Francesco De Rossi Salviati Collection

Courtyard of the Palazzo Vecchio, Florence, 19th century. Creator: Francesco Salviati
Courtyard of the Palazzo Vecchio, Florence, 19th century

Alexander the Great kneeling before the High Priest of Ammon, between 1530 and 1536. Creator: Francesco Salviati
Alexander the Great kneeling before the High Priest of Ammon, between 1530 and 1536

The Beaucousin Collection at the National Gallery - "Charity", by F. Salviati, 1860. Creator: Unknown
The Beaucousin Collection at the National Gallery - "Charity", by F. Salviati, 1860. Engraving of a painting. The most recent accession to our National Gallery

Christ Falling under the Cross. Creator: Salviati, Francesco, follower of
Christ Falling under the Cross

Saint Peter. Creator: St Peter
Saint Peter

The Resurrection, 1545/1548. Creator: Francesco Salviati
The Resurrection, 1545/1548

Design for an Altar. Creator: Francesco Salviati
Design for an Altar

Young Warrior, Seen from Behind, Lifting a Curtain, 1550/55. Creator: Francesco Salviati
Young Warrior, Seen from Behind, Lifting a Curtain, 1550/55

Part of The Truimph and Exploits of Furius Camillus, n.d. Creator: Francesco Salviati
Part of The Truimph and Exploits of Furius Camillus, n.d

After the Antique: Roman Officiant at a Sacrificial Altar, 1531/32. Creator: Francesco Salviati
After the Antique: Roman Officiant at a Sacrificial Altar, 1531/32

Cavalry Skirmish (recto); Kneeling Ecorché (verso), 1530/39. Creator: Francesco Salviati
Cavalry Skirmish (recto); Kneeling Ecorche (verso), 1530/39

The Death of the Children of Niobe, 1541. Creators: Unknown, Antonio Salamanca
The Death of the Children of Niobe, 1541

Seated Male Nude with Outstretched Left Arm, n.d. Creator: Unknown
Seated Male Nude with Outstretched Left Arm, n.d

Crucifixion, 1541. 1541. Creator: Anon
Crucifixion, 1541

Chirurgia eGraeco in Latinum conversa... 1544. Creator: Francesco Salviati
Chirurgia e Graeco in Latinum conversa, Vido Vidio Florentino interprete, 1544. From a work on ancient Greek surgery edited and translated by Vidus Vidius. Attributed to Francesco Salviati

A group of figures at right witnessing a shipwreck, ca. 1515-27. Creator: Marco Dente
A group of figures at right witnessing a shipwreck, ca. 1515-27

A man kneeling and placing a laurel branch upon a pile of burning books, ca. 1515-27

A man kneeling next to a basket of fish and taking one with both hands, two men at right in the background, ca. 1515-27

The Visitation, 1540-50. Creator: Giorgio Ghisi
The Visitation, 1540-50. The visit of St. Mary, who was pregnant with Jesus, to St. Elizabeth. After Francesco Salviati

The Holy Family with St. Anne and St. Catherine, 1542, published 1627-50

Design for Two Knife Handles, 1553-1615. Creator: Cherubino Alberti
Design for Two Knife Handles, 1553-1615. [Mors et vita in manu linguae - the tongue has the power of life and death]

Virgin and Child with Saint Anne and John the Baptist, ca. 1550

Portrait of a Man. Creator: Francesco Salviati
Portrait of a Man

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Francesco de Rossi Salviati was a renowned artist who left an indelible mark on the art world with his exquisite creations. Born in Florence, he found inspiration in the enchanting Courtyard of the Palazzo Vecchio, where he honed his skills and developed his unique style. One of his notable works is the Crucifixion, crafted anonymously in 1541. This masterpiece showcases Salviati's mastery of capturing raw emotions and depicting poignant scenes that resonate deeply with viewers. In 1544, Salviati showcased his versatility by translating Chirurgia eGraeco into Latinum conversa. This translation not only demonstrated his linguistic prowess but also highlighted his dedication to spreading knowledge through various mediums. Another captivating piece attributed to Salviati is a group of figures witnessing a shipwreck. Created between 1515-27 by Marco Dente, this artwork reflects Salviati's influence as it captivates audiences with its dramatic composition and attention to detail. Salviati's passion for intellectual pursuits is evident in another work from this period - a man kneeling and placing a laurel branch upon burning books. This thought-provoking image challenges societal norms while symbolizing the power of knowledge even amidst destruction. The Visitation, created by Giorgio Ghisi between 1540-50, exemplifies Salviati's ability to infuse religious themes with profound emotion. The delicate brushstrokes and harmonious colors bring this sacred moment to life before our eyes. Salviati also collaborated on The Holy Family with St. Anne and St. Catherine published between 1627-50; here we witness how he seamlessly blended different artistic styles into one cohesive composition that evokes reverence and awe. His talent extended beyond traditional paintings; Cherubino Alberti brought Salviati's designs for two knife handles to life between 1553-1615.