Frontal Collection (page 4)

Rare stele showing Artabanus V, the last Parthian king, investing Khwasak
BOO179129 Rare stele showing Artabanus V, the last Parthian king, investing Khwasak, the satrap of Susa: he hands a ring as emblem of his authority, from Susa, Iran

L Annunciation - tempera on panel, 1344
LRI4572958 L Annunciation - tempera on panel, 1344 by Lorenzetti, Ambrogio (1285-c.1348); Pinacoteca Nazionale, Siena, Tuscany, Italy; (add.info.: L Annunciation - The Annunciation (Annunciazione)

Plate 530. Various Poses, 1872-85 (collotype on paper)
3950111 Plate 530. Various Poses, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 23.2x31.3 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Portrait of a Girl, c. 1545 (oil on canvas)
488191 Portrait of a Girl, c.1545 (oil on canvas) by Pencz, Georg (1500-50); 61.28 x 49.85 cm; Minneapolis Institute of Arts, MN

Coronation of the Virgin, 1414 (tempera on wood, gold background)
887049 Coronation of the Virgin, 1414 (tempera on wood, gold background) by Lorenzo Monaco, (Piero di Giovanni) (c.1370-1425); Galleria degli Uffizi, Florence, Tuscany

John Ruskin, 1882 (albumen print)
696651 John Ruskin, 1882 (albumen print) by Elliott & Fry Studio (fl.1860-90); Private Collection; (add.info.: John Ruskin (1819-1900) was the leading English art critic of the Victorian era

Portrait of a Woman (oil on canvas)
Ma199973 Portrait of a Woman (oil on canvas) by Calderon, Philip Hermogenes (1833-98); 53.5x43.5 cm; Private Collection; Photo eThe Ms Gallery, London; English, out of copyright

Human Figure, Anterior View, from A comparative anatomical exposition of
XYC253494 Human Figure, Anterior View, from A comparative anatomical exposition of the structure of the human body with that of a tiger and a common fowl

Crested shriketit, Falcunculus frontatus (Frontal shrike, Lanius frontatus). Handcoloured copperplate drawn and engraved by John Latham from his own A General History of Birds, Winchester, 1822

Olga de Simard de Pitray, 1841 (gouache on paper)
CHT271744 Olga de Simard de Pitray, 1841 (gouache on paper) by Segur, Louis Gaston de (1820-81); Private Collection; (add.info)

Side chair, c. 1815-20 (rosewood)
2972969 Side chair, c.1815-20 (rosewood) by English School, (19th century); The Geffrye Museum of the Home, London, UK; (add.info.: One of a set of three chairs in imitation rosewood)

Sofa, c. 1830 (mahogany & silk)
2972944 Sofa, c.1830 (mahogany & silk) by English School, (19th century); The Geffrye Museum of the Home, London, UK; (add.info.: Sofa with a mahogany frame on reeded sabre legs with brass paw caps)

Bust of Queen Victoria, 1856 (ivory, marble & glass)
3084463 Bust of Queen Victoria, 1856 (ivory, marble & glass) by Noble, Matthew (1818-76); 23.3x8 cm; The Geffrye Museum of the Home, London

Arctic candle lamps: The ideal means of lighting dinner tables, ballrooms &c
3084461 Arctic candle lamps: The ideal means of lighting dinner tables, ballrooms &c, 1897-98 (colour litho) by English School, (19th century); 21.6x13 cm; The Geffrye Museum of the Home, London

Armchair, c. 1810 (beech & cane)
3084424 Armchair, c.1810 (beech & cane) by English School, (19th century); 84x54.5x51.5 cm; The Geffrye Museum of the Home, London

Heads of Tahitian Women, Frontal and Profile Views, 1891-93
3502571 Heads of Tahitian Women, Frontal and Profile Views, 1891-93 (charcoal with brush & water on paper) by Gauguin, Paul (1848-1903); 41.4x32.6 cm; The Art Institute of Chicago, IL

Horse nomad (silver gilt)
XBP343167 Horse nomad (silver gilt) by Scythian, (7th century BC); height: 8.6 cm; Private Collection; Photo eBoltin Picture Library; out of copyright

Nude Girl, 1886 (oil on canvas)
488207 Nude Girl, 1886 (oil on canvas) by Corinth, Lovis (Franz Heinrich Louis) (1858-1925); 76.2 x 64.14 cm; Minneapolis Institute of Arts, MN

Joris-Karl Huysmans, 1896 (engraving)
498379 Joris-Karl Huysmans, 1896 (engraving) by French School, (19th century); Private Collection; (add.info.: Charles-Marie-Georges Huysmans (1848-1907)

Study of a nude II (w / c on paper)
XPG366351 Study of a nude II (w/c on paper) by Bladon, Murray (1864-1940); Private Collection; English, out of copyright

The Canter: One Stride Photographer Synchronously from Two Points of View, 1887
498349 The Canter: One Stride Photographer Synchronously from Two Points of View, 1887, illustration from Animals in Motion by Eadweard Muybridge, 1907 edition (b/w photo) by Muybridge

Maharaja Jaswant Singh II of Jodhpur, c. 1870s (b / w photo)
498585 Maharaja Jaswant Singh II of Jodhpur, c.1870s (b/w photo) by British Photographer, (19th century); Private Collection; (add.info)

Classical Lady
Ma55744 Classical Lady by Godward, John William (1861-1922); Private Collection; Photo eThe Ms Gallery, London; English, out of copyright

Maiolica plate, 1575-1625 (ceramic)
2972982 Maiolica plate, 1575-1625 (ceramic) by Italian School; The Geffrye Museum of the Home, London, UK; (add.info.: Tin-glazed earthenware (maiolica) plate

Dish, c. 1700-20 (glazed porcelain)
3084465 Dish, c.1700-20 (glazed porcelain) by Chinese School (18th century); diam: 22.9 cm; The Geffrye Museum of the Home, London, UK; (add.info.: made in Fujian, China c.1700-1720)

Armchair, c. 1890 (turned mahogany and birch with cotton upholstery
3084447 Armchair, c.1890 (turned mahogany and birch with cotton upholstery and a woven cotton loose cover) by English School, (19th century); 82x78.3x73 cm; The Geffrye Museum of the Home, London

The Visitation and The Nativity with the midwives Celomi and Salome, detail
3499644 The Visitation and The Nativity with the midwives Celomi and Salome, detail by Romanesque, (13th century); Museo Diocesano, Jaca, Huesca, Aragon

Chief Inchangi, c. 1895 (b / w photo)
701569 Chief Inchangi, c.1895 (b/w photo) by South African Photographer, (19th century); Private Collection; (add.info.: Zulu chief.); South African, out of copyright

Ms Hunter 653 Plate V Anatomical Drawing, c. 1610 (pencil & chalk on paper)
GUL232022 Ms Hunter 653 Plate V Anatomical Drawing, c.1610 (pencil & chalk on paper) by Cortona, Pietro da (Berrettini) (1596-1669); 53x36 cm; Glasgow University Library

Study of the Human Figure, Anterior View, from A Comparative Anatomical Exposition
XYC257406 Study of the Human Figure, Anterior View, from A Comparative Anatomical Exposition of the Structure of the Human Body with that of a Tiger and a Common Fowl

Study of the Human Figure, Anterior View, from A comparative anatomical exposition
XYC253493 Study of the Human Figure, Anterior View, from A comparative anatomical exposition of the structure of the human body with that of a tiger and a common fowl

Self-portrait (oil on panel)
1067936 Self-portrait (oil on panel) by Dou, Gerrit or Gerard (1613-75); 25.4x19 cm; Dallas Museum of Art, Texas, USA; gift of Mr. and Mrs. E.M. (Ted) Dealey; Dutch, out of copyright

Comanche Chief, c. 1934 (watercolor)
1066566 Comanche Chief, c.1934 (watercolor) by Tsatoke, Monroe (1904-37); 26.7x15.2 cm; Dallas Museum of Art, Texas, USA; gift of the Public Works of Art Project; American, out of copyright

Antependium depicting Christ with the donors at his feet between the Archangels Gabriel
XIR158267 Antependium depicting Christ with the donors at his feet between the Archangels Gabriel, Raphael and Michael and St

Eelctricity in diagnosis (b / w photo)
6013612 Eelctricity in diagnosis (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: Eelctricity in diagnosis)

Portrait of Isabella Colbran (oil on canvas, 1817)
LRI4627084 Portrait of Isabella Colbran (oil on canvas, 1817) by Schmidt, Johann Heinrich (1749-1829); Museo Teatrale alla Scala, Milan

Festival figure: Vishnu, 17th century (wood and paint)
1067562 Festival figure: Vishnu, 17th century (wood and paint) by Indian School, (17th century); 238.8x74.9x18.4 cm; Dallas Museum of Art, Texas, USA; gift of Mr. and Mrs

Bust of Prince Albert, c. 1856 (ivory & marble)
3084469 Bust of Prince Albert, c.1856 (ivory & marble) by Noble, Matthew (1818-76); 23.8x7.4 cm; The Geffrye Museum of the Home, London

Bottle, c. 1770-1820 (glass)
3084427 Bottle, c.1770-1820 (glass) by English School; 26x9.2 cm; The Geffrye Museum of the Home, London, UK; (add.info.: Black glass cylinder-shaped bottle with a paper label inscribed Dantzic)

Fan, 1880-1900 (peacock feathers)
2972968 Fan, 1880-1900 (peacock feathers) by English School, (19th century); The Geffrye Museum of the Home, London, UK; (add.info)

The Dancer, 1913 (bronze)
2957083 The Dancer, 1913 (bronze) by Gaudier-Brzeska, Henri (1891-1915); height: 76 cm; Private Collection; French, out of copyright

St. James the Greater
AII79521 St. James the Greater by Garofalo, Benvenuto Tisi da (1481-1559); Palazzo Pitti, Florence, Italy; Italian, out of copyright

Study of the Human Figure, Anterior View, Final Stage of Dissection
XYC258608 Study of the Human Figure, Anterior View, Final Stage of Dissection, from A Comparative Anatomical Exposition of the Structure of the Human Body with that of a Tiger and a Common Fowl

Captain David Bush, 1812 (oil on canvas)
1079426 Captain David Bush, 1812 (oil on canvas) by American School, (19th century); 66 A-- 54.9 cm; Collection of the New-York Historical Society

Zabrops flavipilis
Donald Jusa

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"Exploring the Frontal: Unveiling the Intricacies of Anatomy and Art" Step into a world where Leonardo da Vinci's meticulous study of skull anatomy intertwines with the beating rhythm of the heart. A person with a camera captures these hidden wonders, revealing them through X-ray images that peel back layers of mystery. In one frame, da Vinci's intricate sketches come to life, showcasing the delicate balance between artistry and science. The portrait of Robert Clive serves as a testament to how art can immortalize historical figures on canvas, capturing their essence for generations to come. As we delve deeper into this journey, we encounter an unexpected sight - the Puffing Devil locomotive emerges from history's shadows. Its mechanical marvel reminds us that progress is not limited to brushstrokes but extends to engineering feats that shape our world. Amidst these diverse subjects lies another masterpiece - an artwork depicting the cardiovascular system in all its complexity. It stands as a reminder of our own fragility and resilience, urging us to cherish each beat within our chests. But just when you think you've seen it all, a tiger approaches stealthily. Its primal presence reminds us that nature's beauty can be both awe-inspiring and fearsome simultaneously. Shifting gears once again, an X-ray reveals a total hip replacement - evidence of medical advancements improving lives every day. And then there it is – a normal skull captured in X-ray form; reminding us that beneath external appearances lie stories waiting to be discovered. The exploration continues as neck and shoulder arteries are unveiled through yet another X-ray image – highlighting the interconnectedness within our bodies like never before. Just when you thought this journey couldn't get any more eclectic or surprising, we stumble upon something unexpected – a nude figure reminiscent of Jean Agelou’s style. Art has always pushed boundaries and challenged societal norms throughout history. Finally, soaring above it all is none other than the majestic Barn Owl, a symbol of wisdom and grace.