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Plate 6 from Los Caprichos : Nobody knows himself (Nadie se conoce. ), 1799
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Plate 6 from Los Caprichos : Nobody knows himself (Nadie se conoce. ), 1799
Plate 6 from Los Caprichos : Nobody knows himself (Nadie se conoce.), 1799
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Media ID 20569053
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Ball Carnival Cuckold De Goya Deceit Deceiving Foolish Foolishness Francisco Francisco De Francisco De Goya Francisco De Goya Y Lucientes Francisco Goya Francisco Jose De Francisco José De Goya Y Lucientes Goya Goya Francisco Goya Francisco De Goya Y Lucientes Goya Y Lucientes Francisco Jose De Hats Los Caprichos Mask Masked Masked Ball Pretence Pretending Silly
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Plate 6 from Los Caprichos - Nobody knows himself (Nadie se conoce. ), 1799 - A Satirical Reflection on Deception and Foolishness
EDITORS COMMENTS
. In this black and white etching by Francisco Goya, we are transported to an extravagant masked ball in 18th century Spain. The scene is filled with people adorned in elaborate costumes and masks, dancing and reveling in the carnival spirit. However, beneath the surface of merriment lies a deeper message. Titled "Nobody knows himself". Goya's Plate 6 from Los Caprichos serves as a biting satire on human pretense and deceit. Amongst the crowd, we see a woman wearing a foolishly oversized hat, symbolizing her own ignorance of her true self. She is surrounded by cuckolds who are oblivious to their own foolishness as well. Goya masterfully captures the essence of this masquerade through intricate details and expressive lines that bring each character to life. The artist's sharp wit shines through as he exposes society's tendency to hide behind masks while pretending to be someone they are not. This thought-provoking print invites us to reflect upon our own actions and question whether we truly know ourselves or if we too fall victim to pretense. It reminds us that appearances can be deceiving, urging us towards introspection and self-awareness. Displayed at The Met Museum, this remarkable piece of heritage art continues to captivate viewers with its timeless relevance even centuries after
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