Ebenezer Collection (#4)

Her Majesty and Prince Albert viewing the Pass of Killiecrankie, 1844. Queen Victoria visits Scotland. From " Illustrated London News", 1844, Vol I

The Royal Yacht, the Drawing-Room, 1844. Creator: Ebenezer Landells
The Royal Yacht, the Drawing-Room, 1844. Interior of the ship in which Queen Victoria travelled from London to Scotland. From " Illustrated London News", 1844, Vol I

Wreck of the Windsor Castle steamer, 1844. Creator: Ebenezer Landells
Wreck of the Windsor Castle steamer, 1844. The vessel was damaged when it struck North Carr Rock off the coast of Fife in Scotland: The only boat belonging to the steamer was then lowered

The Royal Party passing the triumphal arch, High Street, Dundee, 1844. Crowds wave as Queen Victorias carriage goes by on her visit to Scotland. From " Illustrated London News", 1844, Vol I

Her Majesty and Prince Albert alighting at Blair Athol Church, 1844. Queen Victoria and the Prince Consort visit the Scottish Highlands. From " Illustrated London News", 1844, Vol I

Arrival of the King of the French, at Portsmouth, on Tuesday last, October 1844. Louis Philippe is welcomed as he visits Britain. From " Illustrated London News", 1844, Vol I

Arrival of the King of the French during the fire, 1844. Creator: Ebenezer Landells
Arrival of the King of the French during the fire, 1844. Firefighters at New Cross railway station in south-east London: His Majesty the King [Louis Philippe] arrived at the station at about eleven o

Blair Athol Castle, from the Ben-y-Glo, 1844. Creator: Ebenezer Landells
Blair Athol Castle, from the Ben-y-Glo, 1844. Blair Castle, near the village of Blair Atholl in Perthshire, Scotland. From " Illustrated London News", 1844, Vol I

Embarkation of Her Majesty, at Woolwich, 1844. Creator: Ebenezer Landells
Embarkation of Her Majesty, at Woolwich, 1844. Her Majesty [Queen Victoria], Prince Albert, and the Princess Royal, embanked at Woolwich Dockyard on Monday morning

Great fire at the New-Cross Railway Station, on Monday last, October, 1844. Firefighters at the scene in south-east London

The royal entry into Blair Athol, 1844. Creator: Ebenezer Landells
The royal entry into Blair Athol, 1844. Queen Victoria and the Prince Consort visit the town of Blair Atholl in the Scottish Highlands. From " Illustrated London News", 1844, Vol I

The Flag-Ship "Ocean", saluting the Royal Squadron, at the Nore, 1844
The Flag-Ship " Ocean", saluting the Royal Squadron, at the Nore, 1844. Royal Navy warship fires cannon in greeting as Queen Victorias yacht passes the Nore

Her Majestys Yacht, the Dining-Room, 1844. Creator: Ebenezer Landells
Her Majestys Yacht, the Dining-Room, 1844. Interior of the ship in which Queen Victoria travelled from London to Scotland. From " Illustrated London News", 1844, Vol I

The Royal Party at King William Dock, Dundee, 1844. Creator: Ebenezer Landells
The Royal Party at King William Dock, Dundee, 1844. Queen Victoria is welcomed as she arrives in Scotland. From " Illustrated London News", 1844, Vol I

Ruins of the Octagon Building, 1844. Creator: Ebenezer Landells
Ruins of the Octagon Building, 1844. Damage after a fire at New Cross railway station in south-east London:at the works attached to the station of the South Eastern, Brighton

Vegetable and Fish Market, From the Rainbow Gallery, Edinburgh, 1830. Creator
Vegetable and Fish Market, From the Rainbow Gallery, Edinburgh, 1830. View of the market under the old North Bridge, built 1767-1782. [Jones & Co, Finsbury Square, London, 1830]

Assassination attempt against Queen Victoria, Constitution Hill, Westminster, London, 1840. Scene of Edward Oxfords attempt to assassinate Queen Victoria

Gog and Magog with a barrel, 1840. Artist: Ebenezer Landells
Gog and Magog with a barrel, 1840. The mythical giants, statues of whom are inside the Guildhall in the City of London

Letter from Thomas Carlyle to Macvey Napier, editor of the Edinburgh Review, 6th February 1832. Artist: Thomas Carlyle
Letter from Thomas Carlyle to Macvey Napier, editor of the Edinburgh Review, 6th February 1832. Letter written from 4 Ampton Street, London, by the writer Thomas Carlyle to Macvey Napier

Native of Mozambique, 1848. Artist: Ebenezer Landells
Native of Mozambique, 1848. An engraving from the Natural History of Man, by James Cowles Prichard, published by Hippolyte Bailliere, (London, third edition, 1848)

Souakiny chief, 1848. Artist: Ebenezer Landells
Souakiny chief, 1848. An inhabitant of the port of Suakin in north eastern Sudan, on the Red Sea. An engraving from the Natural History of Man, by James Cowles Prichard, (Hippolyte Bailliere, London)

Ko-tsching Dschang, 1848. Artist: Ebenezer Landells
Ko-tsching Dschang, 1848. Ko Tsching Dschang, a Chinese clerk, worked on the illustrations of von Siebolds work Nippon. An engraving from the Natural History of Man, by James Cowles Prichard

Head of a Woman of the Cafusos, 1848. Artist: Ebenezer Landells
Head of a Woman of the Cafusos, 1848. Cafuso is a derogatory term which meant the offspring of an African and an Indian, or a very dark-skinned, nearly black mulatto, (person of mixed race)

Ebenezer Sibly, British astrologer and physician, late 18th century. The vignette beneath the portrait shows a physician taking a patients pulse by the wayside

The Tale of a Tea-kettle, 1844. Artist: Ebenezer Landells
The Tale of a Tea-kettle, 1844. James Watt as a boy watching the kettle boiling in the fire. Watt (1736-1819), Scottish engineer and inventor, was born at Greenock on the Clyde, Scotland

Cashew nut - Anacardium occidentale, c1798. Branch of a tree showing flowers, apples and nuts. The apples can be used for preserves, and the kernels eaten

Ebenezer Howard - plan of section of garden city
Ebenezer Howards plan of a section of a garden city - ward and centre. Date: 1898

Khoisan woman in hat, animal skin, necklace, and bracelets, and carries a bow and arrows.. Handcolored copperplate engraving from Ebenezer Siblys Universal System of Natural History, 1794

Khoisan man of South Africa wearing animal skin, beaded necklace and loincloth.. Handcolored copperplate engraving from Ebenezer Siblys Universal System of Natural History, 1794

Koisan woman of South Africa in full dress wearing animal skin cape.. Handcolored copperplate engraving from Ebenezer Siblys Universal System of Natural History, 1794

Native American wearing a headdress and short skirt, a large silver plate on his chest.. Handcolored copperplate engraving from Ebenezer Siblys Universal System of Natural History, 1794

Weasel, stoat, ermine, polecat, ferret, marten and sable.. Handcolored copperplate engraving from Ebenezer Siblys Universal System of Natural History, 1794

DICKENS: CHRISTMAS CAROL, 1843. Ignorance and Want. Etching by John Leech from the first edition of Charles Dickens A Christmas Carol, 1843

Civet cat, Civetticus civetta.. Handcolored copperplate engraving from Ebenezer Siblys Universal System of Natural History, 1794

A woman of Terra del Fuego, South America, carrying a baby on her back.. Handcolored copperplate engraving from Ebenezer Siblys Universal System of Natural History, 1794

Market Place, Sheffield, Yorkshire, 19th cent
Ebenezer Elliott Monument, Market Place looking towards High Street. Shops on right include No 49, Market Place, Moss and Myers, Watchmakers and Jewellers

Anti-corn Law League Bazaar held in Covent Garden Theatre, May 1845: Something For Nothing, or, Fum the Protected
Printed by J. H. Greaves, Sheffield and dedicated to the advocates of free trade, the only real friends to agriculture, manufactures and commerce.Original at Sheffield Archives: JC/1401 (JC/29/67)

DICKENS: CHRISTMAS CAROL, 1843. Ebenezer Scrooge and Bob Cratchit. Etching by John Leech from the first edition of Charles Dickens " A Christmas Carol, " 1843

DICKENS: CHRISTMAS CAROL, 1943. The Second of the Three Spirits (the Ghost of Christmas Present). Etching by John Leech from the first edition of Charles Dickens A Christmas Carol, 1843

A CHRISTMAS CAROL. Christmas at Belles family: illustration by Arthur Rackham for Charles Dickens " A Christmas Carol."

A CHRISTMAS CAROL. Jacob Marleys Ghost. Etching by John Leech from the first edition of Charles Dickens A Christmas Carol, 1843

Plan of New Ebenezer, Georgia, established 1734 by Protestants from Salzburg. Contemporary engraving by Matthew Seutter
GEORGIA: TOWN PLAN, 1734. Plan of New Ebenezer, Georgia, established 1734 by Protestants from Salzburg. Contemporary engraving by Matthew Seutter

Apples, three varieties. Lithograph from Ebenezer Emmons, Agriculture of New York: vol. 3 - Fruits. Plate XXIII. Date: 1851

The Colosseum Print of London, 1842 - ILN
The Colosseum Print, a view of north and south London, based on a photograph by Antoine Claudet taken from the top of the Duke of Yorks Column, 124 feet high

Table of Aspects at the nativity of George Witchell, astronomer, born 21 March 1728. From Illustration of the Celestial Art of Astrology by Ebenezer Sibly. (London, 1817)

Horoscope drawn up by Ebenezer Sibly in 1779. This horoscope was produced by Sibly at the request of some naval gentlemen to predict that the British West Indies Fleet under Admiral Rodney would be

Mr. Asquith as Scrooge
Depicts Mr Asquith as Ebenezer Scrooge with regards to the subject of woman suffrage. Date: Dec 26th 1913

Ebenezer Rockwood Hoar (1816-1895). Was an influential American, lawyer, and justice from Massachusetts. He was appointed U.S. Attorney General in 1869 by President Ulysses S. Grant

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"Ebenezer: A Tale of Redemption and Hope" In the timeless classic, "A Christmas Carol, " Ebenezer Scrooge embarks on a transformative journey that forever changes his life. As he sits alone in his dimly lit office, Scrooge's hardened heart is startled by the ghostly apparition of Jacob Marley's face. This encounter sets off a chain of events that will challenge Scrooge's beliefs and alter his destiny. Amidst the hustle and bustle of Victorian London, we witness Bob Cratchit and Tiny Tim, whose resilience and love for one another serve as a stark contrast to Scrooge's cold demeanor. Their relationship reminds us of the importance of compassion and kindness towards our fellow human beings. As Scrooge delves deeper into self-reflection, we are introduced to Ebenezer Howard - an influential urban planner who envisioned harmonious living through his "Three Magnets" diagram. Just like Howard aimed to create balanced communities, so too does Dickens strive to teach us about the power of community spirit in transforming lives. Illustrated by Arthur Rackham with haunting beauty, Marley's Ghost appears before Scrooge as a warning from beyond the grave. The chilling image serves as a catalyst for change within our protagonist – urging him to confront his past actions and embrace redemption. Scenes shift between Dickens' vivid descriptions of Scrooge at his desk counting coins with meticulous precision, highlighting both his obsession with wealth accumulation and detachment from humanity. Yet it is when he sees his own name etched upon a tombstone that true fear grips him – reminding us all that time is fleeting, urging us not to waste precious moments on greed or bitterness. Drawing inspiration from Ebenezer Howard's plan for garden cities where nature thrives alongside urban development; we see parallels between this vision and Scrooge’s transformational journey towards embracing generosity over selfishness.