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Flemish Collection (page 97)

"Flemish Art: A Tapestry of Beauty and History" Step into the enchanting world art, where masterpieces come alive with vibrant colors and intricate details

Background imageFlemish Collection: Self Portrait, (1927). Artist: Lambert Lombard

Self Portrait, (1927). Artist: Lambert Lombard
Self Portrait, (1927). A print from Flemish and Belgian art 1300-1900, The Exhibition organised by the Anglo-Belgian Union at Burlington House, London

Background imageFlemish Collection: Petrus Aegidius, (1927). Artist: Quentin Metsys I

Petrus Aegidius, (1927). Artist: Quentin Metsys I
Petrus Aegidius, (1927). A print from Flemish and Belgian art 1300-1900, The Exhibition organised by the Anglo-Belgian Union at Burlington House, London

Background imageFlemish Collection: Portrait of Hendrik III, Count of Nassau-Breda, c1516-1517, (1927). Artist: Jan Gossaert

Portrait of Hendrik III, Count of Nassau-Breda, c1516-1517, (1927). Artist: Jan Gossaert
Portrait of Hendrik III, Count of Nassau-Breda, c1516-1517, (1927). Found in the collection of the Kimbell Art Museum, Fort Worth, Texas

Background imageFlemish Collection: The Adoration of the Magi, (1927). Artist: Gerard David

The Adoration of the Magi, (1927). Artist: Gerard David
The Adoration of the Magi, (1927). Found in the collection of the Musee des Beaux Arts, Brussels. A print from Flemish and Belgian art 1300-1900

Background imageFlemish Collection: The Madonna and Child, (1927). Artist: Gerard David

The Madonna and Child, (1927). Artist: Gerard David
The Madonna and Child, (1927). A print from Flemish and Belgian art 1300-1900, The Exhibition organised by the Anglo-Belgian Union at Burlington House, London

Background imageFlemish Collection: The Rest on the Flight into Egypt, c1512-1515 (1927). Artist: Gerard David

The Rest on the Flight into Egypt, c1512-1515 (1927). Artist: Gerard David
The Rest on the Flight into Egypt, c1512-1515 (1927). Found in the collection of the The Metropolitan Museum of Art. A print from Flemish and Belgian art 1300-1900

Background imageFlemish Collection: St Anne, The Virgin and Child and a Donor, (1927). Artist: Hans Memling

St Anne, The Virgin and Child and a Donor, (1927). Artist: Hans Memling
St Anne, The Virgin and Child and a Donor, (1927). Found in the collection of the Musee des Beaux Arts, Brussels. A print from Flemish and Belgian art 1300-1900

Background imageFlemish Collection: St Stephen and St Christopher, (1927). Artist: Hans Memling

St Stephen and St Christopher, (1927). Artist: Hans Memling
St Stephen and St Christopher, (1927). A print from Flemish and Belgian art 1300-1900, The Exhibition organised by the Anglo-Belgian Union at Burlington House, London

Background imageFlemish Collection: Portrait of Nicolo Spinelli, 1473-1474 (1927). Artist: Hans Memling

Portrait of Nicolo Spinelli, 1473-1474 (1927). Artist: Hans Memling
Portrait of Nicolo Spinelli, 1473-1474 (1927). Portrait of an Italian with a Roman Coin (Giovannide Candida). Found in the collection of the Royal Museum of Fine Arts, Antwerp, Belgium

Background imageFlemish Collection: The Virgin and Child with Saints and Donors (The Donne Triptych), c1478 (1927). Artist: Dirck Bouts

The Virgin and Child with Saints and Donors (The Donne Triptych), c1478 (1927). Artist: Dirck Bouts
The Virgin and Child with Saints and Donors (The Donne Triptych), c1478 (1927). Found in the collection of the National Gallery, London

Background imageFlemish Collection: Martyrdom of St Sebastian, (1927). Artist: Hans Memling

Martyrdom of St Sebastian, (1927). Artist: Hans Memling
Martyrdom of St Sebastian, (1927). Found in the collection of the Musee Royal des Beaux-Arts, Brussels. A print from Flemish and Belgian art 1300-1900

Background imageFlemish Collection: The Madonna and Child, (1927). Artist: Hans Memling

The Madonna and Child, (1927). Artist: Hans Memling
The Madonna and Child, (1927). Found in the collection of the Hospital de St Jean, Bruges. A print from Flemish and Belgian art 1300-1900

Background imageFlemish Collection: The Madonna and Child, (1927). Artist: Dirck Bouts

The Madonna and Child, (1927). Artist: Dirck Bouts
The Madonna and Child, (1927). A print from Flemish and Belgian art 1300-1900, The Exhibition organised by the Anglo-Belgian Union at Burlington House, London

Background imageFlemish Collection: Portrait of Antoine, Bastard of Burgundy, c1456, (1927). Artist: Rogier Van der Weyden

Portrait of Antoine, Bastard of Burgundy, c1456, (1927). Artist: Rogier Van der Weyden
Portrait of Antoine, Bastard of Burgundy, c1456, (1927). Found in the collection of the Musees Royaux des Beaux-Arts de Belgique, Brussels, Belgium

Background imageFlemish Collection: Virgin and Child, 1420-1460 (1927). Artist: Rogier Van der Weyden

Virgin and Child, 1420-1460 (1927). Artist: Rogier Van der Weyden
Virgin and Child, 1420-1460 (1927). A print from Flemish and Belgian art 1300-1900, The Exhibition organised by the Anglo-Belgian Union at Burlington House, London

Background imageFlemish Collection: Francesco d Este, c1460 (1927). Artist: Rogier Van der Weyden

Francesco d Este, c1460 (1927). Artist: Rogier Van der Weyden
Francesco d Este, c1460 (1927). Found in the collection of The Friedsam Collection, Metropolitan Museum of Art, however, the painting in the Met, he is holding a ring?

Background imageFlemish Collection: Portrait of an Elderly Woman, 1420-1460 (1927). Artist: Rogier Van der Weyden

Portrait of an Elderly Woman, 1420-1460 (1927). Artist: Rogier Van der Weyden
Portrait of an Elderly Woman, 1420-1460 (1927). A print from Flemish and Belgian art 1300-1900, The Exhibition organised by the Anglo-Belgian Union at Burlington House, London

Background imageFlemish Collection: Portrait of a Lady, c1460 (1927)Artist: Rogier Van der Weyden

Portrait of a Lady, c1460 (1927)Artist: Rogier Van der Weyden
Portrait of a Lady, c1460 (1927). Found in the collection of the National Gallery of Art, Washington, DC. A print from Flemish and Belgian art 1300-1900

Background imageFlemish Collection: Wild boar hunting, c1600-1650 (1843). Artist: J Smith

Wild boar hunting, c1600-1650 (1843). Artist: J Smith
Wild boar hunting, c1600-1650 (1843). An engraving from The Art-Union Scrap Book, Henry G Bohn, London, 1843

Background imageFlemish Collection: The Knife-grinder of Teniers, c1630-1690, (1843). Artist: J Jackson

The Knife-grinder of Teniers, c1630-1690, (1843). Artist: J Jackson
The Knife-grinder of Teniers, c1630-1690, (1843). 1843. An engraving from The Art-Union Scrap Book, Henry G Bohn, London, 1843

Background imageFlemish Collection: The Town Hall and Cloth Hall, Ypres, Belgium, c1900 (1914-1915). Artist: John Benjamin Stone

The Town Hall and Cloth Hall, Ypres, Belgium, c1900 (1914-1915). Artist: John Benjamin Stone
The Town Hall and Cloth Hall, Ypres, Belgium, c1900 (1914-1915). From The Studio Volume 63. [The Offices of the Studio, London, 1914-1915]

Background imageFlemish Collection: The Markt and the Belfry, Bruges, Belgium c1900 (1914-1915). Artist: John Benjamin Stone

The Markt and the Belfry, Bruges, Belgium c1900 (1914-1915). Artist: John Benjamin Stone
The Markt and the Belfry, Bruges, Belgium c1900 (1914-1915). From The Studio Volume 63. [The Offices of the Studio, London, 1914-1915]

Background imageFlemish Collection: Cathedral of Our Lady, Antwerp, Belgium, c1900 (1914-1915). Artist: John Benjamin Stone

Cathedral of Our Lady, Antwerp, Belgium, c1900 (1914-1915). Artist: John Benjamin Stone
Cathedral of Our Lady, Antwerp, Belgium, c1900 (1914-1915). From The Studio Volume 63. [The Offices of the Studio, London, 1914-1915]

Background imageFlemish Collection: The Town Hall, Leuven, Belgium, c1900 (1914-1915). Artist: John Benjamin Stone

The Town Hall, Leuven, Belgium, c1900 (1914-1915). Artist: John Benjamin Stone
The Town Hall, Leuven, Belgium, c1900 (1914-1915). Built between 1448-1463 and restored in 1842. During the bombardment of the town by the Germans in 1914 this was the only important building that

Background imageFlemish Collection: Jan Mabuse, 16th century Flemish artist, late 18th century(?). Artist: A Bannerman

Jan Mabuse, 16th century Flemish artist, late 18th century(?). Artist: A Bannerman
Jan Mabuse, 16th century Flemish artist, late 18th century(?). Jan Mabuse (c1478-1532) was the name adopted (from his birthplace, the town of Maubeuge) by Flemish Renaissance painter Jan Gossaert

Background imageFlemish Collection: Study of a Head, 17th century (1882)

Study of a Head, 17th century (1882). A print from The Magazine of Art Vol V, Cassell, Peter, Galpin and Company, Limited, 1882

Background imageFlemish Collection: Adeliza of Leuven, Queen of Henry I of England. Artist: Henry Colburn

Adeliza of Leuven, Queen of Henry I of England. Artist: Henry Colburn
Adeliza of Leuven, Queen of Henry I of England. Adeliza (1103-1151) was the second wife of King Henry I. They were married in 1121

Background imageFlemish Collection: Anne of Cleves, 1539, (1902). Artist: Hans Holbein the Younger

Anne of Cleves, 1539, (1902). Artist: Hans Holbein the Younger
Anne of Cleves, 1539, (1902). Anne (1515-1557) did not appeal to Henry VIII physically and became known unflatteringly as The Flanders Mare

Background imageFlemish Collection: John of Gaunt, 1st Duke of Lancaster, (1804). Artist: Ogbourne

John of Gaunt, 1st Duke of Lancaster, (1804). Artist: Ogbourne
John of Gaunt, 1st Duke of Lancaster, (1804). A prominent and powerful political figure in late 14th century England, John of Gaunt (1340-1399) was the fourth son of Edward II of England

Background imageFlemish Collection: Matilda of Flanders. Artist: Henry Colburn

Matilda of Flanders. Artist: Henry Colburn
Matilda of Flanders. Matilda (c1031-1083) was Queen Consort of William the Conqueror

Background imageFlemish Collection: Philippa of Hainault, (1851). Artist: Henry Colburn

Philippa of Hainault, (1851). Artist: Henry Colburn
Philippa of Hainault, (1851). Philippa of Hainault (c1314-1369) was Queen Consort of Edward III of England. She acted as regent on several occasions when Edward was on the continent

Background imageFlemish Collection: The Belfry and Cloth Hall of Ypres, Belgium, 24 November 1914

The Belfry and Cloth Hall of Ypres, Belgium, 24 November 1914. The magnificent medieval Cloth Hall was damaged by German shellfire during the First Battle of Ypres (14 October-22 November 1914)

Background imageFlemish Collection: Adriaen van Stalbemt, Flemish painter, (1825). Artist: John Corner

Adriaen van Stalbemt, Flemish painter, (1825). Artist: John Corner
Adriaen van Stalbemt, Flemish painter, (1825). An engraving of van Stalbemt (1580-1662) from John Corners Portraits of Celebrated Painters, (London, 1825)

Background imageFlemish Collection: Quentin Matsys, painter in the Flemish tradition, (1825). Artist: John Corner

Quentin Matsys, painter in the Flemish tradition, (1825). Artist: John Corner
Quentin Matsys, painter in the Flemish tradition, (1825). An engraving of Matsys (1466-1530) from John Corners Portraits of Celebrated Painters, (London, 1825)

Background imageFlemish Collection: Jacob Jordaens, Flemish Baroque era painter, (1825). Artist: John Corner

Jacob Jordaens, Flemish Baroque era painter, (1825). Artist: John Corner
Jacob Jordaens, Flemish Baroque era painter, (1825). An engraving of Jordaens (1593-1678) from John Corners Portraits of Celebrated Painters, (London, 1825)

Background imageFlemish Collection: Frans Snyders, Flemish Baroque era painter, (1825). Artist: John Corner

Frans Snyders, Flemish Baroque era painter, (1825). Artist: John Corner
Frans Snyders, Flemish Baroque era painter, (1825). An engraving of Snyders (1579-1657) from John Corners Portraits of Celebrated Painters, (London, 1825)

Background imageFlemish Collection: Sir Anthony (Anton) van Dyck, (1599-1641), Flemish painter, 1825. Artist: John Corner

Sir Anthony (Anton) van Dyck, (1599-1641), Flemish painter, 1825. Artist: John Corner
Sir Anthony (Anton) van Dyck, Flemish painter, (1825). An engraving of van Dyck (1599-1641) from John Corners Portraits of Celebrated Painters, (London, 1825)

Background imageFlemish Collection: Rubens, 19th century. Artist: James Posselwhite

Rubens, 19th century. Artist: James Posselwhite
Rubens, 19th century. Pieter Pauwel (Peter Paul) Rubens (1577-1640) was a Flemish artist, considered by many to be one of the greatest painters in European art history

Background imageFlemish Collection: Peter Paul Rubens, Flemish artist, early 17th century, (19th century). Artist: W Holl

Peter Paul Rubens, Flemish artist, early 17th century, (19th century). Artist: W Holl
Peter Paul Rubens, Flemish artist, early 17th century, (19th century). Rubens (1577-1640) is considered by many to be one of the greatest painters in European art history

Background imageFlemish Collection: King William III, 19th century. Artist: W Holl

King William III, 19th century. Artist: W Holl
King William III, 19th century. Portrait of William of Orange (1650-1702)

Background imageFlemish Collection: Peter Paul Rubens, Flemish artist, 19th century. Artist: James Posselwhite

Peter Paul Rubens, Flemish artist, 19th century. Artist: James Posselwhite
Peter Paul Rubens, Flemish artist, 19th century. Rubens (1577-1640) is considered by many to be one of the greatest painters in European art history

Background imageFlemish Collection: Carnival (detail), early 17th century. Artist: Louis de Caullery

Carnival (detail), early 17th century. Artist: Louis de Caullery
Carnival (detail), early 17th century. Found in the collection of the State M Ciurlionis Art Museum, Kaunas, Lithuania

Background imageFlemish Collection: The Passion of Christ, early 16th century. Artist: Joachim Patinir

The Passion of Christ, early 16th century. Artist: Joachim Patinir
The Passion of Christ, early 16th century. Patinier, Joachim (ca. 1480-1524). Found in the collection of the State A. Pushkin Museum of Fine Arts, Moscow

Background imageFlemish Collection: The Adoration of the Golden Calf, late 1620s. Artist: Frans Francken II

The Adoration of the Golden Calf, late 1620s. Artist: Frans Francken II
The Adoration of the Golden Calf, late 1620s. According to the Old Testament, the Golden Calf was an idol made by Aaron for the Israelites while Moses was away on Mount Sinai receiving the Ten

Background imageFlemish Collection: An Old Screw, late 17th century. Artist: Dominikus Smout

An Old Screw, late 17th century. Artist: Dominikus Smout
An Old Screw, late 17th century. Found in the collection of the State A Pushkin Museum of Fine Arts, Moscow

Background imageFlemish Collection: Portrait of the Bishop of Antwerp Ambrosius Cappelus, 17th century

Portrait of the Bishop of Antwerp Ambrosius Cappelus, 17th century. Artist: Abraham Jansz van Diepenbeeck
Portrait of the Bishop of Antwerp Ambrosius Cappelus, 17th century. Marius Ambrosius Capello (1597-1676) was Bishop of the Catholic diocese of Antwerp from 1652 until his death

Background imageFlemish Collection: Jacobs Return, 17th or early 18th century. Artist: Cornelis Huysmans

Jacobs Return, 17th or early 18th century. Artist: Cornelis Huysmans
Jacobs Return, 17th or early 18th century. Found in the collection of the State Art Museum, Tula, Russia

Background imageFlemish Collection: The Siege of La Rochelle in October 1628, early 18th century. Artist: Arnold Frans Rubens

The Siege of La Rochelle in October 1628, early 18th century. Artist: Arnold Frans Rubens
The Siege of La Rochelle in October 1628, early 18th century. Found in the collection of the State Art Museum, Tula, Russia




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"Flemish Art: A Tapestry of Beauty and History" Step into the enchanting world art, where masterpieces come alive with vibrant colors and intricate details. From the frosty Winter Landscape with skaters by Pieter Brueghel II, The Younger to the mesmerizing Passion of the Christ by Hans Memling, each artwork tells a unique story. The renowned Eyck brothers, Jan van Eyck and Hubert van Eyck, left an indelible mark on Flemish art with their meticulous attention to detail. Their works like The Arnolfini Portrait and Jan van Eyck's Winter Scene with Ice Skaters showcase their mastery in capturing light and texture. Van Dyck's portrait of Henrietta of Lorraine transports us to a time when elegance reigned supreme. His skillful brushstrokes bring out her regal beauty in every stroke. Travel back in time as you explore Orteliuss map of Ottoman Empire from 1570. This historical artifact offers a glimpse into the past while showcasing Flemish cartography at its finest. Hieronymus Bosch takes us on a journey through his surreal imagination with Dulle Griet (Mad Meg). This chaotic masterpiece challenges our perception and leaves us pondering its hidden meanings. Rembrandt's Simeon in the Temple captures a moment frozen in time, evoking emotions that resonate even centuries later. His mastery of light brings depth to this poignant scene. Flemish art is not just about individual artworks; it is also about celebrating everyday life. The Peasants Wedding by Pieter Bruegel the Elder showcases his ability to capture lively scenes filled with joyous celebrations and ordinary people going about their lives. Intricate tapestries woven through history have made Flanders synonymous with craftsmanship. Let these remarkable artworks transport you to another era as you immerse yourself in the rich heritage that is Flemish art.