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Enamel Collection (#3)

Enamel, the delicate art of fusing glass to metal, has adorned objects throughout history

Background imageEnamel Collection: Design for a pendant with a woman with dragonfly wings, of gold, rubies, opals and enamel, c.1905

Design for a pendant with a woman with dragonfly wings, of gold, rubies, opals and enamel, c.1905

Background imageEnamel Collection: Pair of Candelabra (image 2 of 2), between 1760 and 1770. Creator: Meissen Porcelain

Pair of Candelabra (image 2 of 2), between 1760 and 1770. Creator: Meissen Porcelain
Pair of Candelabra (image 2 of 2), between 1760 and 1770

Background imageEnamel Collection: Pair of Candelabra (image 1 of 2), between 1760 and 1770. Creator: Meissen Porcelain

Pair of Candelabra (image 1 of 2), between 1760 and 1770. Creator: Meissen Porcelain
Pair of Candelabra (image 1 of 2), between 1760 and 1770

Background imageEnamel Collection: Countess Woronzow, 1819. Creator: Marie-Victoire Jaquotot

Countess Woronzow, 1819. Creator: Marie-Victoire Jaquotot
Countess Woronzow, 1819, unknown date

Background imageEnamel Collection: Elizabeth Carter, 1781. Creator: Johann Heinrich von Hurter

Elizabeth Carter, 1781. Creator: Johann Heinrich von Hurter
Elizabeth Carter, 1781

Background imageEnamel Collection: Francoise Athénaïs de Rochechouart, Marchioness of Montespan, 17th century. Creator: Jean Petitot

Francoise Athénaïs de Rochechouart, Marchioness of Montespan, 17th century. Creator: Jean Petitot
Francoise Athenais de Rochechouart, Marchioness of Montespan, 17th century

Background imageEnamel Collection: Anthony Triest, Bishop of Ghent, 1775. Creator: Peter Adolf Hall

Anthony Triest, Bishop of Ghent, 1775. Creator: Peter Adolf Hall
Anthony Triest, Bishop of Ghent, 1775

Background imageEnamel Collection: Enameled coupe on a six -step foot, c.1840-c.1860. Creator: Anon

Enameled coupe on a six -step foot, c.1840-c.1860. Creator: Anon
Enameled coupe on a six-step foot, c.1840-c.1860

Background imageEnamel Collection: Travel views of Europe, between 1904 and 1938. Creator: Arnold Genthe

Travel views of Europe, between 1904 and 1938. Creator: Arnold Genthe
Travel views of Europe, between 1904 and 1938

Background imageEnamel Collection: Link from a Coin Belt: Emperor with vexillum and crowning Victory, 379-395

Link from a Coin Belt: Emperor with vexillum and crowning Victory, 379-395. Creator: Numismatic, Ancient Coins
Link from a Coin Belt: Emperor with vexillum and crowning Victory, 379-395. Found in the collection of the J. Paul Getty Museum, Los Angeles

Background imageEnamel Collection: Cloisonné, 1890-1891. Creator: James Henry Moser

Cloisonné, 1890-1891. Creator: James Henry Moser
Cloisonne, 1890-1891

Background imageEnamel Collection: Young woman in profile, before 1895. Creator: Etienne Tourrette

Young woman in profile, before 1895. Creator: Etienne Tourrette
Young woman in profile, before 1895. Woman with red hair against a background of papyrus plants. (Profil de jeune-fille)

Background imageEnamel Collection: Scenes from the life and passion of Christ, late 15th-early 16th century. Creator: Unknown

Scenes from the life and passion of Christ, late 15th-early 16th century. Creator: Unknown
Scenes from the life and passion of Christ, late 15th-early 16th century. Right panel of a triptych, from top to bottom: the entombment, Christ at the gate of Limbo, the resurrection

Background imageEnamel Collection: The Nativity with St Michael, c.1500. Creator: Workshop of the Master of the Triptych of Louis XII

The Nativity with St Michael, c.1500. Creator: Workshop of the Master of the Triptych of Louis XII
The Nativity with St Michael, c.1500. Triptych. The Nativity flanked by standing saints under arches supported on by twisted columns. Right panel: Saint Michael, lance in hand, tramples on the Devil

Background imageEnamel Collection: The Nativity with St Catherine and St Michael, c.1500. Creator

The Nativity with St Catherine and St Michael, c.1500. Creator: Workshop of the Master of the Triptych of Louis XII
The Nativity with St Catherine and St Michael, c.1500. Triptych. The Nativity flanked by standing saints under arches supported on twisted columns. The Virgin kneels before the infant Jesus

Background imageEnamel Collection: The Nativity, c.1500. Creator: Workshop of the Master of the Triptych of Louis XII

The Nativity, c.1500. Creator: Workshop of the Master of the Triptych of Louis XII
The Nativity, c.1500. Triptych. The Virgin kneels before the infant Jesus. Saint Joseph holds a lit candle. (La Nativite entre sainte Catherine et saint Michel)

Background imageEnamel Collection: The Nativity with St Catherine, c.1500. Creator: Workshop of the Master of the Triptych of Louis XII

The Nativity with St Catherine, c.1500. Creator: Workshop of the Master of the Triptych of Louis XII
The Nativity with St Catherine, c.1500. Triptych. The Nativity flanked by standing saints under arches supported on by twisted columns. Left panel: Saint Catherine holds a sword

Background imageEnamel Collection: Nativity between the Angel and the Virgin of the Annunciation, c.1500

Nativity between the Angel and the Virgin of the Annunciation, c.1500. Creator: Atelier du Maitre aux grands fronts
Nativity between the Angel and the Virgin of the Annunciation, c.1500

Background imageEnamel Collection: The Nativity with St Peter and St Paul, c.1500. Creator: Workshop of the Master of the Triptych of

The Nativity with St Peter and St Paul, c.1500. Creator: Workshop of the Master of the Triptych of Louis XII
The Nativity with St Peter and St Paul, c.1500. Triptych. The Virgin kneels before the infant Jesus. Above him two cherubs hold a scroll reading: Puer Natus nos (Christ is born to us)

Background imageEnamel Collection: The Calmady children, after 1850. Creator: English School

The Calmady children, after 1850. Creator: English School
The Calmady children, after 1850

Background imageEnamel Collection: Portrait of Lady Hamilton after Georges Romney. Creator: English School

Portrait of Lady Hamilton after Georges Romney. Creator: English School
Portrait of Lady Hamilton after Georges Romney

Background imageEnamel Collection: Study resisting the passage of time, between 1781 and 1800. Creator: English School

Study resisting the passage of time, between 1781 and 1800. Creator: English School
Study resisting the passage of time, between 1781 and 1800

Background imageEnamel Collection: Una and the lion, after Angelica Kauffman, between 1783 and 1800. Creator: English School

Una and the lion, after Angelica Kauffman, between 1783 and 1800. Creator: English School
Una and the lion, after Angelica Kauffman, between 1783 and 1800

Background imageEnamel Collection: Madonna with Child, c1810. Creator: English School

Madonna with Child, c1810. Creator: English School
Madonna with Child, c1810

Background imageEnamel Collection: Portrait of a boy, between 1790 and 1810. Creator: English School

Portrait of a boy, between 1790 and 1810. Creator: English School
Portrait of a boy, between 1790 and 1810

Background imageEnamel Collection: Portrait of a young woman, between 1790 and 1810. Creator: English School

Portrait of a young woman, between 1790 and 1810. Creator: English School
Portrait of a young woman, between 1790 and 1810

Background imageEnamel Collection: Portrait of a young woman, between 1650 and 1700. Creator: English School

Portrait of a young woman, between 1650 and 1700. Creator: English School
Portrait of a young woman, between 1650 and 1700

Background imageEnamel Collection: Portrait of a young woman, between 1790 and 1810. Creator: English School

Portrait of a young woman, between 1790 and 1810. Creator: English School
Portrait of a young woman, between 1790 and 1810

Background imageEnamel Collection: Portrait of a little girl, between 1790 and 1810. Creator: English School

Portrait of a little girl, between 1790 and 1810. Creator: English School
Portrait of a little girl, between 1790 and 1810

Background imageEnamel Collection: Portrait of a man, between 1725 and 1750. Creator: English School

Portrait of a man, between 1725 and 1750. Creator: English School
Portrait of a man, between 1725 and 1750

Background imageEnamel Collection: Portrait of a man, between 1725 and 1750. Creator: English School

Portrait of a man, between 1725 and 1750. Creator: English School
Portrait of a man, between 1725 and 1750

Background imageEnamel Collection: Portrait of a man, between 1725 and 1750. Creator: English School

Portrait of a man, between 1725 and 1750. Creator: English School
Portrait of a man, between 1725 and 1750

Background imageEnamel Collection: Portrait of a man, probably a musician, between 1725 and 1750. Creator: English School

Portrait of a man, probably a musician, between 1725 and 1750. Creator: English School
Portrait of a man, probably a musician, between 1725 and 1750

Background imageEnamel Collection: Portrait of a man, between 1725 and 1750. Creator: English School

Portrait of a man, between 1725 and 1750. Creator: English School
Portrait of a man, between 1725 and 1750

Background imageEnamel Collection: Portrait of a man, between 1725 and 1750. Creator: English School

Portrait of a man, between 1725 and 1750. Creator: English School
Portrait of a man, between 1725 and 1750

Background imageEnamel Collection: Portrait of a man, between 1725 and 1750. Creator: English School

Portrait of a man, between 1725 and 1750. Creator: English School
Portrait of a man, between 1725 and 1750

Background imageEnamel Collection: Portrait of a man, between 1725 and 1750. Creator: English School

Portrait of a man, between 1725 and 1750. Creator: English School
Portrait of a man, between 1725 and 1750

Background imageEnamel Collection: Portrait of a young woman, between 1725 and 1750. Creator: English School

Portrait of a young woman, between 1725 and 1750. Creator: English School
Portrait of a young woman, between 1725 and 1750

Background imageEnamel Collection: Portrait of a man, between 1725 and 1750. Creator: English School

Portrait of a man, between 1725 and 1750. Creator: English School
Portrait of a man, between 1725 and 1750

Background imageEnamel Collection: Portrait of a young woman, between 1725 and 1750. Creator: English School

Portrait of a young woman, between 1725 and 1750. Creator: English School
Portrait of a young woman, between 1725 and 1750

Background imageEnamel Collection: Portrait of a young woman, between 1725 and 1775. Creator: English School

Portrait of a young woman, between 1725 and 1775. Creator: English School
Portrait of a young woman, between 1725 and 1775

Background imageEnamel Collection: Portrait of a man, between 1750 and 1775. Creator: English School

Portrait of a man, between 1750 and 1775. Creator: English School
Portrait of a man, between 1750 and 1775

Background imageEnamel Collection: Portrait of a man, between 1750 and 1775. Creator: English School

Portrait of a man, between 1750 and 1775. Creator: English School
Portrait of a man, between 1750 and 1775

Background imageEnamel Collection: Portrait of a man, between 1725 and 1750. Creator: English School

Portrait of a man, between 1725 and 1750. Creator: English School
Portrait of a man, between 1725 and 1750

Background imageEnamel Collection: Portrait of a young woman, between 1750 and 1775. Creator: English School

Portrait of a young woman, between 1750 and 1775. Creator: English School
Portrait of a young woman, between 1750 and 1775

Background imageEnamel Collection: Portrait of a man, between 1750 and 1775. Creator: English School

Portrait of a man, between 1750 and 1775. Creator: English School
Portrait of a man, between 1750 and 1775

Background imageEnamel Collection: Portrait of a young woman, between 1725 and 1750. Creator: English School

Portrait of a young woman, between 1725 and 1750. Creator: English School
Portrait of a young woman, between 1725 and 1750

Background imageEnamel Collection: Portrait of a man, between 1725 and 1750. Creator: English School

Portrait of a man, between 1725 and 1750. Creator: English School
Portrait of a man, between 1725 and 1750




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Enamel, the delicate art of fusing glass to metal, has adorned objects throughout history. From the intricate details on a molar tooth to the opulent Gold enamelled brooch presented to Florence Nightingale, its versatility is undeniable. In 1913, The Winter Egg showcased enamel's beauty with its quartz, platinum, orthoclase and diamond composition. This masterpiece exemplified the craftsmanship behind this ancient technique. Even in everyday life, enamel finds its place. An advertisement for W H Smith displayed an eye-catching sign that captured attention with vibrant colors and flawless finish. Similarly, a Mobiloil enamel sign stood proudly as a symbol of quality and reliability. Not limited to commercial use alone, it also played a significant role in social movements. The Poor Law Workers Union Badge became a powerful statement of solidarity among workers fighting for their rights. The automotive industry embraced enamel too; Pratts Motor Oil and Champion Spark Plug Service signs were iconic symbols seen across roadsides worldwide. These signs not only represented trusted brands but also added a touch of nostalgia to our collective memory. Heraldic crests, rings, and brooches crafted meticulously in gold and they have been treasured heirlooms passed down through generations. Each piece tells a story of heritage and tradition while showcasing the exquisite beauty achieved by combining these two materials. But it isn't just about luxury or aesthetics; sometimes even decay can be captivating when viewed through polarised light microscopy—a mesmerizing display revealing both fragility and resilience within every molar tooth affected by decay. Enamel's charm extends beyond decorative purposes; it found practical applications too. In 1938 an advert for Main Mainstat gas cookers highlighted how this durable material could withstand high temperatures while adding elegance to any kitchen setting. From historical artifacts like The Winter Egg to everyday items like advertising signs or badges representing social change—enamel continues to captivate us with its timeless allure.