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Florentine Collection (#7)

"Florentine Art: A Glimpse into Renaissance Masterpieces" Step into the enchanting world art, where masterpieces come to life and captivate the senses

Background imageFlorentine Collection: Le vase de Medicis, 1656 (etching)

Le vase de Medicis, 1656 (etching)
2562914 Le vase de Medicis, 1656 (etching) by Bella, Stefano della (1610-64); New York Public Library, USA; Stephen A. Schwarzman Building / Photography Collection, Miriam and Ira D

Background imageFlorentine Collection: Gualdrada Donati presenting her Daughter to Buondelmente

Gualdrada Donati presenting her Daughter to Buondelmente
1217636 Gualdrada Donati presenting her Daughter to Buondelmente (pen and black ink with graphite on white paper) by Burne-Jones, Edward Coley (1833-98); 23.3x39.3 cm; Ashmolean Museum

Background imageFlorentine Collection: Sir Thomas Baines, 1665-70 (oil on canvas)

Sir Thomas Baines, 1665-70 (oil on canvas)
1199939 Sir Thomas Baines, 1665-70 (oil on canvas) by Dolci, Carlo (1616-86); 86.2x72.4 cm; Fitzwilliam Museum, University of Cambridge, UK; (add.info.: Sir Thomas Baines, M.D)

Background imageFlorentine Collection: European costumes, 15th Century (coloured engraving)

European costumes, 15th Century (coloured engraving)
968842 European costumes, 15th Century (coloured engraving) by German School, (19th century); Private Collection; (add.info.: European costumes, 15th Century)

Background imageFlorentine Collection: Petrarch, Italian Renaissance scholar and poet (chromolitho)

Petrarch, Italian Renaissance scholar and poet (chromolitho)
1093547 Petrarch, Italian Renaissance scholar and poet (chromolitho) by French School, (19th century); Private Collection; (add.info.: Petrarch (1304-1374), Italian Renaissance scholar and poet

Background imageFlorentine Collection: Detail from the Raising of the Son of Theophilus and St Peter Enthroned (fresco)

Detail from the Raising of the Son of Theophilus and St Peter Enthroned (fresco)
956977 Detail from the Raising of the Son of Theophilus and St Peter Enthroned (fresco) by Lippi, Filippino (c.1457-1504); Chiesa di Santa Maria del Carmine, Florence

Background imageFlorentine Collection: Ascension of Christ, detail from the pulpit, after 1460 (bronze)

Ascension of Christ, detail from the pulpit, after 1460 (bronze)
LRI3527851 Ascension of Christ, detail from the pulpit, after 1460 (bronze) by Donatello, (c.1386-1466); San Lorenzo, Florence, Italy; Luisa Ricciarini; Italian, out of copyright

Background imageFlorentine Collection: Plaque depicting two monks testing food within a black border, Florence

Plaque depicting two monks testing food within a black border, Florence
473292 Plaque depicting two monks testing food within a black border, Florence, early 20th century (pietra dura) by Montelatici

Background imageFlorentine Collection: The Ponte Vecchio, Florence (oil on canvas) (pair to 490374)

The Ponte Vecchio, Florence (oil on canvas) (pair to 490374)
490411 The Ponte Vecchio, Florence (oil on canvas) (pair to 490374) by Zocchi, Giuseppe (1711-67); 60x84 cm; Private Collection; Photo eChristies Images; Italian, out of copyright

Background imageFlorentine Collection: The Badia Fiorentina and the Palazzo Del Podesta in Piazza di San Firenze, c

The Badia Fiorentina and the Palazzo Del Podesta in Piazza di San Firenze, c
6041533 The Badia Fiorentina and the Palazzo Del Podesta in Piazza di San Firenze, c.1754 (oil on canvas) by Zocchi, Giuseppe (1711-67); Private Collection; Italian, out of copyright

Background imageFlorentine Collection: Tommaso di Folco and Maria Portinari, c. 1470 (oil on wood)

Tommaso di Folco and Maria Portinari, c. 1470 (oil on wood)
3614028 Tommaso di Folco and Maria Portinari, c.1470 (oil on wood) by Memling, Hans (c.1433-94); 44.1x33.7 cm; Metropolitan Museum of Art, New York

Background imageFlorentine Collection: Portrait of a Young Woman, c. 1475-80 (oil on wood)

Portrait of a Young Woman, c. 1475-80 (oil on wood)
3614130 Portrait of a Young Woman, c.1475-80 (oil on wood) by Credi, Lorenzo di (1456-1536); 58.7x40 cm; Metropolitan Museum of Art, New York

Background imageFlorentine Collection: The Young Saint John the Baptist (tempera and oil on wood)

The Young Saint John the Baptist (tempera and oil on wood)
3493070 The Young Saint John the Baptist (tempera and oil on wood) by Cosimo, Piero di (c.1462-1521); 29.2x23.5 cm; Metropolitan Museum of Art, New York, USA; Italian, out of copyright

Background imageFlorentine Collection: Night, Michel Angelo, Tomb of Lorenzo de Medici (engraving)

Night, Michel Angelo, Tomb of Lorenzo de Medici (engraving)
3625643 Night, Michel Angelo, Tomb of Lorenzo de Medici (engraving) by English School, (19th century); Private Collection; (add.info.: Night, Michel Angelo, Tomb of Lorenzo de Medici)

Background imageFlorentine Collection: Portrait of Dante (engraving)

Portrait of Dante (engraving)
3625629 Portrait of Dante (engraving) by English School, (19th century); Private Collection; (add.info.: Portrait of Dante. Illustration for The Makers of Florence by Mrs Oliphant (Macmillan, 1876)

Background imageFlorentine Collection: The Centre of Florence (engraving)

The Centre of Florence (engraving)
3625624 The Centre of Florence (engraving) by English School, (19th century); Private Collection; (add.info.: The Centre of Florence)

Background imageFlorentine Collection: Interior of Cathedral (engraving)

Interior of Cathedral (engraving)
3625621 Interior of Cathedral (engraving) by English School, (19th century); Private Collection; (add.info.: Interior of Cathedral)

Background imageFlorentine Collection: The Arno, looking east from the Ponte Vecchio (engraving)

The Arno, looking east from the Ponte Vecchio (engraving)
3625619 The Arno, looking east from the Ponte Vecchio (engraving) by English School, (19th century); Private Collection; (add.info.: The Arno, looking east from the Ponte Vecchio)

Background imageFlorentine Collection: The Bigallo (engraving)

The Bigallo (engraving)
3625613 The Bigallo (engraving) by English School, (19th century); Private Collection; (add.info.: The Bigallo. Illustration for The Makers of Florence by Mrs Oliphant (Macmillan, 1876)

Background imageFlorentine Collection: Poliziano, Florentine Renaissance poet (engraving)

Poliziano, Florentine Renaissance poet (engraving)
3647902 Poliziano, Florentine Renaissance poet (engraving) by German School, (19th century); Private Collection; (add.info.: Poliziano (1454-1494), Florentine Renaissance poet

Background imageFlorentine Collection: Portrait of Cosimo de Medici (engraving)

Portrait of Cosimo de Medici (engraving)
3647898 Portrait of Cosimo de Medici (engraving) by German School, (19th century); Private Collection; (add.info.: Portrait of Cosimo de Medici (1389-1464)

Background imageFlorentine Collection: Tabernacle, 1347-60 (marble)

Tabernacle, 1347-60 (marble)
3469976 Tabernacle, 1347-60 (marble) by Orcagna, Andrea di Cione (c.1308-68); Orsanmichele Church and Museum, Florence, Tuscany, Italy; eMark Edward Smith; Italian, out of copyright

Background imageFlorentine Collection: Detail of the Tomb of Antipope John XXIII (bronze)

Detail of the Tomb of Antipope John XXIII (bronze)
3469869 Detail of the Tomb of Antipope John XXIII (bronze) by Donatello, (c.1386-1466); Museo di Santa Maria del Fiore, Florence

Background imageFlorentine Collection: Christ on the Cross with Saints Vincent Ferre, John the Baptist, Mark and Antonius, c

Christ on the Cross with Saints Vincent Ferre, John the Baptist, Mark and Antonius, c
3588525 Christ on the Cross with Saints Vincent Ferre, John the Baptist, Mark and Antonius, c.1491-5 (tempera and oil on panel) by Master of the Fiesole Epiphany (fl.1475-96)

Background imageFlorentine Collection: Ewer, c. 1608 (lapis lazuli, gold)

Ewer, c. 1608 (lapis lazuli, gold)
1217969 Ewer, c. 1608 (lapis lazuli, gold) by European School, (17th century); Ashmolean Museum, University of Oxford, UK; (add.info.: Miseroni workshop, formerly attributed to)

Background imageFlorentine Collection: Fishing on the Arno using boats and nets, illustration from Venationes, Ferarum

Fishing on the Arno using boats and nets, illustration from Venationes, Ferarum
747025 Fishing on the Arno using boats and nets, illustration from Venationes, Ferarum, Avium, Piscium (Of Hunting: Wild Beasts, Birds, Fish), engraved by Jan Collaert (1566-1628), pub

Background imageFlorentine Collection: Interior view of the loggia, Villa Medicea di Careggi (photo)

Interior view of the loggia, Villa Medicea di Careggi (photo)
BEN276613 Interior view of the loggia, Villa Medicea di Careggi (photo) by Sangallo, Giuliano Giamberti da (1445-1516); Villa Medicea di Careggi, Florence, Tuscany

Background imageFlorentine Collection: Interior Court, Villa Medicea di Careggi (photo)

Interior Court, Villa Medicea di Careggi (photo)
BEN276612 Interior Court, Villa Medicea di Careggi (photo) by Michelozzo di Bartolommeo (1396-1472); Villa Medicea di Careggi, Florence, Tuscany

Background imageFlorentine Collection: Detail of Minerva, from the base of a sculpture of Perseus with the head of Medusa

Detail of Minerva, from the base of a sculpture of Perseus with the head of Medusa
BAT356547 Detail of Minerva, from the base of a sculpture of Perseus with the head of Medusa, 1545-55 (bronze) by Cellini, Benvenuto (1500-71); Loggia dei Lanzi, Florence

Background imageFlorentine Collection: Self Portrait (oil on canvas)

Self Portrait (oil on canvas)
BEN342327 Self Portrait (oil on canvas) by Salviati Cecchino, Francesco de Rossi (1510-63); Galleria degli Uffizi, Florence, Tuscany, Italy; Photo eRaffaello Bencini; Italian, out of copyright

Background imageFlorentine Collection: Detail of Punishment of the Doctor, Villa Medicea di Careggi (fresco)

Detail of Punishment of the Doctor, Villa Medicea di Careggi (fresco)
BEN276605 Detail of Punishment of the Doctor, Villa Medicea di Careggi (fresco) by Watts, George Frederic (1817-1904); Villa Medicea di Careggi, Florence, Tuscany

Background imageFlorentine Collection: Detail of floor tiles from the cellar of the Villa Medicea de Careggi (ceramic)

Detail of floor tiles from the cellar of the Villa Medicea de Careggi (ceramic)
BEN276604 Detail of floor tiles from the cellar of the Villa Medicea de Careggi (ceramic) by Michelozzo di Bartolommeo (1396-1472); Villa Medicea di Careggi, Florence, Tuscany

Background imageFlorentine Collection: Interior view of the cellar, Villa Medicea di Careggi (photo)

Interior view of the cellar, Villa Medicea di Careggi (photo)
BEN276600 Interior view of the cellar, Villa Medicea di Careggi (photo) by Michelozzo di Bartolommeo (1396-1472); Villa Medicea di Careggi, Florence, Tuscany

Background imageFlorentine Collection: Portrait of Ferdinando II de Medici, 1626 (oil on canvas)

Portrait of Ferdinando II de Medici, 1626 (oil on canvas)
619366 Portrait of Ferdinando II de Medici, 1626 (oil on canvas) by Sustermans, Justus (1597-1681); 43x33 cm; Palazzo Pitti, Florence

Background imageFlorentine Collection: Leone Strozzi, c. 1553 (oil on canvas)

Leone Strozzi, c. 1553 (oil on canvas)
490452 Leone Strozzi, c.1553 (oil on canvas) by Conte, Jacopino del (1510-98) (after); 137x109 cm; Museum of the Order of St

Background imageFlorentine Collection: Vase of flowers in a frame (pietra dura)

Vase of flowers in a frame (pietra dura)
XIR434182 Vase of flowers in a frame (pietra dura) by Italian School, (18th century); Museo Opificio delle Pietre Dure, Florence, Italy; (add.info.: Vase of flowers in a frame; ); Italian

Background imageFlorentine Collection: Leonardo da Vinci as a student of Andrea del Verrocchio (chromolitho)

Leonardo da Vinci as a student of Andrea del Verrocchio (chromolitho)
2782721 Leonardo da Vinci as a student of Andrea del Verrocchio (chromolitho) by European School, (19th century); Private Collection; (add.info)

Background imageFlorentine Collection: The Lute Player, c. 1612-20 (oil on canvas)

The Lute Player, c. 1612-20 (oil on canvas)
4073447 The Lute Player, c.1612-20 (oil on canvas) by Gentileschi, Orazio (1563-1639); 143.5x129 cm; National Gallery of Art, Washington DC, USA; Italian, out of copyright

Background imageFlorentine Collection: The Great Diamonds of the World (engraving)

The Great Diamonds of the World (engraving)
1622019 The Great Diamonds of the World (engraving) by English School, (19th century); Private Collection; (add.info.: The Great Diamonds of the World)

Background imageFlorentine Collection: Portrait of Giovanni Boccaccio, c. 1560 (oil on canvas)

Portrait of Giovanni Boccaccio, c. 1560 (oil on canvas)
5055812 Portrait of Giovanni Boccaccio, c.1560 (oil on canvas) by Altissimo, Cristofano dell (c.1525-1605) (and workshop); 76.5 x 62 cm; Kunstmuseum, Basel

Background imageFlorentine Collection: Portrait of Dante Alighieri, c. 1560 (oil on canvas)

Portrait of Dante Alighieri, c. 1560 (oil on canvas)
5055811 Portrait of Dante Alighieri, c.1560 (oil on canvas) by Altissimo, Cristofano dell (c.1525-1605) (and workshop); 74.5 x 63 cm; Kunstmuseum, Basel

Background imageFlorentine Collection: Il Modo d Adoperare il Balador Secreto dei Giudei, by Jacopo Coppa of Modena

Il Modo d Adoperare il Balador Secreto dei Giudei, by Jacopo Coppa of Modena
1562682 Il Modo d Adoperare il Balador Secreto dei Giudei, by Jacopo Coppa of Modena, Florence, 1st October, 1573 (woodcut & print) by Italian School

Background imageFlorentine Collection: Rearing horse (gilt bronze)

Rearing horse (gilt bronze)
1547134 Rearing horse (gilt bronze) by Tacca, Pietro (1577-1640); Private Collection; Photo eChristies Images; Italian, out of copyright

Background imageFlorentine Collection: The Badminton Cabinet, c. 1720-32 (pietra dura, ebony & ormolu)

The Badminton Cabinet, c. 1720-32 (pietra dura, ebony & ormolu)
BAL44639 The Badminton Cabinet, c.1720-32 (pietra dura, ebony & ormolu) by Italian School, (18th century); 386x232.5x94 cm; Private Collection; (add.info)

Background imageFlorentine Collection: The Adoration of the Magi, detail of Virgin and Child with three kings

The Adoration of the Magi, detail of Virgin and Child with three kings
BEN107252 The Adoration of the Magi, detail of Virgin and Child with three kings, 1423 (tempera on panel) by Fabriano, Gentile da (c.1370-1427); Galleria degli Uffizi, Florence, Tuscany

Background imageFlorentine Collection: The Arno in Florence with the Ponte Vecchio, c. 1745 (oil on canvas)

The Arno in Florence with the Ponte Vecchio, c. 1745 (oil on canvas)
FIT67022 The Arno in Florence with the Ponte Vecchio, c.1745 (oil on canvas) by Bellotto, Bernardo (1720-80); 73.3x105.7 cm; Fitzwilliam Museum, University of Cambridge




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"Florentine Art: A Glimpse into Renaissance Masterpieces" Step into the enchanting world art, where masterpieces come to life and captivate the senses. From the delicate strokes of Donatello's Pazzi Madonna to Paolo Uccello's epic depiction of The Battle of San Romano, this vibrant city has been a cradle for artistic brilliance. Intricately carved from marble, Donatello's Pazzi Madonna (Virgin and Child) exudes grace and serenity. Created in c1417-18, it stands as a testament to his mastery as a Florentine sculptor. Paolo Uccello takes us on an exhilarating journey through time with his renowned artwork, The Battle of San Romano. Painted in 1456, this masterpiece showcases Uccello's meticulous attention to detail and his ability to capture the intensity of battle. Sandro Botticelli transports us into a mythical realm with Primavera, painted around 1478. This ethereal piece celebrates springtime and embodies the essence Renaissance art. Agnolo Bronzino mesmerizes us with An Allegory with Venus and Cupid. Created between c1523-1568, this enigmatic painting invites contemplation on love and desire while showcasing Bronzino's skillful brushwork. Fra Angelico enchants our souls with The Coronation of the Virgin - an exquisite portrayal that emanates divine beauty. His work captures both religious devotion and artistic finesse. The Birth of Venus by Sandro Botticelli is a true marvel that continues to inspire awe even today. Painted around 1485 using tempera on canvas technique; it depicts the goddess emerging from sea foam—a symbol of purity and rebirth. Lorenzo Monaco presents us with The Intercession of Christ and the Virgin—an evocative piece created before 1402.