Skip to main content

Florentine Collection (#5)

"Florentine Art: A Glimpse into Renaissance Masterpieces" Step into the enchanting world art, where masterpieces come to life and captivate the senses

Background imageFlorentine Collection: The Italian game that was born before foot-ball (colour litho)

The Italian game that was born before foot-ball (colour litho)
2809083 The Italian game that was born before foot-ball (colour litho) by Beltrame, Achille (1871-1945); Private Collection; (add.info.: The Italian game that was born before foot-ball)

Background imageFlorentine Collection: Italian glory claimed in America, inauguration of the monument to G da Verrazzano that first

Italian glory claimed in America, inauguration of the monument to G da Verrazzano that first... (colour litho)
2815277 Italian glory claimed in America, inauguration of the monument to G da Verrazzano that first... (colour litho) by Beltrame

Background imageFlorentine Collection: The youth of Dante in Florence (chromolitho)

The youth of Dante in Florence (chromolitho)
2782955 The youth of Dante in Florence (chromolitho) by European School, (19th century); Private Collection; (add.info.: The youth of Dante in Florence)

Background imageFlorentine Collection: Dante is appointed Prior of Florence (chromolitho)

Dante is appointed Prior of Florence (chromolitho)
2782952 Dante is appointed Prior of Florence (chromolitho) by European School, (19th century); Private Collection; (add.info.: Dante is appointed Prior of Florence)

Background imageFlorentine Collection: The Largest Diamonds in the World (engraving)

The Largest Diamonds in the World (engraving)
1594833 The Largest Diamonds in the World (engraving) by English School, (19th century); Private Collection; (add.info.: The Largest Diamonds in the World)

Background imageFlorentine Collection: Florentine iris, Iris germanica var. florentina

Florentine iris, Iris germanica var. florentina. Handcoloured copperplate stipple engraving from Jussieus Dizionario delle Scienze Naturali, Dictionary of Natural Science, Florence, Italy, 1837

Background imageFlorentine Collection: Sycamore, silver fir, foxglove, prickly pear, etc

Sycamore, silver fir, foxglove, prickly pear, etc
Old World sycamore, Platanus orientalis, silver fir, Abies picea, foxglove, Digitalis purpurea, prickly pear, Opuntia, Carduus marianus thistle, Silybum marianum, Venus flytrap, Dionaea muscipula

Background imageFlorentine Collection: Portrait Bust of Lorenzo de Medici, late 15th century (terracotta, polychrome)

Portrait Bust of Lorenzo de Medici, late 15th century (terracotta, polychrome)
1217348 Portrait Bust of Lorenzo de Medici, late 15th century (terracotta, polychrome) by Florentine School (15th Century); Ashmolean Museum, University of Oxford, UK; (add.info.: Anonymous, Italian)

Background imageFlorentine Collection: The Baptistery, Florence: Study of the upper Part of the right-hand Compartment

The Baptistery, Florence: Study of the upper Part of the right-hand Compartment
1218053 The Baptistery, Florence: Study of the upper Part of the right-hand Compartment on the south-west FaAzade, 1 - 14 June 1872 (watercolour and bodycolour over graphite on wove paper) by Ruskin

Background imageFlorentine Collection: The Annunciation, c. 1500 (tempera on wood)

The Annunciation, c. 1500 (tempera on wood)
BFM286508 The Annunciation, c.1500 (tempera on wood) by Italian School, (16th century); 31.4x40.4 cm; Lindenau Museum, Altenburg

Background imageFlorentine Collection: Madonna and Child, c. 1470-80 (stucco or plaster)

Madonna and Child, c. 1470-80 (stucco or plaster)
ALM289705 Madonna and Child, c.1470-80 (stucco or plaster) by Verrocchio, Andrea del (1435-88) (circle of); 84x61x10 cm; Allen Memorial Art Museum, Oberlin College, Ohio

Background imageFlorentine Collection: Ms 37-1950, ff. 1v-2r: Title page and miniature of King David in prayer

Ms 37-1950, ff. 1v-2r: Title page and miniature of King David in prayer
FIT276986 Ms 37-1950, ff.1v-2r: Title page and miniature of King David in prayer, from the Medici Psalter, Florence, c.1480-90 (gold ink & tempera on parchment)

Background imageFlorentine Collection: Balcony, Villa Medicea di Careggi (photo)

Balcony, Villa Medicea di Careggi (photo)
BEN276615 Balcony, Villa Medicea di Careggi (photo) by Michelozzo di Bartolommeo (1396-1472); Villa Medicea di Careggi, Florence, Tuscany

Background imageFlorentine Collection: Detail of Mercury, Danae and Perseus, from the base of a sculpture of Perseus with

Detail of Mercury, Danae and Perseus, from the base of a sculpture of Perseus with
BAT356549 Detail of Mercury, Danae and Perseus, from the base of a sculpture of Perseus with the head of Medusa, 1545-55 (bronze) by Cellini, Benvenuto (1500-71); Loggia dei Lanzi, Florence

Background imageFlorentine Collection: Plaque depicting Perseus rescuing Andromeda, 1545-55 (bronze)

Plaque depicting Perseus rescuing Andromeda, 1545-55 (bronze)
BAT356545 Plaque depicting Perseus rescuing Andromeda, 1545-55 (bronze) by Cellini, Benvenuto (1500-71); Loggia dei Lanzi, Florence

Background imageFlorentine Collection: Dante in Exile, 1864 (oil on canvas)

Dante in Exile, 1864 (oil on canvas)
PNH354614 Dante in Exile, 1864 (oil on canvas) by Leighton, Frederic (1830-96); 152.5x254 cm; Private Collection; (add.info)

Background imageFlorentine Collection: Portrait of a Man, called The Fattore of San Marco (oil on panel)

Portrait of a Man, called The Fattore of San Marco (oil on panel)
FRL316243 Portrait of a Man, called The Fattore of San Marco (oil on panel) by Puligo, Domenico (1492-1527); 93.9x71.1 cm; Private Collection; Italian, out of copyright

Background imageFlorentine Collection: Portrait of George Nassau, 3rd Earl Cowper (oil on canvas)

Portrait of George Nassau, 3rd Earl Cowper (oil on canvas)
FRL316242 Portrait of George Nassau, 3rd Earl Cowper (oil on canvas) by Zoffany, Johann (1733-1810); Private Collection; (add.info)

Background imageFlorentine Collection: Facade of the Casa Buonarroti (photo)

Facade of the Casa Buonarroti (photo)
BAT254017 Facade of the Casa Buonarroti (photo) by Italian School, (16th century); Florence, Tuscany, Italy; (add.info.: on the Via Ghibellina; Michelangelo bought three houses in 1508; nephew united)

Background imageFlorentine Collection: The Capture of the Fortress of Monastero from the ceiling of the Salone dei Cinquecento

The Capture of the Fortress of Monastero from the ceiling of the Salone dei Cinquecento
BEN82490 The Capture of the Fortress of Monastero from the ceiling of the Salone dei Cinquecento, 1565 (panel) by Vasari, Giorgio (1511-74) (and workshop); Palazzo Vecchio (Palazzo della Signoria)

Background imageFlorentine Collection: Crucifixion with St. Francis of Assisi and a Donor (tempera on panel)

Crucifixion with St. Francis of Assisi and a Donor (tempera on panel)
AII80520 Crucifixion with St. Francis of Assisi and a Donor (tempera on panel) by Italian School, (14th century); Galleria dell Accademia & Museo degli Strumenti Musicali, Florence, Tuscany

Background imageFlorentine Collection: The Adoration of the Magi detail of journey to Jerusalem

The Adoration of the Magi detail of journey to Jerusalem
BEN107253 The Adoration of the Magi detail of journey to Jerusalem, 1423 (tempera on panel) (detail of 29414) by Fabriano, Gentile da (c.1370-1427); Galleria degli Uffizi, Florence, Tuscany

Background imageFlorentine Collection: Adoration of the Magi detail, 1423 (tempera on panel)

Adoration of the Magi detail, 1423 (tempera on panel)
BBC193352 Adoration of the Magi detail, 1423 (tempera on panel) by Fabriano, Gentile da (c.1370-1427); Galleria degli Uffizi, Florence, Tuscany, Italy; (add.info.: Also known as the Pala Strozzi)

Background imageFlorentine Collection: The Dream of St. Romauld (c. 951-1027) c. 1502 (vellum)

The Dream of St. Romauld (c. 951-1027) c. 1502 (vellum)
MMT223625 The Dream of St. Romauld (c.951-1027) c.1502 (vellum) by Attavante di Gabriello di Vanti di Bartolo (1452-c.1520); 44x34 cm; Musee Marmottan Monet, Paris

Background imageFlorentine Collection: Saint from the St. Reparata Polyptych (detail of 66557) (panel) (see also 66558-66568)

Saint from the St. Reparata Polyptych (detail of 66557) (panel) (see also 66558-66568)
BAT66560 Saint from the St. Reparata Polyptych (detail of 66557) (panel) (see also 66558-66568) by Giotto (Giotto di Bondone) (c.1266-1337); Duomo, Florence, Tuscany

Background imageFlorentine Collection: St. Reparata Polyptych, L to R: St. Reparata, St. John the Baptist, Annunciation

St. Reparata Polyptych, L to R: St. Reparata, St. John the Baptist, Annunciation
BAT66558 St. Reparata Polyptych, L to R: St. Reparata, St. John the Baptist, Annunciation, unidentified saint, St. Nicholas (reverse) by Giotto (Giotto di Bondone) (c.1266-1337); Duomo, Florence

Background imageFlorentine Collection: St. Reparata Polyptych (see also 65558-69)

St. Reparata Polyptych (see also 65558-69)
BAT66557 St. Reparata Polyptych (see also 65558-69) by Giotto (Giotto di Bondone) (c.1266-1337); Duomo, Florence, Tuscany, Italy; Photo eNicol Orsi Battaglini; Italian, out of copyright

Background imageFlorentine Collection: John the Baptist, from the Coronation of the Virgin Polyptych (middle left predella)

John the Baptist, from the Coronation of the Virgin Polyptych (middle left predella) (see also 66540-66551)
BAT66548 John the Baptist, from the Coronation of the Virgin Polyptych (middle left predella) (see also 66540-66551) by Giotto, Ambrogio Bondone (c.1266-1337) (workshop); Baroncelli Chapel

Background imageFlorentine Collection: The Loggia and Palazzo della Signoria, Sassetti Chapel, 1483 (fresco) (detail)

The Loggia and Palazzo della Signoria, Sassetti Chapel, 1483 (fresco) (detail)
VLS60521 The Loggia and Palazzo della Signoria, Sassetti Chapel, 1483 (fresco) (detail) by Ghirlandaio, Domenico (Domenico Bigordi) (1449-94); Santa Trinita, Florence

Background imageFlorentine Collection: Annunciation, from the St. Reparata Polyptych (reverse of central panel) (detail of 66558

Annunciation, from the St. Reparata Polyptych (reverse of central panel) (detail of 66558
BAT66565 Annunciation, from the St. Reparata Polyptych (reverse of central panel) (detail of 66558, see also 66557-68) by Giotto (Giotto di Bondone) (c.1266-1337); Duomo, Florence, Tuscany

Background imageFlorentine Collection: Coronation of the Virgin Polyptych (panel) (see also 66541-66551)

Coronation of the Virgin Polyptych (panel) (see also 66541-66551)
BAT66540 Coronation of the Virgin Polyptych (panel) (see also 66541-66551) by Giotto, Ambrogio Bondone (c.1266-1337) (workshop); Baroncelli Chapel, Church of Santa Croce, Florence

Background imageFlorentine Collection: The Battle of Cascina, or The Bathers, after Michelangelo, 1542 (oil on panel)

The Battle of Cascina, or The Bathers, after Michelangelo, 1542 (oil on panel)
HLK18057 The Battle of Cascina, or The Bathers, after Michelangelo, 1542 (oil on panel) by Sangallo, Aristotile da (1481-1551)

Background imageFlorentine Collection: St Augustine in his Cell, c. 1480 (fresco)

St Augustine in his Cell, c. 1480 (fresco)
BEN29143 St Augustine in his Cell, c.1480 (fresco) by Botticelli, Sandro (Alessandro di Mariano di Vanni Filipepi) (1444/5-1510); Church of Ognissanti, Florence

Background imageFlorentine Collection: The Pontevecchio, Florence

The Pontevecchio, Florence
GG28468 The Pontevecchio, Florence by Brandeis, Antonietta (1849-1920); Private Collection; Photo eGavin Graham Gallery, London, UK; Italian, out of copyright

Background imageFlorentine Collection: Portrait of Andrea del Verrocchio, Italian painter, sculptor, architect and goldsmith of Florence

Portrait of Andrea del Verrocchio, Italian painter, sculptor, architect and goldsmith of Florence, circa 1435-1488
6338906 Portrait of Andrea del Verrocchio, Italian painter, sculptor, architect and goldsmith of Florence, circa 1435-1488 by Italian School

Background imageFlorentine Collection: A Florentine pietra dura plaque with a parrot on its perch on a table with an Etruscan

A Florentine pietra dura plaque with a parrot on its perch on a table with an Etruscan
1765117 A Florentine pietra dura plaque with a parrot on its perch on a table with an Etruscan krater vase, a vase of flowers and ewers, c.1870 (marble) by Italian School

Background imageFlorentine Collection: Cassone (tempera on wood & parcel-gilt wood) (see also 1113941-4)

Cassone (tempera on wood & parcel-gilt wood) (see also 1113941-4)
1113945 Cassone (tempera on wood & parcel-gilt wood) (see also 1113941-4) by Guidi, Giovanni Di Ser Giovanni, Lo Sheggia (1406-86) (attr)

Background imageFlorentine Collection: Cassone central panel: The Triumph of David (tempera on wood) (see also 1113942-5)

Cassone central panel: The Triumph of David (tempera on wood) (see also 1113942-5)
1113941 Cassone central panel: The Triumph of David (tempera on wood) (see also 1113942-5) by Guidi, Giovanni Di Ser Giovanni, Lo Sheggia (1406-86) (attr)

Background imageFlorentine Collection: The Madonna of Humility (tempera on gold ground panel)

The Madonna of Humility (tempera on gold ground panel)
827638 The Madonna of Humility (tempera on gold ground panel) by The Master of the Carrand Tondo (fl.c.1430); 72.5x51.5 cm; Private Collection; (add.info)

Background imageFlorentine Collection: View of the Arno and the Ponte Alla Carraia (oil on canvas) (pair to 490411)

View of the Arno and the Ponte Alla Carraia (oil on canvas) (pair to 490411)
490374 View of the Arno and the Ponte Alla Carraia (oil on canvas) (pair to 490411) by Zocchi, Giuseppe (1711-67); 60x84 cm; Private Collection; Photo eChristies Images; Italian, out of copyright

Background imageFlorentine Collection: A Florentine Festival: The Banquet, (watercolour, gouache and gold relief on board)

A Florentine Festival: The Banquet, (watercolour, gouache and gold relief on board)
989809 A Florentine Festival: The Banquet, (watercolour, gouache and gold relief on board) by Meacci, Ricciardo (1856-1938); 36.8x115.6 cm; Private Collection; (add.info.: A Florentine Festival)

Background imageFlorentine Collection: A Florentine Festival: Preparations in the Kitchen and Canteen, (watercolour

A Florentine Festival: Preparations in the Kitchen and Canteen, (watercolour
989808 A Florentine Festival: Preparations in the Kitchen and Canteen, (watercolour, gouache and gold relief on board) by Meacci

Background imageFlorentine Collection: Victoria And Albert Museum: Inkstand or Perfume Burner, bronze, Florentine, 15th century (engraving)

Victoria And Albert Museum: Inkstand or Perfume Burner, bronze, Florentine, 15th century (engraving)
6011277 Victoria And Albert Museum: Inkstand or Perfume Burner, bronze, Florentine, 15th century (engraving) by English School

Background imageFlorentine Collection: Selvaggia Sassetti, c. 1487-88 (tempera on wood)

Selvaggia Sassetti, c. 1487-88 (tempera on wood)
5667798 Selvaggia Sassetti, c.1487-88 (tempera on wood) by Ghirlandaio, Davide (1452-1525); 57.2 x 44.1 cm; Metropolitan Museum of Art, New York

Background imageFlorentine Collection: Ugolino Martelli, 1536-37 (oil on poplar panel)

Ugolino Martelli, 1536-37 (oil on poplar panel)
3931204 Ugolino Martelli, 1536-37 (oil on poplar panel) by Bronzino, Agnolo di Cosimo (1503-72); 102A--85 cm; Gemaldegalerie, Staatliche Museen zu Berlin




For sale as Licensed Images

Choose your image, Select your licence and Download the media

"Florentine Art: A Glimpse into Renaissance Masterpieces" Step into the enchanting world art, where masterpieces come to life and captivate the senses. From the delicate strokes of Donatello's Pazzi Madonna to Paolo Uccello's epic depiction of The Battle of San Romano, this vibrant city has been a cradle for artistic brilliance. Intricately carved from marble, Donatello's Pazzi Madonna (Virgin and Child) exudes grace and serenity. Created in c1417-18, it stands as a testament to his mastery as a Florentine sculptor. Paolo Uccello takes us on an exhilarating journey through time with his renowned artwork, The Battle of San Romano. Painted in 1456, this masterpiece showcases Uccello's meticulous attention to detail and his ability to capture the intensity of battle. Sandro Botticelli transports us into a mythical realm with Primavera, painted around 1478. This ethereal piece celebrates springtime and embodies the essence Renaissance art. Agnolo Bronzino mesmerizes us with An Allegory with Venus and Cupid. Created between c1523-1568, this enigmatic painting invites contemplation on love and desire while showcasing Bronzino's skillful brushwork. Fra Angelico enchants our souls with The Coronation of the Virgin - an exquisite portrayal that emanates divine beauty. His work captures both religious devotion and artistic finesse. The Birth of Venus by Sandro Botticelli is a true marvel that continues to inspire awe even today. Painted around 1485 using tempera on canvas technique; it depicts the goddess emerging from sea foam—a symbol of purity and rebirth. Lorenzo Monaco presents us with The Intercession of Christ and the Virgin—an evocative piece created before 1402.