Francisco De Collection (#4)

Plate 57 from Los Caprichos : The filiation (La filiacion. ), 1799
Plate 57 from Los Caprichos :The filiation (La filiacion.), 1799

Plate 53 from Los Caprichos : What a golden beak! (Que pico de Oro!), 1799
Plate 53 from Los Caprichos :What a golden beak! (Que pico de Oro!), 1799

Plate 52 from Los Caprichos : What a tailor can do! (Lo que puede un Sastre!), 1799

Plate 51 from Los Caprichos : They spruce themselves up (Se repulen. ), 1799
Plate 51 from Los Caprichos : They spruce themselves up (Se repulen.), 1799

Plate 43 from Los Caprichos : The sleep of reason produces monsters (El sueno de la razon produce monstruos), 1799, published 1908-12

Plate 41 from Los Caprichos : Neither more nor less (Ni mas ni menos. ), 1799
Plate 41 from Los Caprichos : Neither more nor less (Ni mas ni menos.), 1799

Plate 50 from Los Caprichos : The Chinchillas (Los Chinchillas. ), 1799
Plate 50 from Los Caprichos : The Chinchillas (Los Chinchillas.), 1799

Plate 49 from Los Caprichos : Hobgoblins (Duendecitos. ), 1799. Creator: Francisco Goya
Plate 49 from Los Caprichos : Hobgoblins (Duendecitos.), 1799

Plate 48 from Los Caprichos : Tale-Bearers-Blasts of Wind (Soplones. ), 1799
Plate 48 from Los Caprichos : Tale-Bearers-Blasts of Wind (Soplones.), 1799

Plate 42 from Los Caprichos : Thou who canst not (Tu que no puedes. ), 1799
Plate 42 from Los Caprichos : Thou who canst not (Tu que no puedes.), 1799

Plate 40 from Los Caprichos : Of what ill will he die? (De que mal morira?), 1799

Plate 39 from Los Caprichos : And so was his grandfather. (Asta su Abuelo. ), 1799
Plate 39 from Los Caprichos : And so was his grandfather. (Asta su Abuelo.), 1799

Plate 37 from Los Caprichos : Might not the pupil know more? (Si Sabra mas el discipulo?), 1799

Plate 33 from Los Caprichos : To the Count Palatine (Al Conde Palatino. ), 1799
Plate 33 from Los Caprichos :To the Count Palatine (Al Conde Palatino.), 1799

Plate 30 from Los Caprichos : Why hide them? (Porque esconderlos?), 1799

Plate 28 from Los Caprichos : Hush (Chiton. ), 1799. Creator: Francisco Goya
Plate 28 from Los Caprichos : Hush (Chiton.), 1799

Plate 24 from Los Caprichos : Nothing could be done about It (Nohubo remedio. ), 1799
Plate 24 from Los Caprichos : Nothing could be done about It (Nohubo remedio.), 1799

Plate 18 from Los Caprichos : And his house is on fire (Ysele quema la Casa. ), 1799
Plate 18 from Los Caprichos :And his house is on fire (Ysele quema la Casa.), 1799

Plate 16 from Los Caprichos : For heavens sake: and it was her mother (Dios la Perdone
Plate 16 from Los Caprichos :For heavens sake: and it was her mother (Dios la Perdone: Y era su madre), 1799

Plate 13 from Los Caprichos : They are Hot (Estan Calientes), 1797-98
Plate 13 from Los Caprichos :They are Hot (Estan Calientes), 1797-98

Plate 9 from Los Caprichos : Tantalus (Tantalo. ), 1799. Creator: Francisco Goya
Plate 9 from Los Caprichos : Tantalus (Tantalo.), 1799

Plate 12 from Los Caprichos : Out hunting for teeth (A caza de dientes. ), 1799
Plate 12 from Los Caprichos : Out hunting for teeth (A caza de dientes.), 1799

Plate 10 from Los Caprichos : Love and death (El amor y la muerte), 1799

Plate 3 from Los Caprichos : Here comes the bogey-man (Que viene el Coco. ), 1799
Plate 3 from Los Caprichos : Here comes the bogey-man (Que viene el Coco.), 1799

Plate 1 from Los Caprichos : Self-portrait of Goya ( Franco. Goya e Lucientes, Pintor), 1799

Old woman on a swing (Vieja columpiandose). n. d. Creator: Francisco Goya
Old woman on a swing (Vieja columpiandose).n.d

Plate 6 from Los Caprichos : Nobody knows himself (Nadie se conoce. ), 1799
Plate 6 from Los Caprichos : Nobody knows himself (Nadie se conoce.), 1799

Plate 4 from Los Caprichos : Nannys boy (El de la rollona. ), 1799
Plate 4 from Los Caprichos : Nannys boy (El de la rollona.), 1799

Plate 2 from Los Caprichos : They say yes and give their hand to the first comer (El si pronuncian y la mano alargen al primero que llega), 1799

The cloaked man (El Embozado). Creator: Unknown
The cloaked man (El Embozado)

Isabel of Bourbon, Queen of Spain and wife of Philip IV (D. Isabel de Borbon, Reyna de Espana, muger de Felipe Quarto), 1778

Balthasar Carlos, Prince of Spain and Son of Philip IV (D. Baltasar Carlos Principe de Espana. Hijo del Rey D. Felipe IV), from Etchings after Velazquez, 1778

The custody is as barbarous as the crime (Tan barbara la seguridad como el delito), ca. 1815

Moenippus (Menipo Filosofo), 1778. Creator: Francisco Goya
Moenippus (Menipo Filosofo), 1778

Aesop (Aesopus), from Etchings after Velazquez, 1778. Creator: Francisco Goya
Aesop (Aesopus), from Etchings after Velazquez, 1778

A dwarf (un enano) known as El Primo after Diego Velazquez, 1778

A Maja standing against a dark background (Maja). Creator: Francisco Goya
A Maja standing against a dark background (Maja)

Francisco Valdes, Spanish Commander, from the series Quatuor Personae... 1649

Sebastian Martinez y Perez (1747-1800), 1792. Creator: Francisco Goya
Sebastian Martinez y Perez (1747-1800), 1792

Ignacio Garcini y Queralt (1752-1825), Brigadier of Engineers, 1804. Creator: Francisco Goya
Ignacio Garcini y Queralt (1752-1825), Brigadier of Engineers, 1804

Condesa de Altamira and Her Daughter, Maria Agustina, 1787-88. Creator: Francisco Goya
Condesa de Altamira and Her Daughter, Maria Agustina, 1787-88

Infanta Maria Luisa (1782-1824) and Her Son Carlos Luis (1799-1883). Creator
Infanta Maria Luisa (1782-1824) and Her Son Carlos Luis (1799-1883)

Maria Luisa of Parma (1751-1819), Queen of Spain. Creator: Unknown
Maria Luisa of Parma (1751-1819), Queen of Spain

Don Bernardo de Iriarte (1735-1814). Creator: Copy after Goya (Spanish, 1797 or later)
Don Bernardo de Iriarte (1735-1814)

Saint Benedict, ca. 1640-45. Creator: Francisco de Zurbaran
Saint Benedict, ca. 1640-45

Bullfight in a Divided Ring. Creator: Francisco Goya
Bullfight in a Divided Ring

A City on a Rock. Creator: Unknown
A City on a Rock

Ferdinand VII (1784-1833), When Prince of Asturias. Creator: Francisco Goya
Ferdinand VII (1784-1833), When Prince of Asturias

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"Francisco de Goya: A Master of Satire, Portraits, and Historical Figures" Step into the world Goya, a renowned Spanish artist whose works continue to captivate audiences today. With his keen eye for detail and ability to convey emotion through brushstrokes, Goya's art is both thought-provoking and visually stunning. In Plate 80 from Los Caprichos titled "It is time (Ya es hora. )", Goya delves into social commentary, shedding light on the flaws of society. His satirical approach challenges viewers to question their own beliefs and values. Moving on to Plate 60 from Los Caprichos called "Trials (Ensayos. )", Goya explores themes of injustice and corruption within the legal system. Through powerful imagery, he exposes the dark underbelly of society while urging for change. Plate 25 from Los Caprichos entitled "If he broke the pot (Si quebroel Cantaro. )" showcases Goya's talent in capturing everyday scenes with a touch of humor. This playful piece reminds us not to take life too seriously and find joy in simple moments. Goya's skill in portraiture shines through in his depiction of notable figures such as The Duke of Wellington. Created by his workshop, this portrait exudes strength and determination - qualities that defined this military leader during tumultuous times. Another striking portrait is that of Senora Sabasa Garcia - an elegant woman captured with grace by Goya himself. Her poise reflects both her inner strength and societal status during early 19th-century Spain. In Charles IV of Spain as Huntsman, also created by his workshop, we witness a different side to royalty. Here, Charles IV appears as an avid hunter rather than a ruler – showcasing the multifaceted nature hidden behind power. Bartolome Sureda y Miserol exemplifies Goya's ability to capture the essence of his subjects.