Enamel Collection (#6)

Triplex Grates Advertisement
An advertisement for an Ideal Homes Exhibition stand for Triplex Foundry Ltd. promoting their fire place grates in a unique porcelain enamel finish, allowing for easy cleaning. Date: circa 1936

Children With Camel
A decorative cloisonne enamel item of jewellery, bearing the image of a camel, with a little boy and girl riding it, amongst a big bunch of leafy roses. Date: circa 1916

Battersea Enamelware
This illustration shows three examples of Battersea enamel, in the form of two decorative etui needle cases, with gilt framed portraits of women and children, and a central large blue ornament

White Star Line - white metal souvenirs
White Star Line - white metal on board souvenirs for the RMS Homeric, Baltic, Megantic, and Doric. Date: early 20th century

White Star Line - Marine Superintendent sign
White Star Line - rare oval enamel sign Marine Superintendent White Star Line'. Reputed ex-White Star Line Marine Superintendent's Office, Princes Dock, Liverpool. 9 inches

White Star Line and Cunard - souvenir brooches
White Star Line and Cunard souvenir brooches - RMS Baltic, RMS Celtic, RMS Megantic and RMS Queen Mary. Pictorial brass enamel brooches. Date: 20th century

Ocean Liners - three brooches and a badge
Ocean Liners - White Star Line RMS Doric, MV Georgic, and RMS Majestic ship's wheel enamel brooches, 1 inch diameter. Cunard QE2 Farewell Season 2008 enamel badge, 1.25 x 0.75 inches

Ocean Liners - assorted metal items
Ocean Liners - assorted metal and enamel items, ashtrays and tea strainer, from RMS Ivernia, MV Britannic, RMS Berengaria, etc. Date: 20th century

White Star Line - RMS Megantic salt and pepper pots
White Star Line - white metal salt and pepper pots with enamel White Star and RMS Megantic designs

Placing decorated ware in kiln, Alfred Meakin
Placing decorated ware in enamel kiln before final firing Date: 1913

Enamel kilns for firing tiles, Alfred Meakin
Enamel kilns for firing coloured glazes on tiles Date: 1913

Decorating Room, transferring designs, Alfred Meakin
Decorating Room, transferring designs in enamel onto the ware Date: 1913

Japanned and Enamelled Ware Date: 19th century

Studebaker Advertisement
An advertisement illustration for Studebaker, automobile manufacturers. The image shows a Studebaker car, finished in pure gold on white enamel, with white kid leather hood and cushions

Altar crucifix with reliquary. 14th century. Denmark
Altar crucifix with reliquary, depicting the four evangelists on a blue enamel ground. Contains a relic of a Holy Cross and other. 14th century. From Saint Michael's Church, Slagelse (Denmark)

Famille verte hong bowl, Qianlong Dynasty, c. 1785 (hard paste porcelain)
3123277 Famille verte hong bowl, Qianlong Dynasty, c.1785 (hard paste porcelain) by Chinese School (18th century); height: 15 diam: 36 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Famille verte hong bowl, Qianlong Dynasty, c. 1785 (hard paste porcelain)
3123272 Famille verte hong bowl, Qianlong Dynasty, c.1785 (hard paste porcelain) by Chinese School (18th century); height: 15 diam: 36 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Famille verte hong bowl, Qianlong Dynasty, c. 1785 (hard paste porcelain)
3123284 Famille verte hong bowl, Qianlong Dynasty, c.1785 (hard paste porcelain) by Chinese School (18th century); height: 15 diam: 36 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Interior, Famille verte hong bowl, Qianlong Dynasty, c. 1785 (hard paste porcelain)
3123285 Interior, Famille verte hong bowl, Qianlong Dynasty, c.1785 (hard paste porcelain) by Chinese School (18th century); height: 15 diam: 36 cm; Manchester Art Gallery

Famille verte hong bowl, Qianlong Dynasty, c. 1785 (hard paste porcelain)
3123271 Famille verte hong bowl, Qianlong Dynasty, c.1785 (hard paste porcelain) by Chinese School (18th century); height: 15 diam: 36 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

European, probably Dutch, woman holding an enamelled box, 18th-19th century (gouache on paper)
7394121 European, probably Dutch, woman holding an enamelled box, 18th-19th century (gouache on paper) by West Indian School, (19th century); 55.4x40.3 cm; Ashmolean Museum, University of Oxford

Tikka, mid-19th century (diamond, emerald, pearl, enamel)
7395241 Tikka, mid-19th century (diamond, emerald, pearl, enamel) by Indian School, (19th century); 8.3 cm; Private Collection; (add.info.: The forehead ornament set with rectangular)

Pendant, mid-late 19th century (sapphire, emerald, ruby, diamond, pearl, enamel, gold)
7395239 Pendant, mid-late 19th century (sapphire, emerald, ruby, diamond, pearl, enamel, gold) by Indian School, (19th century); 4.45 cm; Private Collection; (add.info)

Two Crowned Martyrs, c. 1200-10 (enamel, copper & glass)
7390070 Two Crowned Martyrs, c.1200-10 (enamel, copper & glass) by French School, (13th century); Fitzwilliam Museum, University of Cambridge

An enamelled gold belt buckle, 1650-1700 (enamel)
7352446 An enamelled gold belt buckle, 1650-1700 (enamel) by Indian School, (17th century); Private Collection; (add.info.: Decorated with floral designs on both sides)

Cufflinks, c. 1930 (gold, grey & blue enamel)
7265542 Cufflinks, c.1930 (gold, grey & blue enamel) by Brandt, Paul-Emile (1883-1952); Private Collection; (add.info.: Paul-Emile Brandt (1883-1952)); Photo © Christie's Images

A jug. Silverwork and enamel. Valladolid. End 16th century. Signed by Juan de Benavente
6267399 A jug. Silverwork and enamel. Valladolid. End 16th century. Signed by Juan de Benavente. by Spanish School, (16th century); Museo Parroquial de Tapices de Pastrana, Guadalajara

Little reliquary chest. Gilt copper, enamel. Limoges. 13th century
6267412 Little reliquary chest. Gilt copper, enamel. Limoges. 13th century. by Unknown Artist, (13th century); Museo Parroquial de Tapices de Pastrana, Guadalajara

Little reliquary chest. Gilt copper, enamel. Limoges. 13th century
6267408 Little reliquary chest. Gilt copper, enamel. Limoges. 13th century. by Unknown Artist, (13th century); Museo Parroquial de Tapices de Pastrana, Guadalajara

Cufflinks, c. 1930 (gold & green enamel)
7265543 Cufflinks, c.1930 (gold & green enamel) by Brandt, Paul-Emile (1883-1952); Private Collection; (add.info.: Paul-Emile Brandt (1883-1952)); Photo © Christie's Images

Cufflinks, c. 1930 (gold, green, white & black enamel)
7265541 Cufflinks, c.1930 (gold, green, white & black enamel) by Brandt, Paul-Emile (1883-1952); Private Collection; (add.info.: Paul-Emile Brandt (1883-1952)); Photo © Christie's Images

Compact, c. 1925 (enamel, egg shell & gilt metal)
7265564 Compact, c.1925 (enamel, egg shell & gilt metal) by Brandt, Paul-Emile (1883-1952); Private Collection; (add.info.: Decorated with geometric abstract pattern)

Cloisonne Enamel Box And Cover, Xuande Mark And Period, 1426-35 (cloisonne enamel)
7316613 Cloisonne Enamel Box And Cover, Xuande Mark And Period, 1426-35 (cloisonne enamel) by Chinese School, Ming Dynasty

Portrait of General Sir Charles Grey, later 1st Earl Grey, 1794 (enamel in a gilt metal frame)
XOS5872100 Portrait of General Sir Charles Grey, later 1st Earl Grey, 1794 (enamel in a gilt metal frame) by Bone, Henry (1755-1834); 9.6x8 cm; Cleveland Museum of Art, OH

The Madonna Nicopela, 10th century (enamel)
1749748 The Madonna Nicopela, 10th century (enamel) by Byzantine, (10th century); Museo della Basilica di San Marco, Milan, Italy; (add.info.: Virgin and child, called the Madonna Nicopela)

Various examples of Chinese art and decoration, 1. enamelled copper bowl, 2. porcelain vase
7278120 Various examples of Chinese art and decoration, 1. enamelled copper bowl, 2. porcelain vase by Unknown Artist, (19th century); Private Collection; (add.info)

The Cross of the Treasure of Sain John, verso, detail, 1457-59
7268339 The Cross of the Treasure of Sain John, verso, detail, 1457-59 by Italian School, (15th century); Museo dell Opera del Duomo, Florence, Tuscany, Italy; (add.info.: Florence)

The Birth of Saint John the Baptist, tile from The Silver Altar of Saint Johns Treasure, 1367-1483
7268080 The Birth of Saint John the Baptist, tile from The Silver Altar of Saint Johns Treasure, 1367-1483 by Pollaiolo, Antonio (c.1431-98); Museo dell Opera del Duomo, Florence, Tuscany

The Cross of the Treasure of Sain John, verso, 1457-59
7268312 The Cross of the Treasure of Sain John, verso, 1457-59 by Italian School, (15th century); Museo dell Opera del Duomo, Florence, Tuscany, Italy; (add.info.: Florence)

The silver altar of Saint Johns Treasure, left side altar, detail, 1367-1483
7268303 The silver altar of Saint Johns Treasure, left side altar, detail, 1367-1483 by Florentine School, (14th-15th century); Museo dell Opera del Duomo, Florence, Tuscany

The silver altar of Saint Johns Treasure, fourth pillar, detail, 1367-1483
7268295 The silver altar of Saint Johns Treasure, fourth pillar, detail, 1367-1483 by Florentine School, (14th-15th century); Museo dell Opera del Duomo, Florence, Tuscany

The silver altar of Saint Johns Treasure, detail, 1367-1483
7268227 The silver altar of Saint Johns Treasure, detail, 1367-1483 by Florentine School, (14th-15th century); Museo dell Opera del Duomo, Florence, Tuscany, Italy; (add.info.: Florence)

Saint John baptizing Christ in the waters of the Jordan, tile from The Silver Altar of Saint Johns Treasure, 1367-1483
7268131 Saint John baptizing Christ in the waters of the Jordan, tile from The Silver Altar of Saint Johns Treasure, 1367-1483 by Florentine School, (14th century); Museo dell Opera del Duomo

The silver altar of Saint Johns Treasure, front of the altar, 1367-1483
7268069 The silver altar of Saint Johns Treasure, front of the altar, 1367-1483 by Florentine School, (14th-15th century); Museo dell Opera del Duomo, Florence, Tuscany, Italy; (add.info.: Florence)

The silver altar of Saint Johns Treasure, left side, detail, 1367-1483
7268306 The silver altar of Saint Johns Treasure, left side, detail, 1367-1483 by Florentine School, (14th-15th century); Museo dell Opera del Duomo, Florence, Tuscany, Italy; (add.info.: Florence)

The silver altar of Saint Johns Treasure, front of the dossal, detail, 1367-1483
7268292 The silver altar of Saint Johns Treasure, front of the dossal, detail, 1367-1483 by Florentine School, (14th-15th century); Museo dell Opera del Duomo, Florence, Tuscany

The silver altar of Saint Johns Treasure, left side, detail, 1367-1483
7268248 The silver altar of Saint Johns Treasure, left side, detail, 1367-1483 by Florentine School, (14th-15th century); Museo dell Opera del Duomo, Florence, Tuscany, Italy; (add.info.: Florence)

The silver altar of Saint Johns Treasure, front of the dossal, detail, 1367-1483
7268235 The silver altar of Saint Johns Treasure, front of the dossal, detail, 1367-1483 by Florentine School, (14th-15th century); Museo dell Opera del Duomo, Florence, Tuscany

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Enamel, the delicate art of fusing glass to metal, has adorned objects throughout history. From the intricate details on a molar tooth to the opulent Gold enamelled brooch presented to Florence Nightingale, its versatility is undeniable. In 1913, The Winter Egg showcased enamel's beauty with its quartz, platinum, orthoclase and diamond composition. This masterpiece exemplified the craftsmanship behind this ancient technique. Even in everyday life, enamel finds its place. An advertisement for W H Smith displayed an eye-catching sign that captured attention with vibrant colors and flawless finish. Similarly, a Mobiloil enamel sign stood proudly as a symbol of quality and reliability. Not limited to commercial use alone, it also played a significant role in social movements. The Poor Law Workers Union Badge became a powerful statement of solidarity among workers fighting for their rights. The automotive industry embraced enamel too; Pratts Motor Oil and Champion Spark Plug Service signs were iconic symbols seen across roadsides worldwide. These signs not only represented trusted brands but also added a touch of nostalgia to our collective memory. Heraldic crests, rings, and brooches crafted meticulously in gold and they have been treasured heirlooms passed down through generations. Each piece tells a story of heritage and tradition while showcasing the exquisite beauty achieved by combining these two materials. But it isn't just about luxury or aesthetics; sometimes even decay can be captivating when viewed through polarised light microscopy—a mesmerizing display revealing both fragility and resilience within every molar tooth affected by decay. Enamel's charm extends beyond decorative purposes; it found practical applications too. In 1938 an advert for Main Mainstat gas cookers highlighted how this durable material could withstand high temperatures while adding elegance to any kitchen setting. From historical artifacts like The Winter Egg to everyday items like advertising signs or badges representing social change—enamel continues to captivate us with its timeless allure.