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Flemish Collection (page 96)

"Flemish Art: A Tapestry of Beauty and History" Step into the enchanting world art, where masterpieces come alive with vibrant colors and intricate details

Background imageFlemish Collection: Ala De Retablo (Santa Barbara), 1438, (c1934). Artist: Robert Campin

Ala De Retablo (Santa Barbara), 1438, (c1934). Artist: Robert Campin
Ala De Retablo (Santa Barbara), 1438, (c1934). Right panel of the Werl Triptych, painted by Robert Campin (sometimes called Master of Flemalle). Santa Barbara lived when Christianity was illegal

Background imageFlemish Collection: St. John the Baptist and the Franciscan master Henry of Werl, 1438, (c1934). Artist: Robert Campin

St. John the Baptist and the Franciscan master Henry of Werl, 1438, (c1934). Artist: Robert Campin
St. John the Baptist and the Franciscan master Henry of Werl, 1438, (c1934). Left panel of the Werl Triptych was painted by Robert Campin (sometimes called Master of Flemalle)

Background imageFlemish Collection: Portrait of Giovannetta, 17th century, (1911). Artist: Justus Sustermans

Portrait of Giovannetta, 17th century, (1911). Artist: Justus Sustermans
Portrait of Giovannetta, 1911. Victorian Portrait Of Giovannetta by Justus Sustermans (1597-1681) a Flemish painter working in the Baroque style

Background imageFlemish Collection: Marechale Gate, c1910

Marechale Gate, c1910. From Bruges. [Ern. THILL, Bruxelles]

Background imageFlemish Collection: Quay of the Menetriers, c1910

Quay of the Menetriers, c1910. From Bruges. [Ern. THILL, Bruxelles]

Background imageFlemish Collection: Blind Donkey Street, c1910

Blind Donkey Street, c1910. From Bruges. [Ern. THILL, Bruxelles]

Background imageFlemish Collection: Beguins Convent, c1910

Beguins Convent, c1910. From Bruges. [Ern. THILL, Bruxelles]

Background imageFlemish Collection: Tilly 1559-1632. - Stich nach dem Gemalde von A. van Dyck, 1934

Tilly 1559-1632. - Stich nach dem Gemalde von A. van Dyck, 1934
Tilly 1559-1632.1934. Jean Conte de Tilly (1559-1632), General of the army of the Holy Roman Empire. From Die Groszen der Weltgelchichte. [Ecktein-Halpaus, Dresden, 1934]

Background imageFlemish Collection: Anton van Dyck 1599-1641. - Selbstbildnis, 1934

Anton van Dyck 1599-1641. - Selbstbildnis, 1934
Anton van Dyck 1599-1641. 1934. Sir Anthony van Dyck (1599-1641), Flemish Baroque artist who became the leading court painter in England, after enjoying great success in Italy and Flanders

Background imageFlemish Collection: Flanders, 1838

Flanders, 1838. From A Display of the Naval Flags of All Nations. Collected from the Best Authorities. [Fisher, Son, & Co. London, 1838]

Background imageFlemish Collection: Flanders Jack, 1838

Flanders Jack, 1838. From A Display of the Naval Flags of All Nations. Collected from the Best Authorities. [Fisher, Son, & Co. London, 1838]

Background imageFlemish Collection: Ceres and Two Nymphs with a Cornucopia, c1617. Artist: Peter Paul Rubens

Ceres and Two Nymphs with a Cornucopia, c1617. Artist: Peter Paul Rubens
Ceres and Two Nymphs with a Cornucopia, c1617. Painting held at the Dulwich Picture Gallery, London From The Connoisseur Volume XC. [The Connoisseur Ltd, London, 1932]

Background imageFlemish Collection: Portrait of a Man ( Leal Souvenir ), 1432, (1909). Artist: Jan van Eyck

Portrait of a Man ( Leal Souvenir ), 1432, (1909). Artist: Jan van Eyck
Portrait of a Man ( Leal Souvenir ), 1432, (1909). Painting held at The National Gallery, London. From The National Gallery, Vol. One [T. C. & E. C. Jack, London and Edinburgh, 1909]

Background imageFlemish Collection: Canon Bernardijn Salviati and Three Saints, 1501, (1909). Artist: Gerard David

Canon Bernardijn Salviati and Three Saints, 1501, (1909). Artist: Gerard David
Canon Bernardijn Salviati and Three Saints, 1501, (1909). Painting held at The National Gallery, London. From The National Gallery, Vol. One [T. C. & E. C. Jack, London and Edinburgh, 1909]

Background imageFlemish Collection: Portrait of Vandyck, 1635. Artist: Anthony van Dyck

Portrait of Vandyck, 1635. Artist: Anthony van Dyck
Portrait of Vandyck, 1635. From The Print-Collectors Handbook, by Alfred Whitman. [George Bell & Sons, London, 1901]

Background imageFlemish Collection: The Presentation of Christ in the Temple: An altar-piece, c1434. Artist: Jacques Daret

The Presentation of Christ in the Temple: An altar-piece, c1434. Artist: Jacques Daret
The Presentation of Christ in the Temple: An altar-piece, c1434. Painting held at the Museo del Petit Palais, Paris. From The Connoisseur Volume 103. [Otto Limited, London, 1939]

Background imageFlemish Collection: A Young Man at Prayer, c1475. Artists: Cecil Reginald Grundy, Hans Memling

A Young Man at Prayer, c1475. Artists: Cecil Reginald Grundy, Hans Memling
A Young Man at Prayer, c1475. Painting housed in The National Gallery, London. From The Connoisseur Volume LXXXVIII, edited by C. Reginald Grundy. [The Connoisseur Ltd, London, 1931]

Background imageFlemish Collection: William Cecil, Lord Burghley, 16th century

William Cecil, Lord Burghley, 16th century. Cecil (1520-1598) was an English politician and the chief advisor of Queen Elizabeth I. After Hans Eworth (c1520-1574)

Background imageFlemish Collection: The Cathedral of St Bavo, Ghent, Belgium, c1900 (1914-1915). Artist: John Benjamin Stone

The Cathedral of St Bavo, Ghent, Belgium, c1900 (1914-1915). Artist: John Benjamin Stone
The Cathedral of St Bavo, Ghent, Belgium, c1900 (1914-1915). The 14th Century belfry can be seen in the Distance. The nave and transept of the cathedral were completed in 1533-1559

Background imageFlemish Collection: Hall of the Watermen`s Guild, Ghent, Belgium, c1900 (1914-1915). Artist: John Benjamin Stone

Hall of the Watermen`s Guild, Ghent, Belgium, c1900 (1914-1915). Artist: John Benjamin Stone
Hall of the Watermen`s Guild, Ghent, Belgium, c1900 (1914-1915). Facing the River Leie, a fine specimen of Gothic domestic architecture, built early in the 16th century. From The Studio Volume 63

Background imageFlemish Collection: An Altar-Piece by The Maitre de Flemalle, 1907

An Altar-Piece by The Maitre de Flemalle, 1907
An Altar-Piece by The Maitre de Flemalle. A Flemish altar-piece depicting the nativity, 1907

Background imageFlemish Collection: Antwerp Cathedral and statue of the artist Peter Paul Rubens, Belgium, 1867

Antwerp Cathedral and statue of the artist Peter Paul Rubens, Belgium, 1867. Antwerps Gothic Cathedral of Our Lady was built between 1351 and 1521

Background imageFlemish Collection: 14th century ramparts and Lille Gate, Ypres, Belgium, World War I, c1914-c1918

14th century ramparts and Lille Gate, Ypres, Belgium, World War I, c1914-c1918. Artist: Realistic Travels Publishers
14th century ramparts and Lille Gate, Ypres, Belgium, World War I, c1914-c1918. The area around Ypres was the site of three major battles during the war. Stereoscopic card. Detail

Background imageFlemish Collection: Edward III and the Earl of Flanders, 14th century, (1910)

Edward III and the Earl of Flanders, 14th century, (1910). King Edward (ruled 1327-1377) wears a dalmatica with wide sleeves, and a richly embroidered under-tunic

Background imageFlemish Collection: Beguinage of the Vineyard, Bruges, Belgium, c1924. Artist: WH Smith

Beguinage of the Vineyard, Bruges, Belgium, c1924. Artist: WH Smith
Beguinage of the Vineyard, Bruges, Belgium, c1924. A Beguinage is a collection of buildings used by Begiunes, lay sisterhoods of the Catholic Church founded in Flanders in the 13th century

Background imageFlemish Collection: View from the belfry of Bruges, Belgium, c1924

View from the belfry of Bruges, Belgium, c1924. Looking over the rooftops of the city towards St Salvators Cathedral. The medieval belfry tower was built between the 13th-15th centuries

Background imageFlemish Collection: Bridge and Green Quay, Bruges, Belgium, c1924. Artist: Horace W Nicholls

Bridge and Green Quay, Bruges, Belgium, c1924. Artist: Horace W Nicholls
Bridge and Green Quay, Bruges, Belgium, c1924. The medieval belfry can be seen in the distance. A print from Countries of the World, edited by JA Hammerton, first volume, The Fleetway House, London

Background imageFlemish Collection: Antwerp, Belgium, c1937-c1938

Antwerp, Belgium, c1937-c1938. Aerial view of the city showing the Groote Markt (Main Square) with the City Hall and Guildhouses and the River Scheldt in the background

Background imageFlemish Collection: The Stock Exchange, Antwerp, Belgium, c1937-c1938

The Stock Exchange, Antwerp, Belgium, c1937-c1938. Antwerps stock exchange was built in 1531. It was renovated in the 19th century after it burned down in a fire in 1858

Background imageFlemish Collection: The Fish Market, Antwerp, Belgium, 19th century. Artist: J Rogers

The Fish Market, Antwerp, Belgium, 19th century. Artist: J Rogers
The Fish Market, Antwerp, Belgium, 19th century

Background imageFlemish Collection: Portrait of Lucas Vorsterman, 1627-1632 (1958)

Portrait of Lucas Vorsterman, 1627-1632 (1958). Etching. Vorsterman (1595-1675) was a Flemish Baroque engraver who worked with artists including Van Dyck and Rubens

Background imageFlemish Collection: A Path Bordered by Trees, c1620-1625 (1958)

A Path Bordered by Trees, c1620-1625 (1958). Pencil, pen, black chalk, and sepia wash on white paper. A print from The Fitzwilliam Museum an Illustrated Survey, Trianon Press, 1958

Background imageFlemish Collection: The Back of a Nude Man, c1610 (1958)

The Back of a Nude Man, c1610 (1958). A print from The Fitzwilliam Museum an Illustrated Survey, Trianon Press, 1958

Background imageFlemish Collection: St Veronica, mid 15th century (1958)

St Veronica, mid 15th century (1958). According to Christian legend, Veronica encountered Jesus on the Via Dolorosa and paused to wipe the sweat from his face with her veil

Background imageFlemish Collection: The birth of the Virgin, c1520 (1956)

The birth of the Virgin, c1520 (1956). Dutch School. From the National Gallery, London. A print from Ideas, a volume about the origin and early history of many things, common and less common

Background imageFlemish Collection: Chivalry and courtly love: Flemish parade shield, c1400 (1956)

Chivalry and courtly love: Flemish parade shield, c1400 (1956). From the British Museum, London. A print from Ideas, a volume about the origin and early history of many things

Background imageFlemish Collection: Elixir of Life: The Alchemist, 1558 (1956)

Elixir of Life: The Alchemist, 1558 (1956). From the Kupferstichkabinett, Berlin. A print from Ideas, a volume about the origin and early history of many things, common and less common

Background imageFlemish Collection: The Painter and the Connoisseur, c1565 (1956)

The Painter and the Connoisseur, c1565 (1956). This is thought to be a self-portrait of the Flemish Renaissance painter Pieter Brueghel the Elder

Background imageFlemish Collection: Study for the greyhound in the portrait of the Duke of Richmond, c1634 (1900)

Study for the greyhound in the portrait of the Duke of Richmond, c1634 (1900). A print from The Magazine of Art, Cassell and Company, Limited, 1900

Background imageFlemish Collection: Anthony van Dyck, self-portrait with a sunflower, c1633-1641 (1900). Artist: OL Lacour

Anthony van Dyck, self-portrait with a sunflower, c1633-1641 (1900). Artist: OL Lacour
Anthony van Dyck, self-portrait with a sunflower, c1633-1641 (1900). Reprinted from The Magazine of Art, 1887. A print from The Magazine of Art, Cassell and Company, Limited, 1900

Background imageFlemish Collection: Peter Paul Rubens, Flemish Baroque artist, c1880-1882. Artist: Hans Makart

Peter Paul Rubens, Flemish Baroque artist, c1880-1882. Artist: Hans Makart
Peter Paul Rubens, Flemish Baroque artist, c1880-1882. A print from Modern Artists, prepared under the direction of FG Dumas, JS Virtue and Co, London, c1880-1882

Background imageFlemish Collection: Backgammon Players

Backgammon Players. Painting in the style of the 17th century Flemish painter David Teniers the Younger

Background imageFlemish Collection: Sir Anthony van Dyck (1599-1641), Flemish painter, early 20th century

Sir Anthony van Dyck (1599-1641), Flemish painter, early 20th century

Background imageFlemish Collection: Children skipping in the Grand Place, Bruges, Belgium, 1922. Artist: FC Davis

Children skipping in the Grand Place, Bruges, Belgium, 1922. Artist: FC Davis
Children skipping in the Grand Place, Bruges, Belgium, 1922. From Peoples of All Nations, Their Life Today and the Story of Their Past, volume I: Abyssinia to the British Empire

Background imageFlemish Collection: Portrait of the artists daughter Magdalena de Vos, 1927. Artist: Cornelis de Vos

Portrait of the artists daughter Magdalena de Vos, 1927. Artist: Cornelis de Vos
Portrait of the artists daughter Magdalena de Vos, 1927. Found in the collection of Chatswoth House. A print from Flemish and Belgian art 1300-1900

Background imageFlemish Collection: Matthaeus Yrsselius, c1624, (1927). Artist: Peter Paul Rubens

Matthaeus Yrsselius, c1624, (1927). Artist: Peter Paul Rubens
Matthaeus Yrsselius, c1624, (1927). Found in the collection of Kunstmuseum, Copenhagen. A print from Flemish and Belgian art 1300-1900

Background imageFlemish Collection: The Madonna and Child with Angels, (1927). Artist: Adriaen Isenbrandt

The Madonna and Child with Angels, (1927). Artist: Adriaen Isenbrandt
The Madonna and Child with Angels, (1927). A print from Flemish and Belgian art 1300-1900, The Exhibition organised by the Anglo-Belgian Union at Burlington House, London

Background imageFlemish Collection: Self Portrait, (1927). Artist: Lambert Lombard

Self Portrait, (1927). Artist: Lambert Lombard
Self Portrait, (1927). A print from Flemish and Belgian art 1300-1900, The Exhibition organised by the Anglo-Belgian Union at Burlington House, London




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"Flemish Art: A Tapestry of Beauty and History" Step into the enchanting world art, where masterpieces come alive with vibrant colors and intricate details. From the frosty Winter Landscape with skaters by Pieter Brueghel II, The Younger to the mesmerizing Passion of the Christ by Hans Memling, each artwork tells a unique story. The renowned Eyck brothers, Jan van Eyck and Hubert van Eyck, left an indelible mark on Flemish art with their meticulous attention to detail. Their works like The Arnolfini Portrait and Jan van Eyck's Winter Scene with Ice Skaters showcase their mastery in capturing light and texture. Van Dyck's portrait of Henrietta of Lorraine transports us to a time when elegance reigned supreme. His skillful brushstrokes bring out her regal beauty in every stroke. Travel back in time as you explore Orteliuss map of Ottoman Empire from 1570. This historical artifact offers a glimpse into the past while showcasing Flemish cartography at its finest. Hieronymus Bosch takes us on a journey through his surreal imagination with Dulle Griet (Mad Meg). This chaotic masterpiece challenges our perception and leaves us pondering its hidden meanings. Rembrandt's Simeon in the Temple captures a moment frozen in time, evoking emotions that resonate even centuries later. His mastery of light brings depth to this poignant scene. Flemish art is not just about individual artworks; it is also about celebrating everyday life. The Peasants Wedding by Pieter Bruegel the Elder showcases his ability to capture lively scenes filled with joyous celebrations and ordinary people going about their lives. Intricate tapestries woven through history have made Flanders synonymous with craftsmanship. Let these remarkable artworks transport you to another era as you immerse yourself in the rich heritage that is Flemish art.