Book Vol. III, October 1894 (litho) by Beardsley, Aubrey (1872-98); 21x33 cm; Private Collection; (add.info)

Background imageContrasting Collection: Illustration for 'The Masque of the Red Death'by Edgar Allan Poe, 1895 (litho)

Illustration for "The Masque of the Red Death"by Edgar Allan Poe, 1895 (litho)
746777 Illustration for " The Masque of the Red Death" by Edgar Allan Poe, 1895 (litho) by Beardsley, Aubrey (1872-98); Private Collection; (add.info)

Background imageContrasting Collection: Illustration from 'The Black Cat', a short story by Edgar Allan Poe, 1895 (litho)

Illustration from "The Black Cat", a short story by Edgar Allan Poe, 1895 (litho)
746744 Illustration from " The Black Cat", a short story by Edgar Allan Poe, 1895 (litho) by Beardsley, Aubrey (1872-98); Private Collection; (add.info)

Background imageContrasting Collection: Design for the cover of At the First Corner, and other Stories; by H. B

Design for the cover of At the First Corner, and other Stories; by H. B. Marriott Watson, 1895 (litho)
DGC398013 Design for the cover of At the First Corner, and other Stories; by H.B. Marriott Watson, 1895 (litho) by Beardsley

Background imageContrasting Collection: The Examination of the Herald, 1896 (litho)

The Examination of the Herald, 1896 (litho)
DGC398006 The Examination of the Herald, 1896 (litho) by Beardsley, Aubrey (1872-98); Private Collection; (add.info.: Aubrey Vincent Beardsley (1872 - 1898) was an English illustrator and author

Background imageContrasting Collection: Aubrey Beardsley, aged 2 years and 3 months (photo)

Aubrey Beardsley, aged 2 years and 3 months (photo)
DGC398000 Aubrey Beardsley, aged 2 years and 3 months (photo) by British Photographer, (19th century); Private Collection; (add.info)

Background imageContrasting Collection: Fourth Tableau of Das Rheingold, illustration from The Savoy, 1896 (litho)

Fourth Tableau of Das Rheingold, illustration from The Savoy, 1896 (litho)
DGC288127 Fourth Tableau of Das Rheingold, illustration from The Savoy, 1896 (litho) by Beardsley, Aubrey (1872-98); Private Collection; (add.info)

Background imageContrasting Collection: Illustration for L Education Sentimentale, 1894 (litho)

Illustration for L Education Sentimentale, 1894 (litho)
DGC288111 Illustration for L Education Sentimentale, 1894 (litho) by Beardsley, Aubrey (1872-98); Private Collection; (add.info)

Background imageContrasting Collection: Lady Golds Escort, illustration from The Yellow Book, 1894 (litho)

Lady Golds Escort, illustration from The Yellow Book, 1894 (litho)
DGC288104 Lady Golds Escort, illustration from The Yellow Book, 1894 (litho) by Beardsley, Aubrey (1872-98); Private Collection; (add.info)

Background imageContrasting Collection: The return of Tannhauser to the Venusberg, from The Story of Venus and Tannhauser, 1895 (litho)

The return of Tannhauser to the Venusberg, from The Story of Venus and Tannhauser, 1895 (litho)
DGC288102 The return of Tannhauser to the Venusberg, from The Story of Venus and Tannhauser, 1895 (litho) by Beardsley, Aubrey (1872-98); Private Collection; (add.info)

Background imageContrasting Collection: Pagoda at dawn sunrise on the plain of Bagan, Myanmar (Burma)

Pagoda at dawn sunrise on the plain of Bagan, Myanmar (Burma)
Silhouette of pagoda with the sun rising above the Plain of Bagan at dawn; Bagan, Mandalay, Myanmar (Burma)

Background imageContrasting Collection: Grassy plants and a log in a field in summer, Lower Yukon River, Mountain Village, Alaska, USA

Grassy plants and a log in a field in summer, Lower Yukon River, Mountain Village, Alaska, USA
Close-up of wild, green grassy plants in a field with an old fallen tree log in the middle in Summer, Lower Yukon River; Mountain Village, Western Alaska, Alaska, United States of America

Background imageContrasting Collection: Poster for the 1923 State Bauhaus Exhibition, 1923 (colour lithograph)

Poster for the 1923 State Bauhaus Exhibition, 1923 (colour lithograph)
1197758 Poster for the 1923 State Bauhaus Exhibition, 1923 (colour lithograph) by Schmidt, Joost (1893-1948); 68.5x48 cm; Private Collection; Photo eChristies Images; German, out of copyright

Background imageContrasting Collection: Mountain Landscape with Houses; Berglandschaft mit Hausern, 1912 (oil on canvas)

Mountain Landscape with Houses; Berglandschaft mit Hausern, 1912 (oil on canvas)
1768119 Mountain Landscape with Houses; Berglandschaft mit Hausern, 1912 (oil on canvas) by Jawlensky, Alexej von (1864-1941); 46.4x54.9 cm; Private Collection; (add.info)




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"Contrasting Worlds: From the majestic African elephant to the agile African Wild Dog, nature's diversity unfolds before our eyes. " "A bird's eye view of Valparaiso, where old-world charm meets modern vibrancy in this colorful Chilean city. " "Unveiling the Victorian era's strict etiquette through 'Rules to be Observed by a Victorian Family' - a glimpse into contrasting social norms. " "The juxtaposition of past and present captured as a canal boat glides beneath Manchester's iconic Beetham Tower. " "A burst of vibrant pink Clematis Montana Rubens against a backdrop of lush greenery - nature showcasing its contrasting beauty. " "In an arid desert landscape, a transparent man walks alone, symbolizing the stark contrast between presence and emptiness. " "Step back in time with an advert for Dolcis shoes from 1941 - five coupons granting access to fashionable shopping amidst wartime austerity. " "Exploring the evolution of communication: bridging gaps between old and new methods that have shaped human connection throughout history. " "A nostalgic Penny Farthing photo reminds us of how far we've come in transportation technology - embracing progress while honoring tradition. " "The mesmerizing sand dunes of Sossusvlei stand tall against Namibia's vast Namib Desert, showcasing contrasting textures and hues. " "Gentians bloom delicately at the foot of Switzerland’s mighty Eiger mountain – nature’s way of harmoniously blending fragility with strength. " "In 'A Puppy for My Lady, ' brushstrokes bring together tenderness and loyalty on canvas – capturing love’s timeless essence.