Ebenezer Collection (#3)

Gray or Hanuman langur, Semnopithecus entellus
Gray langur or Hanuman langur, Semnopithecus entellus (Dufresnes monkey, Simia entellus). Handcoloured copperplate engraving by J

Skeleton of the Bornean orangutan, Pongo pygmaeus
Skeleton and skull of the Bornean orangutan, Pongo pygmaeus. Endangered. (Great Borneo ape, Simia satyrus.) Handcoloured copperplate engraving by J

Comparative anatomy of the skulls of the ape, baboon and monkey. Handcoloured copperplate engraving from Ebenezer Siblys Universal System of Natural History, London, 1803

Bornean orangutan, Pongo pygmaeus, female. Endangered
Bornean orangutan, Pongo pygmaeus. Endangered. Domesticated female orang-outang with bandana and bowl. Handcoloured copperplate engraving by J

Comparative anatomy of the heads of men, apes and birds. Handcoloured copperplate engraving by J. Chapman from Ebenezer Siblys Universal System of Natural History, London, 1803

Mule bird, thought to be a pheasant / partridge hybrid
Mule bird, thought to be a pheasant/partridge hybrid found at Holt Park, Farnham, Surrey. Handcoloured copperplate engraving by J

Microscopic views of human spermatozoa in semen
Microscopic views of human spermatozoa. View of the animalculae or organic particles in the semen. Handcoloured copperplate engraving by J

Comparisons of man and ape
Representation of the analogy betwixt man and brute. Child and monkey with fruit, portrait of man and ape, skulls of man and ape. Handcoloured copperplate engraving by J

Red-handed tamarin, Saguinus midas. Tamarin or great-eared monkey. Handcoloured copperplate engraving by J. Pass after an illustration by George Edwards from Ebenezer Siblys Universal System of

Howler monkey, Alouatta species. Ouarine or preacher monkey. Handcoloured copperplate engraving by J. Pass after an illustration by Johann Jakob Ihle from Ebenezer Siblys Universal System of Natural

Angola colobus, Colobus angolensis. Full-bottom monkey, named for its resemblance to a full-bottomed wig. Handcoloured copperplate engraving by J

Mona or varied monkey, Cercopithecus mona. Handcoloured copperplate engraving by John Pass after an illustration by Jean Baptiste Audebert from Ebenezer Siblys Universal System of Natural History

Collared mangabey, Cercocebus torquatus, vulnerable. Handcoloured copperplate engraving by John Pass after an illustration by Johann Jakob Ihle from Ebenezer Siblys Universal System of Natural

The Stone of Help (engraving)
2813244 The Stone of Help (engraving) by English School, (19th century); Private Collection; (add.info.: The Stone of Help. Illustration for Chatterbox (1890).); © Look and Learn

Office of the Board of Trade - scene on Sunday night, 1845. Creator: Ebenezer Landells
Office of the Board of Trade - scene on Sunday night, 1845. Investors rush to lodge railway applications in Whitehall, London

Lord Mayors Day - the Stationers Companys barge at Lambeth Palace, 1845. Annual flotilla of boats on the River Thames in London

New wing of Osborne House, Isle of Wight, 1845. Creator: Ebenezer Landells
New wing of Osborne House, Isle of Wight, 1845. Improvements to one of the royal residences:Mr. Thomas Cubitt, the eminent builder

Lower Falls of the Bruar, 1844. Creator: Ebenezer Landells
Lower Falls of the Bruar, 1844. Waterfalls of Bruar Water in the Scottish Highlands. From " Illustrated London News", 1844, Vol V

An English Christmas Home!, 1845. Creator: Ebenezer Landells
An English Christmas Home!, 1845. A plum pudding, a bowl of punch, bottles, glasses, fruit and playing cards in a decorative cartouche. Illustration to sheet music: Song and chorus by Eliza Cook

The Lord Mayor taking water at the New Pier, Blackfriars Bridge, 1845. Annual celebration for the inauguration of a new Lord Mayor of London [Spectacle Maker John Johnson was chosen in 1845]

Facade of the new British Museum, 1845. Creator: Ebenezer Landells
Facade of the new British Museum, 1845. The newly extended building in Bloomsbury, London. The design of the New British Museum...has certainly not been spared by the architectural critic of

Loss of the yacht "Vectis", off Bognor, 1845. Creator: Ebenezer Landells
Loss of the yacht " Vectis", off Bognor, 1845. About ten days since, the yacht Vectis, the property of R. A. Mangin, Esq

Present state of the British Museum, 1845. Creator: Ebenezer Landells
Present state of the British Museum, 1845. Entrance gate of the British Museum in Bloomsbury, London. The New Museum will occupy a site further north than its predecessor;

New Swindon, 1845. Creator: Ebenezer Landells
New Swindon, 1845. Expansion due to the construction of the Great Western Railway in Wiltshire. The New Town, which has sprung up within the last two years

The Eclair steamer and "The Lazarette"off Motherbank, 1845
The Eclair steamer and " The Lazarette" off Motherbank, 1845. L Eclair sailed from Devonport...having a crew of 146 officers and men, for the coast of Africa

The Second Reformation in Germany - Johannes Ronge, 1845. Creator: Ebenezer Landells
The Second Reformation in Germany - Johannes Ronge, 1845. Portrait of Prussian priest Johannes Ronge, principal founder of the New Catholics

Goodwood Races, the Course, 1845. Creator: Ebenezer Landells
Goodwood Races, the Course, 1845. From " Illustrated London News", 1845, Vol VII

The Royal Yacht passing the Drachenfels, 1845. Creator: Ebenezer Landells
The Royal Yacht passing the Drachenfels, 1845. Queen Victoria and Prince Albert travel down the River Rhine during a royal visit to Germany

The Seven Mountains and Drachenfels, from Godenberg, 1845. Creator: Ebenezer Landells
The Seven Mountains and Drachenfels, from Godenberg, 1845. The village of Godenberg [in Germany] is one of the most charming places of summer residence on the Rhine; and its Castle Keep

Her Majesty entering Gotha, 1845. Creator: Ebenezer Landells
Her Majesty entering Gotha, 1845. Queen Victoria and Prince Albert arrive in the town of Gotha during a royal visit to Germany. From " Illustrated London News", 1845, Vol VII

Fountain of Elise, Aix-la-Chapelle, 1845. Creator: Ebenezer Landells
Fountain of Elise, Aix-la-Chapelle, 1845. The Mineral Springs of Aix rise in the centre of the town: they are of two classes - strong and hot, and weak and cool; the first class, of 143 Fahrenheit

The Royal Banquet, at Rosenau, 1845. Creator: Ebenezer Landells
The Royal Banquet, at Rosenau, 1845. Dinner at the birthplace and boyhood home of Prince Albert in Germany. From " Illustrated London News", 1845, Vol VII

Ely, from the railway station, 1845. Creator: Ebenezer Landells
Ely, from the railway station, 1845. Coaches in the Cambridgeshire town of Ely. From " Illustrated London News", 1845, Vol VII

The Theatre, Coburg, 1845. Creator: Ebenezer Landells
The Theatre, Coburg, 1845. The Landestheater Coburg (Coburg State Theatre), at Coburg in Germany, was opened in 1840. From " Illustrated London News", 1845, Vol VII

Bayen Thurm, Cologne, 1845. Creator: Ebenezer Landells
Bayen Thurm, Cologne, 1845. Boats on the River Rhine at Cologne in Germany, with the Bayenturm in the background....the picturesque river scenery of the suburbs

The Palace of Stolzenfels, on the Rhine, 1845. Creator: Ebenezer Landells
The Palace of Stolzenfels, on the Rhine, 1845. Stolzenfels [near Koblenz in Germany] is much resorted to, on account of the fine view which it commands

Torch-light concert at Mayence, 1845. Creator: Ebenezer Landells
Torch-light concert at Mayence, 1845. Musical performance in honour of Queen Victoria and Prince Albert during a royal visit to Germany....the Royal Route

Her Majestys Entree in to Coburg, 1845. Creator: Ebenezer Landells
Her Majestys Entree in to Coburg, 1845. Royal visit to Germany: crowds line the streets as Queen Victoria and Prince Albert pass under a triumphal arch with a sign saying Wilkommen

Illumination of the Rhine, from Stolzenfels, 1845. Creator: Ebenezer Landells
Illumination of the Rhine, from Stolzenfels, 1845. Firework dispay in Germany....the church tower of St. John and the village of Niederlahnstein burst into light

Ehrenbreitstein and Coblentz, 1845. Creator: Ebenezer Landells
Ehrenbreitstein and Coblentz, 1845. Boats on the River Rhine in Germany: Ehrenbreitstein (Honours broadstone), the Gibraltar of the Rhine

Colosseum print - north and south views, 1844. Creator: Ebenezer Landells
Colosseum print - north and south views, 1844. Panorama of London, one of a series made from daguerreotypes by Antoine Claudet, sketched by Henry Anelay and engraved by Ebenezer Landells

Colosseum print - south view, 1844. Creator: Ebenezer Landells
Colosseum print - south view, 1844. Panorama of London, one of a series made from daguerreotypes by Antoine Claudet, sketched by Henry Anelay and engraved by Ebenezer Landells

Colosseum print - north view, 1844. Creator: Ebenezer Landells
Colosseum print - north view, 1844. Panorama of London, one of a series made from daguerreotypes by Antoine Claudet, sketched by Henry Anelay and engraved by Ebenezer Landells

The Queen and Lady Glenlyon visiting the Falls of the Fender, 1844. Queen Victoria and her friend Anne Murray, Duchess of Atholl visit a waterfall in Scotland

Her Majesty and Prince Albert disembarking Dundee, 1844. Creator: Ebenezer Landells
Her Majesty and Prince Albert disembarking Dundee, 1844. Queen Victorias yacht is welcomed as it arrives in Scotland:a salute of twenty-one guns was fired from Broughty Ferry, tar-barrels were lit

Cottages at Blair Athol, 1844. Creator: Ebenezer Landells
Cottages at Blair Athol, 1844. Queen Victoria and the Prince Consort visit the town of Blair Atholl in the Scottish Highlands. From " Illustrated London News", 1844, Vol I

Her Majesty and Prince Albert viewing the Pass of Killiecrankie, 1844. Queen Victoria visits Scotland. From " Illustrated London News", 1844, Vol I

The Royal Yacht, the Drawing-Room, 1844. Creator: Ebenezer Landells
The Royal Yacht, the Drawing-Room, 1844. Interior of the ship in which Queen Victoria travelled from London to Scotland. From " Illustrated London News", 1844, Vol I

For sale as Licensed Images

Choose your image, Select your licence and Download the media

"Ebenezer: A Tale of Redemption and Hope" In the timeless classic, "A Christmas Carol, " Ebenezer Scrooge embarks on a transformative journey that forever changes his life. As he sits alone in his dimly lit office, Scrooge's hardened heart is startled by the ghostly apparition of Jacob Marley's face. This encounter sets off a chain of events that will challenge Scrooge's beliefs and alter his destiny. Amidst the hustle and bustle of Victorian London, we witness Bob Cratchit and Tiny Tim, whose resilience and love for one another serve as a stark contrast to Scrooge's cold demeanor. Their relationship reminds us of the importance of compassion and kindness towards our fellow human beings. As Scrooge delves deeper into self-reflection, we are introduced to Ebenezer Howard - an influential urban planner who envisioned harmonious living through his "Three Magnets" diagram. Just like Howard aimed to create balanced communities, so too does Dickens strive to teach us about the power of community spirit in transforming lives. Illustrated by Arthur Rackham with haunting beauty, Marley's Ghost appears before Scrooge as a warning from beyond the grave. The chilling image serves as a catalyst for change within our protagonist – urging him to confront his past actions and embrace redemption. Scenes shift between Dickens' vivid descriptions of Scrooge at his desk counting coins with meticulous precision, highlighting both his obsession with wealth accumulation and detachment from humanity. Yet it is when he sees his own name etched upon a tombstone that true fear grips him – reminding us all that time is fleeting, urging us not to waste precious moments on greed or bitterness. Drawing inspiration from Ebenezer Howard's plan for garden cities where nature thrives alongside urban development; we see parallels between this vision and Scrooge’s transformational journey towards embracing generosity over selfishness.