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Critical Collection (#5)

"Exploring the Critical: From Powys to Politics" In this captivating journey, we delve into the realm of criticality through various intriguing facets

Background imageCritical Collection: Germany. Congress of Gotha, 1875

Germany. Congress of Gotha, 1875, where was founded the German Socialist Party (SPD). Reminder sheet with portrait of Marx and Lassalle at the centre

Background imageCritical Collection: The Painters March from Finchley, print by Paul Sandy, 1753 (engraving)

The Painters March from Finchley, print by Paul Sandy, 1753 (engraving)
XJF867792 The Painters March from Finchley, print by Paul Sandy, 1753 (engraving) by English School, (18th century); Private Collection; (add.info.: BM 1904, 0819.706); English, out of copyright

Background imageCritical Collection: Asia, Turkey

Asia, Turkey
Pillars, Asclepion (Sanctuary of Asclepius) of Pergamon (Pergamum / Bergama) Western Turkey

Background imageCritical Collection: Bali Starling Leucopsar rothschildi (captive)

Bali Starling Leucopsar rothschildi (captive)

Background imageCritical Collection: Letter from Charles Lamb to John Clare, 31st August 1822. Artist: Charles Lamb

Letter from Charles Lamb to John Clare, 31st August 1822. Artist: Charles Lamb
Letter from Charles Lamb to John Clare, 31st August 1822. Letter written from India House by Lamb to John Clare the peasant-poet

Background imageCritical Collection: The Diligent Mother, 1740, (1885)

The Diligent Mother, 1740, (1885). Engraving based on an original painting by Jean Simeon Chardin. A mother examines the sub-standard piece of cloth produced by her daughter

Background imageCritical Collection: Royal West Kents in Great War Deeds, WW1

Royal West Kents in Great War Deeds, WW1
The Queens Own (Royal West Kent Regiment) gallantly holding a road on the Western Front at a critical time. Reproduction of a painting by A C Michael in Great War Deeds

Background imageCritical Collection: Sarcastic take on the Rigours of war on Home Front - WW1

Sarcastic take on the Rigours of war on Home Front - WW1
WW1 - Sarcastic take on the Rigours of war on Home Front by Phyllis Spence. (from left) Standard Dress the Lady of the house horrified by the standardised form of ladies dress encouraged during WW1

Background imageCritical Collection: SCHLEGEL, Friedrich von (1772-1829). German poet

SCHLEGEL, Friedrich von (1772-1829). German poet, critic and scholar. Critical leader of German Romanticism. Engraving

Background imageCritical Collection: Thousands have Answered the Nations Call

Thousands have Answered the Nations Call, but you May be the One to Turn the Scale at a Critical Moment. do you Realize this. Poster

Background imageCritical Collection: Are You One of These? WW1 cartoon by H. M. Bateman

Are You One of These? WW1 cartoon by H. M. Bateman
Cartoon by H. M. Bateman poking fun at men who find a myriad of excuses - such as " my moustache is taking up all my time now

Background imageCritical Collection: Loafers in the park - WW1 recruitment cartoon

Loafers in the park - WW1 recruitment cartoon
Wastage! " War? Well, wot abart it?" The stirring carll to arms - " Your King and Country Need You!" - has still failed to reach

Background imageCritical Collection: Honi Soi Qui Mal Y Pense Caricature Shop G Humphrey

Honi Soi Qui Mal Y Pense Caricature Shop G Humphrey
Artokoloro

Background imageCritical Collection: Broadsheet, relating, American Mosquito, verse, critical, U. S. imperialism, Jose Guadalupe Posada

Broadsheet, relating, American Mosquito, verse, critical, U. S. imperialism, Jose Guadalupe Posada
Broadsheet relating to the American Mosquito with verse critical of U.S. imperialism, Jose Guadalupe Posada (Mexican, 1851-1913), 1908

Background imageCritical Collection: Economy, published by Johnston, London, May 1816 (engraving)

Economy, published by Johnston, London, May 1816 (engraving)
BAL99049 Economy, published by Johnston, London, May 1816 (engraving) by Rowlandson, Thomas (1756-1827) (after); Private Collection; (add.info)

Background imageCritical Collection: The Secret Insult or Bribery and Corruption Rejected, published by Benbow, 1820

The Secret Insult or Bribery and Corruption Rejected, published by Benbow, 1820
BAL99033 The Secret Insult or Bribery and Corruption Rejected, published by Benbow, 1820 (engraving) by Cruikshank, George (1792-1878); Victoria & Albert Museum, London

Background imageCritical Collection: The Analyst Besh-n in his own Taste, print by Paul Sandy, 1735 (engraving)

The Analyst Besh-n in his own Taste, print by Paul Sandy, 1735 (engraving)
XJF867790 The Analyst Besh-n in his own Taste, print by Paul Sandy, 1735 (engraving) by English School, (18th century); Private Collection; (add.info.: BM 1988, U.5); English, out of copyright

Background imageCritical Collection: Puggs Graces etched from his original drawings, 1753 (etching)

Puggs Graces etched from his original drawings, 1753 (etching)
XJF863060 Puggs Graces etched from his original drawings, 1753 (etching) by Sandby, Paul (1725-1809); Private Collection; (add.info.: Satire on Hogarths Analysis of Beauty)

Background imageCritical Collection: The Author Run Mad, 1755 (etching)

The Author Run Mad, 1755 (etching)
XJF863063 The Author Run Mad, 1755 (etching) by Sandby, Paul (1725-1809); Private Collection; (add.info.: Satire on Hogarths pretensions and his resistence to plans for a new academy)

Background imageCritical Collection: A new Dunciad done with a view of fixing ye fluctuating ideas of taste without preface

A new Dunciad done with a view of fixing ye fluctuating ideas of taste without preface
XJF863059 A new Dunciad done with a view of fixing ye fluctuating ideas of taste without preface or introduction, 1753 (etching) by Sandby

Background imageCritical Collection: The Clerical Magistrate, 1819 (engraving)

The Clerical Magistrate, 1819 (engraving)
XJF488936 The Clerical Magistrate, 1819 (engraving) by Cruikshank, George (1792-1878); Private Collection; (add.info.: Illustration to the poem The Clerical Magistrate by William Hone (1780-1842)

Background imageCritical Collection: Of euyl Counsellours, Juges and men of lawe, illustration from Alexander Barclay s

Of euyl Counsellours, Juges and men of lawe, illustration from Alexander Barclay s
XJF483409 Of euyl Counsellours, Juges and men of lawe, illustration from Alexander Barclays English translation of The Ship of Fools, from an edition published in 1874 (engraving) by German School

Background imageCritical Collection: The Critic, published in Lecons et Conseils (litho)

The Critic, published in Lecons et Conseils (litho)
XJF365306 The Critic, published in Lecons et Conseils (litho) by Gavarni, Paul (1804-66); Private Collection; (add.info.: si l Art est noble)

Background imageCritical Collection: Caricature of Louis XVIII (1755-1824) 1815 (coloured engraving)

Caricature of Louis XVIII (1755-1824) 1815 (coloured engraving)
XIR33229 Caricature of Louis XVIII (1755-1824) 1815 (coloured engraving) by French School, (19th century); Bibliotheque Nationale, Paris, France; (add.info.: la mauvaise charge; ); French

Background imageCritical Collection: The Pope selling Indulgences from Passional Christi und Antichristi by

The Pope selling Indulgences from Passional Christi und Antichristi by
XJF294027 The Pope selling Indulgences from Passional Christi und Antichristi by Philipp Melanchthon, published in 1521 (woodcut) (b/w photo) by Cranach

Background imageCritical Collection: Cholera Consultation at The Central Board of Health, published on Feb 27th 1832

Cholera Consultation at The Central Board of Health, published on Feb 27th 1832
XJF275640 Cholera Consultation at The Central Board of Health, published on Feb 27th 1832 (litho) (b/w photo) by Cruikshank

Background imageCritical Collection: A French Lesson, cartoon from Punch magazine, April 8th 1871

A French Lesson, cartoon from Punch magazine, April 8th 1871
XJF265578 A French Lesson, cartoon from Punch magazine, April 8th 1871 (litho) (b/w photo) by English School, (19th century); Private Collection; (add.info)

Background imageCritical Collection: Presentation of the Mares to the Holy Father, caricature of the introduction of Adelaide

Presentation of the Mares to the Holy Father, caricature of the introduction of Adelaide
XIR218294 Presentation of the Mares to the Holy Father, caricature of the introduction of Adelaide (1732-1800) and Victoire de France (1733-99) to the Pope

Background imageCritical Collection: Young lady cries after receiving a retort from her boyfriend

Young lady cries after receiving a retort from her boyfriend
Taking a Hot Return - cricket analogy used on a humorous(ish?) postcard showing a girl upset after receiving a harsh retort from her beau. Date: 1908

Background imageCritical Collection: WWI Poster, Thousands have answered the nations call

WWI Poster, Thousands have answered the nations call
WWI Parliamentary Recruiting Committee Poster, Thousands have answered the Nations Call, but you may be The One to turn the scale at a critical moment. Do you realize this? Date: 1915

Background imageCritical Collection: FEIJOO y MONTENEGRO, Benito Jer󮩭o (1673-1764)

FEIJOO y MONTENEGRO, Benito Jer󮩭o (1673-1764)
" FEIJOO y MONTENEGRO, Benito Jer󮩭 o (1673-1764). Spanish writer and essayist. " Teatro Crit co Universal" (Universal Critical Theatre). Edition carried out in Madrid in 1777

Background imageCritical Collection: MONTEZUMA II (1467-1520)

MONTEZUMA II (1467-1520). Aztec king (1502-1520). Portrait of Montezuma II from The Narrative and Critical History of America, edited

Background imageCritical Collection: Pillars, Asclepion (Sanctuary of Asclepius) of Pergamon (Pergamum / Bergama) Western

Pillars, Asclepion (Sanctuary of Asclepius) of Pergamon (Pergamum / Bergama) Western Turkey

Background imageCritical Collection: Antique theater in Asclepion (Sanctuary of Asclepius) of Pergamon (Pergamum / Bergama)

Antique theater in Asclepion (Sanctuary of Asclepius) of Pergamon (Pergamum / Bergama) Western Turkey

Background imageCritical Collection: Asclepion (Sanctuary of Asclepius) of Pergamon (Pergamum / Bergama) Western Turkey

Asclepion (Sanctuary of Asclepius) of Pergamon (Pergamum / Bergama) Western Turkey

Background imageCritical Collection: Local kilims sold in front of the Temple of Serapis (Red Hall / Basilica) Pergamon

Local kilims sold in front of the Temple of Serapis (Red Hall / Basilica) Pergamon (Pergamum / Bergama) Western Turkey

Background imageCritical Collection: Acropolis of Pergamon (Pergamum / Bergama) Western Turkey

Acropolis of Pergamon (Pergamum / Bergama) Western Turkey




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"Exploring the Critical: From Powys to Politics" In this captivating journey, we delve into the realm of criticality through various intriguing facets. John Cowper Powys, a literary genius known for his profound insights, guides us with his words that cut through societal norms and expectations. As we navigate further, we stumble upon a medical prescription that serves as a satirical artwork. It humorously highlights the absurdities of our healthcare system while reminding us of the power of laughter in healing. Moving on, we encounter an unusual punishment from Germany's past - the Shame Flute. This peculiar instrument was used to shame poor musicians and serves as a reminder of how society has evolved over time. Our expedition takes us deep into Gunung Leuser National Park in Northern Sumatra where an enchanting sight awaits us - a majestic Sumatran orangutan perched gracefully on a log. This image reminds us of nature's beauty and its vulnerability in the face of human encroachment. Next, we come across Donald McGill's comic postcard featuring Dirty Collar. Through humor and satire, it sheds light on societal taboos and challenges conventional notions surrounding decency. The HMS Kale emerges from history as an E-class River-class destroyer with its own tale to tell. A symbol of strength amidst chaos, it represents resilience in times of adversity. We then witness Beethoven and Goethe raising their voices against Adolf Hitler's atrocities. Their criticism echoes throughout history as they refuse to be silenced by tyranny. A vibrant Jay bird catches our attention next – Garrulus glandarius – native to Germany. Its presence reminds us that even within nature's realm exists intelligence worth acknowledging. Heal and Son Advertisement beckons towards quality craftsmanship passed down through generations—an ode to timeless traditions that withstand changing tides. "A Finer Screen Needed, " exclaims a cartoon depicting US immigration policy—a stark critique urging introspection about inclusivity and compassion towards those seeking refuge.