Fabric Collection (page 4)

The Witnesses
Julia Ramiro

I'm watching you
Julia Ramiro

Look
Teodora Codreanu

Orange Dahlia
Lydia Jacobs

Bez
Ali Ayer

Duet-3
Rob Li

Dancing Holly II
Deming W

Black on white
Dekel Abu

Flag or hanging depicting Ziwei Dadi, 1849 (cotton)
7340527 Flag or hanging depicting Ziwei Dadi, 1849 (cotton) by Unknown Artist, (19th century); 221x284.5 cm; National Maritime Museum, London, UK; (add.info.: Unknown Artist)

Franc maconnerie : tablier de maitre maconnique. Il est decore des symboles francs macons, Archivo Historico Nacional
AIS5385613 Franc maconnerie : tablier de maitre maconnique. Il est decore des symboles francs macons, Archivo Historico Nacional, Madrid; © Iberfoto

Machines in the textile factory of the brand "La Lanera Espanola" in Sabadell, near Barcelona, Spain, c
AIS5380086 Machines in the textile factory of the brand "La Lanera Espanola" in Sabadell, near Barcelona, Spain, c. 1920 (b/w photo); © Iberfoto

Mozarabic art: representation of two Mozarabic monks, 9th century (miniature)
AIS5365296 Mozarabic art: representation of two Mozarabic monks, 9th century (miniature); Biblioteca Nacional, Madrid, Spain; (add.info.: Mozarabic art)

Arethusa 1802 (Oil on canvas)
8766661 Arethusa 1802 (Oil on canvas) by West, Benjamin (1738-1820); 54.5--40 cm; High Museum of Art, Atlanta, Georgia, USA; © High Museum of Art

Still Life with Bust of Dante 1883 (Oil on panel)
8766636 Still Life with Bust of Dante 1883 (Oil on panel) by Harnett, William Michael (1848-92); 26.2--35.1 cm; High Museum of Art, Atlanta, Georgia

Chinese pirate flag, c.1849 (cotton)
7339172 Chinese pirate flag, c.1849 (cotton) by Unknown Artist, (19th century); 220.9x284.4 cm; National Maritime Museum, London

Fish-skin helmet, c.1800-1900 (fish skin)
7264988 Fish-skin helmet, c.1800-1900 (fish skin); Manchester Museum, The University of Manchester, England; (add.info.: Helmet made from a large Porcupine fish)

A doll made in Quebec, Canada from a corn husk and leaves. Iroquois culture
7295423 A doll made in Quebec, Canada from a corn husk and leaves. Iroquois culture. 1827 (corn husk, cotton, wool, glass beads, deer skin); 4x27x12 cm; National Maritime Museum, London

Elizabeth I (the Armada Portrait'), c.1588 (oil on oak panel)
7342330 Elizabeth I (the Armada Portrait'), c.1588 (oil on oak panel) by English School, (16th century); 112.5x127 cm; National Maritime Museum, London

Royal Naval Uniform, c.1904-19 (doeskin)
7340750 Royal Naval Uniform, c.1904-19 (doeskin) by British School, (20th century) ; 99x56 cm; National Maritime Museum, London

Lord Rosse's Great Reflecting Telescope, at Parsonstown, Ireland, 1853 (cotton, brass)
7340081 Lord Rosse's Great Reflecting Telescope, at Parsonstown, Ireland, 1853 (cotton, brass) by British School, (19th century); 118.3x89.2 cm; National Maritime Museum, London

Wall hanging showing two star clusters, 1850-60 (cotton, brass)
7340080 Wall hanging showing two star clusters, 1850-60 (cotton, brass) by British School, (19th century); 89.5x120.5 cm; National Maritime Museum, London

Royal Naval uniform: pattern 1843, c.1843 (textile)
7339914 Royal Naval uniform: pattern 1843, c.1843 (textile) by British School, (19th century); 99.5x49.3 cm; National Maritime Museum, London

Royal Naval uniform: pattern 1843, c.1843 (textile)
7339913 Royal Naval uniform: pattern 1843, c.1843 (textile) by British School, (19th century); 99.5x49.3 cm; National Maritime Museum, London

Royal Naval uniform: pattern 1836, c.1836 (wool, silk, cotton, base meta)
7339910 Royal Naval uniform: pattern 1836, c.1836 (wool, silk, cotton, base meta) by Unknown Artist, (19th century); 122.5x60.5 cm; National Maritime Museum, London, UK; (add.info.: Unknown Artist)

Royal Naval uniform: pattern 1836, c.1836 (wool, silk, cotton, base metal)
7339909 Royal Naval uniform: pattern 1836, c.1836 (wool, silk, cotton, base metal) by Unknown Artist, (19th century); 122.5x60.5 cm; National Maritime Museum, London, UK; (add.info.: Unknown Artist)

Non-regulation folding cap, c.1836 (wool, leather, linen, silk, canvas, gutta percha)
7339908 Non-regulation folding cap, c.1836 (wool, leather, linen, silk, canvas, gutta percha) by Unknown Artist, (19th century); 16x18.5x25 cm; National Maritime Museum, London

A young woman seated, reading, 1802 (graphite)
7339871 A young woman seated, reading, 1802 (graphite) by Baxter, Thomas (1782-1821); 15.4x9.2 cm; National Maritime Museum, London

A group seated at a table, 1802 (pen, ink)
7339867 A group seated at a table, 1802 (pen, ink) by Baxter, Thomas (1782-1821); 12.9x9.3 cm; National Maritime Museum, London

Royal Naval uniform: pattern 1748-1767, 1748 (wool, wood, brass, linen/wool blend)
7339840 Royal Naval uniform: pattern 1748-1767, 1748 (wool, wood, brass, linen/wool blend) by Unknown artist, (18th century); 108x41x28 cm; National Maritime Museum, London

An engraving depicting a Jersey spinning wheel used for wool or cotton - A are hand cards, B roving's, 19th century
5311368 An engraving depicting a Jersey spinning wheel used for wool or cotton - A are hand cards, B roving's, 19th century; (add.info.: Date: 1836); Universal History Archive/UIG

A diagram of Arkwright's water frame
5310187 A diagram of Arkwright's water frame; (add.info.: Engraving depicting a diagram Richard Arkwright's water frame)

James Hargreaves Spinning Jenny
5311928 James Hargreaves Spinning Jenny; (add.info.: Engraving depicting James Hargreaves Spinning Jenny. The spinning jenny is a multi-spindle spinning frame)

Sledge flag with anchor design and embroidered Hope On Hope Ever, 1852 (silk, felt, hand sewn)
7295647 Sledge flag with anchor design and embroidered Hope On Hope Ever, 1852 (silk, felt, hand sewn) by Franklin, Jane (1792-1875); 60.96x93.98 cm; National Maritime Museum, London

Sealskin suit, 1875 (sealskin)
7295773 Sealskin suit, 1875 (sealskin); 160x610x880 cm; National Maritime Museum, London, UK; (add.info.: This sealskin suit)

U.S. Merchant ensign 1813 - 1930, 1813-14 (wool, cotton)
7295469 U.S. Merchant ensign 1813 - 1930, 1813-14 (wool, cotton); 193x345.4 cm; National Maritime Museum, London, UK; (add.info.: A USA merchant ensign from 1812-1814)

Etendard gate taken in 1798 by General Desaix a Murad Bey chief of the Mamluks, 1798 (object)
5944664 Etendard gate taken in 1798 by General Desaix a Murad Bey chief of the Mamluks, 1798 (object); Musee d'Art Roger Quilliot

Weaving (low relief)
BEN5471587 Weaving (low relief) by Pisano, Andrea (1270-1349); Museo dell'Opera di Santa Maria del Fiore (Duomo), Florence, Tuscany, Italy; (add.info.: Weaving)

Velvet fabric. Florentine manufacture. 16th century Palazzo del Bargello, Florence
BEN5479581 Velvet fabric. Florentine manufacture. 16th century Palazzo del Bargello, Florence; Photo © Raffaello Bencini

Illustration depicting a woman's glove, 19th century
5309128 Illustration depicting a woman's glove, 19th century; (add.info.: Illustration depicting a woman's glove. Dated 19th century 01/02/1888); Universal History Archive/UIG

Engraving depicting an angora goat, a breed of domesticated goat that produce the lustrous fibre known as mohair
5308642 Engraving depicting an angora goat, a breed of domesticated goat that produce the lustrous fibre known as mohair, 19th century; (add.info.: Engraving depicting an angora goat)

Advertisement for the "Guelph" sewing machine, 19th century (engraving)
5308691 Advertisement for the "Guelph" sewing machine, 19th century (engraving); Universal History Archive/UIG

The process of spinning cotton by mule
5310008 The process of spinning cotton by mule; (add.info.: Engraving depicting the process of spinning cotton by mule: the mules are powered by a steam engine through an overhead shaft)

An engraving depicting a common hand loom fitted with Kay's Flying Shuttle
5311320 An engraving depicting a common hand loom fitted with Kay's Flying Shuttle. The operating-cord is used to throw the shuttle back and forth

An engraving depicting a Scotch carpet loom - unpowered. The jacquard punched cards can be seen above the weaver's
5311423 An engraving depicting a Scotch carpet loom - unpowered. The jacquard punched cards can be seen above the weaver's head

Liturgical vestments
5304576 Liturgical vestments.; (add.info.: Liturgical vestments, Icelandic embroidered church vestments 14th - 15th century.); Universal History Archive/UIG

Museum collection (Tresor de la cathedrale). Chasuble (Chasuble de Jean Chevrot). 15th century. Rear end. Detail
7142448 Museum collection (Tresor de la cathedrale). Chasuble (Chasuble de Jean Chevrot). 15th century. Rear end. Detail.; (add.info.: Tresor de la cathedrale, Tournai, Hainaut)

Museum collection (Tresor de la cathedrale). Chasuble (Chasuble de Jean Chevrot). 15th century. Rear end. Detail
7142445 Museum collection (Tresor de la cathedrale). Chasuble (Chasuble de Jean Chevrot). 15th century. Rear end. Detail.; (add.info.: Tresor de la cathedrale, Tournai, Hainaut)

The Great Bed, c.1585 (embriodery)
7141207 The Great Bed, c.1585 (embriodery); Parham House, West Sussex, UK; (add.info.: The interior of the bed dates from c.1585)

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"Unraveling the Threads of History: A Journey through the World of Fabric" From the intricate details of the Shroud of Turin in Chiesa della SS. Annunziata church, Turin to the iconic Bayeux Tapestry depicting scenes from 1066-1077, it has woven its way into our cultural heritage. In Paris, France, Europe, one can't help but marvel at the historical significance and religious symbolism behind these ancient textiles. The Shroud of Turin is believed by many to be Jesus Christ's burial cloth, while the Bayeux Tapestry vividly portrays events like the Battle of Hastings. But fabric isn't just a medium for storytelling; it also reflects societal changes and artistic expressions. Take Harvey Nichols' advertisement from 1953 - a testament to fashion's evolving trends and consumer desires. Traveling further afield brings us to Cairo's bustling streets captured by Charles Robertson's brushstrokes. Here we witness vibrant fabrics adorning locals as they go about their daily lives - an explosion of colors that mirrors Egypt's rich culture. Across continents, fabric continues to inspire creativity. Barribal's "A Golden Girl" showcases how this versatile material can be transformed into stunning works of art that transcend time and place. Delving deeper into different cultures reveals unique uses for fabric. From Muslim prayer carpets in Palestine Authority that provide comfort during worship to Costa Rican art celebrating indigenous traditions in Central America - each piece tells a story steeped in tradition and identity. Even closer to home lies everyday life captured through various lenses. Whether it be capturing moments with beloved pets or showcasing innovative designs like Art Gout Beaute’s 1924 creation Rubans de Paris on Maddox Street / St George Street – fabric becomes an integral part of our surroundings. Fabric threads together history, culture, artistry, and personal narratives across centuries and continents. It reminds us that beyond its practicality, a tapestry of human experiences.