Disciples Collection (#7)

Jesus on the Sea of Galilee, 1936 (oil on canvas)
XIR409287 Jesus on the Sea of Galilee, 1936 (oil on canvas) by Morere, Rene (1907-42); Musee des Beaux-Arts, Pau, France; (add.info.: Jesus au lac de Tiberiade; ); French, out of copyright

The sending of the Holy Spirit (coloured engraving)
726580 The sending of the Holy Spirit (coloured engraving) by German School, (19th century); Private Collection; (add.info.: The sending of the Holy Spirit)

Window designed by Edward Bird, R. A. in Temple Church (w / c on paper)
2831604 Window designed by Edward Bird, R.A. in Temple Church (w/c on paper) by Manning, Joseph (c.1801-1861/1871); Bristol Museum and Art Gallery, UK; eBristol Museums

Jesus Christ, The Sermon On The Mount (colour litho)
2799794 Jesus Christ, The Sermon On The Mount (colour litho) by French School, (19th century); Private Collection; (add.info.: Jesus Christ, The Sermon On The Mount)

Jesus teaching his Disciples (coloured engraving)
2801094 Jesus teaching his Disciples (coloured engraving) by English School, (19th century); Private Collection; (add.info.: Jesus teaching his Disciples)

Jesus and his Disciples on the Road to Caesarea (engraving)
2787298 Jesus and his Disciples on the Road to Caesarea (engraving) by Robida, Albert (1848-1926) (after); Private Collection; (add.info.: Jesus and his Disciples on the Road to Caesarea)

Jesus appears to the Disciples (engraving)
2787285 Jesus appears to the Disciples (engraving) by Robida, Albert (1848-1926) (after); Private Collection; (add.info.: Jesus appears to the Disciples)

Jesus washing the Disciples Feet (engraving)
2787235 Jesus washing the Disciples Feet (engraving) by Robida, Albert (1848-1926) (after); Private Collection; (add.info.: Jesus washing the Disciples Feet)

Head of an Apostle, c. 1210 (limestone with traces of polychromy)
2970562 Head of an Apostle, c.1210 (limestone with traces of polychromy) by French School, (13th century); height: 43 cm; The Art Institute of Chicago, IL

Window depicting the Last supper, detail of 2921654, 1530 (stained glass)
2921653 Window depicting the Last supper, detail of 2921654, 1530 (stained glass) by French School, (16th century); Eglise Notre Dame, Caudebec

The Agony in the Garden, 1524 (oil on canvas)
2630254 The Agony in the Garden, 1524 (oil on canvas) by Garofalo, Benvenuto Tisi da (1481-1559); 119.4x152.5 cm; Birmingham Museums and Art Gallery; Italian, out of copyright

The Miracle of Christ Calming the Storm on the Sea of Galilee, 1930s (screen print)
2629943 The Miracle of Christ Calming the Storm on the Sea of Galilee, 1930s (screen print) by American School, (20th century); Private Collection; Photo eGraphicaArtis; American, out of copyright

Judas (colour photo)
3095821 Judas (colour photo) by English Photographer, (20th century); Private Collection; (add.info.: Judas. Postcard, early 20th century.); © Look and Learn

The man let down through the roof, illustration from Harold Copping Pictures
3036978 The man let down through the roof, illustration from Harold Copping Pictures: The Crown Series, c.1920s (colour litho) by Copping

The messengers to Peter, illustration from Harold Copping Pictures
3036976 The messengers to Peter, illustration from Harold Copping Pictures: The Crown Series, c.1920s (colour litho) by Copping

St Paul at Melita, illustration from Harold Copping Pictures: The Crown Series
3036970 St Paul at Melita, illustration from Harold Copping Pictures: The Crown Series, c.1920s (colour litho) by Copping

The pool of Bethesda, illustration from Harold Copping Pictures
3036958 The pool of Bethesda, illustration from Harold Copping Pictures: The Crown Series, c.1920s (colour litho) by Copping

The centurian, illustration from Harold Copping Pictures: The Crown Series, c
3036957 The centurian, illustration from Harold Copping Pictures: The Crown Series, c.1920s (colour litho) by Copping, Harold (1863-1932); Private Collection; (add.info)

Part of an Antependium depicting the Last Supper, 1300-10
2972828 Part of an Antependium depicting the Last Supper, 1300-10 (plain weave linen embroidered with linen & silk) by German School, (14th century); 38.3x39.4 cm; The Art Institute of Chicago, IL

The sower, illustration from Harold Copping Pictures: The Crown Series, c
3039776 The sower, illustration from Harold Copping Pictures: The Crown Series, c.1920s (colour litho) by Copping, Harold (1863-1932); Private Collection; (add.info)

The raising of Jairuss daughter, illustration from Harold Copping Pictures
3039796 The raising of Jairuss daughter, illustration from Harold Copping Pictures: The Crown Series, c.1920s (colour litho) by Copping

The drawnet, illustration from Harold Copping Pictures: The Crown Series, c
3039778 The drawnet, illustration from Harold Copping Pictures: The Crown Series, c.1920s (colour litho) by Copping, Harold (1863-1932); Private Collection; (add.info)

The little child in the midst, illustration from Harold Copping Pictures
3039775 The little child in the midst, illustration from Harold Copping Pictures: The Crown Series, c.1920s (colour litho) by Copping

"Wist ye not?", illustration from harold Copping Pictures
3039772 " Wist ye not?", illustration from harold Copping Pictures: The Crown Series, c.1920s (colour litho) by Copping

The shepherds of Bethlehem, illustration from Harold Copping Pictures
3039770 The shepherds of Bethlehem, illustration from Harold Copping Pictures: The Crown Series, c.1920s (colour litho) by Copping

Ascension (colour litho)
3108135 Ascension (colour litho) by French School, (19th century); Private Collection; (add.info.: Ascension. Illustration for Grand Album d Images en Couleurs for l Explication du Catechisme by Abbe)

Elijah and Ahab, illustration from Pictures That Teach The Crown Series
3083020 Elijah and Ahab, illustration from Pictures That Teach The Crown Series, 1920 (colour litho) by Copping, Harold (1863-1932); Private Collection; (add.info)

The return of the spies, illustration from Pictures That Teach The Crown Series
3083014 The return of the spies, illustration from Pictures That Teach The Crown Series, 1920 (colour litho) by Copping, Harold (1863-1932); Private Collection; (add.info)

Noah building his altar, illustration from Pictures That Teach The Crown Series
3083009 Noah building his altar, illustration from Pictures That Teach The Crown Series, 1920 (colour litho) by Copping, Harold (1863-1932); Private Collection; (add.info)

Adam and Eve, illustration from Pictures That Teach The Crown Series
3083008 Adam and Eve, illustration from Pictures That Teach The Crown Series, 1920 (colour litho) by Copping, Harold (1863-1932); Private Collection; (add.info)

The finding of the book, illustration from Pictures That Teach The Crown Series
3082999 The finding of the book, illustration from Pictures That Teach The Crown Series, 1920 (colour litho) by Copping, Harold (1863-1932); Private Collection; (add.info)

Josephs coat brought to Jacob, illustration from
3082995 Josephs coat brought to Jacob, illustration from Pictures That Teach The Crown Series, 1920 (colour litho) by Copping

The calling of Nathaniel, illustration from Pictures That Teach The Crown Series
3082991 The calling of Nathaniel, illustration from Pictures That Teach The Crown Series, 1920 (colour litho) by Copping, Harold (1863-1932); Private Collection; (add.info)

Conversion of Lydia, illustration from Pictures That Teach The Crown Series
3082986 Conversion of Lydia, illustration from Pictures That Teach The Crown Series, 1920 (colour litho) by Copping, Harold (1863-1932); Private Collection; (add.info)

The Death of the Virgin, 1639 (etching and drypoint)
1216792 The Death of the Virgin, 1639 (etching and drypoint) by Rembrandt Harmensz. van Rijn (1606-69); 40.7x31 cm; Ashmolean Museum, University of Oxford

Illuminated calendar for June 1846
Calendar for June with figures of Amos and St. James the Less, quote from Philippians, disciples, crab, birds, foliage and castles. From an illuminated Book of Hours of the Duke the Anjou. 1380

Illuminated calendar for May 1846
Calendar for May with figures of Olee and St. Thomas, quote from Ephesians, disciples, Adam and Eve, birds, foliage and castles. From an illuminated Book of Hours of the Duke the Anjou. 1380

Illuminated calendar for April 1846
Calendar for April with figures of Zechariah and St. John the Evangelist, quote from Galatians, disciples, castles, bull, birds and foliage. From an illuminated Book of Hours of the Duke the Anjou

Illuminated calendar for March 1846
Calendar for March with figures of Elias and St. James the Greater, quote from Corinthians, disciples, lamb, castles, birds and foliage. From an illuminated Book of Hours of the Duke the Anjou. 1380

Title page from illuminated calendar for 1846
Title page with calligraphy and decorative design with foliage, birds. angel and mythical creature with lance and shield. From an illuminated Book of Hours of the Duke the Anjou. 1380

Illuminated calendar for November 1846
Calendar for November with figures of Ezekiel and St. Jude, quote from Epistle to Philemon, disciple, centaur with bow, birds, foliage and castles

Illuminated calendar for January 1846
Calendar for January with figures of Jeremias and St. Petrus, quote from Paul, musicians, disciples, mythical creatures and castles. From an illuminated Book of Hours of the Duke the Anjou. 1380

Costumes of the Gabr disciples, Armenians, Kurds
Costumes of the Gabr disciples of Zoroastrianism, Armenians, Kurds. Abiti di Guebri, degli Armeni de Curdi. Handcoloured copperplate engraving by Giovanni Antonio Sasso from Giulio Ferrarios Costumes

Ancient Persian musical instruments
Baglama or tanbur 1, sciehizdeh 2, kemancheh or rebab 3, setar 4, scienk 5, 7, psalter 6, nefir 8, carhana 9, sciak-nefir or horn 10, sorna 11, musicar 12, dembal 13, dohol drum 14

Initiation ceremony of disciples of Zoroastrianism
Initiation ceremonies of gabr or disciples of Zoroastrianism in ancient Persia. A priest pours water in a babys mouth, washes a child and holds another over a pyre. Iniziazione de Guebri

Mary Queen of Scots Prayer Book (ink on parchment?) (see also 279121)
DON279120 Mary Queen of Scots Prayer Book (ink on parchment?) (see also 279121) by French School, (16th century); His Grace The Duke of Norfolk

Ms EAB 664 The Last Supper, Jesus washing the disciples feet, from the Codex Purpureus (vellum)
ALI284682 Ms EAB 664 The Last Supper, Jesus washing the disciples feet, from the Codex Purpureus (vellum) by Byzantine School, (6th century); 6x7 cm; Diocesan Museum of Rossano, Cosenza, Calabria

Marriage at Cana, narthex wall painting, Afendiko church, Brontochion Monastery (fresco)
JB331098 Marriage at Cana, narthex wall painting, Afendiko church, Brontochion Monastery (fresco) by Greek School, (14th century); Mistra

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"Disciples: Following in the Footsteps of Faith" In the realm of art, they have been immortalized through various masterpieces that depict their unwavering devotion and transformative encounters. From Rembrandt van Rijn's captivating "Supper at Emmaus" to Raphael Morghen and Teodoro Matteini's poignant portrayal of "The Last Supper, " these artworks serve as windows into the lives of those who walked alongside Jesus. One cannot overlook the iconic image of SS. Peter and Paul, depicted in tempera on panel, symbolizing two pillars of Christianity whose teachings continue to inspire generations. Similarly, "Jesus Teaches to Pray" captures a profound moment where disciples learn from their Master how to communicate with God. Amongst these devoted followers was Doubting Thomas, whose skepticism transformed into unyielding faith upon witnessing Christ's resurrection. Yet amidst this circle of loyalty emerged Judas Iscariot, forever remembered for his betrayal – an unfortunate reminder that even among discipleship, darkness can lurk. "The Last Supper/Disciples, " a recurring motif throughout history, showcases both unity and diversity within this chosen group. It serves as a testament to their shared experiences while celebrating individuality within community. As we delve deeper into biblical narratives, we encounter pivotal events such as "The Ascension of Jesus. " This awe-inspiring moment marks the end of physical presence but ignites an everlasting flame within each disciple's heart – empowering them to carry forth His message. However, not all interactions were filled with love and devotion; one striking example is captured in "The Kiss of Judas. " This mosaic depicts treachery juxtaposed against divine grace - reminding us that even amidst betrayal there remains room for redemption and forgiveness. Finally, we witness an act that epitomizes humility and servitude - "Christ Washing the Disciples' Feet. " In this powerful fresco post-restoration masterpiece dating back to 1305, we witness the embodiment of true discipleship.