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Disciples Collection (#6)

"Disciples: Following in the Footsteps of Faith" In the realm of art

Background imageDisciples Collection: Miraculous Draught of Fishes, from the Altarpiece of Cardinal Francois de Mies, c

Miraculous Draught of Fishes, from the Altarpiece of Cardinal Francois de Mies, c
XIR3759 Miraculous Draught of Fishes, from the Altarpiece of Cardinal Francois de Mies, c.1444 (oil on panel) by Witz, Konrad (1400/10-44/6); 132x154 cm; Musee d Art et d Histoire, Geneva

Background imageDisciples Collection: Jesus healing two blind men, Patriarchate of Pec (fresco)

Jesus healing two blind men, Patriarchate of Pec (fresco)
6199325 Jesus healing two blind men, Patriarchate of Pec (fresco) by Serbian School (14th century); Patriarchate of Pec, Serbia; Serbian, out of copyright

Background imageDisciples Collection: Christ in the garden of olive trees, 1508 (Burin engraving on copper)

Christ in the garden of olive trees, 1508 (Burin engraving on copper)
5890590 Christ in the garden of olive trees, 1508 (Burin engraving on copper) by DAorer or Duerer, Albrecht (1471-1528); 11.8x7.5 cm; Private Collection; (add.info)

Background imageDisciples Collection: Gustave Dore Bible: Jesus and his disciples in the cornfield (engraving)

Gustave Dore Bible: Jesus and his disciples in the cornfield (engraving)
5221568 Gustave Dore Bible: Jesus and his disciples in the cornfield (engraving) by Dore, Gustave (1832-83); Private Collection; (add.info.: Jesus and his disciples in the cornfield)

Background imageDisciples Collection: Jesus calling His Disciples (colour litho)

Jesus calling His Disciples (colour litho)
3648703 Jesus calling His Disciples (colour litho) by Lawson, John (19th century); Private Collection; (add.info.: Jesus calling His Disciples)

Background imageDisciples Collection: The Last Supper (colour litho)

The Last Supper (colour litho)
3648368 The Last Supper (colour litho) by Raphael (Raffaello Sanzio of Urbino) (1483-1520) (after); Private Collection; (add.info.: The Last Supper)

Background imageDisciples Collection: Jesus with the two Disciples at Emmaus (engraving)

Jesus with the two Disciples at Emmaus (engraving)
3628234 Jesus with the two Disciples at Emmaus (engraving) by English School, (19th century); Private Collection; (add.info.: Jesus with the two Disciples at Emmaus)

Background imageDisciples Collection: The miraculous draught (coloured engraving)

The miraculous draught (coloured engraving)
3626817 The miraculous draught (coloured engraving) by English School, (19th century); Private Collection; (add.info.: The miraculous draught)

Background imageDisciples Collection: The Last Supper, from The Bible Picture Book published by Thomas Nelson, c

The Last Supper, from The Bible Picture Book published by Thomas Nelson, c
3482269 The Last Supper, from The Bible Picture Book published by Thomas Nelson, c.1950 (colour litho) by Margetson, William Henry (1861-1940); Private Collection; English, out of copyright

Background imageDisciples Collection: Descent of the Holy Spirit, folio from the Rabula Gospels, 586 AD (tempera on vellum)

Descent of the Holy Spirit, folio from the Rabula Gospels, 586 AD (tempera on vellum)
3506809 Descent of the Holy Spirit, folio from the Rabula Gospels, 586 AD (tempera on vellum) by Byzantine School, (6th century); 34x27 cm; Biblioteca Medicea-Laurenziana, Florence

Background imageDisciples Collection: Jesus appears to the disciples at the sea of Galilee - Bible

Jesus appears to the disciples at the sea of Galilee - Bible
3780541 Jesus appears to the disciples at the sea of Galilee - Bible by Hole, William Brassey (1846-1917); (add.info.: Jesus appears to the disciples at the sea of Galilee)

Background imageDisciples Collection: Jesus and the twelve apostles - Bible

Jesus and the twelve apostles - Bible
3779810 Jesus and the twelve apostles - Bible by Hole, William Brassey (1846-1917); (add.info.: Jesus and the twelve apostles)

Background imageDisciples Collection: Philip and Nathaneal become Jesuss disciples - Bible

Philip and Nathaneal become Jesuss disciples - Bible
3779793 Philip and Nathaneal become Jesuss disciples - Bible by Hole, William Brassey (1846-1917); (add.info.: Philip and Nathaneal become Jesuss disciples)

Background imageDisciples Collection: On the Way to Emmaus, 1643 (oil on wood)

On the Way to Emmaus, 1643 (oil on wood)
3740434 On the Way to Emmaus, 1643 (oil on wood) by Ruisdael or Ruysdael, Salomon van (c.1602-70); 56.6 x 79.2 cm; Kunstmuseum, Basel, Switzerland; Dutch, out of copyright

Background imageDisciples Collection: Martyrdom (engraving)

Martyrdom (engraving)
5204427 Martyrdom (engraving) by English School, (19th century); Private Collection; (add.info.: Martyrdom. Illustration for The Bible Album (Ward and Lock, c 1870)

Background imageDisciples Collection: Christ calling the disciples (chromolitho)

Christ calling the disciples (chromolitho)
5224257 Christ calling the disciples (chromolitho) by Morris, Philip Richard (1838-1902) (after); Private Collection; (add.info.: Christ calling the disciples)

Background imageDisciples Collection: Christ and his disciples in the corn fields (engraving)

Christ and his disciples in the corn fields (engraving)
5224131 Christ and his disciples in the corn fields (engraving) by English School, (19th century); Private Collection; (add.info.: Christ and his disciples in the corn fields)

Background imageDisciples Collection: Jesus is nailed to the Cross (colour litho)

Jesus is nailed to the Cross (colour litho)
5226667 Jesus is nailed to the Cross (colour litho) by Fugel, Gebhard (1863-1939); Private Collection; (add.info.: Jesus is nailed to the Cross)

Background imageDisciples Collection: Jesus Christ enlisting his Fishers Of Men (chromolitho)

Jesus Christ enlisting his Fishers Of Men (chromolitho)
5238986 Jesus Christ enlisting his Fishers Of Men (chromolitho) by French School, (19th century); Private Collection; (add.info.: Jesus Christ enlisting his Fishers Of Men)

Background imageDisciples Collection: Sending out the Twelve Apostles (engraving)

Sending out the Twelve Apostles (engraving)
6028675 Sending out the Twelve Apostles (engraving) by English School, (19th century); Private Collection; (add.info.: Sending out the Twelve Apostles)

Background imageDisciples Collection: The Assumption of the Virgin (oil on wood panel)

The Assumption of the Virgin (oil on wood panel)
704119 The Assumption of the Virgin (oil on wood panel) by Pinturicchio, Bernardino di Betto (c.1452-1513) (School of); Santa Maria del Popolo, Rome, Italy; Italian, out of copyright

Background imageDisciples Collection: Portable altar of St. Mauritius, 1160 (oak, copper, bronze, gold & enamel)

Portable altar of St. Mauritius, 1160 (oak, copper, bronze, gold & enamel)
701832 Portable altar of St. Mauritius, 1160 (oak, copper, bronze, gold & enamel) by Eilbertus of Cologne (Deckel) (fl.1129-60); St

Background imageDisciples Collection: The Entombment of Christ (fresco)

The Entombment of Christ (fresco)
938053 The Entombment of Christ (fresco) by Giotto, Ambrogio Bondone (c.1266-1337) (school of); Monastero di Sant Antonio, Polesine, Italy; eGiuliano Valsecchi; Italian, out of copyright

Background imageDisciples Collection: The Calling of St. Peter (pencil on paper)

The Calling of St. Peter (pencil on paper)
1152802 The Calling of St. Peter (pencil on paper) by Maratta or Maratti, Carlo (1625-1713); eThe Devonshire Collections, Chatsworth; Reproduced by permission of Chatsworth Settlement Trustees;

Background imageDisciples Collection: Saint Jude, 1591-92 (engraving)

Saint Jude, 1591-92 (engraving)
880686 Saint Jude, 1591-92 (engraving) by Dolendo, Zacharias (1561-c.1604); 15.2x15.2 cm; Minneapolis Institute of Arts, MN, USA; eMinneapolis Institute of Art; The David M

Background imageDisciples Collection: The Transfiguration, 1485 (oil on panel)

The Transfiguration, 1485 (oil on panel)
886686 The Transfiguration, 1485 (oil on panel) by Bellini, Giovanni (c.1430-1516); 115x151.5 cm; Museo di Capodimonte, Naples, Campania

Background imageDisciples Collection: At the cross

At the cross
909012 At the cross by Copping, Harold (1863-1932); Private Collection; (add.info.: New Testament Pictures Royal Tract Society circa 1920 s); English, out of copyright

Background imageDisciples Collection: Study for the Entombment, c. 1617-18 (pen & ink over chalks with wash & gouache on paper)

Study for the Entombment, c. 1617-18 (pen & ink over chalks with wash & gouache on paper)
449368 Study for the Entombment, c.1617-18 (pen & ink over chalks with wash & gouache on paper) by Dyck, Anthony van (1599-1641); 25.2x21.7 cm; eThe Devonshire Collections

Background imageDisciples Collection: Leonardo da Vincis Last Supper (red & black chalks on paper)

Leonardo da Vincis Last Supper (red & black chalks on paper)
449302 Leonardo da Vincis Last Supper (red & black chalks on paper) by Soutman, Pieter Claesz (c.1580-1657); 26x50.6 cm; eThe Devonshire Collections

Background imageDisciples Collection: The Last Supper (oil on canvas)

The Last Supper (oil on canvas)
XIR420033 The Last Supper (oil on canvas) by Pourbus, Frans I (1545-81); 41x56 cm; Musee des Beaux-Arts, Caen, France; (add.info.: La Cene; ); Netherlandish, out of copyright

Background imageDisciples Collection: The Last Supper, c. 1525 (oil on panel)

The Last Supper, c. 1525 (oil on panel)
ALM403426 The Last Supper, c.1525 (oil on panel) by Master of Portillo (fl.c.1523-30) (attr. to); 146.4x167x7.6 cm; Allen Memorial Art Museum, Oberlin College, Ohio

Background imageDisciples Collection: Christs Charge to Peter (tapestry)

Christs Charge to Peter (tapestry)
466042 Christs Charge to Peter (tapestry) by Raphael (Raffaello Sanzio of Urbino) (1483-1520) (after); Belvoir Castle, Leicestershire, UK; (add.info.: Mortlake tapestry from a cartoon by Raphael)

Background imageDisciples Collection: The Incredulity of St. Thomas, 1572 (oil on panel)

The Incredulity of St. Thomas, 1572 (oil on panel)
ALI380331 The Incredulity of St. Thomas, 1572 (oil on panel) by Vasari, Giorgio (1511-74); Santa Croce, Florence, Italy; Alinari

Background imageDisciples Collection: Cathedral, interior, choir screen, Marriage at Cana, Entry of Christ into Jerusalem, c

Cathedral, interior, choir screen, Marriage at Cana, Entry of Christ into Jerusalem, c. 1340-51 (polychrome stone)
ALI382741 Cathedral, interior, choir screen, Marriage at Cana, Entry of Christ into Jerusalem, c.1340-51 (polychrome stone) by Ravy, Jean (1318-44) & Jean Le Boutellier (1270-1370); Notre Dame

Background imageDisciples Collection: Cathedral, interior, choir screen, the Last Supper, c. 1340-51 (polychrome stone)

Cathedral, interior, choir screen, the Last Supper, c. 1340-51 (polychrome stone)
ALI382738 Cathedral, interior, choir screen, the Last Supper, c.1340-51 (polychrome stone) by Ravy, Jean (1318-44) & Jean Le Boutellier (1270-1370); Notre Dame, Paris, France; (add.info.: cathedrale)

Background imageDisciples Collection: Cathedral, interior, choir screen, Last Supper, Jesus Christ washing the feet of the apostles

Cathedral, interior, choir screen, Last Supper, Jesus Christ washing the feet of the apostles
ALI382737 Cathedral, interior, choir screen, Last Supper, Jesus Christ washing the feet of the apostles, Christ in the Garden of Olives, c.1340-51 (polychrome stone) by Ravy




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"Disciples: Following in the Footsteps of Faith" In the realm of art, they have been immortalized through various masterpieces that depict their unwavering devotion and transformative encounters. From Rembrandt van Rijn's captivating "Supper at Emmaus" to Raphael Morghen and Teodoro Matteini's poignant portrayal of "The Last Supper, " these artworks serve as windows into the lives of those who walked alongside Jesus. One cannot overlook the iconic image of SS. Peter and Paul, depicted in tempera on panel, symbolizing two pillars of Christianity whose teachings continue to inspire generations. Similarly, "Jesus Teaches to Pray" captures a profound moment where disciples learn from their Master how to communicate with God. Amongst these devoted followers was Doubting Thomas, whose skepticism transformed into unyielding faith upon witnessing Christ's resurrection. Yet amidst this circle of loyalty emerged Judas Iscariot, forever remembered for his betrayal – an unfortunate reminder that even among discipleship, darkness can lurk. "The Last Supper/Disciples, " a recurring motif throughout history, showcases both unity and diversity within this chosen group. It serves as a testament to their shared experiences while celebrating individuality within community. As we delve deeper into biblical narratives, we encounter pivotal events such as "The Ascension of Jesus. " This awe-inspiring moment marks the end of physical presence but ignites an everlasting flame within each disciple's heart – empowering them to carry forth His message. However, not all interactions were filled with love and devotion; one striking example is captured in "The Kiss of Judas. " This mosaic depicts treachery juxtaposed against divine grace - reminding us that even amidst betrayal there remains room for redemption and forgiveness. Finally, we witness an act that epitomizes humility and servitude - "Christ Washing the Disciples' Feet. " In this powerful fresco post-restoration masterpiece dating back to 1305, we witness the embodiment of true discipleship.