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Frontal Collection (page 9)

"Exploring the Frontal

Background imageFrontal Collection: Italy. Paestum. Temple of Hera, built around 460450 BC. Arc

Italy. Paestum. Temple of Hera, built around 460450 BC. Arc
Greek art. Magna Graecia. Paestum. Temple of Hera, also called of Neptune, built around 460450 BC. Archaic doric temple. Campania. Italy

Background imageFrontal Collection: Golden altar from Lisbjerg Chruch, near Arhus. 1135-40. Nati

Golden altar from Lisbjerg Chruch, near Arhus. 1135-40. Nati
Golden altar from Lisbjerg Chruch, near Arhus. 1135-40. Superpositions of altar, retable and crucifix, surrounded by an arched structure

Background imageFrontal Collection: Aachen Cathedral. Palatine Chapel. Interior

Aachen Cathedral. Palatine Chapel. Interior with main altar, know Pala d Oro (1000) and Shrine of the Virgin Mary (1238). Germany

Background imageFrontal Collection: Temple of Poseidon. Paestum

Temple of Poseidon. Paestum
Paestum. Temple of Poseidon. 5th century BC. Italy

Background imageFrontal Collection: Temple of Athena. Paestum

Temple of Athena. Paestum
Paestum. Temple of Athena. 6th century BC. Italy

Background imageFrontal Collection: Skull of Homo sapiens

Skull of Homo sapiens. Natural History Museum. London. United Kingdom

Background imageFrontal Collection: Romanesque art. Spain. 13th century. Berbegal Front (Aragon)

Romanesque art. Spain. 13th century. Berbegal Front (Aragon). Polychromed wood. Diocesan Museum of Lleida. Catalonia

Background imageFrontal Collection: Two mules bearing panniers outfitted blinders

Two mules bearing panniers outfitted blinders
Artokoloro

Background imageFrontal Collection: Richard Weston Earl Portland 1645 Etching second state

Richard Weston Earl Portland 1645 Etching second state
Artokoloro

Background imageFrontal Collection: Interior View Court Yard Frontal Defense Mechanism

Interior View Court Yard Frontal Defense Mechanism
Artokoloro

Background imageFrontal Collection: Design Soldier Costume Cuirass front back ca

Design Soldier Costume Cuirass front back ca
Artokoloro

Background imageFrontal Collection: Design Fireplace Frontal Profile Views 1735-88

Design Fireplace Frontal Profile Views 1735-88
Artokoloro

Background imageFrontal Collection: Portrait Man early 1650s Oil canvas 43 1 / 2 x 34

Portrait Man early 1650s Oil canvas 43 1 / 2 x 34
Artokoloro

Background imageFrontal Collection: USA, Texas, Santa Clara Ranch. Frontal view of collard peccary

USA, Texas, Santa Clara Ranch. Frontal view of collard peccary. Credit as: Fred Lord / Jaynes Gallery / DanitaDelimont(Large format sizes available)

Background imageFrontal Collection: USA, New Mexico, Albuquerque. Close-up of snow leopard in Rio Grande Zoo. Credit as

USA, New Mexico, Albuquerque. Close-up of snow leopard in Rio Grande Zoo. Credit as: Cathy & Gordon Illg / Jaynes Gallery / DanitaDelimont

Background imageFrontal Collection: USA, Hawaii, Hakalau Forest National Wildlife Refuge. Close-up of iiwi bird on ohia tree limb

USA, Hawaii, Hakalau Forest National Wildlife Refuge. Close-up of iiwi bird on ohia tree limb. Credit as: Cathy & Gordon Illg / Jaynes Gallery / DanitaDelimont

Background imageFrontal Collection: Europe, Norway, Svalbard. Polar bear walking on snow

Europe, Norway, Svalbard. Polar bear walking on snow
Norway, Svalbard. Polar bear walking on snow. Credit as: Bill Young / Jaynes Gallery / DanitaDelimont

Background imageFrontal Collection: Europe, Norway, Svalbard. Frontal view of polar bear on rocky ground

Europe, Norway, Svalbard. Frontal view of polar bear on rocky ground
Norway, Svalbard. Frontal view of polar bear on rocky ground. Credit as: Bill Young / Jaynes Gallery / DanitaDelimont

Background imageFrontal Collection: Shoebill (Balaeniceps rex) portrait. Uganda, Entebbe, Uganda Wildlife Education Centre

Shoebill (Balaeniceps rex) portrait. Uganda, Entebbe, Uganda Wildlife Education Centre

Background imageFrontal Collection: Springbok (Antidorcas marsupialis), Kgalagadi Transfrontier Park, Kalahari, Portrait

Springbok (Antidorcas marsupialis), Kgalagadi Transfrontier Park, Kalahari, Portrait. Africa, South Africa, Kgalagadi Transfrontier Park

Background imageFrontal Collection: Neck vertebra anatomy engraving 1866

Neck vertebra anatomy engraving 1866
Atlas d anatomie descriptive du corps humain C. Bonamy - Paul Broca Victor Masson et Fils Paris 1866

Background imageFrontal Collection: Frontal trunk anatomy engraving 1866

Frontal trunk anatomy engraving 1866
Atlas d anatomie descriptive du corps humain C. Bonamy - Paul Broca Victor Masson et Fils Paris 1866

Background imageFrontal Collection: Sternum anatomy engraving 1866

Sternum anatomy engraving 1866
Atlas d anatomie descriptive du corps humain C. Bonamy - Paul Broca Victor Masson et Fils Paris 1866

Background imageFrontal Collection: A Barbers Shop, published by William Dickinson (1746-1823), 1785 (engraving)

A Barbers Shop, published by William Dickinson (1746-1823), 1785 (engraving)
XJF872808 A Barbers Shop, published by William Dickinson (1746-1823), 1785 (engraving) by Bunbury, Henry William (1750-1811) (after); Private Collection; English, out of copyright

Background imageFrontal Collection: Self Portrait at the Age of Twenty-Eight, 1500 (oil on panel)

Self Portrait at the Age of Twenty-Eight, 1500 (oil on panel)
XIR59176 Self Portrait at the Age of Twenty-Eight, 1500 (oil on panel) by DAOErer or Duerer, Albrecht (1471-1528); 67x49 cm; Alte Pinakothek, Munich, Germany; German, out of copyright

Background imageFrontal Collection: Portrait of Giovanni Lorenzo Bernini, print made by James Basire, 1764 (etching with

Portrait of Giovanni Lorenzo Bernini, print made by James Basire, 1764 (etching with
XJF498583 Portrait of Giovanni Lorenzo Bernini, print made by James Basire, 1764 (etching with mezzotint) by Rosa, Salvator (1615-73) (after); Private Collection; (add.info.: Berninus Pictor)

Background imageFrontal Collection: Samuel Birch Esq. print made by William Drummond, illustration from European Magazine

Samuel Birch Esq. print made by William Drummond, illustration from European Magazine
XJF486377 Samuel Birch Esq. print made by William Drummond, illustration from European Magazine, 1805 (stipple engraving) by Drummond

Background imageFrontal Collection: Self Portrait, 1651 (etching with drypoint)

Self Portrait, 1651 (etching with drypoint)
XJF486392 Self Portrait, 1651 (etching with drypoint) by Renesse, Constantin Daniel van (1626-80); 8 x 7 cm; Private Collection; Dutch, out of copyright

Background imageFrontal Collection: William Penn aged Twenty Two, print made by S. A. Schoff, 1862 (engraving)

William Penn aged Twenty Two, print made by S. A. Schoff, 1862 (engraving)
XJF476253 William Penn aged Twenty Two, print made by S. A. Schoff, 1862 (engraving) by English School, (17th century) (after); Private Collection; (add.info)

Background imageFrontal Collection: Sir William Penn (mezzotint)

Sir William Penn (mezzotint)
XJF476256 Sir William Penn (mezzotint) by Place, Francis (1647-1728) (after); Private Collection; (add.info.: Sir William Penn (1621-1670)

Background imageFrontal Collection: John Steel, 1803, illustration from Kays Edinburgh Portraits, published 1837-8

John Steel, 1803, illustration from Kays Edinburgh Portraits, published 1837-8
XJF476225 John Steel, 1803, illustration from Kays Edinburgh Portraits, published 1837-8 (engraving) by Kay, John (1742-1826) (after); Private Collection; (add.info)

Background imageFrontal Collection: Giovanni Battista Martini (oil on canvas)

Giovanni Battista Martini (oil on canvas)
XPH324146 Giovanni Battista Martini (oil on canvas) by Martini, Giovanni Battista (1706-84); Civico Museo Bibliografico Musicale, Bologna, Italy; (add.info.: Giovanni Battista Martini (1706-84)

Background imageFrontal Collection: Crown Prince Frederick II, c. 1740 (oil on panel)

Crown Prince Frederick II, c. 1740 (oil on panel)
XPH311195 Crown Prince Frederick II, c.1740 (oil on panel) by Pesne, Antoine (1683-1747); Schloss Sanssouci, Potsdam, Brandenburg

Background imageFrontal Collection: Prince Otto von Bismarck, 1884 (oil on paper)

Prince Otto von Bismarck, 1884 (oil on paper)
XPH308447 Prince Otto von Bismarck, 1884 (oil on paper) by Lenbach, Franz Seraph von (1836-1904); 82.5x121 cm; Stadtische Galerie im Lenbachhaus, Munich

Background imageFrontal Collection: Otto von Bismarck, c. 1850 (oil on canvas)

Otto von Bismarck, c. 1850 (oil on canvas)
XPH308452 Otto von Bismarck, c.1850 (oil on canvas) by German School, (19th century); Geheimes Staatsarchiv Preussischer Kulturbesitz, Germany; (add.info.: Otto Eduard Leopold von Bismarck)

Background imageFrontal Collection: Otto von Bismarck, c. 1890

Otto von Bismarck, c. 1890
XPH308449 Otto von Bismarck, c.1890 by Lenbach, Franz Seraph von (1836-1904); Tucherschloss Nuernberg, Nuremberg, Germany; (add.info)

Background imageFrontal Collection: Monkey Standing, Anterior View (pen & ink over graphite on paper)

Monkey Standing, Anterior View (pen & ink over graphite on paper)
XYC286277 Monkey Standing, Anterior View (pen & ink over graphite on paper) by Stubbs, George (1724-1806); 28.6x34.3 cm; Yale Center for British Art, Paul Mellon Collection

Background imageFrontal Collection: Five Visionary Heads of Women, c. 1820 (graphite on paper)

Five Visionary Heads of Women, c. 1820 (graphite on paper)
XYC281168 Five Visionary Heads of Women, c.1820 (graphite on paper) by Blake, William (1757-1827); 27x32.4 cm; Yale Center for British Art, Paul Mellon Collection, USA; English, out of copyright

Background imageFrontal Collection: Portrait of John Churchill (1650-1722) 1st Duke of Marlborough (oil on canvas)

Portrait of John Churchill (1650-1722) 1st Duke of Marlborough (oil on canvas)
XCF268081 Portrait of John Churchill (1650-1722) 1st Duke of Marlborough (oil on canvas) by Kneller, Godfrey (1646-1723); Private Collection; English, out of copyright

Background imageFrontal Collection: Portrait of Robert Devereux (1566-1601) c. 1596 (oil on canvas)

Portrait of Robert Devereux (1566-1601) c. 1596 (oil on canvas)
XCF268076 Portrait of Robert Devereux (1566-1601) c.1596 (oil on canvas) by Gheeraerts, Marcus, the Younger (c.1561-1635) (after); 63.5x50.8 cm; National Portrait Gallery, London

Background imageFrontal Collection: Portrait of Thomas Moore (1779-1852) c. 1800-05 (oil on canvas)

Portrait of Thomas Moore (1779-1852) c. 1800-05 (oil on canvas)
XCF267403 Portrait of Thomas Moore (1779-1852) c.1800-05 (oil on canvas) by English School, (19th century) (after); 73.7x62.2 cm; National Portrait Gallery, London

Background imageFrontal Collection: George (1738-1789) 3rd Earl Cowper, c. 1769 (oil on canvas)

George (1738-1789) 3rd Earl Cowper, c. 1769 (oil on canvas)
XYC254470 George (1738-1789) 3rd Earl Cowper, c.1769 (oil on canvas) by Mengs, Anton Raphael (1728-79); 49.2x40.6 cm; Yale Center for British Art, Paul Mellon Collection

Background imageFrontal Collection: Portrait of Madame Georges Bizet (1849-1926) 1878 (oil on canvas)

Portrait of Madame Georges Bizet (1849-1926) 1878 (oil on canvas)
XIR198412 Portrait of Madame Georges Bizet (1849-1926) 1878 (oil on canvas) by Delaunay, Jules Elie (1828-91); 104x75 cm; Musee d Orsay, Paris

Background imageFrontal Collection: Study of the Christ Child and an Anatomical Drawing with Notes (black chalk & brown ink on paper)

Study of the Christ Child and an Anatomical Drawing with Notes (black chalk & brown ink on paper)
BAL191783 Study of the Christ Child and an Anatomical Drawing with Notes (black chalk & brown ink on paper) (verso) by Buonarroti, Michelangelo (1475-1564); British Museum, London, UK; Italian

Background imageFrontal Collection: Study of Figures (black chalk on paper) (recto) (for verso see 191778)

Study of Figures (black chalk on paper) (recto) (for verso see 191778)
BAL191777 Study of Figures (black chalk on paper) (recto) (for verso see 191778) by Buonarroti, Michelangelo (1475-1564); British Museum, London, UK; Italian, out of copyright

Background imageFrontal Collection: Portrait of an Unknown Man (oil on canvas)

Portrait of an Unknown Man (oil on canvas)
XIR183066 Portrait of an Unknown Man (oil on canvas) by Rigaud, Hyacinthe Francois (1659-1743); Musee de la Ville de Paris, Musee Carnavalet, Paris, France; French, out of copyright

Background imageFrontal Collection: Altar front depicting the Life of the Virgin, c. 1300 (tempera on panel)

Altar front depicting the Life of the Virgin, c. 1300 (tempera on panel)
XIR141294 Altar front depicting the Life of the Virgin, c.1300 (tempera on panel) by French School, (14th century); Musee National du Moyen Age et des Thermes de Cluny




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"Exploring the Frontal: Unveiling the Intricacies of Anatomy and Art" Step into a world where Leonardo da Vinci's meticulous study of skull anatomy intertwines with the beating rhythm of the heart. A person with a camera captures these hidden wonders, revealing them through X-ray images that peel back layers of mystery. In one frame, da Vinci's intricate sketches come to life, showcasing the delicate balance between artistry and science. The portrait of Robert Clive serves as a testament to how art can immortalize historical figures on canvas, capturing their essence for generations to come. As we delve deeper into this journey, we encounter an unexpected sight - the Puffing Devil locomotive emerges from history's shadows. Its mechanical marvel reminds us that progress is not limited to brushstrokes but extends to engineering feats that shape our world. Amidst these diverse subjects lies another masterpiece - an artwork depicting the cardiovascular system in all its complexity. It stands as a reminder of our own fragility and resilience, urging us to cherish each beat within our chests. But just when you think you've seen it all, a tiger approaches stealthily. Its primal presence reminds us that nature's beauty can be both awe-inspiring and fearsome simultaneously. Shifting gears once again, an X-ray reveals a total hip replacement - evidence of medical advancements improving lives every day. And then there it is – a normal skull captured in X-ray form; reminding us that beneath external appearances lie stories waiting to be discovered. The exploration continues as neck and shoulder arteries are unveiled through yet another X-ray image – highlighting the interconnectedness within our bodies like never before. Just when you thought this journey couldn't get any more eclectic or surprising, we stumble upon something unexpected – a nude figure reminiscent of Jean Agelou’s style. Art has always pushed boundaries and challenged societal norms throughout history. Finally, soaring above it all is none other than the majestic Barn Owl, a symbol of wisdom and grace.