Frederico Zucchero Collection
Frederico Zuccaro, a renowned Italian artist of the late 16th century, left an indelible mark on the world of art with his exceptional talent and diverse body of work
For sale as Licensed Images
Choose your image, Select your licence and Download the media
Frederico Zuccaro, a renowned Italian artist of the late 16th century, left an indelible mark on the world of art with his exceptional talent and diverse body of work. Born in Italy, Zuccaro's artistic journey began early on as he honed his skills under the guidance of prominent artists. One notable masterpiece by Zuccaro is "The Dispute of the Church Fathers over the Holy Sacrament, " created in 1575. This captivating painting depicts a theological debate among influential figures within the Catholic Church, showcasing Zuccaro's ability to capture complex narratives through his brushstrokes. In 1581, Zuccaro showcased his versatility with a copy of "Birth of the Virgin. " Inspired by Julius Goltzius' original artwork, this piece demonstrates Zuccaro's meticulous attention to detail and commitment to preserving artistic traditions. Zuccaro also ventured into portraiture, capturing iconic figures such as Queen Elizabeth I in both 1588 and later reproduced in 1888. These portraits exude regal elegance while revealing Zuccaro's ability to immortalize historical personalities through paint. Another notable subject for Zuccaro was Mary, Queen of Scots. In collaboration with Francesco Bartolozzi, he published a stunning depiction in 1779 that captures her grace amidst turbulent times. Religious themes were prevalent throughout much of Zuccaro's oeuvre. One striking example is "The Coronation of the Virgin with St Lawrence, St Paul, St Peter and St Sixtus" from 1576. This grand composition showcases not only religious devotion but also highlights Zucarro’s mastery over perspective and composition. "The Lamentation Art Painting (Upper Half)" painted by Cornelis Cort in collaboration with Frederico himself portrays an allegorical representation reflecting upon art itself – its struggles and triumphs – demonstrating their profound understanding beyond mere technical virtuosity.