Eden Collection (#7)

Adam and Eve in Paradise (oil on canvas)
RAF81609 Adam and Eve in Paradise (oil on canvas) by Peter, Johann Wenzel (1745-1829); 72x104.5 cm; Private Collection; Photo eRafael Valls Gallery, London, UK; Austrian, out of copyright

Dickie Gordon and Walter Crisham at Eden Roc
Dorothy Mary " Dickie" Fellowes-Gordon (3 August 1891 11 August 1991) Scottish socialite, coal industry heiress and singer, companion of Elsa Maxwell

Adam and Eve driven out of the Garden of Eden by an angel and accompanied by a skeleton playing a fiddle. Handcoloured copperplate engraving by Wenceslaus Hollar from The Dance of Death by Hans

Adam and Eve in the Garden of Eden
Adam plucking an apple and Eve tasting the forbidden fruit in the Garden of Eden, encouraged by a serpent with a human head

Jungle geranium and yellow oleander
Jungle geranium, Ixora coccinea, and yellow oleander, Thevetia neriifolia, Cascabela thevetia. Chromolithograph after a botanical drawing by Emily Eden from her Flowers from an Indian Garden

Magnolia pterocarpa extinct. Liriodendron grandilfora. Chromolithograph after a botanical drawing by Emily Eden from her Flowers from an Indian Garden: Second Series: Hope, Breidenbach Co

Tuberose, Polianthus tuberosa
Tuberose, Polianthes tuberosa (Polianthus tuberosa.). Chromolithograph after a botanical illustration by Emily Eden from her Flowers from an Indian Garden: Second Series: Hope, Breidenbach Co

Flowers from Bombay, India. Flame lily, Gloriosa superba, black-eyed Susan vine, Thunbergia alata, golden champak, Magnolia champaca and lilac hibiscus, Hibiscus lilacinus

Poem with floral border of ukshi and trumpet vine
Poem with floral border of ukshi, Getonia floribunda, and trumpet vine, Campsis radicans. (Getonia mutans, Bignonia radicans)

Indian lotus, Nelumbo nucifera (Nelumbium speciosum). Chromolithograph after a botanical drawing by Emily Eden from her Flowers from an Indian Garden: Second Series: Hope, Breidenbach Co, Dusseldorf

Tamarind and red passionflower
Tamarind, Tamarindus indica, and red passionflower, Passiflora racemosa (Passiflora princeps). Chromolithograph after a botanical drawing by Emily Eden from her Flowers from an Indian Garden

Calligraphic title page with wreath of flowers. Tinted lithograph from Emily Edens Flowers from an Indian Garden: Second Series: Hope, Breidenbach Co, Dusseldorf, 1860s

Lady Eden by Madame Yevonde
Edith Mary Patricia (nÚÑáPrendergast), Lady Eden (died 1990), wife of Sir Timothy Eden, daughter of Arthur Prendergast. Date: 1923

The Tree from which Adam ate the Apple, facsimilie from a book of meditation
1772332 The Tree from which Adam ate the Apple, facsimilie from a book of meditation, the first book printed at Albi, Languedoc, in 1481, 1903 (litho) by French School

Shop front, E B Clarke, Picture Framers, Kingston
Shop front, E B Clarke, Picture Framers, 29 Eden Street, Kingston-on-Thames, Surrey. circa 1910

Sunbathers at Eden Roc
Sunbathers at the famous Eden Roc, Antibes on the French Riviera, an exclusive resort catering to sun worshippers who lay out on the famous orange mattresses. Date: 1930

Sun worshippers at Eden Roc at Cap D Antibes on the French Riviera. A favourite rendezvous of wealthy Brits during the inter-war years when tanning became ultra-fashionable. 1930

Mrs Satterthwaite at Eden Roc
Phyllis Helen Satterthwaite (nÚÑáCarr; 1886 1962) female tennis player from Great Britain who was active from the early 1910s until the late 1930s

Biblical tales from the Old and New Testaments - a nativity scene at the centre with Adam and Eve in the distance on the left

EDENs VISIT TO RUSSIA
Anthony Edens meeting with Josef Stalin in Moscow, described as the first visit of a British minister to Soviet Russia since the Revolution. Date: 1935

Woman picking apples from inside a car (litho)
6001439 Woman picking apples from inside a car (litho) by Fisher, Harrison (1875-1934); Private Collection; (add.info.: Woman picking apples from inside a car)

Powder flask (stag-horn, silver-gilt & ivory)
QED9541 Powder flask (stag-horn, silver-gilt & ivory) by German School, (16th century); Private Collection; (add.info.: This ornate flask was made to carry finely ground gun powder for the priming of)

Adam and Eve, 1504 (engraving)
2972021 Adam and Eve, 1504 (engraving) by DAorer or Duerer, Albrecht (1471-1528); 25.3x19.6 cm; The Art Institute of Chicago, IL, USA; Clarence Buckingham Collection; German, out of copyright

Eve, Cartoon for a Stained Glass Window (w / c on paper)
2962644 Eve, Cartoon for a Stained Glass Window (w/c on paper) by Spence, Thomas Ralph (1848-1918); Laing Art Gallery, Newcastle-upon-Tyne, UK; eTyne & Wear Archives & Museums; English

The first washing day: Adam and Eves fig leaves drying on the washing line (colour litho)
5999973 The first washing day: Adam and Eves fig leaves drying on the washing line (colour litho) by English School, (20th century); Private Collection; (add.info.: The first washing day)

Adam and Eve, after Albrecht Durer (1471-1528) (etching) (b / w photo)
HMP86617 Adam and Eve, after Albrecht Durer (1471-1528) (etching) (b/w photo) by Ladenspelder, Johann (1512-61); Harris Museum and Art Gallery, Preston, Lancashire

Adam and Eve Eating the Forbidden Fruit, early 1460 (tempera
5242303 Adam and Eve Eating the Forbidden Fruit, early 1460 (tempera, gold leaf and ink on parchment) by Flemish School, (15th century); 25.6x17.3 cm; J

Gustave Dore Bible: Adam and Eve driven out of Eden (engraving)
5221505 Gustave Dore Bible: Adam and Eve driven out of Eden (engraving) by Dore, Gustave (1832-83); Private Collection; (add.info.: Adam and Eve driven out of Eden)

Adam and Eve driven from the garden of Eden (litho)
5197829 Adam and Eve driven from the garden of Eden (litho) by Stacey, W.S. (1846-1929); Private Collection; (add.info.: Adam and Eve driven from the garden of Eden)

Adam and Eve in Paradise, 1629 (oil on copper)
5938230 Adam and Eve in Paradise, 1629 (oil on copper) by Konig, Johann or Hans (1586-1642); 17.0x23.3 cm; Fitzwilliam Museum, University of Cambridge, UK; eFitzwilliam Museum; German

The Temptation, (oil on panel)
827894 The Temptation, (oil on panel) by Coecke van Aelst, Pieter (1502-50); 112.5x87.5 cm; Private Collection; (add.info.: The Temptation. Attributed Pieter Coecke van Aelst (1502-1550)

Madonna and Child in a Garden, c. 1460-70 (tempera and oil on panel)
3617949 Madonna and Child in a Garden, c.1460-70 (tempera and oil on panel) by Tura, Cosimo (1430-95); 53.4 x 37.2 cm; National Gallery of Art, Washington DC

The Fall of Man, 1592 (oil on canvas)
3545868 The Fall of Man, 1592 (oil on canvas) by Cornelisz. van Haarlem, Cornelis (1562-1638); 273x220 cm; Rijksmuseum, Amsterdam, The Netherlands; Dutch, out of copyright

Angel of the Divine Presence Bringing Eve to Adam, c. 1803 (w / c
3493159 Angel of the Divine Presence Bringing Eve to Adam, c.1803 (w/c, pen and black ink over graphite) by Blake, William (1757-1827); 41.6 A-- 33.2 cm; Metropolitan Museum of Art, New York

Rowland Burdon (oil on canvas)
3492785 Rowland Burdon (oil on canvas) by English School, (18th century); Sunderland Museum & Winter Gardens, Tyne & Wear, UK; (add.info.: Rowland Burdon (c)

Egremont Castle (engraving)
2793652 Egremont Castle (engraving) by English School, (19th century); Private Collection; (add.info.: Egremont Castle. Illustration for The History and Legends of Old Castles And Abbeys (John Dicks)

Adam and Eve, 1504 (engraving)
740671 Adam and Eve, 1504 (engraving) by DAorer or Duerer, Albrecht (1471-1528); 25x19.2 cm; Minneapolis Institute of Arts, MN, USA; eMinneapolis Institute of Art; The Christina N. and Swan J

Adam and Eve in the Garden of Eden, 1491 (woodcut)
986286 Adam and Eve in the Garden of Eden, 1491 (woodcut) by Wolgemuth, Michael (1434-1519) & Pleydenwurff, W. (d.1494); 31.4x22 cm; Private Collection; (add.info)

Adam and Eve in the Garden of Eden (oil on panel)
6354574 Adam and Eve in the Garden of Eden (oil on panel) by Master of the Embroidered Foliage (fl.1495-1500); 49.6x33 cm; Private Collection; Photo eChristies Images; Netherlandish, out of copyright

The ticket a blank, or the clouds of despair (engraving)
559768 The ticket a blank, or the clouds of despair (engraving) by English School, (19th century); Private Collection; (add.info.: The ticket a blank, or the clouds of despair)

The Expulsion from the Garden, c. 1600 (oil on poplar wood panel)
LST204419 The Expulsion from the Garden, c.1600 (oil on poplar wood panel) by Flemish School, (17th century); diameter:28.8 cm; Private Collection; eLawrence Steigrad Fine Arts, New York; Flemish

Adam and Eve in Eden (engraving)
5218280 Adam and Eve in Eden (engraving) by English School, (19th century); Private Collection; (add.info.: Adam and Eve in Eden)

The Expulsion from Eden (engraving)
5202389 The Expulsion from Eden (engraving) by English School, (19th century); Private Collection; (add.info.: The Expulsion from Eden)

The curse pronounced, Genesis III, ver 16, 17 (engraving)
6021725 The curse pronounced, Genesis III, ver 16, 17 (engraving) by English School, (19th century); Private Collection; (add.info.: The curse pronounced, Genesis III, ver 16, 17)

Illustration 4 to Miltons "Paradise Lost"
5854525 Illustration 4 to Miltons " Paradise Lost" : Satan Spying on Adam and Eve and Raphaels Descent into Paradise, 1807 (pen & ink and w/c on paper) by Blake

The First Awakening of Eve (oil on canvas)
1762042 The First Awakening of Eve (oil on canvas) by Prinsep, Valentine Cameron (1838-1904); 114.1x135.3 cm; Private Collection; Photo eChristies Images; English, out of copyright

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In Love, like Adam delved and Eve span, the allure transcends time. From an Advertisement for Hotel du Cap D Antibes to an Illustration by Arthur Rackham for A Dish of Apples, Eden Phillpotts' words in 1921 continue to captivate our imagination. Just as Hieronymus Bosch's The Garden of Earthly Delights mesmerized viewers with its oil on panel masterpiece from 1490-1500, so does a view Roc on the French Riviera transport us to paradise. As we stroll along the exterior of Femina in Berlin or witness the Countess of Warwick at her son's wedding, echoes of that fateful moment when Adam and Eve were driven out resonate within us. The Apple depicted by Kay Nielsen serves as a reminder of temptation and consequence, while the intertwined figures of Adam, Eve, and Serpent symbolize both desire and downfall. Even amidst Lemon Street in Truro, Cornwall during the early 1900s before 1910, traces can be found, and is a place where beauty intertwines with nature's bounty—a sanctuary that whispers tales untold. In this vast tapestry woven through artistry and history alike lies our yearning for an idyllic existence—an eternal longing for that lost paradise called Eden.