Fury Collection (#9)

The Rakes Progress at the University - No. 2, 1806. Creator: James Gillray
The Rakes Progress at the University - No. 2, 1806. Satire depicting an angry tutor watching an undergraduate nonchalantly walking on the grass: Ah me

Minerva checks the Wrath of Achilles, c1757, (1928). Artist: Giovanni Battista Tiepolo
Minerva checks the Wrath of Achilles, c1757, (1928). Pen with wash on paper. Sketch for one of the frescoes in the Villa Valmarana near Vicenza, Italy. Staatsgalerie, Stuttgart, Germany

The Origin of Horn Fair, Held at Charlton in Kent, (c1803). Artist: William Wynne Ryland
The Origin of Horn Fair, Held at Charlton in Kent, (c1803). Late 18th century depiction of a supposed incident involving King John of England

Gannet (Morus bassanus) adult portrait. Shetland Islands, Scotland, UK, September

Gaming table scene in Covent Garden, Westminster, London, 1746. Artist: James Hulett
Gaming table scene in Covent Garden, Westminster, London, 1746. With a verse below

Miseries of London... 1807. Artist: Thomas Rowlandson
Miseries of London... 1807. A congested London Street. Two coachmen threaten each other with their whips while two women have fallen over a wheelbarrow

Hunting a Mare, 1819. An ass, with the profile of Lord Mayor of London John Atkins, flees from Henry Hunt and a crowd of jeering followers

A Night Scene at Ranelagh on Wednesday 6th of May 1752. View of Mountefort Brown pulling off Dr John Hills wig in the entrance to the Rotunda, Ranelagh Gardens, Chelsea

Buy my Goose, my fat Goose, plate II of Cries of London, 1799. Artist: H Merke
Buy my Goose, my fat Goose. A fat tradesman stands at the door of a house chattering with an elderly couple, in each hand he holds a goose by the neck

Miseries of human life, Smithfield Market, London, c1800
Miseries of human life, London, c1800; a citizen in Smithfield Market finds himself between two enraged bulls, while alarmed drovers shout

Locomotion, London, c1820. Artist: George Cruikshank
Locomotion, London, c1820. In the centre a man wearing steam driven boots has ground to a halt, as the fire has gone out, below a servant attempts to start a blaze with a pair of belows

A hackney coachman, London, 1814
A hackney coachman, holding a coin in his hand, disputes the fare with two passengers in a doorway, London, 1814

The Huff, 1859. Artist: John Phillip
The Huff, 1859; a group of Spanish women with the central figure in a huff

Wife being sold at Smithfield Market, London, c1820. A rowdy scene at Smithfield cattle market with the wife for sale tied by a rope around her waist to a rail in the centre

The Battle of Cornhill, 1769. Interior of room in the Kings Arms Inn, Cornhill, during a meeting to sign an address to King George III; Mr Reynolds has knocked down Mr Dingley

The addressers, 1769. Interior of a room in the Kings Arms Inn, Cornhill, and the disturbance which occurred on March 8, 1769 during a meeting of London merchants to sign an address to King George

Petitioners before George III
A Hint to Ministers, or a Gracious Answer to Grievous Petitions, 1808. George III dismissing petitioners from the City of London opposed to the Convention of Cintra

Anti-Cromwell demonstration, Suffolk Street, London, 1735. The true Effigies of the Members of the Calves Head Club, held on the 30th of January 1734 in Suffolk Street

Exhibition at the Royal Horticultural Society, London, 1826. Artist: George Cruikshank
Exhibition at the Royal Horticultural Society, London, 1826. An unusual exhibition in the Great Room of the Horticultural Society in Lower Regent Street, Westminster, London

The Cockney in a Slough, 1804. A cockney on horseback is enticed into a mire by a country yokel who claims that the ground is firm

The Enraged Musician, 1741. Artist: William Hogarth
The Enraged Musician, 1741; showing a musician unable to concentrate by the din outside in the street, which emanates from an oboe player, a dustman, knife-grinder, paviour, milkmaid

A Rakes Progress, 1735; plate VII of VIII. Artist: William Hogarth
A Rakes Progress, 1735; plate VII of VIII. Tom Rakewell is confined to Fleet Prison, London, for debt, and being harangued by his wife

The dwarves quarrelling over the body of Fafner, 1924. Artist: Arthur Rackham
The dwarves quarrelling over the body of Fafner, 1924. Illustration from Siegfried and the Twilight of the Gods. Alberich

Fricka approaches in anger, 1910. Artist: Arthur Rackham
Fricka approaches in anger, 1910. Illustration from The Rhinegold and the Valkyrie. Fricka approaches Wotan, angry at the incestuous love of Wotans two children Siegmund and Sieglinde

Mime howling Ohe! Ohe! Oh! Oh!, 1910. Artist: Arthur Rackham
Mime howling Ohe! Ohe! Oh! Oh!, 1910. Illustration from The Rhinegold and the Valkyrie. Alberich beats his brother Mime for taking too long working on the Tarnhelm. From Das Rheingold

Raging, Wotan Rides to the Rock! Like a Storm-wind he comes!, 1910. Frontispiece to The Rhinegold and the Valkyrie. Wotan discovers that Brunnhilde has betrayed his wishes

Ulysses Shoots the First Arrow at the Wooers, 1926. Artist: Henry Justice Ford
Ulysses Shoots the First Arrow at the Wooers, 1926. Ulysses (Odysseus) killing the suitors of his wife Penelope after returning to Ithaca after his long absence at the Trojan War and on his Odyssey

Mirram crept silently to the gunyah, 1923. Artist: Raymond Wenban
Mirram crept silently to the gunyah, 1923. How the kangaroo got a long tail, and the wombat a flat forehead; Mirram the kangaroo creeping into Warreen the wombats tent to punish him for his

German tavern wrecked, Deptford, London, World War I, c1914-c1918. Anti-German feeling in the UK during the war resulted in many businesses and homes owned by Germans being attacked

Peaceful demonstration regarding the treatment of British ex-servicemen, 1923. Artist
Peaceful demonstration regarding the treatment of British ex-servicemen, 1923. They hold placards protesting at the sacking of over 3000 civil servants who were former members of the armed services

Henry VI of England and the Dukes of York and Somerset, 1450 (1864). After returning from Ireland, Richard, Duke of York (1411-1460), is surprised to find Edmund Beaufort (1406-1455)

King Edward I threatens the Lord Marshal, 1297 (1864). Humphrey de Bohun (1276-1322), Earl of Hereford, Lord High Constable, and Roger Bigod (1245-1306), Earl of Norfolk, Lord Marshal of England

King Alfred in the neatherds cottage c878 (1864). Artist: James William Edmund Doyle
King Alfred in the neatherds cottage c878 (1864). Early in his reign as King of Wessex, while a fugitive from the Danish conquerors of his kingdom

The Battle of the Nile, 1908. Artist: Lance Thackeray
The Battle of the Nile, 1908. From The Light Side of Egypt, 1908

Exodus 32: 15-23: Moses breaking the stone tablets. Facsimile copy of a 15th century manuscript of the German School

King Alfred burning the cakes, (c1900). Artist: Trelleek
King Alfred burning the cakes, c1900. Legend has it that Alfred (849-899), offered shelter from the Danes by a woman at Athelney in the Somerset marshes

Othello. Act 4. Scene 2. An Apartment in the Castle. Desdemona & Othello, 1801. Artist: Andrew Michel
Othello. Act 4. Scene 2. An Apartment in the Castle. Desdemona & Othello, 1801. After R. K. Porter. From Shakespeare Gallery, Pall Mall, 1795, by John Boydell. [J. & J. Boydell, London, 1795]

He Hurled The Blacksmith Over A Parapet, 1892. Artist: Sidney E Paget
He Hurled The Blacksmith Over A Parapet, 1892. Illustration from The Adventure of the Speckled Band by Arthur Conan Doyle. From The Strand Magazine: An Illustrated Monthly - Vol. III

Rash Act of Gaius Gracchus, 1852. Artist: John Leech
Rash Act of Gaius Gracchus, 1852. From The Comic History of Rome, by Gilbert A A Beckett, illustrated by John Leech. [Bradbury, Agnew & Co, London, 1852]

Mrs Sextus consoles herself with a Little Party, 1852. Artist: John Leech
Mrs Sextus consoles herself with a Little Party, 1852. From The Comic History of Rome, by Gilbert A A Beckett, illustrated by John Leech. [Bradbury, Agnew & Co, London, 1852]

Philip receiving a Message from Rome, 1852. Artist: John Leech
Philip receiving a Message from Rome, 1852. From The Comic History of Rome, by Gilbert A A Beckett, illustrated by John Leech. [Bradbury, Agnew & Co, London, 1852]

John in a Passion, c1860, (c1860). Artist: John Leech
John in a Passion, c1860, (c1860). John (1166-1216) King of England from 6 April 1199 until his death in 1216. John lost the duchy of Normandy to King Philip II of France

Who am I! I m the Mistress of this ere ouse, and this is the young Squire!, 1865. Artist: John Leech
Who am I! I m the Mistress of this ere ouse, and this is the young Squire!, 1865. From Mr. Facey Romfords Hounds, by Robert Smith Surtees. [Bradbury and Evans, London, 1865]

A Thought-Form of Anger, c1916, (1917). Directed Against a Person Who Had Inflicted A Deep Injury On The One Who Sent It Forth

A Rakes Progress - 7: Fleet Prison, 1733. Artist: William Hogarth
A Rakes Progress - 7: Fleet Prison, 1733. Tom Rakewell is confined to Fleet Prison, London, for debt, and being harangued by his wife

Marriage A-la-Mode: 3. The Inspection, c1743. Artist: William Hogarth
Marriage A-la-Mode: 3. The Inspection, c1743. The nobleman is in the house of Dr Misaubin, no 96 St Martins Lane. He threatens the quack with his cane for having prescribed pills which proved

A Rakes Progress; scene I, 1735. Artist: William Hogarth
A Rakes Progress ; scene I, 1734. Tom Rakewell is taking possession of his miserly fathers effects. Kneeling beside him is a tailor measuring him up for a new set of clothes

Winters Tale. Act II. Scene I, 1793. Artist: James Fittler
Winters Tale. Act II. Scene I, 1793. After William Hamilton (1751-1801). From Shakespeare Gallery, Pall Mall, 1795, by John Boydell. [J. & J. Boydell, London, 1795]

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"Fury Unleashed: From Sky to Stage, the Power Within" Witness the raw power embodied in various forms - from the mighty Hawker Sea Fury FB11 WF619 soaring through the skies, to a stunning statue by Tom Murphy paying tribute to singer-songwriter Billy Fury near Albert Dock. Marvel at the lineup of Hawker Sea Fury FB11s, including VW242, standing as a testament to their formidable presence. Picture yourself on the carrier deck of HMS Warrior aircraft carrier, where these magnificent machines once roared into action. Discover the Napier Sabre VII installation on the iconic Hawker Fury LA610, an engineering marvel that propelled this aircraft forward with unmatched force. Feel your heart race as you witness an exhilarating air display at RAF Abingdon, showcasing both power and precision. Step back in time and imagine scenes from history like "The Shop Assistant who Lost his Temper" by H. M. Bateman or Birmingham's No Popery riots in 1868 (1906). These moments capture how they are manifest itself in unexpected ways. Experience awe-inspiring beauty as you admire a Hawker Sea Fury FB11 WF619 belonging to Pakistan Air Force - its sleek design symbolizing strength and determination. And finally, explore plans for North American FJ-1 Fury - a glimpse into future possibilities fueled by unyielding passion and ambition. In every corner of our world, fury takes shape - whether it be through roaring engines or impassioned protests, and is a force that demands attention and respect; it is untamed energy waiting to be unleashed upon those who dare stand against it.